ESAT Bibliography Wop-Wz

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Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

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Words and acts. (Letter to the editor). 2003. American Theatre, 20(8):7.

Wortham, Chris 1983. A sense of place: Home and homelessness in the plays of Athol Fugard, in Van Wyk Smith, M. & Mclennan, D. (eds.). Olive Schreiner and After: Essays on South African Literature. Cape Town: David Philip.

Worthen, W.B. 1996. Convicted reading, in Reinelt, Janelle (ed.). Crucibles of Crisis: Performing Social Change. Ann Arbor MI: University of Michigan Press. 165-184.

Wren, Celia 1990. Wrestling with apartheid. American Theatre, 7(1):52.

Wren, Celia 1997. After apartheid (Lincoln Center’s Woza Albert!). Commonweal, 124:28-29. September 12.

Wright, Laurence 1987. Shakespeare Against Apartheid, by Martin Orkin. Reviewed in: Shakespeare in Southern Africa, 1:72-74.

Wright, Laurence 1988. Shakespeare and the bomber pilot: a reply to Colin Gardner. Shakespeare in Southern Africa, 2:83-89.

Wright, Laurence & Gubb, L. 1989. A tribute to ‘Stratford-on-Baakens’: thirty years of the Port Elizabeth Shakespearean Festival. Shakespeare in South Africa, 3:1-8.

Wright, Laurence 1997. Editorial. Shakespeare in South Africa,:IV.

Wright, Laurence 1998. Editorial. Shakespeare in South Africa, IV.

Wright, Laurence 2001. Confronting the African nightmare: Yael Farber's SeZaR. Shakespeare in South Africa, 13:102.

Wright, Laurence 2002a. A checklist of South African theses and dissertations on Shakespeare. Shakespeare in South Africa, 14:43-48.

Wright, Laurence 2002b. Heiner Müller’s Hamletmachine, directed by Gideon van Eeden for the Technikon Pretoria Drama Department at the National Arts Festival, 2002. Shakespeare in South Africa, 14:43-47.

Wright, Laurence 2002c. The Taming of the Shrew: Mannville’s 30th anniversary production; Helen Flax’s production for the Mannville Open-air Theatre, February 2002. Shakespeare in South Africa, 14:49-50.

Wright, Laurence 2003. Apartheid Shakespeare on trial. Shakespeare in South Africa: stage productions during the Apartheid era, by Rohan Quince. Reviewed in: Shakespeare in South Africa, 15:83-102.

Wright, Laurence 2004a. Hill of fools: a South African Romeo and Juliet? English in Africa, 31(2):73-88.

Wright, Laurence 2004. Shakespeare in South Africa: Alpha and 'Omega'. Postcolonial Studies, 7(1):63-81.

Wright, Laurence 2004. The Marowitz Hamlet. Shakespeare in South Africa, 16:73-74.

Wright, Laurence 2005a. A magical 'Dream': the Port Elizabeth Shakespearean Festival 2005. Shakespeare in South Africa, 17:53- .

Wright, Laurence 2005b. The relevance of (South African) Renaissance studies. Shakespeare in South Africa, 17:19-25.

Wright, Laurence 2007a. Theatre reviews. Shakespeare in South Africa, 19(7):81-83.

Wright, Laurence 2007b. Trafficking in Shakespeare: origins and prospects for the ‘Southern Hemisphere Spread of Shakespeare’ research and publication programme. Shakespeare in South Africa, 19(7):71-75.

Wright, Laurence 2008. Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and books. Shakespeare in South Africa, 20:25-27.

Wright, Laurence 2008. “Something rotten in this age of hope”, the Hamletmachine. Shakespeare in South Africa, 20:66-68.

Wrinch-Schulz, Peter 1957. Vivienne Drummond. South African Panorama, 2(1).

Wylde, N.L. 2010. Staging Shakespeare for young people in South Africa : a theatre practitioner's point of view. Shakespeare in Southern Africa, 22:40-42.

Wyngaard, Heinrich 1999. Feesvoos? Never! Insig, 05/99:37.

Wyngaard, Heinrich 2000. Want die fees kom nader. Insig, 04/00:35.



Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance