Difference between revisions of "ESAT Bibliography Wop-Wz"

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Words and acts. (Letter to the editor). 2003 American theatre, 20(8): 7.
+
Words and acts. (Letter to the editor). 2003 American Theatre, 20(8):7.
  
Worthen, W.B. 1996. Convicted reading. In  Reinelt, Janelle (ed.) Crucibles of crisis: performing social change. Ann Arbor MI: University of Michigan Press. p. 165-184.
+
Worthen, W.B. 1996. Convicted reading, in Reinelt, Janelle (ed.) Crucibles of Crisis: Performing Social Change. Ann Arbor MI: University of Michigan Press. 165-184.
  
Wren, Celia 1990. Wrestling with apartheid. American theatre, 7(1): 52.  
+
Wren, Celia 1990. Wrestling with apartheid. American Theatre, 7(1):52.  
  
Wright, Laurence 1987. Shakespeare against apartheid, by Martin Orkin. Reviewed in Shakespeare in Southern Africa, 1: 72-74.
+
Wright, Laurence 1987. Shakespeare Against Apartheid, by Martin Orkin. Reviewed in Shakespeare in Southern Africa, 1:72-74.
  
Wright, Laurence 1988. Shakespeare and the bomber pilot: a reply to Colin Gardner. Shakespeare in Southern Africa, 2: 83-89.
+
Wright, Laurence 1988. Shakespeare and the bomber pilot: a reply to Colin Gardner. Shakespeare in Southern Africa, 2:83-89.
  
Wright, Laurence & Gubb, L. 1989. A tribute to ‘Stratford-on-Baakens’: thirty years of the Port Elizabeth Shakespearean Festival. Shakespeare in South Africa, 3: 1-8.
+
Wright, Laurence & Gubb, L. 1989. A tribute to ‘Stratford-on-Baakens’: thirty years of the Port Elizabeth Shakespearean Festival. Shakespeare in South Africa, 3:1-8.
  
Wright Laurence 1997. Editorial. Shakespeare in Southern Africa [serial online]. January 1997:IV.
+
Wright Laurence 1997. Editorial. Shakespeare in Southern Africa,:IV.
  
Wright Laurence 1998. Editorial. Shakespeare in Southern Africa [serial online]. January
+
Wright Laurence 1998. Editorial. Shakespeare in Southern Africa, IV.
1998:IV.
 
  
 
Wright Laurence 2001. Confronting the African nightmare: Yael Farber's SeZaR. Shakespeare in Southern Africa, 13:102.
 
Wright Laurence 2001. Confronting the African nightmare: Yael Farber's SeZaR. Shakespeare in Southern Africa, 13:102.
  
 
Wright, Laurence 2002a. A checklist of South African theses and dissertations on  
 
Wright, Laurence 2002a. A checklist of South African theses and dissertations on  
Shakespeare. Shakespeare in Southern Africa, 14: 43-48.  
+
Shakespeare. Shakespeare in Southern Africa, 14:43-48.  
  
Wright, Laurence 2002b. Heiner Müller’s Hamletmachine, directed by Gideon van Eeden for the Technikon Pretoria Drama Department at the National Arts Festival, 2002.  Shakespeare in Southern Africa, 14: 43-47.
+
Wright, Laurence 2002b. Heiner Müller’s Hamletmachine, directed by Gideon van Eeden for the Technikon Pretoria Drama Department at the National Arts Festival, 2002.  Shakespeare in Southern Africa, 14:43-47.
  
Wright, Laurence 2002c. The taming of the shrew: Mannville’s 30th anniversary production; Helen Flax’s production for the Mannville Open-Air Theatre, February 2002. Shakespeare in Southern Africa, 14: 49-50.
+
Wright, Laurence 2002c. The Taming of the Shrew: Mannville’s 30th anniversary production; Helen Flax’s production for the Mannville Open-Air Theatre, February 2002. Shakespeare in Southern Africa, 14:49-50.
  
Wright, Laurence 2003. Apartheid Shakespeare on trial. Shakespeare in South Africa: stage productions during the Apartheid era, by Rohan Quince. Reviewed in: Shakespeare in Southern Africa, 15: 83-102.
+
Wright, Laurence 2003. Apartheid Shakespeare on trial. Shakespeare in South Africa: stage productions during the Apartheid era, by Rohan Quince. Reviewed in: Shakespeare in Southern Africa, 15:83-102.
  
Wright, Laurence 2004a. Hill of fools: a South African Romeo and Juliet? English in Africa, 31(2): 73-88.
+
Wright, Laurence 2004a. Hill of fools: a South African Romeo and Juliet? English in Africa, 31(2):73-88.
  
Wright, Laurence 2004. Shakespeare in South Africa: Alpha and 'Omega'. Postcolonial studies, 7(1): 63-81.  
+
Wright, Laurence 2004. Shakespeare in South Africa: Alpha and 'Omega'. Postcolonial Studies, 7(1):63-81.  
  
 
Wright, Laurence 2004. The Marowitz Hamlet. Shakespeare in Southern Africa,  
 
Wright, Laurence 2004. The Marowitz Hamlet. Shakespeare in Southern Africa,  
16: 73-74.
+
16:73-74.
  
Wright, Laurence 2005a. A magical 'Dream': the Port Elizabeth Shakespearean Festival 2005. Shakespeare in Southern Africa, 17: 53- .
+
Wright, Laurence 2005a. A magical 'Dream': the Port Elizabeth Shakespearean Festival 2005. Shakespeare in Southern Africa, 17:53- .
  
Wright, Laurence 2005b. The relevance of (South African) Renaissance studies. Shakespeare in Southern Africa, 17: 19-25.
+
Wright, Laurence 2005b. The relevance of (South African) Renaissance studies. Shakespeare in Southern Africa, 17:19-25.
  
Wright, Laurence  2007a. Theatre reviews. Shakespeare in Southern Africa, 19(7): 81-83.
+
Wright, Laurence  2007a. Theatre reviews. Shakespeare in Southern Africa, 19(7):81-83.
  
Wright, L.aurence 2007b. Trafficking in Shakespeare: origins and prospects for the ‘Southern Hemisphere Spread of Shakespeare’ research and publication programme. Shakespeare in Southern Africa, 19(7): 71-75.  
+
Wright, L.aurence 2007b. Trafficking in Shakespeare: origins and prospects for the ‘Southern Hemisphere Spread of Shakespeare’ research and publication programme. Shakespeare in Southern Africa, 19(7):71-75.  
  
Wright, Laurence 2008. Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and books. Shakespeare in Southern Africa, 20: 25-27.
+
Wright, Laurence 2008. Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and books. Shakespeare in Southern Africa, 20:25-27.
 
   
 
   
Wright, Laurence 2008.  “Something rotten in this age of hope”, the Hamletmachine. Shakespeare  in Southern Africa, 20: 66-68.
+
Wright, Laurence 2008.  “Something rotten in this age of hope”, the Hamletmachine. Shakespeare  in Southern Africa, 20:66-68.
  
WYNCHANK, ANNY. 1998. Touki-Bouki: The new wave on the cinematic shores of Africa. South African theatre journal, 12(1&2):53-72.
+
Wyngaard, Heinrich. 1999Feesvoos? Never! Insig, 05/99:37.
  
Wyngaard, Heinrich. 1999.  Feesvoos? Never! Insig, 05/99: 37.
+
Wyngaard, Heinrich. 2000.  Want die fees kom nader. Insig, 04/00:35.
 
 
Wyngaard, Heinrich. 2000.  Want die fees kom nader. Insig, 04/00: 35.
 
  
  

Revision as of 21:04, 7 March 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Words and acts. (Letter to the editor). 2003 American Theatre, 20(8):7.

Worthen, W.B. 1996. Convicted reading, in Reinelt, Janelle (ed.) Crucibles of Crisis: Performing Social Change. Ann Arbor MI: University of Michigan Press. 165-184.

Wren, Celia 1990. Wrestling with apartheid. American Theatre, 7(1):52.

Wright, Laurence 1987. Shakespeare Against Apartheid, by Martin Orkin. Reviewed in Shakespeare in Southern Africa, 1:72-74.

Wright, Laurence 1988. Shakespeare and the bomber pilot: a reply to Colin Gardner. Shakespeare in Southern Africa, 2:83-89.

Wright, Laurence & Gubb, L. 1989. A tribute to ‘Stratford-on-Baakens’: thirty years of the Port Elizabeth Shakespearean Festival. Shakespeare in South Africa, 3:1-8.

Wright Laurence 1997. Editorial. Shakespeare in Southern Africa,:IV.

Wright Laurence 1998. Editorial. Shakespeare in Southern Africa, IV.

Wright Laurence 2001. Confronting the African nightmare: Yael Farber's SeZaR. Shakespeare in Southern Africa, 13:102.

Wright, Laurence 2002a. A checklist of South African theses and dissertations on Shakespeare. Shakespeare in Southern Africa, 14:43-48.

Wright, Laurence 2002b. Heiner Müller’s Hamletmachine, directed by Gideon van Eeden for the Technikon Pretoria Drama Department at the National Arts Festival, 2002. Shakespeare in Southern Africa, 14:43-47.

Wright, Laurence 2002c. The Taming of the Shrew: Mannville’s 30th anniversary production; Helen Flax’s production for the Mannville Open-Air Theatre, February 2002. Shakespeare in Southern Africa, 14:49-50.

Wright, Laurence 2003. Apartheid Shakespeare on trial. Shakespeare in South Africa: stage productions during the Apartheid era, by Rohan Quince. Reviewed in: Shakespeare in Southern Africa, 15:83-102.

Wright, Laurence 2004a. Hill of fools: a South African Romeo and Juliet? English in Africa, 31(2):73-88.

Wright, Laurence 2004. Shakespeare in South Africa: Alpha and 'Omega'. Postcolonial Studies, 7(1):63-81.

Wright, Laurence 2004. The Marowitz Hamlet. Shakespeare in Southern Africa, 16:73-74.

Wright, Laurence 2005a. A magical 'Dream': the Port Elizabeth Shakespearean Festival 2005. Shakespeare in Southern Africa, 17:53- .

Wright, Laurence 2005b. The relevance of (South African) Renaissance studies. Shakespeare in Southern Africa, 17:19-25.

Wright, Laurence 2007a. Theatre reviews. Shakespeare in Southern Africa, 19(7):81-83.

Wright, L.aurence 2007b. Trafficking in Shakespeare: origins and prospects for the ‘Southern Hemisphere Spread of Shakespeare’ research and publication programme. Shakespeare in Southern Africa, 19(7):71-75.

Wright, Laurence 2008. Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and books. Shakespeare in Southern Africa, 20:25-27.

Wright, Laurence 2008. “Something rotten in this age of hope”, the Hamletmachine. Shakespeare in Southern Africa, 20:66-68.

Wyngaard, Heinrich. 1999. Feesvoos? Never! Insig, 05/99:37.

Wyngaard, Heinrich. 2000. Want die fees kom nader. Insig, 04/00:35.



Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance