Difference between revisions of "ESAT Bibliography Wim-Woo"
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[[Mervyn Wilbur Woodrow|Woodrow, Mervyn Wilbur]] 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria. | [[Mervyn Wilbur Woodrow|Woodrow, Mervyn Wilbur]] 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria. | ||
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| + | Woodward, Wendy 2009. "Who is to say ... that the hen did not speak?" Bird subjectivities in some southern African narratives. (''[[The Finches]]'') ''Alternation: international journal for the study of Southern African literature and languages'', 16(2): | ||
[[J.R. Woodyatt|Woodyatt, J.R.]] 1947. Anatomy of 1946’s stage (including high standard of designer [[Gillis Botbijl]]). ''Libertas'', 7(4):68-69. | [[J.R. Woodyatt|Woodyatt, J.R.]] 1947. Anatomy of 1946’s stage (including high standard of designer [[Gillis Botbijl]]). ''Libertas'', 7(4):68-69. | ||
Revision as of 19:23, 9 October 2013
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Windmills of the Mind, 1978 Amstel Award winning play. 1979. Scenaria, (14):21.
Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi Rose, 30(13):46-48. January 23.
Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2):362-364.
Witch in my heart. [Literary criticism, Hilda Kuper). 1972. African Studies, 32(2):149-150.
With songs in its heart. (Colorado Festival of World Theatre). 2007. American Theatre, 24(7):12.
Wittenberg, Hermann 2007. Alan Paton's writing for the stage : towards a non-racial South African theatre. South African Theatre Journal, 21:307-327.
Witwatersrand University Players (University Dramatic Society). 1929. Footlights, 1(4):11.
Witz, Leslie 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 Jan van Riebeeck Tercentenary Festival fair in Cape Town. South African Historical Journal, (29):5-27.
Woddis, Carole et al. 1984. Saturday Night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London Theatre Record, 4(8):287-289. Apr 9.
Wolf, Matt 1993. Lightening up (escapism in the South African theater). American Theatre, 10(4):42-44.
Wolff, Tamsen 1997. Performance Review: Glasshouse. Theatre Journal 49.1:60-61.
Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the Convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73.
Wood, Margot 2005. Children’s theatre: in search of an approach to theatre by children, for children. Unpublished master’s thesis. Stellenbosch: University of Stellenbsoch.
Woodrow, Mervyn W. 1970. South African drama in English. English Studies in Africa, 13(2):391-410.
Woodrow, Mervyn Wilbur 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria.
Woodward, Wendy 2009. "Who is to say ... that the hen did not speak?" Bird subjectivities in some southern African narratives. (The Finches) Alternation: international journal for the study of Southern African literature and languages, 16(2):
Woodyatt, J.R. 1947. Anatomy of 1946’s stage (including high standard of designer Gillis Botbijl). Libertas, 7(4):68-69.
Woolfson, Malcolm 1968. Who'd be an actress in South Africa? (Valerie Miller; Andrée Magnus) Teater SA, 1(2):8-9.
Woolfson, Malcolm 1986. Kleurryke Kollig op die Natalse Teatergeskiedenis, vertaal deur Mariana Evans. Durban: Natalse Raad vir Uitvoerende Kunste.
Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council.
Woolfson, Malcolm 1992. But the Melody Lingers On. Johannesburg: Perskor.
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