Difference between revisions of "ESAT Bibliography Wim-Woo"
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[[Hermann Wittenberg|Wittenberg, Hermann]] 2007. [[Alan Paton]]'s writing for the stage : towards a non-racial South African theatre. ''[[South African Theatre Journal]]'', 21:307-327. | [[Hermann Wittenberg|Wittenberg, Hermann]] 2007. [[Alan Paton]]'s writing for the stage : towards a non-racial South African theatre. ''[[South African Theatre Journal]]'', 21:307-327. | ||
| − | Witz, Leslie 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 [[Van Riebeeck Festival|Jan van Riebeeck Tercentenary Festival]] fair in Cape Town. South African Historical Journal, (29):5-27. | + | [[Leslie Witz|Witz, Leslie]] 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 [[Van Riebeeck Festival|Jan van Riebeeck Tercentenary Festival]] fair in Cape Town. ''South African Historical Journal'', (29):5-27. |
| − | Woddis, Carole et al. 1984. Saturday Night at The Palace [newspaper reviews for Paul | + | [[Carole Woddis|Woddis, Carole]] et al. 1984. ''[[Saturday Night at The Palace]]'' [newspaper reviews for [[Paul Slabolepszy]]’s play]. ''London Theatre Record'', 4(8):287-289. Apr 9. |
| − | Wolf, Matt 1993. Lightening up (escapism in the South African theater). American Theatre, 10(4):42-44. | + | [[Matt Wolf|Wolf, Matt]] 1993. Lightening up (escapism in the South African theater). ''American Theatre'', 10(4):42-44. |
| − | Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the Convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73. | + | [[J.T. Wood|Wood, J.T.]] 1960. Survey of the control of stage lighting. ''Proceedings of the Convention of the Association of Municipal Electricity Undertakings of Southern Africa'', 59-73. |
| − | Wood, Margot 2005. Children’s theatre: in search of an approach to theatre by children, for children. Unpublished master’s thesis. Stellenbosch: University of Stellenbsoch. | + | [[Margot Wood|Wood, Margot]] 2005. Children’s theatre: in search of an approach to theatre by children, for children. Unpublished master’s thesis. Stellenbosch: University of Stellenbsoch. |
| − | Woodrow, Mervyn W. 1970. South African drama in English. | + | [[Mervyn W. Woodrow|Woodrow, Mervyn W.]] 1970. South African drama in English. ''English Studies in Africa'', 13(2):391-410. |
| − | Woodrow, Mervyn Wilbur 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria. | + | [[Mervyn Wilbur Woodrow|Woodrow, Mervyn Wilbur]] 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria. |
| − | Woodyatt, J.R. 1947. Anatomy of 1946’s stage. Libertas, 7(4):68-69. | + | [[J.R. Woodyatt|Woodyatt, J.R.]] 1947. Anatomy of 1946’s stage. ''Libertas'', 7(4):68-69. |
| − | Woolfson, Malcolm 1986. Kleurryke Kollig op die Natalse Teatergeskiedenis, vertaal deur Mariana Evans. Durban: Natalse Raad vir Uitvoerende Kunste. | + | [[Malcolm Woolfson|Woolfson, Malcolm]] 1986. ''Kleurryke Kollig op die Natalse Teatergeskiedenis'', vertaal deur [[Mariana Evans]]. Durban: Natalse Raad vir Uitvoerende Kunste. |
| − | Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council. | + | [[Malcolm Woolfson|Woolfson, Malcolm]] 1986. The long road that led to the [[Natal Playhouse]]. Durban: Natal Performing Arts Council. |
| − | Woolfson, Malcolm 1992. But the Melody Lingers On. Johannesburg: Perskor. | + | [[Malcolm Woolfson|Woolfson, Malcolm]] 1992. ''But the Melody Lingers On''. Johannesburg: Perskor. |
Revision as of 09:57, 9 March 2011
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Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
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Windmills of the Mind, 1978 Amstel Award winning play. 1979. Scenaria, (14):21.
Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi Rose, 30(13):46-48. January 23.
Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2):362-364.
Witch in my heart. [Literary criticism, Hilda Kuper). 1972. African Studies, 32(2):149-150.
With songs in its heart. (Colorado Festival of World Theatre). 2007. American Theatre, 24(7):12.
Wittenberg, Hermann 2007. Alan Paton's writing for the stage : towards a non-racial South African theatre. South African Theatre Journal, 21:307-327.
Witz, Leslie 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 Jan van Riebeeck Tercentenary Festival fair in Cape Town. South African Historical Journal, (29):5-27.
Woddis, Carole et al. 1984. Saturday Night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London Theatre Record, 4(8):287-289. Apr 9.
Wolf, Matt 1993. Lightening up (escapism in the South African theater). American Theatre, 10(4):42-44.
Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the Convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73.
Wood, Margot 2005. Children’s theatre: in search of an approach to theatre by children, for children. Unpublished master’s thesis. Stellenbosch: University of Stellenbsoch.
Woodrow, Mervyn W. 1970. South African drama in English. English Studies in Africa, 13(2):391-410.
Woodrow, Mervyn Wilbur 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria.
Woodyatt, J.R. 1947. Anatomy of 1946’s stage. Libertas, 7(4):68-69.
Woolfson, Malcolm 1986. Kleurryke Kollig op die Natalse Teatergeskiedenis, vertaal deur Mariana Evans. Durban: Natalse Raad vir Uitvoerende Kunste.
Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council.
Woolfson, Malcolm 1992. But the Melody Lingers On. Johannesburg: Perskor.
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Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
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