Difference between revisions of "ESAT Bibliography Wim-Woo"

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Windmills of the mind, 1978 Amstel Award winning play. 1979. Scenaria, (14): 21.
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Windmills of the Mind, 1978 [[Amstel Award]] winning play. 1979. ''[[Scenaria]]'', (14):21.
  
Winer, Stan. 2000. Play gives an outlet to collective betrayal. In: The Sunday Independent, July, 16, 2000: 8.
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[[W. Winterbach|Winterbach, W.]] 1974. [[Tine Balder]] is terug in Vlaandere. ''Rooi Rose'', 30(13):46-48. January 23.
  
Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi rose, 30(13): 46-48. January 23.
+
[[David Wintersteen|Wintersteen, David]] 2003. South Africa: the [[National Arts Festival]]. ''Theatre Journal'', 55(2):362-364.
  
Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2): 362-364.
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Witch in my heart. [Literary criticism, [[Hilda Kuper]]). 1972. ''African Studies'', 32(2):149-150.
  
Witch in my heart. [Literary criticism, Hilda Kuper]. 1972. African studies, 32(2): 149-150.
+
With songs in its heart. (Colorado Festival of World Theatre). 2007. ''American Theatre'', 24(7):12.
  
With songs in its heart. (Colorado Festival of World Theatre). 2007. American theatre, 24(7): 12.
+
[[Hermann Wittenberg|Wittenberg, Hermann]]  2007. [[Alan Paton]]'s writing for the stage : towards a non-racial South African theatre. ''[[South African Theatre Journal]]'', 21:307-327.
  
Wittenberg, Hermann  2007 Alan Paton's writing for the stage : towards a non-racial South African theatre. South African theatre journal, 21: 307-327.
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[[Witwatersrand University Players]] ([[University Dramatic Society]]). 1929. ''Footlights'', 1(4):11.
  
Witz, Leslie 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 Jan van Riebeeck Tercentenary Festival fair in Cape Town. South African Historical Journal, (29): 5-27.
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[[Leslie Witz|Witz, Leslie]] 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 [[Van Riebeeck Fees|Jan van Riebeeck Tercentenary Festival]] fair in Cape Town. ''South African Historical Journal'', (29):5-27.
  
Wixley, Meridy. 1999. R16 million has a history. In: Pretoria News, May 22, 1999: 6.
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[[Carole Woddis|Woddis, Carole]] et al. 1984. ''[[Saturday Night at The Palace]]'' [newspaper reviews for [[Paul Slabolepszy]]’s play]. ''London Theatre Record'', 4(8):287-289. Apr 9.
  
Woddis, Carole et al. 1984. Saturday night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London theatre record, 4(8): 287-289. Apr 9.
+
[[Matt Wolf|Wolf, Matt]] 1993. Lightening up (escapism in the South African theater). ''American Theatre'', 10(4):42-44.
  
Wolf, Matt 1993. Lightening up (escapism in the South African theater). American theatre, 10(4): 42-44.
+
[[Tamsen Wolff|Wolff, Tamsen]] 1997. Performance Review: ''[[Glasshouse]]''. ''Theatre Journal'' 49.1:60-61.  
  
Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73.
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[[J.T. Wood|Wood, J.T.]] 1960. Survey of the control of stage lighting. ''Proceedings of the Convention of the Association of Municipal Electricity Undertakings of Southern Africa'', 159-173.
  
Wood, Margot 2005. Children’s theatre: in search of an approach to theatre by children, for children. Stellenbosch: University of Stellenbsoch. (M.Dram thesis.)
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[[Margot Wood|Wood, Margot]] 2005. Children’s theatre: in search of an approach to theatre by children, for children. Unpublished master’s thesis. Stellenbosch: University of Stellenbsoch.  
  
Woodrow, Mervyn W. 1970. South African drama in English. Englsih studies in Africa, 13(2): 391-410.
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[[Mervyn W. Woodrow|Woodrow, Mervyn W.]] 1970. South African drama in English. ''English Studies in Africa'', 13(2):391-410.
  
Woodrow, Mervyn Wilbur 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Pretoria: University of Pretoria. (M.A. thesis).  
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[[Mervyn Wilbur Woodrow|Woodrow, Mervyn Wilbur]] 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria.
  
Woodyatt, J.R. 1947. Anatomy of 1946’s stage. Libertas. 7(4): 68-69.
+
Woodward, Wendy 2009. "Who is to say ... that the hen did not speak?" Bird subjectivities in some southern African narratives. (''[[The Finches]]'') ''Alternation: international journal for the study of Southern African literature and languages'', 16(2):
  
Woolfson, Malcolm 1986. Kleurryke kollig op die Natalse teatergeskiedenis, vertaal deur Mariana Evans. Durban: Natalse Raad vir Uitvoerende Kunste.
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[[J.R. Woodyatt|Woodyatt, J.R.]] 1947. Anatomy of 1946’s stage (including high standard of designer [[Gillis Botbijl]]). ''Libertas'', 7(4):68-69.
  
Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council.
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[[Malcolm Woolfson|Woolfson, Malcolm]] 1968. Who'd be an actress in South Africa? ([[Valerie Miller]]; [[Andrée Magnus]]) ''[[Teater SA]]'', 1(2):8-9.
  
WOOLFSON, MALCOLM. 1992. But the Melody Lingers On. Johannesburg: Perskor.
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[[Malcolm Woolfson|Woolfson, Malcolm]] 1986. ''Kleurryke Kollig op die Natalse Teatergeskiedenis'', vertaal deur [[Mariana Evans]]. Durban: Natalse Raad vir Uitvoerende Kunste.
 +
 
 +
[[Malcolm Woolfson|Woolfson, Malcolm]] 1986. The long road that led to the [[Natal Playhouse]]. Durban: Natal Performing Arts Council.
 +
 
 +
[[Malcolm Woolfson|Woolfson, Malcolm]] 1992. ''But the Melody Lingers On''. Johannesburg: Perskor.
  
  

Revision as of 08:37, 20 June 2018

Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Windmills of the Mind, 1978 Amstel Award winning play. 1979. Scenaria, (14):21.

Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi Rose, 30(13):46-48. January 23.

Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2):362-364.

Witch in my heart. [Literary criticism, Hilda Kuper). 1972. African Studies, 32(2):149-150.

With songs in its heart. (Colorado Festival of World Theatre). 2007. American Theatre, 24(7):12.

Wittenberg, Hermann 2007. Alan Paton's writing for the stage : towards a non-racial South African theatre. South African Theatre Journal, 21:307-327.

Witwatersrand University Players (University Dramatic Society). 1929. Footlights, 1(4):11.

Witz, Leslie 1993, “ ‘n Fees vir die oog”: Looking in on the 1952 Jan van Riebeeck Tercentenary Festival fair in Cape Town. South African Historical Journal, (29):5-27.

Woddis, Carole et al. 1984. Saturday Night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London Theatre Record, 4(8):287-289. Apr 9.

Wolf, Matt 1993. Lightening up (escapism in the South African theater). American Theatre, 10(4):42-44.

Wolff, Tamsen 1997. Performance Review: Glasshouse. Theatre Journal 49.1:60-61.

Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the Convention of the Association of Municipal Electricity Undertakings of Southern Africa, 159-173.

Wood, Margot 2005. Children’s theatre: in search of an approach to theatre by children, for children. Unpublished master’s thesis. Stellenbosch: University of Stellenbsoch.

Woodrow, Mervyn W. 1970. South African drama in English. English Studies in Africa, 13(2):391-410.

Woodrow, Mervyn Wilbur 1972. A critical consideration of English plays written in South Africa, with special reference to the emergency of a dominant theme. Unpublished master’s thesis. Pretoria: University of Pretoria.

Woodward, Wendy 2009. "Who is to say ... that the hen did not speak?" Bird subjectivities in some southern African narratives. (The Finches) Alternation: international journal for the study of Southern African literature and languages, 16(2):

Woodyatt, J.R. 1947. Anatomy of 1946’s stage (including high standard of designer Gillis Botbijl). Libertas, 7(4):68-69.

Woolfson, Malcolm 1968. Who'd be an actress in South Africa? (Valerie Miller; Andrée Magnus) Teater SA, 1(2):8-9.

Woolfson, Malcolm 1986. Kleurryke Kollig op die Natalse Teatergeskiedenis, vertaal deur Mariana Evans. Durban: Natalse Raad vir Uitvoerende Kunste.

Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council.

Woolfson, Malcolm 1992. But the Melody Lingers On. Johannesburg: Perskor.



Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


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