Difference between revisions of "ESAT Bibliography Waa-Wal"

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Waddis, Carol 1992. Changing worlds. Theatreforum, 1(1): 57-60.
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Waddis, Carol 1992. Changing worlds. Theatreforum, 1(1):57-60.
  
Waetjen, T. (2004) Workers and Warriors. Masculinity and the Struggle for Nation in South Africa. Urbana and Chicago, University of Illinois Press.
+
Waetjen, T. 2004. Workers and Warriors. Masculinity and the Struggle for Nation in South Africa. Urbana and Chicago, University of Illinois Press.
  
Wakashe, T. Philemon 1986a. Matsemela Manaka: human problems that come from a political situation. TDR, 30(4): 48-50.
+
Wakashe, T. Philemon 1986a. Matsemela Manaka: human problems that come from a political situation. TDR, 30(4):48-50.
  
Wakashe, T. Philemon 1986. Pula: an example of Black protest theatre in South Africa. The drama review, 30(4): 36-47.  
+
Wakashe, T. Philemon 1986. Pula: an example of Black protest theatre in South Africa. The Drama Review, 30(4):36-47.  
  
Walaza, Ntsetse Ida 1993. Division of acts and scenes in Tswana drama : a study of three texts. Bloemfontein : University of the Orange Free State. (B.A. (Hons.) thesis).
+
Walaza, Ntsetse Ida 1993. Division of acts and scenes in Tswana drama : a study of three texts. Unpublished honours thesis. Bloemfontein : University of the Orange Free State.  
  
Walder, Dennis. 1980. Selected plays of Fugard. London and Beirut: Longman York Notes.
+
[[Dennis Walder|Walder, Dennis]] 1980. Selected Plays of Fugard. London and Beirut: Longman York Notes.
  
WALDER, DENNIS. 1984. Athol Fugard. London: Macmillan.   
+
[[Dennis Walder|Walder, Dennis]] 1984. Athol Fugard. London: Macmillan.   
  
Walder, Dennis 1992. Resituating Fugard.New theatre quarterly, 8(32): 343-361.
+
[[Dennis Walder|Walder, Dennis]] 1992. Resituating Fugard.New Theatre Quarterly, 8(32):343-361.
  
Walder, Dennis 1993. Crossing boundaries: the genesis of the township plays. Twentieth century literature, 39(4): 409.
+
[[Dennis Walder|Walder, Dennis]] 1993. Crossing boundaries: the genesis of the township plays. Twentieth Century Literature, 39(4):409.
  
WALDER, DENNIS. 1993. Introduction to Athol Fugard Township Plays. Oxford: Oxford University Press.
+
[[Dennis Walder|Walder, Dennis]] 1993. Introduction to Athol Fugard Township Plays. Oxford: Oxford University Press.
  
WALDER, DENNIS. 1998a. South African Literature in the Interregnum In: WalderPost-colonial Literatures in English. Oxford: Blackwell.
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[[Dennis Walder|Walder, Dennis]] 1998a. South African Literature in the Interregnum, in Walder, Denns. Post-colonial Literatures in English. Oxford: Blackwell.
  
Walder, Dennis 1998b. Spinning out the present: narrative, gender, and the politics of South African theatre. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 204-220.
+
[[Dennis Walder|Walder, Dennis]] 1998b. Spinning out the present: narrative, gender, and the politics of South African theatre, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 204-220.
  
Walder Dennis 1999. 'My English Name is Patience': Mediating the Voice of the Other in  
+
[[Dennis Walder|Walder, Dennis]] 1999. 'My English Name is Patience': Mediating the Voice of the Other in South African Theatre Today. Contemporary Theatre Review, 9(2):51.
South African Theatre Today. Contemporary Theatre Review [serial online]. April
 
2, 1999;9(2):51.
 
  
Walder, Dennis 1999. The number of girls is growing: an interview with Gcina  
+
[[Dennis Walder|Walder, Dennis]] 1999. The number of girls is growing: an interview with Gcina  
Mhlophe. Contemporary Theatre Review, 9(1): 27.
+
Mhlophe. Contemporary Theatre Review, 9(1):27.
  
Walder, Dennis 1999. “God is in the details”: an interview with Janet Suzman, In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 253-266.
+
[[Dennis Walder|Walder, Dennis]] 1999. “God is in the details”: an interview with Janet Suzman, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 253-266.
  
Walder, Dennis 1999. A voice for the Afrikanser? An interview with Athol Fugard, London, 29 February 1996. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 219-230.
+
[[Dennis Walder|Walder, Dennis]] 1999. A voice for the Afrikanser? An interview with Athol Fugard, London, 29 February 1996 , in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi.219-230.
  
Walder, Dennis 1999. Questions from a white man who listens: the voices of Valley song. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 101-112.
+
[[Walder, Dennis]] 1999. Questions from a white man who listens: the voices of Valley Song, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 101-112.
  
Walder, Dennis 2000. Suffering visions and present bearings: Fugard’s theatre of the interior. South African theatre journal, 13(1&2):50-57.
+
[[Dennis Walder|Walder, Dennis]] 2000. Suffering visions and present bearings: Fugard’s theatre of the interior. South African Theatre Journal, 13(1&2):50-57.
  
Walder, Dennis. 2001. National Arts Festival, Grahamstown, South Africa: 29 June-11 July 1999. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: playwrights & politics. Oxford : James Currey. p. 258-260.
+
[[Dennis Walder|Walder, Dennis]] 2001. [[National Arts Festival]], Grahamstown, South Africa: 29 June-11 July 1999, in Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African Theatre: Playwrights & Politics. Oxford : James Currey. 258-260.
  
Walder, Dennis 2004a. The dramatic art of Athol Fugard :from South Africa to the world by Albert Wertheim. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 150-152.
+
[[Dennis Walder|Walder, Dennis]] 2004a. The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African Theatre: Southern Africa. Oxford : James Currey. 150-152.
  
Walder, Dennis. 2004b. ‘On the threshold of the future?’ Interview with Athol Fugard. London, 24 March 2002. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 68-78.
+
[[Dennis Walder|Walder, Dennis]] 2004b. ‘On the threshold of the future?’ Interview with Athol Fugard. London, 24 March 2002, in Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. 68-78.
  
Wale, Laurie 1986. Architectural aluminium gains ground. Architect and builder, 2-11. August.
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Wale, Laurie 1986. Architectural aluminium gains ground. Architect and Builder, 2-11. August.
  
Walk with me. (The walking project (Iprojethi yohambo)). 2006. American theatre, 23(4): 12-13.
+
Walk with me. (The walking project (Iprojethi yohambo)). 2006. American Theatre, 23(4):12-13.
  
Walker, Janine. 2000. Winning with teamwork. In: The Star, July 7, 2000: 20.
+
Wallström, Catharina 1997. Det är på tiden att våra liv blir synliggjorda (It’s time that our lives are visualized). Entré, 24(6):39-43.
  
Wallström, Catharina 1997. Det är på tiden att våra liv blir synliggjorda (It’s time that our lives are visualized). Entré, 24(6) : 39-43.
+
Walsh, Aylwyn Mae 2006. Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20:65-78.
  
Walsh, Aylwyn Mae 2006. Chasing after white rabbits: directing community theatre for the National Arts Festival. South African theatre journal, 20: 65-78.
+
Walters, A. 1980. Boet en Sus raak laf: (Pieter-Dirk Uys en Tessa Uys). Sarie, 31(25):18-20. June 25.
 
 
Walters, A. 1980. Boet en Sus raak laf: [Pieter-Dirk en Tessa Uys]. Sarie, 31(25): 18-20. June 25.
 
  
  

Revision as of 15:52, 7 March 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance




Waddis, Carol 1992. Changing worlds. Theatreforum, 1(1):57-60.

Waetjen, T. 2004. Workers and Warriors. Masculinity and the Struggle for Nation in South Africa. Urbana and Chicago, University of Illinois Press.

Wakashe, T. Philemon 1986a. Matsemela Manaka: human problems that come from a political situation. TDR, 30(4):48-50.

Wakashe, T. Philemon 1986. Pula: an example of Black protest theatre in South Africa. The Drama Review, 30(4):36-47.

Walaza, Ntsetse Ida 1993. Division of acts and scenes in Tswana drama : a study of three texts. Unpublished honours thesis. Bloemfontein : University of the Orange Free State.

Walder, Dennis 1980. Selected Plays of Fugard. London and Beirut: Longman York Notes.

Walder, Dennis 1984. Athol Fugard. London: Macmillan.

Walder, Dennis 1992. Resituating Fugard.New Theatre Quarterly, 8(32):343-361.

Walder, Dennis 1993. Crossing boundaries: the genesis of the township plays. Twentieth Century Literature, 39(4):409.

Walder, Dennis 1993. Introduction to Athol Fugard Township Plays. Oxford: Oxford University Press.

Walder, Dennis 1998a. South African Literature in the Interregnum, in Walder, Denns. Post-colonial Literatures in English. Oxford: Blackwell.

Walder, Dennis 1998b. Spinning out the present: narrative, gender, and the politics of South African theatre, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 204-220.

Walder, Dennis 1999. 'My English Name is Patience': Mediating the Voice of the Other in South African Theatre Today. Contemporary Theatre Review, 9(2):51.

Walder, Dennis 1999. The number of girls is growing: an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1):27.

Walder, Dennis 1999. “God is in the details”: an interview with Janet Suzman, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 253-266.

Walder, Dennis 1999. A voice for the Afrikanser? An interview with Athol Fugard, London, 29 February 1996 , in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi.219-230.

Walder, Dennis 1999. Questions from a white man who listens: the voices of Valley Song, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 101-112.

Walder, Dennis 2000. Suffering visions and present bearings: Fugard’s theatre of the interior. South African Theatre Journal, 13(1&2):50-57.

Walder, Dennis 2001. National Arts Festival, Grahamstown, South Africa: 29 June-11 July 1999, in Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African Theatre: Playwrights & Politics. Oxford : James Currey. 258-260.

Walder, Dennis 2004a. The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African Theatre: Southern Africa. Oxford : James Currey. 150-152.

Walder, Dennis 2004b. ‘On the threshold of the future?’ Interview with Athol Fugard. London, 24 March 2002, in Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. 68-78.

Wale, Laurie 1986. Architectural aluminium gains ground. Architect and Builder, 2-11. August.

Walk with me. (The walking project (Iprojethi yohambo)). 2006. American Theatre, 23(4):12-13.

Wallström, Catharina 1997. Det är på tiden att våra liv blir synliggjorda (It’s time that our lives are visualized). Entré, 24(6):39-43.

Walsh, Aylwyn Mae 2006. Chasing after white rabbits: directing community theatre for the National Arts Festival. South African Theatre Journal, 20:65-78.

Walters, A. 1980. Boet en Sus raak laf: (Pieter-Dirk Uys en Tessa Uys). Sarie, 31(25):18-20. June 25.



Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance