Difference between revisions of "ESAT Bibliography W"

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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]]  [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]]  [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]   
 
[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]]  [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]]  [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]   
  
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
  
  
 
Waddis, Carol 1992. Changing worlds. Theatreforum, 1(1): 57-60.
 
Waddis, Carol 1992. Changing worlds. Theatreforum, 1(1): 57-60.
 +
 
Waetjen, T. (2004) Workers and Warriors. Masculinity and the Struggle for Nation in South Africa. Urbana and Chicago, University of Illinois Press.
 
Waetjen, T. (2004) Workers and Warriors. Masculinity and the Struggle for Nation in South Africa. Urbana and Chicago, University of Illinois Press.
 +
 
Wakashe, T. Philemon 1986a. Matsemela Manaka: human problems that come from a political situation. TDR, 30(4): 48-50.
 
Wakashe, T. Philemon 1986a. Matsemela Manaka: human problems that come from a political situation. TDR, 30(4): 48-50.
 +
 
Wakashe, T. Philemon 1986. Pula: an example of Black protest theatre in South Africa. The drama review, 30(4): 36-47.  
 
Wakashe, T. Philemon 1986. Pula: an example of Black protest theatre in South Africa. The drama review, 30(4): 36-47.  
 +
 
Walder, Dennis. 1980. Selected plays of Fugard. London and Beirut: Longman York Notes.
 
Walder, Dennis. 1980. Selected plays of Fugard. London and Beirut: Longman York Notes.
 +
 
WALDER, DENNIS. 1984. Athol Fugard. London: Macmillan.   
 
WALDER, DENNIS. 1984. Athol Fugard. London: Macmillan.   
 +
 
Walder, Dennis 1992. Resituating Fugard.New theatre quarterly, 8(32): 343-361.
 
Walder, Dennis 1992. Resituating Fugard.New theatre quarterly, 8(32): 343-361.
 +
 
Walder, Dennis 1993. Crossing boundaries: the genesis of the township plays. Twentieth century literature, 39(4): 409.
 
Walder, Dennis 1993. Crossing boundaries: the genesis of the township plays. Twentieth century literature, 39(4): 409.
 +
 
WALDER, DENNIS. 1993. Introduction to Athol Fugard Township Plays. Oxford: Oxford University Press.
 
WALDER, DENNIS. 1993. Introduction to Athol Fugard Township Plays. Oxford: Oxford University Press.
 +
 
WALDER, DENNIS. 1998a. South African Literature in the Interregnum In: Walder:  Post-colonial Literatures in English. Oxford: Blackwell.
 
WALDER, DENNIS. 1998a. South African Literature in the Interregnum In: Walder:  Post-colonial Literatures in English. Oxford: Blackwell.
 +
 
Walder, Dennis 1998b. Spinning out the present: narrative, gender, and the politics of South African theatre. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 204-220.
 
Walder, Dennis 1998b. Spinning out the present: narrative, gender, and the politics of South African theatre. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 204-220.
 +
 
Walder Dennis 1999. 'My English Name is Patience': Mediating the Voice of the Other in  
 
Walder Dennis 1999. 'My English Name is Patience': Mediating the Voice of the Other in  
 
South African Theatre Today. Contemporary Theatre Review [serial online]. April  
 
South African Theatre Today. Contemporary Theatre Review [serial online]. April  
 
2, 1999;9(2):51.
 
2, 1999;9(2):51.
 +
 
Walder, Dennis 1999. The number of girls is growing: an interview with Gcina  
 
Walder, Dennis 1999. The number of girls is growing: an interview with Gcina  
 
Mhlophe. Contemporary Theatre Review, 9(1): 27.
 
Mhlophe. Contemporary Theatre Review, 9(1): 27.
 +
 
Walder, Dennis 2000. Suffering visions and present bearings: Fugard’s theatre of the interior. South African theatre journal, 13(1&2):50-57.
 
Walder, Dennis 2000. Suffering visions and present bearings: Fugard’s theatre of the interior. South African theatre journal, 13(1&2):50-57.
 +
 
Walder, Dennis. 2001. National Arts Festival, Grahamstown, South Africa: 29 June-11 July 1999. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: playwrights & politics. Oxford : James Currey. p. 258-260.
 
Walder, Dennis. 2001. National Arts Festival, Grahamstown, South Africa: 29 June-11 July 1999. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: playwrights & politics. Oxford : James Currey. p. 258-260.
 +
 
Walder, Dennis 2004a. The dramatic art of Athol Fugard :from South Africa to the world by Albert Wertheim. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 150-152.
 
Walder, Dennis 2004a. The dramatic art of Athol Fugard :from South Africa to the world by Albert Wertheim. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 150-152.
 +
 
Walder, Dennis. 2004b. ‘On the threshold of the future?’ Interview with Athol Fugard. London, 24 March 2002. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 68-78.
 
Walder, Dennis. 2004b. ‘On the threshold of the future?’ Interview with Athol Fugard. London, 24 March 2002. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 68-78.
 +
 
Wale, Laurie 1986. Architectural aluminium gains ground. Architect and builder, 2-11. August.
 
Wale, Laurie 1986. Architectural aluminium gains ground. Architect and builder, 2-11. August.
 +
 
Walk with me. (The walking project (Iprojethi yohambo)). 2006. American theatre, 23(4): 12-13.
 
Walk with me. (The walking project (Iprojethi yohambo)). 2006. American theatre, 23(4): 12-13.
 +
 
Walker, Janine. 2000. Winning with teamwork. In: The Star, July 7, 2000: 20.
 
Walker, Janine. 2000. Winning with teamwork. In: The Star, July 7, 2000: 20.
 +
 
Wallström, Catharina 1997. Det är på tiden att våra liv blir synliggjorda (It’s time that our lives are visualized). Entré, 24(6) : 39-43.
 
Wallström, Catharina 1997. Det är på tiden att våra liv blir synliggjorda (It’s time that our lives are visualized). Entré, 24(6) : 39-43.
  
 +
Walsh, Aylwyn Mae 2006. Chasing after white rabbits: directing community theatre for the National Arts Festival. South African theatre journal, 20: 65-78.
  
−
Walsh, Aylwyn Mae 2006. Chasing after white rabbits: directing community theatre for the National Arts Festival. South African theatre journal, 20: 65-78.
 
 
Walters, A. 1980. Boet en Sus raak laf: [Pieter-Dirk en Tessa Uys]. Sarie, 31(25): 18-20. June 25.
 
Walters, A. 1980. Boet en Sus raak laf: [Pieter-Dirk en Tessa Uys]. Sarie, 31(25): 18-20. June 25.
 +
 
Warren Crystal 2003. South Africa. Journal of Commonwealth Literature [serial online].  
 
Warren Crystal 2003. South Africa. Journal of Commonwealth Literature [serial online].  
 
December 2003;38(4):125-182 (compiled by the National English Literary Museum,
 
December 2003;38(4):125-182 (compiled by the National English Literary Museum,
 
introduction by Crystal Warren1)
 
introduction by Crystal Warren1)
 +
 
Warren, Stanley A 1968. Theatre in South Africa. Educational theatre journal, 20(3): 408-419.
 
Warren, Stanley A 1968. Theatre in South Africa. Educational theatre journal, 20(3): 408-419.
  
 
Warenfalk, Wiveka 1985. Det far skrapa och väsa [let it scratch and hiss].. Entré, 12(6) : 15-16.
 
Warenfalk, Wiveka 1985. Det far skrapa och väsa [let it scratch and hiss].. Entré, 12(6) : 15-16.
 +
 
Warner, P. 1950. Drama in the university. Theoria, 23-38.
 
Warner, P. 1950. Drama in the university. Theoria, 23-38.
 +
 
Warnes, C. Postcolonial Writing in South Africa. Unpublished manuscript.
 
Warnes, C. Postcolonial Writing in South Africa. Unpublished manuscript.
 +
 
Warnes, Christopher 2004. The plays of miracle and wonder by Brett Bailey. Reviewed in: South African theatre journal, 18: 287-290.
 
Warnes, Christopher 2004. The plays of miracle and wonder by Brett Bailey. Reviewed in: South African theatre journal, 18: 287-290.
 +
 
Wasserman, H. and Jacobs, S. (2003) Introduction. In Wasserman and Jacobs (eds) Shifting selves. Post-apartheid essays on Mass Media, culture and Identity. Cape Town: Kwela books.
 
Wasserman, H. and Jacobs, S. (2003) Introduction. In Wasserman and Jacobs (eds) Shifting selves. Post-apartheid essays on Mass Media, culture and Identity. Cape Town: Kwela books.
 +
 
Watson, Marthy 2002. A discussion on key issues in the implementation of the Arts and Culture Programme in schools in South Africa.  South African theatre journal, 16: 192-197.
 
Watson, Marthy 2002. A discussion on key issues in the implementation of the Arts and Culture Programme in schools in South Africa.  South African theatre journal, 16: 192-197.
 +
 
WATSON, P. 1994. Does Heart to Heart Work as an Effective Resource in Sexuality Education? A Preliminary Research Report. Johannesburg: Storyteller Group.  
 
WATSON, P. 1994. Does Heart to Heart Work as an Effective Resource in Sexuality Education? A Preliminary Research Report. Johannesburg: Storyteller Group.  
 +
 
WATSON, P. 1998. Producing a Rural Comic beyond the Learner Paradox. Unpublished M.A. thesis, University of the Witwatersrand.
 
WATSON, P. 1998. Producing a Rural Comic beyond the Learner Paradox. Unpublished M.A. thesis, University of the Witwatersrand.
 +
 
We salute Anna Naeethling-Pohl. 1978. Scenaria, April/May: 47.  
 
We salute Anna Naeethling-Pohl. 1978. Scenaria, April/May: 47.  
 +
 
Weales, G. 1978. The embodied images of Athol Fugard. Hollins Critic, 15 (1): 1-2.
 
Weales, G. 1978. The embodied images of Athol Fugard. Hollins Critic, 15 (1): 1-2.
 +
 
Weber, C. (1989) AC/TC: Currents of theatrical exchange. Performing arts journal, Vol. 11, No. 3, The Interculturalism Issue, pp. 11-21.
 
Weber, C. (1989) AC/TC: Currents of theatrical exchange. Performing arts journal, Vol. 11, No. 3, The Interculturalism Issue, pp. 11-21.
 +
 
Weer die N.T.O. 1961. Standpunte, 14(6): 19-38.
 
Weer die N.T.O. 1961. Standpunte, 14(6): 19-38.
 +
 
Wegg, Avis 1978. Humble fabrics into costumes of magic. Scenaria, December/January 20-21.
 
Wegg, Avis 1978. Humble fabrics into costumes of magic. Scenaria, December/January 20-21.
 +
 
Weiss, H. 1963. André Huguenet, edited by A.M. van Schoor et al. Reviewed in: Tydskrif vir geesteswetenskappe. 3(1): 62-63.
 
Weiss, H. 1963. André Huguenet, edited by A.M. van Schoor et al. Reviewed in: Tydskrif vir geesteswetenskappe. 3(1): 62-63.
 +
 
Weitsz, B.B. 1945. Afrikaanse beroepstoneel. Huisgenoot, 30(1236): 35. December 7.
 
Weitsz, B.B. 1945. Afrikaanse beroepstoneel. Huisgenoot, 30(1236): 35. December 7.
 +
 
Welch People’s College Comics (Tessa) South African Theatre Journal, Vol.    2(2):119-124
 
Welch People’s College Comics (Tessa) South African Theatre Journal, Vol.    2(2):119-124
 +
 
Wellwarth, George E. 1988. On comedy. South African theatre journal, 2(1): 3-16.
 
Wellwarth, George E. 1988. On comedy. South African theatre journal, 2(1): 3-16.
 +
 
Welman, D. 1952a. By N.T.O. aan-huis. Brandwag, 16(12): 11. April 18.
 
Welman, D. 1952a. By N.T.O. aan-huis. Brandwag, 16(12): 11. April 18.
 +
 
Welman, D. 1952b. Met N.T.O. op toer. Brandwag, 16(36): 19. September 29.
 
Welman, D. 1952b. Met N.T.O. op toer. Brandwag, 16(36): 19. September 29.
 +
 
Welman, D. 1952c. Ons het ‘n harde leerskool gehad. Helikon, 1(3): 45-52.
 
Welman, D. 1952c. Ons het ‘n harde leerskool gehad. Helikon, 1(3): 45-52.
 +
 
Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The road to Mecca. Essays in theatre, 5(1): 15-25.
 
Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The road to Mecca. Essays in theatre, 5(1): 15-25.
 +
 
Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The island. Themes in drama, 9: 229-237.
 
Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The island. Themes in drama, 9: 229-237.
 +
 
Wertheim, AAlbert 1995. Euripides in South Africa: Medea and Demea. Comparative drama, 29(3): 334-347.
 
Wertheim, AAlbert 1995. Euripides in South Africa: Medea and Demea. Comparative drama, 29(3): 334-347.
 +
 
Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African theatre journal, 10(1): 94-100.
 
Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African theatre journal, 10(1): 94-100.
 +
 
Wertheim, Albert 2000. The dramatic art of Athol Fugard :from South Africa to the world Bloomington: Indiana University Press.  
 
Wertheim, Albert 2000. The dramatic art of Athol Fugard :from South Africa to the world Bloomington: Indiana University Press.  
  
 +
Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. [Wilna Snyman]. Sarie Marais, 27(23): 109-111. May 5.
  
−
Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. [Wilna Snyman]. Sarie Marais, 27(23): 109-111. May 5.
 
 
Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20): 42-46. April 5.
 
Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20): 42-46. April 5.
 +
 
Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.
 
Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.
 +
 
Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.
 
Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.
 +
 
Wetmore, Kevin J 2005.Exits and entrances by Athol Fugard; Nothing but the truth by John Kani. Reviewed in Theatre journal, 57(2): 269-272.
 
Wetmore, Kevin J 2005.Exits and entrances by Athol Fugard; Nothing but the truth by John Kani. Reviewed in Theatre journal, 57(2): 269-272.
 +
 
Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot. 25(959): 22. Augustus 9.
 
Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot. 25(959): 22. Augustus 9.
 +
 
Whitaker, R. 1981. Dimoetes to dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English studies in Africa, 24: 45-59.
 
Whitaker, R. 1981. Dimoetes to dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English studies in Africa, 24: 45-59.
 +
 
Whales, R.D. 1974. Young playmakers. South African panorama, 19(3): 36-37. March.
 
Whales, R.D. 1974. Young playmakers. South African panorama, 19(3): 36-37. March.
  
Line 90: Line 141:
  
 
Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2: 69-70.
 
Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2: 69-70.
 +
 
Willems, Jos (ed.) 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch :  Pro Ecclesia.
 
Willems, Jos (ed.) 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch :  Pro Ecclesia.
 +
 
Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10/1:107.
 
Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10/1:107.
  
 
Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) ???: 59-68.
 
Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) ???: 59-68.
 +
 
Willoughby, Guy. 2000.  Insect lament for our times. In: Mail & Guardian, February 3, 2000: 5.
 
Willoughby, Guy. 2000.  Insect lament for our times. In: Mail & Guardian, February 3, 2000: 5.
  

Revision as of 10:22, 30 August 2010

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H-Hay He-Hu I J K L M N O P Q R S-Sh Si-Sz T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Waddis, Carol 1992. Changing worlds. Theatreforum, 1(1): 57-60.

Waetjen, T. (2004) Workers and Warriors. Masculinity and the Struggle for Nation in South Africa. Urbana and Chicago, University of Illinois Press.

Wakashe, T. Philemon 1986a. Matsemela Manaka: human problems that come from a political situation. TDR, 30(4): 48-50.

Wakashe, T. Philemon 1986. Pula: an example of Black protest theatre in South Africa. The drama review, 30(4): 36-47.

Walder, Dennis. 1980. Selected plays of Fugard. London and Beirut: Longman York Notes.

WALDER, DENNIS. 1984. Athol Fugard. London: Macmillan.

Walder, Dennis 1992. Resituating Fugard.New theatre quarterly, 8(32): 343-361.

Walder, Dennis 1993. Crossing boundaries: the genesis of the township plays. Twentieth century literature, 39(4): 409.

WALDER, DENNIS. 1993. Introduction to Athol Fugard Township Plays. Oxford: Oxford University Press.

WALDER, DENNIS. 1998a. South African Literature in the Interregnum In: Walder: Post-colonial Literatures in English. Oxford: Blackwell.

Walder, Dennis 1998b. Spinning out the present: narrative, gender, and the politics of South African theatre. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 204-220.

Walder Dennis 1999. 'My English Name is Patience': Mediating the Voice of the Other in South African Theatre Today. Contemporary Theatre Review [serial online]. April 2, 1999;9(2):51.

Walder, Dennis 1999. The number of girls is growing: an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1): 27.

Walder, Dennis 2000. Suffering visions and present bearings: Fugard’s theatre of the interior. South African theatre journal, 13(1&2):50-57.

Walder, Dennis. 2001. National Arts Festival, Grahamstown, South Africa: 29 June-11 July 1999. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: playwrights & politics. Oxford : James Currey. p. 258-260.

Walder, Dennis 2004a. The dramatic art of Athol Fugard :from South Africa to the world by Albert Wertheim. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 150-152.

Walder, Dennis. 2004b. ‘On the threshold of the future?’ Interview with Athol Fugard. London, 24 March 2002. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 68-78.

Wale, Laurie 1986. Architectural aluminium gains ground. Architect and builder, 2-11. August.

Walk with me. (The walking project (Iprojethi yohambo)). 2006. American theatre, 23(4): 12-13.

Walker, Janine. 2000. Winning with teamwork. In: The Star, July 7, 2000: 20.

Wallström, Catharina 1997. Det är på tiden att våra liv blir synliggjorda (It’s time that our lives are visualized). Entré, 24(6) : 39-43.

Walsh, Aylwyn Mae 2006. Chasing after white rabbits: directing community theatre for the National Arts Festival. South African theatre journal, 20: 65-78.

Walters, A. 1980. Boet en Sus raak laf: [Pieter-Dirk en Tessa Uys]. Sarie, 31(25): 18-20. June 25.

Warren Crystal 2003. South Africa. Journal of Commonwealth Literature [serial online]. December 2003;38(4):125-182 (compiled by the National English Literary Museum, introduction by Crystal Warren1)

Warren, Stanley A 1968. Theatre in South Africa. Educational theatre journal, 20(3): 408-419.

Warenfalk, Wiveka 1985. Det far skrapa och väsa [let it scratch and hiss].. Entré, 12(6) : 15-16.

Warner, P. 1950. Drama in the university. Theoria, 23-38.

Warnes, C. Postcolonial Writing in South Africa. Unpublished manuscript.

Warnes, Christopher 2004. The plays of miracle and wonder by Brett Bailey. Reviewed in: South African theatre journal, 18: 287-290.

Wasserman, H. and Jacobs, S. (2003) Introduction. In Wasserman and Jacobs (eds) Shifting selves. Post-apartheid essays on Mass Media, culture and Identity. Cape Town: Kwela books.

Watson, Marthy 2002. A discussion on key issues in the implementation of the Arts and Culture Programme in schools in South Africa. South African theatre journal, 16: 192-197.

WATSON, P. 1994. Does Heart to Heart Work as an Effective Resource in Sexuality Education? A Preliminary Research Report. Johannesburg: Storyteller Group.

WATSON, P. 1998. Producing a Rural Comic beyond the Learner Paradox. Unpublished M.A. thesis, University of the Witwatersrand.

We salute Anna Naeethling-Pohl. 1978. Scenaria, April/May: 47.

Weales, G. 1978. The embodied images of Athol Fugard. Hollins Critic, 15 (1): 1-2.

Weber, C. (1989) AC/TC: Currents of theatrical exchange. Performing arts journal, Vol. 11, No. 3, The Interculturalism Issue, pp. 11-21.

Weer die N.T.O. 1961. Standpunte, 14(6): 19-38.

Wegg, Avis 1978. Humble fabrics into costumes of magic. Scenaria, December/January 20-21.

Weiss, H. 1963. André Huguenet, edited by A.M. van Schoor et al. Reviewed in: Tydskrif vir geesteswetenskappe. 3(1): 62-63.

Weitsz, B.B. 1945. Afrikaanse beroepstoneel. Huisgenoot, 30(1236): 35. December 7.

Welch People’s College Comics (Tessa) South African Theatre Journal, Vol. 2(2):119-124

Wellwarth, George E. 1988. On comedy. South African theatre journal, 2(1): 3-16.

Welman, D. 1952a. By N.T.O. aan-huis. Brandwag, 16(12): 11. April 18.

Welman, D. 1952b. Met N.T.O. op toer. Brandwag, 16(36): 19. September 29.

Welman, D. 1952c. Ons het ‘n harde leerskool gehad. Helikon, 1(3): 45-52.

Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The road to Mecca. Essays in theatre, 5(1): 15-25.

Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The island. Themes in drama, 9: 229-237.

Wertheim, AAlbert 1995. Euripides in South Africa: Medea and Demea. Comparative drama, 29(3): 334-347.

Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African theatre journal, 10(1): 94-100.

Wertheim, Albert 2000. The dramatic art of Athol Fugard :from South Africa to the world Bloomington: Indiana University Press.

Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. [Wilna Snyman]. Sarie Marais, 27(23): 109-111. May 5.

Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20): 42-46. April 5.

Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.

Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.

Wetmore, Kevin J 2005.Exits and entrances by Athol Fugard; Nothing but the truth by John Kani. Reviewed in Theatre journal, 57(2): 269-272.

Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot. 25(959): 22. Augustus 9.

Whitaker, R. 1981. Dimoetes to dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English studies in Africa, 24: 45-59.

Whales, R.D. 1974. Young playmakers. South African panorama, 19(3): 36-37. March.

WHITE, Landeg and COUZENS, Tim. 1984. Literature and Society in South Africa. Cape Town: Maskew Miller Longman.

Whitehouse, Audrey 1985. Port Elizabeth Shakespearean festival » the first 25 nyears. Education and culuret, 8(3) : 8-10.

Wilhelm-Solomon, Matthew. 2002. Kani taps into his own story to bring us ‘nothing but the truth’. In: The Sunday Independent, July, 21, 2002” 11.

Wilkens, Ivor and Strydom, Hans. 1980, Die Super Afrikaners. Johannesburg: Ball.

Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano [serial online]. June 1999;54(2):193.

Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2: 69-70.

Willems, Jos (ed.) 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch : Pro Ecclesia.

Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10/1:107.

Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) ???: 59-68.

Willoughby, Guy. 2000. Insect lament for our times. In: Mail & Guardian, February 3, 2000: 5.

Willoughby, Guy. 2001. Freeing Fugard. In: Weekly Mail & Guardian, August 30, 2001: 5.

Willoughby, Guy. 2004. Brett Bailey: The days of miracle and wonder. In: This Day, March 3, 2004: 9.

WILLOUGHBY, GUY. 1995. SA’s Gay Stage. Sunday Times. 29 October: 24 Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274): 22. July 27. Wilson, Andrew. 1997. Forward to the past. In: Mail & Guardian, August, 14, 1997: 19. Windmills of the mind, 1978 Amstel Award winning play. 1979. Scenaria, (14): 21. Winer, Stan. 2000. Play gives an outlet to collective betrayal. In: The Sunday Independent, July, 16, 2000: 8. Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi rose, 30(13): 46-48. January 23. Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2): 362-364. Witch in my heart. [Literary criticism, Hilda Kuper]. 1972. African studies, 32(2): 149-150. With songs in its heart. (Colorado Festival of World Theatre). 2007. American theatre, 24(7): 12. Wittenberg, Hermann 2007 Alan Paton's writing for the stage : towards a non-racial South African theatre. South African theatre journal, 21: 307-327. Wixley, Meridy. 1999. R16 million has a history. In: Pretoria News, May 22, 1999: 6. Woddis, Carole et al. 1984. Saturday night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London theatre record, 4(8): 287-289. Apr 9. Wolf, Matt 1993. Lightening up (escapism in the South African theater). American theatre, 10(4): 42-44. Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73. Wood, M. 2005. Children’s theatre: in search of an approach to theatre by children, for children. Stellenbosch: University of Stellenbsoch. (M.Dram-thesis.) Woodrow, Mervyn W. 1970. South African drama in English. Englsih studies in Africa, 13(2): 391-410. WOODROW, MERVYN W. 1972. A Critical Consideration of English Plays written in South Africa with Special Reference to the Emergence of a Common Theme. University of Pretoria: Unpublished M.A. Dissertation. Woodyatt, J.R. 1947. Anatomy of 1946’s stage. Libertas. 7(4): 68-69. Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council. WOOLFSON, MALCOLM. 1992. But the Melody Lingers On. Johannesburg: Perskor. Words and acts. (Letter to the editor). 2003 American theatre, 20(8): 7. Worthen, W.B. 1996. Convicted reading. In Reinelt, Janelle (ed.) Crucibles of crisis: performing social change. Ann Arbor MI: University of Michigan Press. p. 165-184. Wren, Celia 1990. Wrestling with apartheid. American theatre, 7(1): 52.

Wright, Laurence 1987. Shakespeare against apartheid, by Martin Orkin. Reviewed in Shakespeare in Southern Africa, 1: 72-74.

Wright, Laurence 1988. Shakespeare and the bomber pilot: a reply to Colin Gardner. Shakespeare in Southern Africa, 2: 83-89.

Wright, Laurence & Gubb, L. 1989. A tribute to ‘Stratford-on-Baakens’: thirty years of the Port Elizabeth Shakespearean Festival. Shakespeare in South Africa, 3: 1-8.

Wright Laurence 1997. Editorial. Shakespeare in Southern Africa [serial online]. January 1997:IV.

Wright Laurence 1998. Editorial. Shakespeare in Southern Africa [serial online]. January 1998:IV.

Wright Laurence 2001. Confronting the African nightmare: Yael Farber's SeZaR. Shakespeare in Southern Africa, 13:102.

Wright, Laurence 2002. The taming of the shrew: Mannville's 30th anniversary production. Shakespeare in Southern Africa, 14: 49- .


Wright, Laurence 2002. "A checklist of South African theses and dissertations on Shakespeare." Shakespeare in Southern Africa 14.(2002): 43.

Wright, Laurence 2002. Heiner Müller’s Hamletmachine, directed by Gideon van Eeden for the Technikon Pretoria Drama Department at the National Arts Festival, 2002. Shakespeare in Southern Africa, 14: 43-47.

Wright, Laurence 2002. The taming of the shrew: Mannville’s 30th anniversary production; Helen Flax’s production for the Mannville Open-Air Theatre, February 2002. Shakespeare in Southern Africa, 14: 49-50.

Wright, Laurence 2003. Apartheid Shakespeare on trial. Shakespeare in South Africa: stage productions during the Apartheid era, by Rohan Quince. Reviewed in: Shakespeare in Southern Africa, 15: 83-102.

Wright, Laurence 2004. Shakespeare in South Africa: Alpha and 'Omega'. Postcolonial studies, 7(1): 63-81.

Wright, Laurence 2004. The Marowitz Hamlet. Shakespeare in Southern Africa, 16: 73-74.

Wright, Laurence 2005a. A magical 'Dream': the Port Elizabeth Shakespearean Festival 2005. Shakespeare in Southern Africa, 17: 53- .

Wright, Laurence 2005b. The relevance of (South African) Renaissance studies. Shakespeare in Southern Africa, 17: 19.

Wright, Laurence 2007a. Theatre reviews. Shakespeare in Southern Africa, 19(7): 81-83.

Wright, L.aurence 2007b. Trafficking in Shakespeare: origins and prospects for the ‘Southern Hemisphere Spread of Shakespeare’ research and publication programme. Shakespeare in Southern Africa, 19(7): 71-75.

Wright, Laurence. 2008. Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and books. Shakespeare in Southern Africa, 20: 25.

Wright, Laurence 2008. “Something rotten in this age of hope”, the Hamletmachine. Shakespeare in Southern Africa, 20: 66-68.

WYNCHANK, ANNY. 1998. Touki-Bouki: The new wave on the cinematic shores of Africa. South African theatre journal, 12(1&2):53-72.

Wyngaard, Heinrich. 1999. Feesvoos? Never! Insig, 05/99: 37.

Wyngaard, Heinrich. 2000. Want die fees kom nader. Insig, 04/00: 35.



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