Difference between revisions of "ESAT Bibliography Van H-Van N"
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| − | Van Heerden, J. 1972. Teatertegniek: agter die skerms. Sigma, 25-29. | + | [[J. van Heerdern|Van Heerden, J.]] 1972. Teatertegniek: agter die skerms. ''Sigma'', 25-29. |
| − | Van Heerden, Jean 1978 Observatory Theatre, Bloemfontein. Scenaria, (8):13. | + | [[Jean van Heerden|Van Heerden, Jean]] 1978 [[Observatory Theatre]], Bloemfontein. ''Scenaria'', (8):13. |
| − | Van Heerden, Johann 1978. Die rol van praktiese werk in die onderrig van drama as ’n akademiese dissipline. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | + | [[Johann van Heerden|Van Heerden, Johann]] 1978. Die rol van praktiese werk in die onderrig van drama as ’n akademiese dissipline. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| − | Van Heerden, Johann 1984. Teaterskepper: dramaturg of regisseur? Standpunte, 37(4):18-25. | + | [[Johann van Heerden|Van Heerden, Johann]] 1984. Teaterskepper: dramaturg of regisseur? ''Standpunte'', 37(4):18-25. |
| − | Van Heerden, J. 1988. Diepe Grond, deur Reza de Wet. Reviewed in: South African Theatre Journal, | + | [[J. van Heerden|Van Heerden, J.]] 1988. ''[[Diepe Grond]]'', deur [[Reza de Wet]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(1):81-84. |
| − | Van Heerden, J. 1988. Onderhoud met ’n Bobbejaan, deur T.T. Cloete. Reviewed in: South African Theatre Journal, 2(1):78-80. | + | [[J. van Heerden|Van Heerden, J.]] 1988. ''[[Onderhoud met ’n Bobbejaan]]'', deur [[T.T. Cloete]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(1):78-80. |
| − | Van Heerden, Johann 2008. Theatre in a new democracy. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch. | + | [[Johann van Heerden|Van Heerden, Johann]] 2008. Theatre in a new democracy. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch. |
| − | Van Heyningen, Christina 1961. Manson. Contrast, 1(4):71-82. | + | Van Heyningen, Christina 1961. [[H.W.D. Manson|Manson]]. ''Contrast'', 1(4):71-82. |
| − | Van Heyningen, Christina 1969. Contemporary theatre. Theoria, 32:25-37. March. | + | Van Heyningen, Christina 1969. Contemporary theatre. ''Theoria'', 32:25-37. March. |
| − | Van Heyningen, Christina 1970a. Great playwright (H.W.D. Manson). Standpunte, 23(6):11-20. | + | Van Heyningen, Christina 1970a. Great playwright ([[H.W.D. Manson]]). ''Standpunte'', 23(6):11-20. |
| − | Van Heyningen, Christina 1970b. H.W.D. | + | Van Heyningen, Christina 1970b. [[H.W.D. Manson]]’s [[The Counsellors]]. ''Standpunte'', 24(1): 26-43. |
| − | Van Heyningen, Christina 1970c. Remembering ‘Cake’ Manson. Contrast, 6(4): 44-48. | + | Van Heyningen, Christina 1970c. Remembering [[H.W.D. Manson|‘Cake’ Manson]]. ''Contrast'', 6(4): 44-48. |
| − | Van Heyningen, Christine 1970. Great playwright. [bespreking]. Standpunte, 24(2):14-17. December. | + | Van Heyningen, Christine 1970. Great playwright. [bespreking]. ''Standpunte'', 24(2):14-17. December. |
| − | Van Heyningen, Christine 1971. | + | Van Heyningen, Christine 1971. [[H.W.D. Manson|Manson]]’s first play (''[[Fight at Finnsburgh]]'') and his last (''[[Magnus]]''). ''Standpunte'', 24(5):46-57. June. |
| − | Van Heyningen, Christine 1971. | + | Van Heyningen, Christine 1971. [[H.W.D. Manson|Manson]]’s ''[[The Festival]]''. ''Standpunte'', 24(4):48-57. April. |
| − | Van Heyningen, Christine 1971. New work by Manson (Karl Gunter Hoffmann). Theoria, 37:45-49. October. | + | Van Heyningen, Christine 1971. New work by [[H.W.D. Manson|Manson]] (''[[Karl Gunter Hoffmann]]''). ''Theoria'', 37:45-49. October. |
| − | Van Heyningen, Christine 1971. H.W.D. Manson: poet and playwright, and his connections with Natal. Natalia, 1(1):23-25. September. | + | Van Heyningen, Christine 1971. [[H.W.D. Manson]]: poet and playwright, and his connections with Natal. ''Natalia'', 1(1):23-25. September. |
| − | Van Heyningen, Christine 1973. Misunderstandings of | + | Van Heyningen, Christine 1973. Misunderstandings of [[H.W.D. Manson|Manson]]’s plays. ''Theoria'', 40:41-53. May. |
| − | Van Houte, Nan 1994. Over eilandbewoners en bruggenbouwers. Theater in het nieuwe Zuid-Afrika. (On islanders and bridge builders: theatre in the new South Africa). Toneel | + | [[Nan van Houte|Van Houte, Nan]] 1994. Over eilandbewoners en bruggenbouwers. Theater in het nieuwe Zuid-Afrika. (On islanders and bridge builders: theatre in the new South Africa). ''Toneel Teatraal'', 115(8):29-34. |
| − | Van Huysteen, M.B. 1988. Die toepaslikheid van dramabenaderings in maatskaplike werk. Social | + | [[M.B. van Huysteen|Van Huysteen, M.B.]] 1988. Die toepaslikheid van dramabenaderings in maatskaplike werk. ''Social Work'', 24(4):273-280. October. |
| − | Van Maasdyk, Melissa Louise 1992. Woza Albert! | + | [[Melissa Louise van Maasdyk|Van Maasdyk, Melissa Louise]] 1992. ''[[Woza Albert!]]'' in French translation: the cross-cultural transfer of a contemporary South African drama.. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. |
| − | Van Niekerk, A.F. 1976. Poppespel as opvoedkundige medium. Unie, 72:323-326. Februarie. | + | [[A.F. van Niekerk|Van Niekerk, A.F.]] 1976. Poppespel as opvoedkundige medium. ''Unie'', 72:323-326. Februarie. |
Van Niekerk, Daniel Erasmus 1997. 'n Kwalitatiewe evaluasie van 'n gehoor se resepsie met betrekking tot simboliek tydens 'n toneelopvoering van Tennessee Williams se A streetcar named Desire. Unpublished master’s thesis. Bloemfontein: University of the Free State. | Van Niekerk, Daniel Erasmus 1997. 'n Kwalitatiewe evaluasie van 'n gehoor se resepsie met betrekking tot simboliek tydens 'n toneelopvoering van Tennessee Williams se A streetcar named Desire. Unpublished master’s thesis. Bloemfontein: University of the Free State. | ||
Revision as of 21:04, 2 March 2011
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Van Heerden, J. 1972. Teatertegniek: agter die skerms. Sigma, 25-29.
Van Heerden, Jean 1978 Observatory Theatre, Bloemfontein. Scenaria, (8):13.
Van Heerden, Johann 1978. Die rol van praktiese werk in die onderrig van drama as ’n akademiese dissipline. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Van Heerden, Johann 1984. Teaterskepper: dramaturg of regisseur? Standpunte, 37(4):18-25.
Van Heerden, J. 1988. Diepe Grond, deur Reza de Wet. Reviewed in: South African Theatre Journal, 2(1):81-84.
Van Heerden, J. 1988. Onderhoud met ’n Bobbejaan, deur T.T. Cloete. Reviewed in: South African Theatre Journal, 2(1):78-80.
Van Heerden, Johann 2008. Theatre in a new democracy. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
Van Heyningen, Christina 1961. Manson. Contrast, 1(4):71-82.
Van Heyningen, Christina 1969. Contemporary theatre. Theoria, 32:25-37. March.
Van Heyningen, Christina 1970a. Great playwright (H.W.D. Manson). Standpunte, 23(6):11-20.
Van Heyningen, Christina 1970b. H.W.D. Manson’s The Counsellors. Standpunte, 24(1): 26-43.
Van Heyningen, Christina 1970c. Remembering ‘Cake’ Manson. Contrast, 6(4): 44-48.
Van Heyningen, Christine 1970. Great playwright. [bespreking]. Standpunte, 24(2):14-17. December.
Van Heyningen, Christine 1971. Manson’s first play (Fight at Finnsburgh) and his last (Magnus). Standpunte, 24(5):46-57. June.
Van Heyningen, Christine 1971. Manson’s The Festival. Standpunte, 24(4):48-57. April.
Van Heyningen, Christine 1971. New work by Manson (Karl Gunter Hoffmann). Theoria, 37:45-49. October.
Van Heyningen, Christine 1971. H.W.D. Manson: poet and playwright, and his connections with Natal. Natalia, 1(1):23-25. September.
Van Heyningen, Christine 1973. Misunderstandings of Manson’s plays. Theoria, 40:41-53. May.
Van Houte, Nan 1994. Over eilandbewoners en bruggenbouwers. Theater in het nieuwe Zuid-Afrika. (On islanders and bridge builders: theatre in the new South Africa). Toneel Teatraal, 115(8):29-34.
Van Huysteen, M.B. 1988. Die toepaslikheid van dramabenaderings in maatskaplike werk. Social Work, 24(4):273-280. October.
Van Maasdyk, Melissa Louise 1992. Woza Albert! in French translation: the cross-cultural transfer of a contemporary South African drama.. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Van Niekerk, A.F. 1976. Poppespel as opvoedkundige medium. Unie, 72:323-326. Februarie.
Van Niekerk, Daniel Erasmus 1997. 'n Kwalitatiewe evaluasie van 'n gehoor se resepsie met betrekking tot simboliek tydens 'n toneelopvoering van Tennessee Williams se A streetcar named Desire. Unpublished master’s thesis. Bloemfontein: University of the Free State.
Van Niekerk, Niel 2001. The problematics of qualitative research in theatre. South African Theatre Journal, 15:135-148.
Click on the appropriate letters of the alphabet in the sub-list below.
Vaa-Van den Van der B-Van der W Vandes-Van G Van H-Van N Van O-Van R Van S-Van Z Vao-Ver Ves-Vis Vit-Vz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
