Difference between revisions of "ESAT Bibliography Stea"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Stead, Rinie 1967. Portret van ‚n toneelpionier: hulde aan P.P. Breytenbach. Lantern, 17(2): 2-19.
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Stead, Rinie 1969. Raimond Schoop en die teater. Lantern, 18(4): 58-71. June.
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Stead, Rinie 1971. Sip of Jerepigo: Patrick Mynhardt maak toneelgeskiedenis. Lantern, 20(4): 72-80. June.
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Stead, Rinie 1981?*. Die Nasionale Toneelorganisasie. Unpublished manuscript, State Archives Pretoria. 
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Stead, Rinie 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van P.P.B. Breytenbach. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach.  Johannesburg: The Limelight press. p.  21-26.
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Stead, Rinie 1985b. The National Theatre Organization (NTO: 1947-1962). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach.  Johannesburg: The Limelight press. p. 65-72.
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Stead 1986 S Mynhardt
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Steadman, Ian P. 1980a. Critical responses to contemporary South African theatre. Critical arts, 1(3): 40-46.
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Steadman, Ian P. 1980b. Theatre of commitment: the political made theatrical in South African theatre. Scenaria, (17): 3.
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Steadman, Ian 1981a. Culture and context: notes on performance in South Africa. Critical arts, 2(1): 1-13.
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Steadman, Ian 1981b. Performance research: a select bibliography. Critical arts, 2(1): 60-65.
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Steadman, Ian 1983. Night of the long wake by Dukuza Ka Macu. Reviewed in: Scenaria, (36): 29.
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Steadman, Ian 1984a. Alternative politics, alternative performance; 1976 and Black South African theatre. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 215-232.
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Steadman, Ian 1984b. Black South African theatre after nationalism. English Academy review,  2: 9-18.
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Steadman, Ian 1984c. Theatre, criticism and cultural studies: new directions for the 1980s. Teaterforum, 5(1): 80-93.
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Steadman, Ian 1985a. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Johannesburg: University of the Witwatersrand. (Ph.D. Thesis).
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Steadman, Ian 1985b. The other face. Index to censorship, 14 (1): 26-30.
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Steadman, Tan 1985c. The radical paradigm in South African theatre studies: a review of Theatre and cultural struggle in South Africa, by Robert Mshengu Kavanagh. Critical arts, 4(1): 80-84.
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Steadman, Ian 1986a. Another world [Theatre – political aspects]. Leadership South Africa, 5(5) : 96-101.
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Steadman, Ian 1986b. Popular culture and performance in South Africa. Durban: Contemporary Cultural Studies Unit.
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Steadman, Ian 1986c. Theatre and cultural struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Research in African Literatures, 17(2):267-271.
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Steadman, Ian 1987. Theatre and society. In Breitenbach R. (ed.) The arts in society, a collection of lectures. Grahamstown, 1820 Foundation.
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Steadman, Ian 1988a. Popular entertainment on tour (editorial). South African theatre journal, 2(2): 1-2.
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Steadman, Ian 1988b. Stages in revolution: Black South African theatre since 1976. Research in African literatures, 29: 24-33.
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Steadman, Ian 1989. Theatre studies in the 1990s. South African theatre journal, 3(2):1-3.
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Steadman, Ian 1990a. The theatre industry in the 1990s. South African theatre journal, 4(2): 1-11.
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Steadman, Ian 1990b. Towards popular theatre in South Africa. Journal of Southern African studies, 16 (2): 208-228.
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Steadman, Ian 1991a. My Children! My Africa! and selected shorter plays, by Athol Fugard, edited by Stephen Gray. Reviewed in: South African theatre journal, 5(2): 111-112.
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Steadman, Ian 1991b. South African plays and polemics: book reviews. Current writing, 3(1): 200-204.
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Steadman, Ian 1991c. Theatre beyond Apartheid. Research in African literatures. 22(3):70-90.
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Steadman, Ian 1992a. Performance and politics: process and practices of representation in South African theatre. Theatre survey, 33 (2): 188-210.
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Steadman, Ian 1992b. The uses of theatre. South African theatre journal, 6(1): 33-45.
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Steadman, Ian 1993a. Collective creativity: theatre for a post-apartheid society. In  Hill, Romaine, Muller, Marie & Trump, Martin (eds.)  African studies forum. Pretoria: Human Sciences Research Council. Vol. 2, p 74-88.
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Steadman, Ian 1993b. Theatre at the crossroads:  An introduction to this special issue (editorial). South African theatre journal, 7(2):1-2.
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Steadman, Ian 1994a. South Africa. In Banham, Martin, Hill, Errol & Woodyard, George (eds). African and Caribbean theatre. Cambridge: Cambridge University Press. p. 101-112.
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Steadman, Ian 1994b. Towards popular theatre in South Africa. In  Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 11-34.
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Steadman, Ian 1995. Introduction to Maponya: Doing Plays for Change. Johannesburg: Witwatersrand University Press.
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Steadman, Ian. 1995b.  Editorial. South African theatre journal, 9(2): 1-2.
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Steadman, Ian 1998. Race matters in South African theatre. In Boon, Richard & Plastow, Jane (eds) Theatre matters: performance and culture on the world stage. Cambridge: Cambridge University Press. p. 55-75.
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Steadman, Ian 1999.  Race, nationalism and theatre reconsidered. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 25-37.
  
  

Revision as of 15:08, 3 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Stead, Rinie 1967. Portret van ‚n toneelpionier: hulde aan P.P. Breytenbach. Lantern, 17(2): 2-19.

Stead, Rinie 1969. Raimond Schoop en die teater. Lantern, 18(4): 58-71. June.

Stead, Rinie 1971. Sip of Jerepigo: Patrick Mynhardt maak toneelgeskiedenis. Lantern, 20(4): 72-80. June.

Stead, Rinie 1981?*. Die Nasionale Toneelorganisasie. Unpublished manuscript, State Archives Pretoria.

Stead, Rinie 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van P.P.B. Breytenbach. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 21-26.

Stead, Rinie 1985b. The National Theatre Organization (NTO: 1947-1962). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 65-72.

Stead 1986 S Mynhardt

Steadman, Ian P. 1980a. Critical responses to contemporary South African theatre. Critical arts, 1(3): 40-46.

Steadman, Ian P. 1980b. Theatre of commitment: the political made theatrical in South African theatre. Scenaria, (17): 3.

Steadman, Ian 1981a. Culture and context: notes on performance in South Africa. Critical arts, 2(1): 1-13.

Steadman, Ian 1981b. Performance research: a select bibliography. Critical arts, 2(1): 60-65.

Steadman, Ian 1983. Night of the long wake by Dukuza Ka Macu. Reviewed in: Scenaria, (36): 29.

Steadman, Ian 1984a. Alternative politics, alternative performance; 1976 and Black South African theatre. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 215-232.

Steadman, Ian 1984b. Black South African theatre after nationalism. English Academy review, 2: 9-18.

Steadman, Ian 1984c. Theatre, criticism and cultural studies: new directions for the 1980s. Teaterforum, 5(1): 80-93.

Steadman, Ian 1985a. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Johannesburg: University of the Witwatersrand. (Ph.D. Thesis).

Steadman, Ian 1985b. The other face. Index to censorship, 14 (1): 26-30.

Steadman, Tan 1985c. The radical paradigm in South African theatre studies: a review of Theatre and cultural struggle in South Africa, by Robert Mshengu Kavanagh. Critical arts, 4(1): 80-84.

Steadman, Ian 1986a. Another world [Theatre – political aspects]. Leadership South Africa, 5(5) : 96-101.

Steadman, Ian 1986b. Popular culture and performance in South Africa. Durban: Contemporary Cultural Studies Unit.

Steadman, Ian 1986c. Theatre and cultural struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Research in African Literatures, 17(2):267-271.

Steadman, Ian 1987. Theatre and society. In Breitenbach R. (ed.) The arts in society, a collection of lectures. Grahamstown, 1820 Foundation.

Steadman, Ian 1988a. Popular entertainment on tour (editorial). South African theatre journal, 2(2): 1-2.

Steadman, Ian 1988b. Stages in revolution: Black South African theatre since 1976. Research in African literatures, 29: 24-33.

Steadman, Ian 1989. Theatre studies in the 1990s. South African theatre journal, 3(2):1-3.

Steadman, Ian 1990a. The theatre industry in the 1990s. South African theatre journal, 4(2): 1-11.

Steadman, Ian 1990b. Towards popular theatre in South Africa. Journal of Southern African studies, 16 (2): 208-228.

Steadman, Ian 1991a. My Children! My Africa! and selected shorter plays, by Athol Fugard, edited by Stephen Gray. Reviewed in: South African theatre journal, 5(2): 111-112.

Steadman, Ian 1991b. South African plays and polemics: book reviews. Current writing, 3(1): 200-204.

Steadman, Ian 1991c. Theatre beyond Apartheid. Research in African literatures. 22(3):70-90.

Steadman, Ian 1992a. Performance and politics: process and practices of representation in South African theatre. Theatre survey, 33 (2): 188-210.

Steadman, Ian 1992b. The uses of theatre. South African theatre journal, 6(1): 33-45.

Steadman, Ian 1993a. Collective creativity: theatre for a post-apartheid society. In Hill, Romaine, Muller, Marie & Trump, Martin (eds.) African studies forum. Pretoria: Human Sciences Research Council. Vol. 2, p 74-88.

Steadman, Ian 1993b. Theatre at the crossroads: An introduction to this special issue (editorial). South African theatre journal, 7(2):1-2.

Steadman, Ian 1994a. South Africa. In Banham, Martin, Hill, Errol & Woodyard, George (eds). African and Caribbean theatre. Cambridge: Cambridge University Press. p. 101-112.

Steadman, Ian 1994b. Towards popular theatre in South Africa. In Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 11-34.

Steadman, Ian 1995. Introduction to Maponya: Doing Plays for Change. Johannesburg: Witwatersrand University Press.

Steadman, Ian. 1995b. Editorial. South African theatre journal, 9(2): 1-2.

Steadman, Ian 1998. Race matters in South African theatre. In Boon, Richard & Plastow, Jane (eds) Theatre matters: performance and culture on the world stage. Cambridge: Cambridge University Press. p. 55-75.

Steadman, Ian 1999. Race, nationalism and theatre reconsidered. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 25-37.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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