Difference between revisions of "ESAT Bibliography Stea"
| (23 intermediate revisions by one other user not shown) | |||
| Line 11: | Line 11: | ||
| + | |||
| + | [[Rinie Stead|Stead, Rinie]] 1956. Afrikaanse toneel op kruispad. ''Brandwag'', 20(6):24-26. | ||
[[Rinie Stead|Stead, Rinie]] 1967. Portret van 'n toneelpionier: hulde aan [[P.P.B. Breytenbach]]. ''Lantern'', 17(2): 2-19. | [[Rinie Stead|Stead, Rinie]] 1967. Portret van 'n toneelpionier: hulde aan [[P.P.B. Breytenbach]]. ''Lantern'', 17(2): 2-19. | ||
| Line 18: | Line 20: | ||
[[Rinie Stead|Stead, Rinie]] 1971. Sip of Jerepigo: [[Patrick Mynhardt]] maak toneelgeskiedenis. ''Lantern'', 20(4): 72-80. June. | [[Rinie Stead|Stead, Rinie]] 1971. Sip of Jerepigo: [[Patrick Mynhardt]] maak toneelgeskiedenis. ''Lantern'', 20(4): 72-80. June. | ||
| − | [[Rinie Stead|Stead, Rinie]] 1981 | + | [[Rinie Stead|Stead, Rinie]] ca.1981. Die [[Nasionale Toneelorganisasie]]. Unpublished manuscript, State Archives Pretoria. |
[[Rinie Stead|Stead, Rinie]] 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van [[P.P.B. Breytenbach]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 21-26. | [[Rinie Stead|Stead, Rinie]] 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van [[P.P.B. Breytenbach]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 21-26. | ||
| − | [[Rinie Stead|Stead, Rinie]] 1985b. The [[National Theatre | + | [[Rinie Stead|Stead, Rinie]] 1985b. The [[National Theatre Organisation]] (NTO: 1947-1962), in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 65-72. |
| + | |||
| + | [[Ian Steadman|Steadman, Ian P.]] 1978. Bear matket: ''Long Day's Journey Into Night''. Reviewed in: ''Speak'', 1(4):49-50. | ||
[[Ian Steadman|Steadman, Ian P.]] 1980a. Critical responses to contemporary South African theatre. ''Critical Arts'', 1(3): 40-46. | [[Ian Steadman|Steadman, Ian P.]] 1980a. Critical responses to contemporary South African theatre. ''Critical Arts'', 1(3): 40-46. | ||
| − | [[Ian Steadman|Steadman, Ian P.]] 1980b. Theatre of commitment: the political made theatrical in South African theatre. ''Scenaria'', (17): 3. | + | [[Ian Steadman|Steadman, Ian P.]] 1980b. Theatre of commitment: the political made theatrical in South African theatre. ''[[Scenaria]]'', (17): 3. |
[[Ian Steadman|Steadman, Ian P.]] 1981a. Culture and context: notes on performance in South Africa. ''Critical Arts'', 2(1):1-13. | [[Ian Steadman|Steadman, Ian P.]] 1981a. Culture and context: notes on performance in South Africa. ''Critical Arts'', 2(1):1-13. | ||
| Line 34: | Line 38: | ||
[[Ian Steadman|Steadman, Ian P.]] 1983. ''[[Night of the Long Wake]]'' by [[Dukuza Ka Macu]]. Reviewed in: ''[[Scenaria]]'', (36):29. | [[Ian Steadman|Steadman, Ian P.]] 1983. ''[[Night of the Long Wake]]'' by [[Dukuza Ka Macu]]. Reviewed in: ''[[Scenaria]]'', (36):29. | ||
| − | [[Ian Steadman|Steadman, Ian P.]] 1984a. Alternative politics, alternative performance; 1976 and Black South African theatre, in [[Margaret J. Daymond|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] (eds.). | + | [[Ian Steadman|Steadman, Ian P.]] 1984a. Alternative politics, alternative performance; 1976 and Black South African theatre, in [[Margaret J. Daymond|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] (eds.). ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 215-232. |
| + | |||
| + | [[Ian Steadman|Steadman, Ian P.]] 1984b. Alternative theatre: fifty years of performance in Johannesburg, in White, Landeg and [[Tim Couzens|Couzens, Tim]] (eds.). ''Literature and Society in South Africa''. Pinelands, Cape Town : Maskew Miller Longman. 138-146. | ||
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1984c. Black South African theatre after nationalism. ''English Academy Review'', 2:9-18. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1984d. Theatre, criticism and cultural studies: new directions for the 1980s. ''[[Teaterforum]]'', 5(1): 80-93. |
[[Ian Steadman|Steadman, Ian P.]] 1985a. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Unpublished doctoral dissertation. Johannesburg: University of the Witwatersrand. | [[Ian Steadman|Steadman, Ian P.]] 1985a. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Unpublished doctoral dissertation. Johannesburg: University of the Witwatersrand. | ||
| Line 44: | Line 50: | ||
[[Ian Steadman|Steadman, Ian P.]] 1985b. The other face. ''Index to Censorship'', 14 (1): 26-30. | [[Ian Steadman|Steadman, Ian P.]] 1985b. The other face. ''Index to Censorship'', 14 (1): 26-30. | ||
| − | [[Ian Steadman|Steadman, Ian P.]] 1985c. The radical paradigm in South African theatre studies: a review of ''Theatre and Cultural Struggle in South Africa'', by [[Robert Mshengu Kavanagh]]. ''Critical Arts'', 4(1:80-84. | + | [[Ian Steadman|Steadman, Ian P.]] 1985c. The radical paradigm in South African theatre studies: a review of ''Theatre and Cultural Struggle in South Africa'', by [[Robert Mshengu Kavanagh]]. ''Critical Arts'', 4(1):80-84. |
| + | |||
| + | [[Ian Steadman|Steadman, Ian P.]] 1985d. Stages in the revolution: Black South African theater since 1976. ''Research in African Literatures'', 19(1). | ||
[[Ian Steadman|Steadman, Ian P.]] 1986a. Another world [Theatre – political aspects]. ''Leadership South Africa'', 5(5):96-101. | [[Ian Steadman|Steadman, Ian P.]] 1986a. Another world [Theatre – political aspects]. ''Leadership South Africa'', 5(5):96-101. | ||
| Line 54: | Line 62: | ||
[[Ian Steadman|Steadman, Ian P.]] 1987. Theatre and society, in [[R. Breitenbach|Breitenbach R.]] (ed.). ''The Arts in Society, a collection of lectures''. Grahamstown, 1820 Foundation. | [[Ian Steadman|Steadman, Ian P.]] 1987. Theatre and society, in [[R. Breitenbach|Breitenbach R.]] (ed.). ''The Arts in Society, a collection of lectures''. Grahamstown, 1820 Foundation. | ||
| − | [[Ian Steadman|Steadman, Ian P.]] 1988a. Popular entertainment on tour (editorial). ''[[South African Theatre Journal]] | + | [[Ian Steadman|Steadman, Ian P.]] 1988a. Popular entertainment on tour (editorial). ''[[South African Theatre Journal]]'', 2(2):1-2. |
| + | |||
| + | [[Ian Steadman|Steadman, Ian P.]] 1988b. Stages in revolution: Black South African theatre since 1976. ''Research in African Literatures'', 19:24-33. | ||
| + | |||
| + | [[Ian Steadman|Steadman, Ian P.]] 1989. Theatre studies in the 1990s. ''[[South African Theatre Journal]]'', 3(2):1-3. | ||
| + | |||
| + | [[Ian Steadman|Steadman, Ian P.]] 1990a. Collective creativity: theatre for a post-apartheid society, in Trump, Martin (ed.). ''Rendering things visible : essays on South African literary culture''. Johannesburg: Ravan. 307-321. | ||
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1990b. The theatre industry in the 1990s. ''[[South African Theatre Journal]]'', 4(2):1-11. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1990c. Towards popular theatre in South Africa. ''Journal of Southern African Studies'', 16 (2):208-228. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1991a. ''My Children! My Africa! and selected shorter plays'', by [[Athol Fugard]], edited by [[Stephen Gray]]. Reviewed in: ''[[South African Theatre Journal]]'', 5(2): 111-112. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1991b. South African plays and polemics: book reviews. ''Current Writing'', 3(1):200-204. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1991c. Theatre beyond Apartheid. ''Research in African Literatures'', 22(3):70-90. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1992a. Performance and politics: process and practices of representation in South African theatre. ''Theatre Survey'', 33 (2):188-210. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1992b. The uses of theatre. ''[[South African Theatre Journal]]'', 6(1):33-45. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1993a. Collective creativity: theatre for a post-apartheid society, in [[Romaine Hill|Hill, Romaine]], [[Marie Muller|Muller, Marie]] & [[Martin Trump|Trump, Martin]] (eds.). ''African Studies Forum''. Pretoria: Human Sciences Research Council. Vol. 2, p 74-88. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1993b. Theatre at the crossroads: An introduction to this special issue (editorial). ''[[South African Theatre Journal]]'', 7(2):1-2. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1994a. South Africa, in Banham, Martin, Hill, Errol & Woodyard, George (eds.). ''African and Caribbean Theatre''. Cambridge: Cambridge University Press. 101-112. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1994b. Towards popular theatre in South Africa, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. 11-34. |
| − | [[Ian | + | [[Ian Steadman|Steadman, Ian P.]] 1995. Introduction to ''[[Isaiah Maishe Maponya|Maponya]]: Doing Plays for Change''. Johannesburg: Witwatersrand University Press. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1995b. Editorial. ''[[South African Theatre Journal]]'', 9(2): 1-2. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1998. Race matters in South African theatre, in Boon, Richard & Plastow, Jane (eds.). ''Theatre Matters: Performance and Culture on the World Stage''. Cambridge: Cambridge University Press. p. 55-75. |
| − | [[Ian Steadman|Steadman, Ian P.]] | + | [[Ian Steadman|Steadman, Ian P.]] 1999. Race, nationalism and theatre reconsidered, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 25-37. |
| − | |||
| − | |||
Revision as of 08:05, 29 March 2016
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Stead, Rinie 1956. Afrikaanse toneel op kruispad. Brandwag, 20(6):24-26.
Stead, Rinie 1967. Portret van 'n toneelpionier: hulde aan P.P.B. Breytenbach. Lantern, 17(2): 2-19.
Stead, Rinie 1969. Raimond Schoop en die teater. Lantern, 18(4): 58-71. June.
Stead, Rinie 1971. Sip of Jerepigo: Patrick Mynhardt maak toneelgeskiedenis. Lantern, 20(4): 72-80. June.
Stead, Rinie ca.1981. Die Nasionale Toneelorganisasie. Unpublished manuscript, State Archives Pretoria.
Stead, Rinie 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van P.P.B. Breytenbach, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 21-26.
Stead, Rinie 1985b. The National Theatre Organisation (NTO: 1947-1962), in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 65-72.
Steadman, Ian P. 1978. Bear matket: Long Day's Journey Into Night. Reviewed in: Speak, 1(4):49-50.
Steadman, Ian P. 1980a. Critical responses to contemporary South African theatre. Critical Arts, 1(3): 40-46.
Steadman, Ian P. 1980b. Theatre of commitment: the political made theatrical in South African theatre. Scenaria, (17): 3.
Steadman, Ian P. 1981a. Culture and context: notes on performance in South Africa. Critical Arts, 2(1):1-13.
Steadman, Ian P. 1981b. Performance research: a select bibliography. Critical Ats, 2(1): 60-65.
Steadman, Ian P. 1983. Night of the Long Wake by Dukuza Ka Macu. Reviewed in: Scenaria, (36):29.
Steadman, Ian P. 1984a. Alternative politics, alternative performance; 1976 and Black South African theatre, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 215-232.
Steadman, Ian P. 1984b. Alternative theatre: fifty years of performance in Johannesburg, in White, Landeg and Couzens, Tim (eds.). Literature and Society in South Africa. Pinelands, Cape Town : Maskew Miller Longman. 138-146.
Steadman, Ian P. 1984c. Black South African theatre after nationalism. English Academy Review, 2:9-18.
Steadman, Ian P. 1984d. Theatre, criticism and cultural studies: new directions for the 1980s. Teaterforum, 5(1): 80-93.
Steadman, Ian P. 1985a. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Unpublished doctoral dissertation. Johannesburg: University of the Witwatersrand.
Steadman, Ian P. 1985b. The other face. Index to Censorship, 14 (1): 26-30.
Steadman, Ian P. 1985c. The radical paradigm in South African theatre studies: a review of Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Critical Arts, 4(1):80-84.
Steadman, Ian P. 1985d. Stages in the revolution: Black South African theater since 1976. Research in African Literatures, 19(1).
Steadman, Ian P. 1986a. Another world [Theatre – political aspects]. Leadership South Africa, 5(5):96-101.
Steadman, Ian P. 1986b. Popular Culture and Performance in South Africa. Durban: Contemporary Cultural Studies Unit.
Steadman, Ian P. 1986c. Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Research in African Literatures, 17(2):267-271.
Steadman, Ian P. 1987. Theatre and society, in Breitenbach R. (ed.). The Arts in Society, a collection of lectures. Grahamstown, 1820 Foundation.
Steadman, Ian P. 1988a. Popular entertainment on tour (editorial). South African Theatre Journal, 2(2):1-2.
Steadman, Ian P. 1988b. Stages in revolution: Black South African theatre since 1976. Research in African Literatures, 19:24-33.
Steadman, Ian P. 1989. Theatre studies in the 1990s. South African Theatre Journal, 3(2):1-3.
Steadman, Ian P. 1990a. Collective creativity: theatre for a post-apartheid society, in Trump, Martin (ed.). Rendering things visible : essays on South African literary culture. Johannesburg: Ravan. 307-321.
Steadman, Ian P. 1990b. The theatre industry in the 1990s. South African Theatre Journal, 4(2):1-11.
Steadman, Ian P. 1990c. Towards popular theatre in South Africa. Journal of Southern African Studies, 16 (2):208-228.
Steadman, Ian P. 1991a. My Children! My Africa! and selected shorter plays, by Athol Fugard, edited by Stephen Gray. Reviewed in: South African Theatre Journal, 5(2): 111-112.
Steadman, Ian P. 1991b. South African plays and polemics: book reviews. Current Writing, 3(1):200-204.
Steadman, Ian P. 1991c. Theatre beyond Apartheid. Research in African Literatures, 22(3):70-90.
Steadman, Ian P. 1992a. Performance and politics: process and practices of representation in South African theatre. Theatre Survey, 33 (2):188-210.
Steadman, Ian P. 1992b. The uses of theatre. South African Theatre Journal, 6(1):33-45.
Steadman, Ian P. 1993a. Collective creativity: theatre for a post-apartheid society, in Hill, Romaine, Muller, Marie & Trump, Martin (eds.). African Studies Forum. Pretoria: Human Sciences Research Council. Vol. 2, p 74-88.
Steadman, Ian P. 1993b. Theatre at the crossroads: An introduction to this special issue (editorial). South African Theatre Journal, 7(2):1-2.
Steadman, Ian P. 1994a. South Africa, in Banham, Martin, Hill, Errol & Woodyard, George (eds.). African and Caribbean Theatre. Cambridge: Cambridge University Press. 101-112.
Steadman, Ian P. 1994b. Towards popular theatre in South Africa, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 11-34.
Steadman, Ian P. 1995. Introduction to Maponya: Doing Plays for Change. Johannesburg: Witwatersrand University Press.
Steadman, Ian P. 1995b. Editorial. South African Theatre Journal, 9(2): 1-2.
Steadman, Ian P. 1998. Race matters in South African theatre, in Boon, Richard & Plastow, Jane (eds.). Theatre Matters: Performance and Culture on the World Stage. Cambridge: Cambridge University Press. p. 55-75.
Steadman, Ian P. 1999. Race, nationalism and theatre reconsidered, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 25-37.
Click on the appropriate letters of the alphabet in the sub-list below.
Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
