Difference between revisions of "ESAT Bibliography Sci-Sez"

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[[O. Seda|Seda, O.]] 1995. ''Politics and Performance : Theatre, Poetry and Song in Southern Africa'', edited by [[Liz Gunner]]. Reviewed in: ''Southern African Review of Books'', 9(35):5.
  
Scott, Christina. 2001. A lesson in egotism. In: Natal Witness, May 14, 2001: 9.
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[[O. Seda|Seda, O.]] 2000. A response to [[Hazel Barnes]]’ ‘Ihlanzi ishelwe amanzi — as fish out of water: finding authentic voices in a multicultural student production’ (RIDE 4(2)). ''Research in Drama Education'', 5(1):95-97.  
  
Seale, Tyrone. 1998. Forget Cats – Our Kat KOs West End. In: Cape Argus, March 24, 1998: 1.
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[[D. Seddon|Seddon D.]] 2004. Shakespeare's orality: [[Solomon Plaatje]]'s Setswana translations. ''English Studies in Africa'', 47(2):77-96.  
  
Seda, O. 1995. Politics and performance : theatre, poetry and song in Southern Africa, edited by L. Gunner. Reviewed in: Southern African Review of Books, 9(35): 5.
+
[[Dale E. Seeds|Seeds, Dale E.]] 1996. Trickster by trade: [[Thomas Riccio]] on indigenous theatre, an interview. ''Drama Review'', 40(4):118-133.
  
Seda, O. 2000. A response to Hazel Barnes’ ‘Ihlanzi ishelwe amanzi — as fish out of  
+
[[Adele Seeff|Seeff, Adele]] 2004. Recovering the history of the African theatre. ''Quarterly Bulletin of the National Library of South Africa'', 58(4):159-167.
water: finding authentic voices in a multicultural student production’ (RIDE
 
4.2). Research in drama education, 5(1): 95-97.  
 
  
Seddon D. 2004.  Shakespeare's Orality: Solomon Plaatje's Setswana Translations.
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[[Adele Seeff|Seeff, Adele]] A quick buck. ''Quarterly Bulletin of the National Library of South Africa'', 59(1):8-12.
English Studies in Africa: A Journal of the Humanities [serial online].
 
2004;47(2):77-96.  
 
  
Seeds, Dale E. 1996. Trickster by trade: Thomas Riccio on indigenous theatre, an interview. Drama Review, 40(4):118-133. (liewer TDR, of The drama review?).
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[[Adele Seeff|Seeff, Adele]] 2009. ''Othello'' at the [[Market Theatre]]. ''Shakespeare Bulletin'', 27(3):377-398.
  
Seeff, Adele 2004. Recovering the history of the African theatre. Quarterly
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[[Kimberly Wedeven Segall|Segall, Kimberly Wedeven]] 2001. Over my dead body : trauma and unreconciled truths in South African performances. Unpublished doctoral dissertation. Evanston, Ill.: Northwestern University.  
bulletin of the National Library of South Africa, 58(4): 159-167.
 
  
Seeff, Adele. "A QUICK BUCK." Quarterly Bulletin of the National Library of
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[[Margarete Seidenspinner|Seidenspinner, Margarete]] 1986. ''Exploring the Labyrinth: [[Athol Fugard]]’s Approach to South African Drama''. Essen: Blaue Eule.
South Africa 59.1 (2005): 8-12.
 
  
Seeff, Adele 2009. Othello at the Market Theatre. Shakespeare bulletin, 27(3): 377-398.
+
[[B. Seitisho|Seitisho, B.]] 2002. Lamenting Shakespeare : the missing link in South Africa’s Outcomes Based Education System (OBE). ''Perspectives in Education'', 20(3):133-139.
  
Segall, Kimberly Wedeven 2001. Over my dead body : trauma and unreconciled truths in South African performances. Evanston, Ill.: Northwestern University. (Ph.D. thesis)
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[[Sesi Angelina Sekgobela|Sekgobela, Sesi Angelina]] 1992. Tshekatsheko ya kgotlhang mo dikgankhutshweng tsa Setswana. Unpublished master’s thesis. Yunibesithi ya Bophuthatswana.  
  
Seidenspinner, Margarete 1986. Exploring the labyrinth: Athol Fugard’s approach to South African drama. Essen: Blaue Eule.
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A selected reading list on South African theatre, compiled by CESAT. 1985, in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press. 156-159.
  
Seitisho, B. 2002. Lamenting Shakespeare : the missing link in South Africa’s Outcomes Based Education System (OBE). Perspectives in education, 20(3) : 133-139.
+
[[Hilary Semple|Semple, Hilary]] 1987. ‚The idea’s the thing’. ''Shakespeare Society of Southern Africa: Occasional Papers and Reviews'', 2(2):3-6.
  
Sekgobela, Sesi Angelina. 1992. Tshekatsheko ya kgotlhang mo dikgankhutshweng tsa Setswana Yunibesithi ya Bophuthatswana. (M.A. thesis).
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[[Hilary Semple|Semple, Hilary]] 1987. ''Othello'': an historic milestone. ''Shakespeare in Southern Africa'', 1:67-69.
  
A selected reading list on South African theatre, compiled by CESAT. 1985. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach.  Johannesburg: The Limelight press. p. 156-159.
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[[Jan Senekal|Senekal, Jan]] 1978. ''Beeld en Bedryf : Inleidende Opstelle oor Fasette van die Afrikaanse Drama'' / saamgestel deur J.H. Senekal. Pretoria: Van Schaik.
  
Semple, Hilary 1987. ‚The idea’s the thing’. Shakespeare Society of Southern Africa: occasional papers and reviews, 2(2): 3-6.
+
[[Jan Senekal|Senekal, Jan]] & [[Karien van Aswegen|Van Aswegen, Karien]] (eds.). 1980. ''Bronne by die Studie van Afrikaanse Dramas 1900-1978''. Johannesburg: Perskor.
 
 
Semple, Hilary 1987. Othello: an historic milestone. Shakespeare in Southern Africa, 1: 67-69.
 
 
 
SENEKAL, Jan. (Ed). 1978. Beeld en Bedryf.  Inleidende Opstelle oor Fasette van die Afrikaanse Drama. Pretoria: Van Schaik.
 
 
 
SEPAMLA, SIPHO. 1981. Towards an African Theatre. In: Rand Daily Mail 2 April.  
 
  
 
Serfontein, P. 1970. Ontwerp vir die teater en Graham Brown. Lantern, 19(3): 38-45.
 
Serfontein, P. 1970. Ontwerp vir die teater en Graham Brown. Lantern, 19(3): 38-45.
  
Sergeant, Roy 1985. The performing arts in a hostile society. Die Suid-Afrikaan, (5): 38-39.
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[[Roy Sergeant|Sergeant, Roy]] 1985. The performing arts in a hostile society. ''Die Suid-Afrikaan'', (5):38-39.
 
 
SERPIERI, ALESSANDRO.  On the Language of Drama (Louise Viljoen) South African theatre journal,  5(2):104-107.
 
  
Serudu, S.M. 1984. Ga a mo swanela [by M.L. Maloma. Literary criticism]. South African journal of African languages supplement 2 : 23-33.
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[[S.M. Serudu|Serudu, S.M.]] 1984. ''Ga a mo swanela'', by [[M.L. Maloma]]. Reviewed in: ''South African Journal of African Languages'',  supplement 2:23-33.
  
Seyffert, M.C.A. 1988. André, by Temple Hauptfleisch. Reviewed in: South African theatre journal, 2(1):85-87.
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[[M.C.A. Seyffert|Seyffert, M.C.A.]] 1988. ''[[André]]'', by [[Temple Hauptfleisch]]. Reviewed in: ''[[South African Theatre Journal]]'', 2(1):85-87.
  
  

Revision as of 10:31, 23 February 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

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Seda, O. 1995. Politics and Performance : Theatre, Poetry and Song in Southern Africa, edited by Liz Gunner. Reviewed in: Southern African Review of Books, 9(35):5.

Seda, O. 2000. A response to Hazel Barnes’ ‘Ihlanzi ishelwe amanzi — as fish out of water: finding authentic voices in a multicultural student production’ (RIDE 4(2)). Research in Drama Education, 5(1):95-97.

Seddon D. 2004. Shakespeare's orality: Solomon Plaatje's Setswana translations. English Studies in Africa, 47(2):77-96.

Seeds, Dale E. 1996. Trickster by trade: Thomas Riccio on indigenous theatre, an interview. Drama Review, 40(4):118-133.

Seeff, Adele 2004. Recovering the history of the African theatre. Quarterly Bulletin of the National Library of South Africa, 58(4):159-167.

Seeff, Adele A quick buck. Quarterly Bulletin of the National Library of South Africa, 59(1):8-12.

Seeff, Adele 2009. Othello at the Market Theatre. Shakespeare Bulletin, 27(3):377-398.

Segall, Kimberly Wedeven 2001. Over my dead body : trauma and unreconciled truths in South African performances. Unpublished doctoral dissertation. Evanston, Ill.: Northwestern University.

Seidenspinner, Margarete 1986. Exploring the Labyrinth: Athol Fugard’s Approach to South African Drama. Essen: Blaue Eule.

Seitisho, B. 2002. Lamenting Shakespeare : the missing link in South Africa’s Outcomes Based Education System (OBE). Perspectives in Education, 20(3):133-139.

Sekgobela, Sesi Angelina 1992. Tshekatsheko ya kgotlhang mo dikgankhutshweng tsa Setswana. Unpublished master’s thesis. Yunibesithi ya Bophuthatswana.

A selected reading list on South African theatre, compiled by CESAT. 1985, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 156-159.

Semple, Hilary 1987. ‚The idea’s the thing’. Shakespeare Society of Southern Africa: Occasional Papers and Reviews, 2(2):3-6.

Semple, Hilary 1987. Othello: an historic milestone. Shakespeare in Southern Africa, 1:67-69.

Senekal, Jan 1978. Beeld en Bedryf : Inleidende Opstelle oor Fasette van die Afrikaanse Drama / saamgestel deur J.H. Senekal. Pretoria: Van Schaik.

Senekal, Jan & Van Aswegen, Karien (eds.). 1980. Bronne by die Studie van Afrikaanse Dramas 1900-1978. Johannesburg: Perskor.

Serfontein, P. 1970. Ontwerp vir die teater en Graham Brown. Lantern, 19(3): 38-45.

Sergeant, Roy 1985. The performing arts in a hostile society. Die Suid-Afrikaan, (5):38-39.

Serudu, S.M. 1984. Ga a mo swanela, by M.L. Maloma. Reviewed in: South African Journal of African Languages, supplement 2:23-33.

Seyffert, M.C.A. 1988. André, by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 2(1):85-87.


Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance