Difference between revisions of "ESAT Bibliography Sa-Saz"

From ESAT
Jump to navigation Jump to search
(19 intermediate revisions by one other user not shown)
Line 11: Line 11:
  
  
SAACE/construction award in mechanical/electrical category: [State theatre, Pretoria]. 1983. Construction Southern Africa, 28(7): 39-54.
+
SAACE/construction award in mechanical/electrical category: ([[State Theatre]], Pretoria). 1983. ''Construction Southern Africa'', 28(7):39-54.
  
Sabata, S. (2000) Giants. Unpublished manuscript.
+
[[S. Sabata|Sabata, S.]] 2000. ''[[Giants.]]'' Unpublished manuscript.
  
SACHS, ALBIE. 1990. Do we have the cultural imagination for a new SA?. Cape Times. 13 February 1990.
+
[[Albie Sachs|Sachs, Albie]] 1991. Preparing ourselves for freedom: culture and the ANC constitutional guidelines. ''The Drama Review'', 35(1):187-193.
  
Sachs, Albie 1991. Preparing ourselves for freedom: culture and the ANC constitutional guidelines. The drama review, 35(1): 187-193.
+
[[J. Sachs|Sachs, J.]] 1951. Cape Town scene. ''Trek'', 15(11) – 15(12).
  
SACHS, Albie. See De Kok and Press: Spring is Rebellious: Arguments about Cultural Freedom by Albie Sachs and Respondents.
+
[[J. Sachs|Sachs, J.]] 1952. The drama festival: the [[Van Riebeeck Festival]] in review. ''Trek'', 14(4).
  
Sachs, J. 1951. Cape Town scene. Trek 15(11) – 15(12).
+
[[Leontine Sagan|Sagan, Leontine]] 1940. South Africans have dramatic talent. ''Outspan'', 27(699):29-31. July 19.
  
Sagan, Leontine 1940. South Africans have dramatic talent. Outspan. 27(699): 29-31. July 19.
+
[[Leontine Sagan|Sagan, Leontine]] 1948. Wenke vir jong toneelspelers. ''Huisgenoot'', 32(1360):19. April 16.
  
Sagan, Leontine 1948. Wenke vir jong toneelspelers. Huisgenoot, 32(1360): 19. April 16.
+
[[Leontine Sagan|Sagan, Leontine]] 1950a. Actor’s talent. ''[[Trek]]'', 14(1):18-19.
  
Sagan, Leontine 1950a. Actor’s talent. Trek, 14(1): 18-19.
+
[[Leontine Sagan|Sagan, Leontine]] 1950b. Drama en die skool: liefde vir die toneel kan reeds by ons jeug aangekweek word. ''Huisgenoot'', 34(1454):7. February 3.
  
Sagan, Leontine 1950b. Drama en die skool: liefde vir die toneel kan reeds by ons jeug aangekweek word. Huisgenoot, 34(1454): 7. February 3.
+
[[Leontine Sagan|Sagan, Leontine]] 1996. Lights & Shadows The Autobiography of Leontine Sagan, edited and introduced by [[Loren Kruger]]. Johannesburg: Witwatersrand University Press.
  
Sagan, Leontine 1996. Lights & shadows :the autobiography of Leontine Sagan, edited and introduced by Loren Kruger. Johannesburg: Witwatersrand University Press.
+
[[David Saks|Saks, David]] (ed.). 2006. ''South African Jews in the Theatre''. Houghton: South African Jewish Board of Deputies.
  
Saks, David (ed.) 2006. South African Jews in the theatre. Houghton: South African Jewish Board of Deputies.
+
[[Elsie Salomon|Salomon, Elsie]] 1933-34. Elocution and dramatic art in South Africa, in Knox, W.H. (ed.). ''The Arts in South Africa''. Durban: Knox. 199-201.
  
Salter, Dennis. 2004.  Exile, Return and the New South Africa - An interview with Anthony Akerman. (Part 1 in 1996 and part 2 in 2003).  SATJ 18: 257-276.
+
[[Denis Salter|Salter, Denis]] 2004.  Exile, Return and the New South Africa - An interview with [[Anthony Akerman]]. (Part 1 in 1996 and part 2 in 2003).  ''[[South African Theatre Journal]]'', 18: 257-276.
  
Salzwedel, I. 2006. Agter die voetligte: Suid-Afrikaans. Taalgenoot, 32(1): 23-24.
+
[[I. Salzwedel|Salzwedel, I.]] 2006a. Agter die voetligte: Suid-Afrikaans ([[Wena Naudé]]; [[Lydia Lindeque]]; [[Mathilde Hanekom]]; [[André Huguenet]]; [[Hendrik Hanekom]]). ''[[Die Taalgenoot]]'', 32(1):23-24.
  
Sampson 2004. Fugard at the Fountain. American theatre, 21(6): 94.
+
[[I. Salzwedel|Salzwedel, I.]] 2006b. [[Pieter Fourie]] die mens. ''Rooi Rose'', Mei: 35.
  
Sand du Plessis Theatre. 1985..Scenaria, (55) 5-20..
+
[[I. Salzwedel|Salzwedel, I.]] 2009. Ruimhartig: beeld van 'n vrou. ([[Trudie Taljaard]]) ''Rooi Rose'', 67(9): , September.  
  
Sand du Plessis Theatre, Bloemfontein. 1986. Architect and builder, 8-13. October.
+
Sampson 2004. [[Athol Fugard|Fugard]] at The Fountain. ''American Theatre'', 21(6):94.
  
Sanderson, B. 1986. Costume designer. My career, 37(3) : 249-252.
+
[[Sand du Plessis Theatre]]. 1985. ''[[Scenaria]]'', (55) 5-20..
  
Sandoval, Enrique 1986. The metaphoric style in politically censored theatre. Edmonton, AB: Concordia University.  
+
[[Sand du Plessis Theatre]], Bloemfontein. 1986. ''Architect and Builder'', 8-13. October.
  
Sandra Prinsloo: ‘n top aktrise. 1978. Sarie, 29(25): 50-53. June 14.
+
Sanders, Robbin 1979. ''[[The Blood Knot]]'', by [[Athol Fugard]]. Reviewed in: ''Speak'', (6):44.
  
Sarinjeive D. 1990. Fugard's Situations: An Existentialist Study of Selected Plays of
+
[[B. Sanderson|Sanderson, B.]] 1986. Costume designer. ''My Career'', 37(3):249-252.
Athol Fugard 1958-1972. Dissertation Abstracts International [serial online].  
 
September 1990;51(3):848A.  
 
  
Sarkin, Daniella 1998. Performance art is an effective site for the exploration OFA feminist discourse, the female psyche, and an explosive space in which to challenge the status quo. Johannesburg: University of  the Witwatersrand. (MA (School of Dramatic Art) thesis).
+
[[Enrique Sandoval|Sandoval, Enrique]] 1986. ''The Metaphoric Style in Politically Censored Theatre''. Edmonton, AB: Concordia University.  
  
Sassen, Robyn 2008
+
[[Sandra Prinsloo]]: ‘n top aktrise. 1978. ''Sarie'', 29(25):50-53. June 14.
 +
 
 +
[[Devi Sarinjeive|Sarinjeive Devi]] 1990. Fugard's Situations: An Existentialist Study of Selected Plays of [[Athol Fugard]] 1958-1972. Dissertation Abstracts International [serial online]. September 1990;51(3):848A.
 +
 
 +
[[Devi Sarinjeive|Sarinjeive Devi]] 2001. [[Athol Fugard]]'s dramatic representation and gender politics, in [[Losambi Lokangaka|Lokangaka, Losambi]] & [[Devi Sarinjeive|Sarinjeive Devi]] (eds.). ''Pre-colonial and Post-colonial Theatre in Africa''. Claremont, South Africa: New Africa Education. 128-139.
 +
 
 +
[[Daniella Sarkin|Sarkin, Daniella]] 1998. Performance art is an effective site for the exploration of a feminist discourse, the female psyche, and an explosive space in which to challenge the status quo. Unpublished master’s thesis. Johannesburg: University of  the Witwatersrand.
 +
 
 +
[[R. Sassen|Sassen, R.]] 2000.  Mirroring a world gone mad : [[Max Beckmann|Beckmann]] and [[William Kentridge|Kentridge]] : research. ''De Arte'', 21(61):24-46.
 +
 
 +
SATJ interviews [[Ian Steadman]], winner 1987 [[Vita Award]] for Theatre Research. ''[[South African Theatre Journal]]'', 1(2):78-81.
 +
 
 +
[[Saturday Post]]. Port Elizabeth weekly newspaper.
 +
 
 +
[[Walter G. Saunders|Saunders, Walter G.]] 1972. [[Hart Crane]]: a brief critical and biographical essay. ''Unisa English Studies'', 10(3): 6-42. September.
  
SATJ interviews Ian Steadman, winner 1987 Vita Award for Theatre Research. South African theatre journal, 1(2):78-81.
 
  
Saunders, Walter G. 1972. Hart Crane: a brief critical and biographical essay. Unisa English studies, 10(3): 36-42. September.
 
  
  

Revision as of 10:15, 3 July 2021

Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


SAACE/construction award in mechanical/electrical category: (State Theatre, Pretoria). 1983. Construction Southern Africa, 28(7):39-54.

Sabata, S. 2000. Giants. Unpublished manuscript.

Sachs, Albie 1991. Preparing ourselves for freedom: culture and the ANC constitutional guidelines. The Drama Review, 35(1):187-193.

Sachs, J. 1951. Cape Town scene. Trek, 15(11) – 15(12).

Sachs, J. 1952. The drama festival: the Van Riebeeck Festival in review. Trek, 14(4).

Sagan, Leontine 1940. South Africans have dramatic talent. Outspan, 27(699):29-31. July 19.

Sagan, Leontine 1948. Wenke vir jong toneelspelers. Huisgenoot, 32(1360):19. April 16.

Sagan, Leontine 1950a. Actor’s talent. Trek, 14(1):18-19.

Sagan, Leontine 1950b. Drama en die skool: liefde vir die toneel kan reeds by ons jeug aangekweek word. Huisgenoot, 34(1454):7. February 3.

Sagan, Leontine 1996. Lights & Shadows The Autobiography of Leontine Sagan, edited and introduced by Loren Kruger. Johannesburg: Witwatersrand University Press.

Saks, David (ed.). 2006. South African Jews in the Theatre. Houghton: South African Jewish Board of Deputies.

Salomon, Elsie 1933-34. Elocution and dramatic art in South Africa, in Knox, W.H. (ed.). The Arts in South Africa. Durban: Knox. 199-201.

Salter, Denis 2004. Exile, Return and the New South Africa - An interview with Anthony Akerman. (Part 1 in 1996 and part 2 in 2003). South African Theatre Journal, 18: 257-276.

Salzwedel, I. 2006a. Agter die voetligte: Suid-Afrikaans (Wena Naudé; Lydia Lindeque; Mathilde Hanekom; André Huguenet; Hendrik Hanekom). Die Taalgenoot, 32(1):23-24.

Salzwedel, I. 2006b. Pieter Fourie die mens. Rooi Rose, Mei: 35.

Salzwedel, I. 2009. Ruimhartig: beeld van 'n vrou. (Trudie Taljaard) Rooi Rose, 67(9): , September.

Sampson 2004. Fugard at The Fountain. American Theatre, 21(6):94.

Sand du Plessis Theatre. 1985. Scenaria, (55) 5-20..

Sand du Plessis Theatre, Bloemfontein. 1986. Architect and Builder, 8-13. October.

Sanders, Robbin 1979. The Blood Knot, by Athol Fugard. Reviewed in: Speak, (6):44.

Sanderson, B. 1986. Costume designer. My Career, 37(3):249-252.

Sandoval, Enrique 1986. The Metaphoric Style in Politically Censored Theatre. Edmonton, AB: Concordia University.

Sandra Prinsloo: ‘n top aktrise. 1978. Sarie, 29(25):50-53. June 14.

Sarinjeive Devi 1990. Fugard's Situations: An Existentialist Study of Selected Plays of Athol Fugard 1958-1972. Dissertation Abstracts International [serial online]. September 1990;51(3):848A.

Sarinjeive Devi 2001. Athol Fugard's dramatic representation and gender politics, in Lokangaka, Losambi & Sarinjeive Devi (eds.). Pre-colonial and Post-colonial Theatre in Africa. Claremont, South Africa: New Africa Education. 128-139.

Sarkin, Daniella 1998. Performance art is an effective site for the exploration of a feminist discourse, the female psyche, and an explosive space in which to challenge the status quo. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Sassen, R. 2000. Mirroring a world gone mad : Beckmann and Kentridge : research. De Arte, 21(61):24-46.

SATJ interviews Ian Steadman, winner 1987 Vita Award for Theatre Research. South African Theatre Journal, 1(2):78-81.

Saturday Post. Port Elizabeth weekly newspaper.

Saunders, Walter G. 1972. Hart Crane: a brief critical and biographical essay. Unisa English Studies, 10(3): 6-42. September.



Click on the appropriate letters of the alphabet in the sub-list below.

Sa-Saz Sca-Sce Scha Sche-Schi Scho Schr-Schw Sci-Sez Sh-Sid Sie-Slo Sma-Smu Sna-Sow Spa-Sta Stea Stee-Stey Sti-Suz Swa-Syz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance