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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]  
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[[ESAT Bibliography Sa-Saz|Sa-Saz]] [[ESAT Bibliography Sca-Sce|Sca-Sce]] [[ESAT Bibliography Scha|Scha]] [[ESAT Bibliography Sche-Schi|Sche-Schi]] [[ESAT Bibliography Scho|Scho]] [[ESAT Bibliography Schr-Schw|Schr-Schw]] [[ESAT Bibliography Sci-Sez|Sci-Sez]] [[ESAT Bibliography Sh-Sid|Sh-Sid]] [[ESAT Bibliography Sie-Slo|Sie-Slo]] [[ESAT Bibliography Sma-Smu|Sma-Smu]] [[ESAT Bibliography Sna-Sow|Sna-Sow]] [[ESAT Bibliography Spa-Sta|Spa-Sta]] [[ESAT Bibliography Stea|Stea]] [[ESAT Bibliography Stee-Stey|Stee-Stey]] [[ESAT Bibliography Sti-Suz|Sti-Suz]] [[ESAT Bibliography Swa-Syz|Swa-Syz]]
  
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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]]
  
  
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
SAACE/construction award in mechanical/electrical category: [State theatre, Pretoria]. 1983. Construction Southern Africa, 28(7): 39-54.
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Return to [[The ESAT Entries]]
Sabata, S. (2000) Giants. Unpublished manuscript.
 
SACHS, ALBIE. 1990. Do we have the cultural imagination for a new SA?. Cape Times. 13 February 1990.
 
 
 
 
 
Sachs, Albie 1991. Preparing ourselves for freedom: culture and the ANC constitutional guidelines. The drama review, 35(1): 187-193.
 
SACHS, Albie. See De Kok and Press: Spring is Rebellious: Arguments about Cultural Freedom by Albie Sachs and Respondents.
 
Sachs, J. 1951. Cape Town scene. Trek 15(11) – 15(12).
 
Sagan, Leontine 1940. South Africans have dramatic talent. Outspan. 27(699): 29-31. July 19.
 
Sagan, Leontine 1948. Wenke vir jong toneelspelers. Huisgenoot, 32(1360): 19. April 16.
 
Sagan, Leontine 1950a. Actor’s talent. Trek, 14(1): 18-19.
 
Sagan, Leontine 1950b. Drama en die skool: liefde vir die toneel kan reeds by ons jeug aangekweek word. Huisgenoot, 34(1454): 7. February 3.
 
Sagan, Leontine 1996. Lights & shadows :the autobiography of Leontine Sagan, edited and introduced by Loren Kruger. Johannesburg: Witwatersrand University Press.
 
Saks, David (ed.) 2006. South African Jews in the theatre. Houghton: South African Jewish Board of Deputies.
 
Salter, Dennis. 2004.  Exile, Return and the New South Africa - An interview with Anthony Akerman. (Part 1 in 1996 and part 2 in 2003).  SATJ 18: 257-276.
 
Salzwedel, I. 2006. Agter die voetligte: Suid-Afrikaans. Taalgenoot, 32(1): 23-24.
 
Sampson 2004. Fugard at the Fountain. American theatre, 21(6): 94.
 
 
 
Sand du Plessis Theatre. 1985..Scenaria, (55) 5-20..
 
 
 
Sand du Plessis Theatre, Bloemfontein. 1986. Architect and builder, 8-13. October.
 
 
 
Sanderson, B. 1986. Costume designer. My career, 37(3) : 249-252.
 
 
 
Sandoval, Enrique 1986. The metaphoric style in politically censored theatre. Edmonton, AB: Concordia University.
 
Sandra Prinsloo: ‘n top aktrise. 1978. Sarie, 29(25): 50-53. June 14.
 
 
 
Sarinjeive D. 1990. Fugard's Situations: An Existentialist Study of Selected Plays of
 
Athol Fugard 1958-1972. Dissertation Abstracts International [serial online].
 
September 1990;51(3):848A.
 
 
 
SATJ interviews Ian Steadman, winner 1987 Vita Award for Theatre Research. South African theatre journal, 1(2):78-81.
 
Saunders, Walter G. 1972. Hart Crane: a brief critical and biographical essay. Unisa English studies, 10(3): 36-42. September.
 
 
 
Scenaria (55) : 5-20 San du Pl
 
Scenaria interviews Adam Small. 1978. Scenaria, (9) :30-31.
 
 
 
Scenaria interviews Brian Murray. 1981. Scenaria, (28): 42-44.
 
Scenaria interviews Computicket’s  Percy Tucker. Scenaria, (41): 17-19.
 
Scenaria interviews Elma Potgieter. 1983. Scenaria, (39): 23.
 
Scenaria interviews Gerrit Geertsema PACT’s new director. 1983. Scenaria, (37): 17-19.
 
Scenaria interviews Graham Armitage. 1979. Scenaria, (12): 37-38.
 
Scenaria interviews John Slemon, general manager of the Baxter Theatre, Cape Town. 1979. Scenaria, (13): 18-19.
 
Scenaria interviews Marius Weyers. 1983. Scenaria, (36): 9-11.
 
Scenaria interviews Michael Atkinson. 1983. Scenaria, (37): 23-25.
 
Scenaria interviews Paul Jacobs. 1988. Scenaria, (94): 43-47.
 
Scenaria interviews Patrick Mynhardt. 1984. Scenaria, (43): 30-32.
 
Scenaria interviews Peter Wyngarde. 1978. Scenaria, (10) : 37-40.
 
Scenaria interviews Pieter-Dirk Uys. 1979. Scenaria, (11) :  18-19.
 
Scenaria interviews Robert Kirby. 1984. Scenaria, (45): 11-12.
 
Scenaria interviews Robert Mohr. 1978. Scenaria, April/May:36-38.
 
Scenaria interviews Rodney Philips. 1988. Scenaria, (88): 3-5.
 
Scenaria interviews Roy Sargeant. 1979. Scenaria, (15): 29-30.
 
Schach, Leonard 1968. South Africa, 1954-1967. In Freedley, George & Reeves, John A. A history of the theatre.  New York: Crown. p. 837-840.
 
Schach, Leonard 1948. The theatre in South Africa. Theatre arts, 32: 58-59.
 
Schach, Leonard 1951. Theatre in South Africa. Theatre, 6: 10.
 
Schach, L. 1981. [Methods of directing]. Teaterforum, 2(1): 60-76.
 
 
 
Schach, L. 1985. Rosalie van der Gucht : a very personal and affectionate memoir. Scenaria, (59) : 11-12.
 
 
 
 
 
Schach, Leonard 1986. Bad timing. Drama: the quarterly theatre review, 160(2): 31-32.
 
Schach, Leonard 1996. The flag is flying: a very personal history of theatre in the old South Africa. Cape Town: Human and Rousseau.
 
SCHADEBERG, Jurgen. (ed and comp.) 1987. The Fifties People of Johannesburg. Johannesburg: Bailey’s African Photo Archive. 
 
SCHAUFFER, DENNIS L. 1978. The establishment of a theatrical tradition in Pietermaritzburg, prior to the opening of the first civilian playhouse. PhD (Speech and Drama) microfiche. Pietermaritzburg: University of Natal.
 
Schauffer, Dennis 1989. The first theatre in Natal. South African theatre journal, 3(1):18-38.
 
Schauffer, Dennis 1992. Drama and the South African state by Martin Orkin Reviewed in: South African theatre journal, 6(1): 82-84. 
 
Schauffer, Dennis. 1992.  The South African Indian contribution to the developing concept of an indigenous South African theatre. South African theatre journal, 6(2):84-92.
 
Schauffer, Dennis 1993. Numbercrunching the Arts. South African theatre journal, 7(2): 3-7.
 
Schauffer, Dennis 1994. In the shadow of the Shah: the Indic contribution to our developing South African culture. Indic Theatre monograph series, (2)
 
Schauffer, Dennis 1994. Theatre and the world: performance and the politics of culture by Rustom Bharucha. Reviewed in: South African theatre journal, 8(1): 96-99.
 
Schauffer, Dennis: 1995. The Issue of Inter and Intra-Culturalism in the S.A. Theatre, ADDSA/SAADYT. UBUNTU Conference Journal Vol. 15, No. 2 (Summer)
 
Schauffer, Dennis. 1996a.  Can Blue Men Sing the Whites? SAADYT/ADDSA Journal.  Vol. 16. No. 2 Autumn,  p59
 
Schauffer, Dennis. 1996b. It doesn't matter if you're Black or White. Unpublished paper delivered at the IFTR/FIRT Conference, Tel Aviv.
 
 
 
Schauffer, Dennis & Raghunath, Mahendra 1999. Zakes Mda: a profile. Asoka Theatre Profile Series, University of Durban-Westville.
 
Schauffer, Dennis 2002. Othello, directed by Garth Anderson of the Actor’s Co-op for Glenwood High School, 23rd April 2002. Shakespeare in Southern Africa, 14: 55-58.
 
Schauffer, Dennis. 2003. Remembering Matsemela Manaka – some notes and an interview. South African theatre journal, 17: 179-211.
 
Schauffer, Dennis 2006. In memoriam: Gibson Kente. South African theatre journal, 20: 303-322.
 
Schauffer, Dennis 2007. Shakespeare performance in Pietermaritzburg, Natal, prior to 1914. Shakespeare in southern Africa, 19(7): 9-23.
 
Schauffer, Dennis 2008. Effects of democratic governance… Kontroleer title  In: Chaturvedi, Ravi (ed.) Theatre and democracy.  Jaipur : Published in association with Jawahar Kala Kendra by Rawat Publications.  Bladsye? JSG 792 THE
 
Schechner, Richard 1991. Interculturalism on the road (editorial). TDR, 35(1): 7-9.
 
Schechner, Richard 1991a. A tale of a few cities: interculturalism on the road. New theatre quarterly, 7(28): 315-323.
 
Schechner, Richard 1991b. A tale of a few cities: interculturalism on the road. South African theatre journal, 5(2): 3-14.
 
Schechner, Richard 1992. Invasions friendly and unfriendly: the dramaturgy of direct theatre. South African theatre journal, 6(1):4-24.
 
Schechner, Richard 1994. Cuba: lift the American embargo now. (Editorial). TDR, 38(2): 7-9.
 
Schechner, R. (1997) ‘From ritual to theatre and back’. In Performance Theory. London and New York, Routledge.
 
 
 
Schechter, Joel 1984. James Earl Jones on Fugard. Theater magazine, 16(1): 40-42.
 
 
 
Scheepers, E. 1980. In die beperking toon die meester hom: ‘n pleidooi vir beter versorging van die dramadepartemente aan die universiteite in die Republiek van Suid-Afrika. Teaterforum, 1(1): 37-41.
 
 
 
Scheepers, E. 1981. Foundational issues surrounding professional training of speech and theatre experts at universities in the RSA. Koers, 46(4): 344-364.
 
 
 
Scheepers, E. 1981. Eise van die beroepsteater. Teaterforum, 2(1): 31-46.
 
 
 
Scheepers, E. 1981. Foundational issues surrounding professional training of speech and theatre experts in the RSA. Koers, 46(4): 344-364.
 
 
 
Scheepers, E. 1981. Afr van bostaande. Teaterforum, 3(1): 45-64.
 
 
 
Scheepers, E. 1982. Teaterforum, 3(1): 45-64.
 
Scheepers, E. 1983. Training in speech and drama. Scenaria, 36-38 Mr-Jul
 
Scheepers, Elize 1983a. Training in speech and drama – part 1. Scenaria, (36): 23-25.
 
Scheepers, Elize 1983b. Training in speech and drama – part 2. Scenaria, (37): 35-37.
 
Scheepers, Eliza 1984. Die Toneel: ‘n onontginde studieveld aan die universiteite van die RSA. Teaterforum. 5 (1): 94-110, Mei.
 
Scheepers, E. 1983. Foundational issues surrounding professional training of speech and theatre experts at universities in the RSA. [Koers, 46(4)]
 
 
 
Scheepers, Elize 1994. Besinning oor die toneelkuns in die verlede, hede en toekoms. In Venster op die kunste: Christelike perspektiewe=A window on the arts: Christian perspectives. Potchefstroom : Potchefstroomse Universiteit vir CHO.
 
Schenk, L. 1967. Theory of drama. 231-232.
 
Scheub, Harald.  1975.  The Xhosa “ntsomi”.  Oxford: Clarendon Press.
 
Schiess, M. 1965. Producing the play. Sestiger, 2(4): 17-26.
 
Schiess, M. 1966. Teater van die absurde. Lantern, 16(1): 4-9.
 
Schiess, M. 1967. Waarom altyd kettings aan die kuns? Tydskrif vir letterkunde, 5(2): 61-63.
 
Schiess, M. 1968. Laat die kinders toneelspeel. Klasgids, 3(4): 31-34. May.
 
Sciess, Mario 1985. Ape and archetype. Teaterforum 6(1): 20-27.
 
SCHIPPER, MINEKE. 1982. Theatre and Society in Africa. Johannesburg: Ravan Press.
 
Schipper, Mineke 1986. A la recherche d'une arme miraculeuse: Le Théâtre sud-africain depuis  les événements de Soweto. Presence Africaine: Revue Culturelle du Monde Noir/Cultural Review of  the Negro World (PA) 140: 35-46.
 
Schoeman, E.G. 1980. Benodigde basiese kennis vir kostuumontwerpe vir ‘n hoërskoolproduksie. Teaterforum, 1(1) : 45-53.
 
Teaterforum, 2(1): 47-50., 1981.
 
 
 
Schoeman, E.G. 1982. Benodigde basiese kennis vir kostuumontwerpe vir ‘n hoërskoolproduksie. Teaterforum, 3(1) : 65-72.
 
Schoeman, K. 1983. Vroeë toneellewe van Bloemfontein : amateur-opvoerings in die jare 1850-1890. Afrikaanse aantek. nuus, 25 : 167-171.
 
 
 
Scholtz, P.J. 1983. Discovering the limits of freedom : some thoughts on writing plays for young people. NEON, 43 : 29-31.
 
 
 
 
 
Scholtz, Pieter 1983. Concise biography of the teacher... pieter scholtz. Teaterforum, 4(1): 4-7.
 
Scholtz, Pieter 1992. Theatre for young audiences and the Commedia dell’Arte: the living tradition of the Commedia dell’Arte in theatre for young audiences, with specific reference to slected texts and performances. Durban: University of Natal. (D Phil thesis).
 
Scholtz, R. 1967. Open air Shakespeare. South African panorama, 12(6): 8-11. June.
 
Scholtz, R. 1971. Teaterkompleks Nico Malan. Lantern, 21(1): 60-63. September.
 
 
 
School with a difference ! School of physical education and speech [SASTRI college]. 1985. Fiat lux, 20(1) : 8-9.
 
Schoombie, S. 2002. Stekelrig bedonnerd… enig: beeld van ‘n vrou (tribute to Anna Neethling Pohl. Rooi rose, 59(9): 220-222.
 
Schoonakker, Bonny. 2001. Haunted by the past, in search of a future. In: Sunday Times, April 15, 2001: 13.
 
Schoonhoven, Gerrit 1983. ‘n Onderhoud met Francois Swart. Teaterforum, 4(1): 101-112.
 
Schoonhoven, G. 1983. Onderhoud met Francois Swart. Teaterforum, 4(1) : 101-112.
 
 
 
Schroenn, M.B. 1980. Speech and drama – new high school subject. NEON, 33: 20-22.
 
 
 
 
 
 
 
Schutz, Brigid & Friedman, Gary 1994. Arepp Report on the ‘Puppeteers for peace’ – ‘Puppets against abuse’. Puppetry journal, 45(4): 3-4.
 
 
 
Schutz B, Bilbrough G. The magic of theatre. Lancet [serial online]. December
 
24, 2006;368:32-33.  Schutz, Brigid; Bilbrough, Gordon. Lancet, Dec2006 Supplement, Vol. 368, p32-33,; Abstract: The article discusses the authors' experiences working for the arepp:Theatre for Life Trust in South Africa. The program seeks to educate children in South Africa about topics such as sexuality, peer pressure, and sexually transmitted infections, with the goal of providing information about issues surrounding HIV infections. The presentations are composed of the performance of a play and a facilitated discussion to encourage further thinking about the topics presented. The plays are tailored to be age-appropriate
 
 
 
Schutte, H.J. 1961. Die Heks (C.L. Leipoldt). In: Tydskrif vir letterkunde 18(1): 134-137.
 
Schutte, Hendrik Johannes 1980a. Heks (C.L. Leipoldt). Tydskrif vir letterkunde, 18(1): 135-138.
 
 
 
Schutte, Hendrik Johannes 1980b. Jammer hart  (W.A. de Klerk). Tydskrif vir letterkunde, 18(1): 148-150.
 
 
 
Schutte, Hendrik Johannes 1980c. Leipoldt – slegs inspirasie of soms ook vakmanskap? Klasgids by die studie van die Afrikaanse taal en letterkunde, 15(3): 33-38.  te doen met drama?
 
 
 
Schutte, Hendrik Johannes 1980d. Opdrifsels (H.A. Fagan). Tydskrif vir letterkunde, 18(1): 139-147.
 
 
 
Schutte, H.J. 1981. Tragiese seining in Oorlog is oorlog (J.F.W. Grosskopf). Klasgids, 16(2): 37-41.
 
 
 
 
 
Schutte, H.J. 1984. Die radiodrama: ‚blind’ met klank- en ideëryk. In: Malan, Charles (ed.) Spel en spieël. besprekings van die moderne Afrikaanse drama en teater.  Johannesburg: Perskor. p. 165-177. 
 
 
 
 
 
Schutte, H.J. 1985. Jac J. Brits : Prisoniers en ander eenbedrywe. Tydskrif vir letterkunde, 23(3) : 77-79.
 
Schutte, H.J. 1985. W.A. de Klerk : afgrond. Tydskrif vir letterkunde, 23(3) : 79-81.
 
 
 
Schutte, H.J. 1987. Dramakroniek. Tydskrif vir letterkunde. 25: 87-97. 25(?) 839.3605 TYD
 
Schutte, H.J. 1988. Verweking van die geskiedenis in Dias deur N.P. van Wyk Louw: ‚n Suid-Afrikaanse perspektief. Tydskrif vir letterkunde, 26(2): 39-48. May.
 
Schutte, H.J. 1989. Ontgrensing en verruiming van die Afrikaanse drama in die tagtigerjare. Tydskrif vir letterkunde, 27(4): 76-88.
 
Schutte, H.J. 1992a. Bacchus in die Boland (Bartho Smit):  Die politieke aktualiteit deur die oog van die fantastiese. South African theatre journal, 6(1): 60-71.
 
Schutte, H.J. 1992b. Intertekstualiteit en betekenis in Moeder Hanna. Tydskrif vir letterkunde, 30(3): 31-47.
 
Schutte, H.J. 1993. Verwerking en vernuwing – ‘n verdere blik op die Afrikaanse drama in die jare tagtig. Tydskrif vir letterkunde, 31(2): 74-85.
 
Schutte, H.J. 1995. Twee vrouedramaturge (Jeanne Goosen and Reza de Wet). Tydskrif vir Letterkunde. xxxiii/1: 75
 
Schutte, Paul J. 1980. Leesteater – ‘n verkenning. Teaterforum, 1(1): 60-64.
 
 
 
Schutte, Pieter 1983. The trials of Keeno. Teaterforum, 4(1): 94-100.
 
Schwartz, Pat 1988. The best of company. the story of Johannesburg's Market Theatre. Johannesburg: Ad Donker.
 
Schwenke, Astrid 1985. Poppeteater in Suid-Afrika: 'n oorsig.  Lantern, 34(3): 3-15.
 
Scott, Christina. 2001. A lesson in egotism. In: Natal Witness, May 14, 2001: 9.
 
 
 
Seale, Tyrone. 1998. Forget Cats – Our Kat KOs West End. In: Cape Argus, March 24, 1998: 1.
 
Seda O. 2000. A response to Hazel Barnes’ ‘Ihlanzi ishelwe amanzi — as fish out of
 
water: finding authentic voices in a multicultural student production’ (RIDE
 
4.2). Research in drama education, 5(1): 95=97.
 
 
 
Seddon D. 2004.  Shakespeare's Orality: Solomon Plaatje's Setswana Translations.
 
English Studies in Africa: A Journal of the Humanities [serial online].
 
2004;47(2):77-96.
 
 
 
Seeds, Dale E. 1996. Trickster by trade: Thomas Riccio on indigenous theatre. (Interview). TDR, 40(4): 118-133.
 
Seeff, Adele 2004. Recovering the history of the African theatre. Quarterly
 
bulletin of the National Library of South Africa, 58(4): 159-167.
 
 
 
Seeff, Adele. "A QUICK BUCK." Quarterly Bulletin of the National Library of
 
South Africa 59.1 (2005): 8-12.
 
 
 
Seidenspinner, Margarete 1986. Exploring the labyrinth: Athol Fugard’s approach to South African drama. Essen: Blaue Eule.
 
Seitisho, B. 2002. Lamenting Shakespeare : the missing link in South Africa’s Outcomes Based Education System (OBE). Perspectives in education, 20(3) : 133-139.
 
 
 
A selected reading list on South African theatre, compiled by CESAT. 1985. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach.  Johannesburg: The Limelight press. p. 156-159.
 
 
 
Semple, Hilary 1987. ‚The idea’s the thing’. Shakespeare Society of Southern Africa: occasional papers and reviews, 2(2): 3-6.
 
Semple, Hilary 1987. Othello: an historic milestone. Shakespeare in Southern Africa, 1: 67-69.
 
 
 
SENEKAL, Jan. (Ed). 1978.  Beeld en Bedryf.  Inleidende Opstelle oor Fasette van die Afrikaanse Drama. Pretoria: Van Schaik.
 
SEPAMLA, SIPHO. 1981. Towards an African Theatre. In: Rand Daily Mail 2 April.
 
Serfontein, P. 1970. Ontwerp vir die teater en Graham Brown. Lantern, 19(3): 38-45.
 
SERPIERI, ALESSANDRO.  On the Language of Drama (Louise Viljoen) South African theatre journal,  5(2):104-107.
 
 
 
Serudu, S.M. 1984. Ga a mo swanela [by M.L. Maloma. Literary criticism]. South African journal of African languages supplement 2 : 23-33.
 
 
 
Seyffert, M.C.A. 1988. André, by Temple Hauptfleisch. Reviewed in: South African theatre journal,  2(1):85-87.
 
 
 
Shakespeare recitals by Gwen Ffrangcon-Davies. 1941. Forum. 4(5): 33-34.
 
Shava, Piniel Viriri 1989. A people’s voice: South African writing in the twentieth century. London, Zed.
 
Shaw, George Bernard 1949. Intelligent person’s guide to play production. Outspan. 45(1174) 23-25. August 26.
 
Sheat, W.G. 1954. Open air theatres. Park administration, 6:72-73.
 
SHEPHERD, R.H.W. 1933. Literature for the South African Bantu. Pretoria: Carnegie Corporation. ??**
 
SHEPPERSON, A & TOMASELLI, K.G. 2002. Restructuring the industry:  South African cinema beyond Apartheid. South African theatre journal, 16: 63 – 79.
 
Sher, Antony & Doran, Gregory 1997. Woza Shakespeare! Titus Andronicus in South Africa. London, Methuen.
 
Sher, Antony 2001. Beside myself :an autobiography. London :Hutchinson.
 
Sher, Emil 1987. Canada: apartheid on tour. Canadian theatre review, (50): 59-62.
 
Sher, Emil 1988. A voice behind the masks: three companies, three continents. Canadian theatre review, 56: 79-81.
 
Shifting scenes in theatre management. 1975. Management, 6(2): 29-37. October.
 
Shirley, Shirley Kathleen 1985. Practical drama work with neurologically impaired children in selected training centres in the city of Pietermaritzburg.  Pietermaritzburg: University of Natal. (MA (Speech and drama) thesis).
 
Shole, J.S. 1990. Shakespeare in Setswana: an evaluation of Raditladi’s Macbeth and Plaatjie’s Diphosophoso. Shakespeare in Southern Africa, 4(1): 51-64.
 
Sichel, A. 1977. Golden tribute [Anna Neethling-Pohl]. South African panorama, 22(3): 4-5. March. 
 
Sichel, A. Francois Swart : teaterdinamo. De kat, (5) : 34-37.
 
 
 
Sichel, Adrienne 1987. The Grahamstown Festival. South African theatre journal, 1(1):118-124
 
Sichel, Adrienne 1987. The Grahamstown Festival. South African theatre journal, 1(2):82-86
 
Sichel, Adrienne 1989.  The 1989 Grahamstown Festival. South African theatre journal, 3(2):116-120; 72-90
 
Sichel, Adrienne 1990. The Grahamstown Festival. South African theatre journal, 4(2):115-117
 
Sichel, Adrienne 1988. The 1988 Grahamstown Festival. South  African theatre journal, 2(2):89-104.
 
SICHERMAN, CAROL. 1994. Drama and health education in Uganda:  An interview with Rose Mbowa. South African theatre journal, 8(1):63-67.
 
SICHERMAN, CAROL. 1999. Drama and aids education in Uganda:  An interview with Rose Mbowa. South African theatre journal,  13(1&2):111-117.
 
Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1): 60-61. May 9.
 
Sides, D.B. Analysis of the functional basis for theatre planning today. South African architectural record, 5(8): 16-17.
 
Siegfried Mynhardt. 1981. Scenaria, Special issue: 29.
 
Siener in die suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609): 87-89. April 14.
 
Siener in die suburbs. [Literary criticism]. 1972. Taalgenoot, 41(3): 23. February.
 
Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission. In  Gobodo-Madikizela, Pumla (ed. and preface); Van der Merwe, Chris (ed. and preface); Minow, Martha (foreword) Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340.
 
SILBERT, RACHEL. 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg:  University of the Witwatersrand Press.
 
Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare survey, 62: 46-57.
 
Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African theatre journal, 23: 68-83.
 
Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African theatre journal, 10(1): 49-61.
 
Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa.  Africa perspective  NS 1(1-2): 84-110.
 
Sitas, Ari 1996. The workers’ theatre in Natal. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 132-139.
 
Skool en toneel. Deel I. 1959. Unie, 56(6): 287-288.
 
Skool en toneel. Deel II. 1960. Unie, 56(7): 370-371.
 
Skool en toneel. Deel III. 1960. Unie, 56(8): 405-410.
 
 
 
Skordis, R. 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Stellenbosch: University of Stellenbosch. (M (Dram)-thesis.)
 
SKOTA, T.D.M. (ed and comp). 1931. The African Yearly Register. Being an Illustrated National Biographical Dictionary (Who’s Who) of of Black Folks in Africa. Johannesburg: R.L. Esson. 
 
SLABBER, C. 1976. Stel Teater en Verhoog nou aan almal in SA oop, vra grotes. Rapport, 29 Augustus: 21.
 
Slabbert, A. 1993. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit . Stellenbosch: University of Stellenbosch. (M(Dram)-thesis.)
 
Slabolepszy, Paul. 1998. Paul and Janet praise Slab’s latest. Letter to the editor in: The Star, February 18, 1998: 2.
 
Slier, Lionel 2006. King Kong and the Jewish connection. Jewish affairs, 61(4): 69-72.
 
 
 
Sloman, B. 1959. Language teaching through child drama. Transvaal education news, 55(1): 11-12.
 
SLOSBERG, B. 1939. Pagan Tapestry. London: Rich and Cravan.
 
Slovo, G. (2000) Red Dust. New York, London: W. W. Norton and Company.
 
SMALL, Adam. 1961. Die Eerste Steen. Cape Town: HAUM.
 
Small, G.R. 1979. Architect’s appraisal: the Hexagon theatre, University of Natal, Pietermaritzburg. Architecture South Africa, 5:9-11. June.
 
Small, G.R. 1984. Durban’s provincial theatre complex  under construction. Plann build dev, 68 : 5-8.
 
 
 
 
 
SMIT, Bartho. *
 
Smit, Bartho 1949. Menigte juig. [Beroepsloopbaan van die Hanekoms]. Brandwag, 11(628): 21-23. October 14.
 
Smith, Anna Deavere 1995. This is where the life is: impressions of the new South Africa. (Interview with the Market Theatre artistic director Barney Simon). American theatre, 12(5): 14-22.
 
Smith, Charles. 2001. Pacofs-tariefverhoging kan kunste in VS knou. In: Volksblad, January 17, 2001: 1.
 
Smith, Francois. 2002. Verlede bied nie waarborge. In: Die Burger, April 2, 2002: 4.
 
Smith, I. 1977. Sy is bloot Yvonne Banning. Huisgenoot, 110-111. April 22.
 
Smith, I. 1977. Wena se blus is nog la-a-ank nie uit nie. Huisgenoot, 56-58. April 8.
 
Smith, I. & Van Heerden, J. 1977. Markgebou en sterrewag is nou teaters. Huisgenoot, 34-37. January 21.
 
SMITH, J.F. 1981. Gesag en Onderdanigheid in die Dramas van Bartho Smit. Ongepubliseerde MA-tesis. U.W.K.
 
Smith, Julian Frederick 1987. Kontemporere swart Afrikaanse                          gemeenskapstoneelaktiwiteit in die Kaapse Skiereiland: 'n ideologies-kritiese besinning./
 
Smith, Julian 1989. Kontemporêre swart Afrikaanse gemeenskapstoneel: dienswillig die uwe... Stilet, 1(1): 51-59.
 
Smith, Julian 1990. Toneel en politiek. Bellville: Universiteit van Wes-Kaapland. 
 
Smith, M.E. 1987. Aantekeninge oor die eenbedrywe in Kollig.Klasgids: By die Studie van die Afrikaanse Taal en Letterkunde 22 (3): 40-48.
 
Smuts, D. 1976. Melkboschplaas se kunstenarre. Sarie Marais, 28(1): 24-28. June 30.
 
Smuts, D. 1979.  [Yvonne Bryceland]. Fair lady, 14(17): 64-67. January 17.
 
 
 
Smuts, J.P. 1977. Chris Barnard se hoorspele. Standpunte, 30(1): 41-44. February.
 
Smuts, J.P. 1984. Verby die woord: Nagspel. In: Malan, Charles (ed.) Spel en spieël :  besprekings van die moderne Afrikaanse drama en teater.  Johannesburg: Perskor. p. 152-164.
 
SMUTS, J P. 1990. Die musikale interteks by Die rebellie van Lafras Verwey. South African theatre journal, 4(1): 149-158.
 
Smuts, J.P. 1993. Die aand van die fynproewer deur A.S. van Straaten. Reviewed in: South African theatre journal, 7(2): 136-139.
 
Sneddon, E. 1981. Mag van die gesproke word. NEON, 37: 1-6.
 
 
 
 
 
Snow, Leida 1990. South African director encounters the Shuberts in the classroom. Theater week, 3(29): 31-32. February 26.
 
Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African theatre journal, 22: 119-129.
 
SNOWBALL, Jeanette. D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics (A study of the Grahamstown festival) Berlin: Springer-Verlag. 
 
Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African theatre journal, 23: 53-67.
 
Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67: 30-34.
 
Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African theatre journal, 8(2): 27-37.
 
Snyman, Maritha 1996. ‘n Pot vol winter : woordteks tot getransponeerde beeldteks. Tydskrif vir letterkunde, 32(21) : 43-60.
 
Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde. xxxvi/2: 76.
 
 
 
Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman).  Tydskrif vir letterkunde, 23(3): 112-123.
 
  
Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for language teaching, 21(3): 49-60. September.
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Snyman, Wilhelm. 1998. Fest: Praise and scorn in equal dollops. In: The Cape Times, July 7, 1998: 11.
 
 
 
Snyman, Wilhelm. 2003. Play pulls no punches on AIDS debate. In: The Cape Times, August 19, 2003: 10.
 
 
 
  Social Sciences and Humanities Research Council of Canada, with University of
 
  Society of Southern Africa, 2001; 13: 93-99. (journal article)
 
Solberg, Rolf 1999. Alternative theatre in South Africa :talks with prime movers since the 1970's. Pietermaritzburg : Hadeda.
 
Solberg, Rolf. 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright].    [Grahamstown, South Africa] :  Institute for the Study of English in South Africa, Rhodes University.
 
SOLE, KELWYN. 1984. Black Literature and Performance: Some Notes on Class and Populism. South African Labour Bulletin 9 (8): 54-76.
 
 
 
Sole, Kelwyn 1987. Identities and priorities in recent Black literature and performance: a preliminary Investigation.  South African theatre journal, 1(1): 45 – 113.
 
 
 
Sole, T. 1980. Sun City theatre. Scenaria, (18): 29-30.
 
 
 
 
 
 
 
SOLOMON, E.: 193/34. The Arts in South Africa, Durban, Knox Printing and Publishing Co.
 
Sommige vriende noem my bitterbek. [Wilma Stockenström]. 1977. Huisgenoot, 16-17. May 6.
 
Songololo:  Voices of Change (video) (Maureen Eke & Keyan Tomaselli) South African theatre journal,  6(2):96-98.
 
 
 
South Africa’s gains. 1941. Forum. 4(3): 31.
 
South African amateur theatre grows. 1941. Forum. 4(10): 29. June 7.
 
South African theatre. 1941. Forum. 3(48): 5.
 
South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth night]. 1940. Forum. 3(3): 5, 13.
 
SOWDEN, Lewis. 1964. Both Sides of the Mask. The World of Muriel Alexander. Cape Town: Howard Timmins.
 
Sowden, Lewis 1964. Both sides of the mask: the world of Muriel Alexander. Cape Town: Howard Timmins.
 
Spangenberg, D.F. 1970. Afrikaanse dramakuns in die sestigerjare. De arte, 8: 36-29.
 
Spangenberg, D.F. 1971. Afrikaanse dramakuns in die sestigerjare. Ons Erfdeel: Algemeen-Nederlands Tweemaandelijks Kultureel Tijdschrif, 14(3): 115-117.
 
Speech and drama [Rhodes University]. 1970. South African panorama, 15(8): 28-29.
 
Spelers in “Altyd my liefste”. 1948. Brandwag. 11(539): 5-7. January 30.
 
Spelers van die staatstoneel. 1948. Huisgenoot. 32(1349):12-13. Januarie 30.
 
SPENCER, BRENDA. 1992. Questioning the validity of a received interpretation of history which ignores colonial violence:  A defence of Brenton’s Romans in Britain. South African theatre journal, 6(1):46-59.
 
Spencer, Charles. 1996. Prophet in land of hope. In: The Telegraph, London, reprinted in EP Herald, February 12, 1996: 4.
 
Spies, L. 1973. Hongerblom: hooglied en elegie. Standpunte, 26(3): 54-59. February.
 
anorama, 18(8): 40-45. August.
 
 
 
Spitczok-Brisinski, Marek 2001. Powers of performance: discovering self, community and unity in South African theatre. Rondebosch: Centre for African Studies, University of Cape Town.
 
Spitczok von Brisinski, Marek 2003. Rethinking community theatre: performing arts communities in post-apartheid. South African theatre journal, 17: 114-128.
 
Spotlight on SA showbiz. 1971. Financial mail, 41: 164-167. July 16.
 
Spotlight on performing arts finance. 1974. Business South Africa, 48-51. January.
 
 
 
 
 
Spring, Dorothy 1952. A century and a half of theatre in South Africa. Lantern, 2: 122-125. Oktober.
 
Springbok frolics. 1940. Forum. 3(40): 5. December 28.
 
Staal se rol in verhoogkuns. 1985. Yskornuus, 50(1) : 12-14.
 
 
 
Staatsteater Pretoria: ‘n oorsig in fotobeeld van die bouery van die teater en tonele uit die openingsaanbieding. 1981. Lantern, 31(1): 87-96.
 
 
 
Stagings: Ashraf Jamal interviews Fred Abrahamse, Mark Fleishman, Charles Fourie, Peter Hayes, Mannie Manim, Gerard Rudolf, Jane Taylor, Chris Weare, and Reza de Wet. 2000. In: Nuttall, Sarah & Michael, Cheryl-Ann (eds.) Senses of culture: South African culture studies. Cape Town: Oxford University Press. p. 197-211.
 
Stark, Ulrich 1949. Voorwaarts... mars! [Derde reis van die Nasionale teater]. Brandwag, 11(614): 8-9. July 8.
 
Stark, U. 1951. Kwarteeu van toneelwerk. Brandwag, 15(9): 16-19. March 30.
 
Stark, U. 1952. Toneel vir almal. [N.T.O. reis met “Die jaar van die vuuros”; “As ons twee eers getroud is” en “The dam”]. Brandwag, 16(6): 28-33. March 7.
 
Stark,U & Von Gordon, U. 1965. Loopbane in die uitvoerende kunste. My loopbaan, 16:204-208.
 
Stark, U. 1979. Staatsteater Pretoria: pronkwerk vir Suid-Afrika. Lantern, 29(1): 40.
 
Stark, U. 1981. Derduisende kweek reeds die Staatsteatergewoonte. Education and culture, 4(3): 4-6.
 
Staroselskaja, N.; Rizzi, Daniela; Fevralskij, A.; Gorodnov, Andrej .  Na scenach mira. IBT 1984 inskrywing 1060.
 
Stassen, J.W. 1959. Toneel en kultuur : die ontwikkelingsgeskiedenis van die Hollandse en Afrikaanse toneel en drama in Suid-Afrika, 1801-1955. Bloemfontein:  Universiteit van die Oranje-Vrystaat.. (D.Litt. thesis).
 
 
 
State theatre, Pretoria. 1980. Planning and building developments, 43: 6-19.
 
 
 
State theatre, Pretoria. 1981. South African builder, 60(5): 23-37.
 
 
 
 
 
State Theatre Advisory Board. 2001. Recommended Policy and Implementation Programme at National Level for the Performing Arts in South Africa. www.artslink.co.za/pansa
 
State theatre’s award winning mechanical and electrical services. 1984. Architect and builder, 14-19. May.
 
 
 
Stathaki, Aktina 2007. A report on the 2007 Grahamstown National Arts festival. South African theatre journal, 21: 362-367.
 
Stead, Rinie 1967. Portret van ‚n toneelpionier: hulde aan P.P. Breytenbach. Lantern, 17(2): 2-19.
 
Stead, Rinie 1969. Raimond Schoop en die teater. Lantern, 18(4): 58-71. June.
 
Stead, Rinie 1971. Sip of Jerepigo: Patrick Mynhardt maak toneelgeskiedenis. Lantern, 20(4): 72-80. June.
 
Stead, Rinie 1981?*. Die Nasionale Toneelorganisasie. Unpublished manuscript, State Archives Pretoria. 
 
Stead, Rinie 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van P.P.B. Breytenbach. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach.  Johannesburg: The Limelight press. p.  21-26.
 
Stead, Rinie 1985b. The National Theatre Organization (NTO: 1947-1962). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach.  Johannesburg: The Limelight press. p. 65-72.
 
 
 
Stead, Rinie Siegfried Mynhardt : ons laaste toneelpionier
 
 
 
Stead 1986 S Mynhardt
 
Steadman, Ian P. 1980a. Critical responses to contemporary South African theatre. Critical arts, 1(3): 40-46.
 
Steadman, Ian P. 1980b. Theatre of commitment: the political made theatrical in South African theatre. Scenaria, (17): 3.
 
Steadman, Ian p. 1981. Performance research: a select bibliography. Critical arts, 2(1): 60-65.
 
 
 
Steadman, Ian 1981. Culture and context: notes on performance in South Africa. Critical arts, 2(1): 1-13.
 
Steadman, Ian 1983. Night of the long wake by Dukuza Ka Macu. Reviewed in: Scenaria, (36): 29.
 
 
 
Steadman, I 1984. Black South African theatre after nationalism. Eng Acad rev,  2 :9-18.
 
 
 
Steadman, Ian 1984. Theatre, criticism and cultural studies: new directions for the 1980’s. Teaterforum, 5(1) 80-93.
 
 
 
Steadman, Ian 1984a. Alternative politics, alternative performance; 1976 and Black South African performance. In Daymond, M.J., Jacobs, J.U. & Lenta, M. (eds) Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 215-232.
 
Steadman, Ian  I984b.. Black South African theatre after Nationalism. English Academy Review. 2:9-18.
 
Steadman, Ian 1984c. Theatre, criticism and cultural studies: new directions for the 1980s. Teaterforum, 5(1): 80-93.
 
Steaman, Ian 1985.a. Black South African drama after Nationalism. English Academy review, 2: 9-18.
 
Steadman, Ian 1985b. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Johannesburg: University of the Witwatersrand. (Ph.D. Thesis).
 
Steadman, Ian 1985c. The other face. Index to censorship 14 (1) : 26-30.
 
Steadman, Ian 1986. Popular culture and performance in South Africa. Durban: Contemporary Cultural Studies Unit.
 
Steadman, Ian Patrick 1986. Another world [Theatre – political aspects]. Leadership South Africa, 5(5) : 96-101.
 
 
 
Steadman, Ian 1987. Theatre and society. In Breitenbach R. (ed.) The arts in society, a collection of lectures. Grahamstown, 1820 Foundation.  bladsye
 
Steadman, Ian 1988a. Popular entertainment on tour (editorial). South African theatre journal, 2(2): 1-2.
 
Steadman, Ian 1988b. Stages in revolution: Black South African theatre since 1976. Research in African literatures, 29: 24-33.
 
Steadman, Ian 1989. Theatre studies in the 1990s. South African theatre journal, 3(2):1-3.
 
 
 
Steadman, Ian 1990a. The theatre industry in the 1990s. South African theatre journal, 4(2): 1-11.
 
Steadman, Ian 1990b. Towards popular theatre in South Africa. Journal of Southern African studies 16 (2): 208-228.
 
Steadman, Ian 1991a. My Children! My Africa! A/nd selected shorter plays, by Athol Fugard, edited by Stephen Gray. Reviewed in: South African theatre journal, 5(2): 111-112.
 
Steadman, Ian 1991b. Theatre Beyond Apartheid. Research in African Literatures. 22(3):70-90.
 
Steadman, Ian 1992a. Performance and politics: process and practices of representation in South African theatre. Theatre survey 33 (2): 188-210.
 
Steadman, Ian 1992b. The uses of theatre. South African theatre journal, 6(1): 33-45.
 
Steadman, Ian 1993. Theatre at the crossroads:  An introduction to this special issue (editorial). South African theatre journal,  7(2):1-2.
 
Steadman, Ian 1993. Collective creativity: theatre for a post-apartheid society. In: Hill, Romaine, Muller, Marie & Trump, Martin (eds.) African studies forum. Pretoria: Human Sciences Research Council. Vol. 2, p 74-88.
 
Steadman, Ian 1994. South Africa. In Banham, Martin, Hill, Errol & Woodyard, George (eds). African and Caribbean theatre. Cambridge: Cambridge University Press. p. 101-112.
 
Steadman, Ian 1994b. Towards popular theatre in South Africa. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 11-34.
 
Steadman, Ian 1995. Introduction to Maponya: Doing Plays for Change. Johannesburg: Witwatersrand University Press.
 
Steadman, Ian. 1995b.  Editorial. SATJ 9/2: 1-2.
 
 
 
Steadman, Ian 1998. Race matters in South African theatre. In Boon, Richard & Plastow, Jane (eds) Theatre matters: performance and culture on the world stage. Cambridge: Cambridge University Press. p. 55-75.
 
 
 
Steenberg, D.H. 1980. Hoorspel as woordspel – A.S. van Straten: Pendoring (edms) beperk. Tydskrif vir letterkunde, 18(2): 187-194.
 
 
 
 
 
Steenberg, E. 1976. Chris Barnard se hantering van die kinderkarakter. Tydskrif vir letterkunde, 14(1): 60-67. February.
 
Steenberg, E. 1983. Waar staan ons kindertoneel ? Klasgids, 18(3) : 12-16.
 
Steenkamp, Sara 1982. A study of the symbol in Afrikaans drama (Tesis)
 
Stefanova, Kalina 1999. Pour un théâtre authentique : cap sur l’Afrique du Sud ! [For an authentic theatre : head for South Africa]. Jeu : cahiers du théâtre, 93 : 118-123.
 
STEFANOVA, KALINA. 2000. Eastern European theatre:  Theatre in search of a face. South African Theatre Journal, 14:175-184
 
STEFANOVA, KALINA. 2000. Falling in love with South African theatre. South African theatre journal, 14:185-198.
 
Stein, P. 1987. SATJ speaks to Philip Stein director of the AA Life Vita Awards. South African theatre journal, 1(2): 76-77.
 
Stein, Pippa 1990a. Bridging the barriers: the making of Asinamali. South African theatre journal, 4(2): 99-105.
 
Stein, Pippa 1990b. Pippa Stein interviews Mbongeni Ngema.  South African theatre journal, 4(2) 99-105.
 
Steinberg, Carol 1991a. Albie Sachs: our Shakespearian fool. The drama review, 35(1): 194-199.
 
Steinberg, Carol 1991b. Now is the time for feminist criticism:  a review of Asinamali! South African theatre journal, 5(2): 22-39.
 
Steinberg, Carol & Meintjies, Frank 1993. The new South Africa? (apartheid; participation of blacks in Performing Arts Council of the Transvaal). TDR, 37(1): 7-8.
 
Steinberg, Carol 1996. PACT: can the leopard change its spots? In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 246-259.
 
 
 
Steinberg, Carol 1993. Towards an arts council for South Africa. South African theatre journal, 7(2): 8-40.
 
Stephanou, Irene & Henriques, Leila 2005. The world in an orange: creating theatre with Barney Simon. Johannesburg: Jacana.
 
 
 
                          The art of physical intelligence /managing editor,
 
                          Calum Stevenson ; chief researcher, Juanita Finestone.
 
                          -- Grahamstown, South Africa : First Physical Theatre
 
                          Company, 2002.
 
Steyn, H. 1987. 'n Ondersoek na die waarde van drama en teater as ekstra-kurrikilêre aktiwiteit by Kaaplandse hoër- en laerskole. Stellenbosch: Universiteit van Stellenbosch. (M Dram-tesis.)
 
Steyn, H. 1997. Die benutting van teater vir lewensoriënteringsprogramme : 'n teoreties-eksperimentele ondersoek . Stellenbosch: Universiteit van Stellenbosch, (D Phil verhandeling.)
 
Steyn, L. 1964. Kruik se werk en doelstellings. Suid-Afrikaanse musiekonderwyser, 67: 7-8.
 
Steyn R. 2007. Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel deur  D. Botha. Reviewed in: South African Journal of Cultural History, 21(1): 110-112.
 
 
 
Steynberg, F. 1970. Toneel: opvoering teenoor manuskrip. De arte, 8: 22-24.
 
Stockenström, W. 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. Teater SA, 1(2): 6. December.
 
Stodel, Jack 1962 (1960?). The audience is waiting. Cape Town: Howard Timmins.
 
Stoloff, C. 1954. Theatre without actresses. [Riebeeck Square, Cape Town]. Playtime, 10(99): 27. July-August.
 
Stoloff, C. 1969. How should a theatre be designed? Architect and builder, 19(9): 8-11.
 
Stopforth, Lourens Daniel Marthinus 1955. Drama in South Africa, 1925-1955 :a critical survey. Potchefstroom: University of Potchefstroom. Thesis (D.Litt.).
 
Die storm [criticism]. 1978. Scenaria, June/July: 19.
 
Storrar, Patricia 1968. Beginners please: a history of children's theatre in South Africa. Johannesburg: Children’s Theatre.
 
Storrar, Patricia 1988. Drama at Ponta Delgada. Johannesburg: Lowry.
 
Strange Library of Africana  1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg /compiled by Rosemary Ursula Hoffman.    Johannesburg :  Johannesburg Public Library,  1964
 
Strausbaugh, John 1989. Mhlope stages Zandile, assumes Market post. American theatre, 6(1): 34-35.
 
Streicher, E. 1979. From market to theatre. South African panorama, 24(4): 36-39. April.
 
 
 
Strydom, E. 1997. Towards a theatre of reconciliation: Athol Fugard's Playland. Bloemfontein: University of the Orange Free State. (MA (Dram)-thesis.)
 
Stuart, Constance 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. Libertas. 6(6): 47.
 
Stuart, E. 1967. Magnificent commemoration. Fair lady, 3(2): 10-14. March 22.
 
Stuart, E. 1996. Bearer of the torch: biography. Vuka, 1(5): 11-12. [E. Sneddon].
 
Südafrikanischer Nationaltheater. 1958. Afrika-Post, 5(1): 67.
 
SUKOVS – die eerste 10 jaar, 1963-1973. 1973. Lantern, 22(3): 2-9. March.
 
Sutherland, Alexandra 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. South African theatre journal, 21: 109-122.
 
Suzman, Janet 1978. [Acting and criticism]. Speak, 1(3): 29-31. May-June.
 
 
 
 
 
Suzman, Janet 1998. South Africa in Othello. In: Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.) Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. p. 23-40.
 
 
 
Swanepoel, C.F. 1987. Perspectives on African drama. South African journal of African languages, 7(2): 64-69.
 
Swanepoel, J.J. 1978. Decade of [Radio Bantu] prizewinners; [plays in the vernacular]. Educamus, 24(7): 5-7. September.
 
Swanepoel, J.J. 1979. Pryswenners van ’n decade: Radio Bantu-pryse. Informa, 26(11): 12-15. November.
 
Swart, Amanda 1994. Die soldaat as metafoor in twee van Hennie Aucamp se kabarettekste. South African theatre journal, 8(2): 39-57.
 
Swart, Griet 1986. Nerina Ferreira : ‘n glansryke instelling. De kat, 1(10) : 59-61.
 
 
 
Swart, L. 1984. Bartho Smit se ‘Dom Jan’ : ‘n Don Juan onder die boere. Klasgids, 19(4) : 42-50.
 
Swart, L. 1985. Germanicus as versdrama. Klasgids, 20(3) : 19-27.
 
 
 
Swart, Marieken. 1983. Isolation and the search for identity in selected plays by Athol Fugard. Stellenbosch: University of Stellenbosch. (MA-Thesis).
 
Swart, Simona. 1997. Uitstekende werk pateties bygewoon. In: Volksblad, September, 22, 1997: 8.
 
Swart, Simona. 1998.  Vrystaatse Ensemble woeker in Bfn se Sterrewag-teater. In: Volksblad, August, 21, 1998: 2.
 
Swaruk beur deur slaggate na sukses. 1976. Huisgenoot, 54-56. July 16.
 
Swerdlow, Alan 2006. Barney Simon – his enduring legacy. Jewish affairs, 61(4): 67-68.
 
 
 
Swerdlow, Alan & Tucker, Percy 2006.  :South African Jews in theatre - past and present. Jewish Affairs 61(4): 81-92, 94-96.
 
 
 
 
 
Symonds, F.A. 1953. Where are they now? [South African actors – 40 years ago]. Outspan, 53(1386): 34-35. September 18.
 
 
 
 
 
 
 
 
 
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