ESAT Bibliography Pif-Po

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Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African Construction World, 2(1):22-27

Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Unpublished master’s thesis. Durban: University of Natal.

Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African Theatre Journal, 12(1&2):178-184.

Pillay, Kriben 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African Theatre Journal, 12(1&2):185-190.

Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Unpublished doctoral dissertation. Durban: University of Durban-Westville.

Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.

Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1:71.

Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement (Natal Palyhouse). South African Construction World, 2(12):26-33.

Plaston: DNS Kind. [Literary criticism]. 1974. Tydskrif vir Geesteswetenskappe, 14:223-226. September.

Plastow, Jane 1999. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch. Reviewed in: Theatre Research International, 24(3):297-298.

Plastow, Jane 2000. South African Theatre As/And Intervention, edited by Marcia Blumberg & Dennis Walder. Reviewed in: Modern Drama, 43(4):653.

Platter, E. 1985. Liz Dick behind the screen. Fair Lady, 20(6):46-49. April 3.

Plays and piracy: a discussion. 1965. Contrast, 3(4):53-62.

Plays without critics. 1947. Libertas, 7(3):68-69.

Podbrey, Maurice 1998. Grahamstad se wyedoek. Insig, 08/98:40.

Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1):81-83.

Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9:48-50. September.

Popova, Vlada 2005. Youth development through intercultural performance: a case study from Wesbank Arts and Culture Group, South Africa. Unpublished master’s thesis. Bellville: University of the Western Cape.

Popular theatre. [health education]. 1979. Link, 15-16. September-December.

Port Elizabeth Opera House. 1986. Architect & Builder, 14-17, April.

Porter, A. 1971. Open air theatre. Looking Back, 11(4):120-123.

Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1):40-43.

Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2):42-45.

Poynton, R. 2007. Show up and listen : armchair MBA : future knowledge. HR Future, 8(4):51-52.

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