Difference between revisions of "ESAT Bibliography Pif-Po"
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| − | Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African | + | Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African Construction World, 2(1):22-27 |
| − | Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Durban: University of Natal | + | Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Unpublished master’s thesis. Durban: University of Natal. |
| − | Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African | + | Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African Theatre Journal, 12(1&2):178-184. |
| − | + | Pillay, Kriben 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African Theatre Journal, 12(1&2):185-190. | |
| − | Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Durban: University of Durban-Westville | + | Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Unpublished doctoral dissertation. Durban: University of Durban-Westville. |
Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29. | Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29. | ||
| − | Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1: 71. | + | Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1:71. |
| − | Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement | + | Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement (Natal Palyhouse). South African Construction World, 2(12):26-33. |
| − | Plaston: DNS kind. [Literary criticism]. 1974. Tydskrif vir | + | Plaston: DNS kind. [Literary criticism]. 1974. Tydskrif vir Geesteswetenskappe, 14:223-226. September. |
| − | Plastow, Jane 1999. Theatre and | + | Plastow, Jane 1999. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch. Reviewed in: Theatre Research International, 24(3):297-298. |
| − | Plastow, Jane 2000. South African Theatre As/And Intervention (Book Review). Modern | + | Plastow, Jane 2000. South African Theatre As/And Intervention (Book Review). Modern Drama, 43(4):653. |
| − | |||
| − | Platter, E. 1985. Liz Dick behind the screen. Fair | + | Platter, E. 1985. Liz Dick behind the screen. Fair Lady, 20(6):46-49. April 3. |
| − | Plays and piracy: a discussion. 1965. Contrast, 3(4): 53-62. | + | Plays and piracy: a discussion. 1965. Contrast, 3(4):53-62. |
| − | Plays without critics. 1947. Libertas | + | Plays without critics. 1947. Libertas, 7(3):68-69. |
| − | Podbrey, Maurice | + | Podbrey, Maurice 1998. Grahamstad se wyedoek. Insig, 08/98:40. |
| − | Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1): 81-83. | + | Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1):81-83. |
| − | Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Stellenbosch: | + | Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| − | Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9: 48-50. September. | + | Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9:48-50. September. |
| − | + | Popova, Vlada 2005. Youth development through intercultural performance : a case study from Wesbank Arts and Culture Group, South Africa. Unpublished master’s thesis. Bellville: University of the Western Cape. | |
| − | |||
| − | Popova, Vlada 2005. Youth development through intercultural performance : a case study from Wesbank Arts and Culture Group, South Africa. Bellville: University of the Western Cape. | ||
Popular theatre. [health education]. 1979. Link, 15-16. September-December. | Popular theatre. [health education]. 1979. Link, 15-16. September-December. | ||
| − | Port Elizabeth Opera House. 1986. Architect & | + | Port Elizabeth Opera House. 1986. Architect & Builder, 14-17, April. |
| − | |||
| − | |||
| − | + | Porter, A. 1971. Open air theatre. Looking Back, 11(4):120-123. | |
| − | Poynton, R. | + | Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1):40-43. |
| − | Poynton, R. | + | Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2):42-45. |
Revision as of 17:09, 14 February 2011
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
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Return to A Bibliography of South African South African Theatre and Performance
Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African Construction World, 2(1):22-27
Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Unpublished master’s thesis. Durban: University of Natal.
Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African Theatre Journal, 12(1&2):178-184.
Pillay, Kriben 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African Theatre Journal, 12(1&2):185-190.
Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Unpublished doctoral dissertation. Durban: University of Durban-Westville.
Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.
Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1:71.
Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement (Natal Palyhouse). South African Construction World, 2(12):26-33.
Plaston: DNS kind. [Literary criticism]. 1974. Tydskrif vir Geesteswetenskappe, 14:223-226. September.
Plastow, Jane 1999. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch. Reviewed in: Theatre Research International, 24(3):297-298.
Plastow, Jane 2000. South African Theatre As/And Intervention (Book Review). Modern Drama, 43(4):653.
Platter, E. 1985. Liz Dick behind the screen. Fair Lady, 20(6):46-49. April 3.
Plays and piracy: a discussion. 1965. Contrast, 3(4):53-62. Plays without critics. 1947. Libertas, 7(3):68-69.
Podbrey, Maurice 1998. Grahamstad se wyedoek. Insig, 08/98:40.
Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1):81-83.
Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9:48-50. September.
Popova, Vlada 2005. Youth development through intercultural performance : a case study from Wesbank Arts and Culture Group, South Africa. Unpublished master’s thesis. Bellville: University of the Western Cape.
Popular theatre. [health education]. 1979. Link, 15-16. September-December.
Port Elizabeth Opera House. 1986. Architect & Builder, 14-17, April.
Porter, A. 1971. Open air theatre. Looking Back, 11(4):120-123.
Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1):40-43.
Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2):42-45.
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
