Difference between revisions of "ESAT Bibliography Peb-Ph"
| (16 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography | + | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography Pra-Pz|Pra-Pz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
| Line 12: | Line 12: | ||
| − | Pechey, | + | [[Graham Pechey|Pechey, Graham]] 1996. Post-apartheid narratives, in Barker, Frances, Hulme, Peter & Iversen, Maragaret (eds.). ''Colonial Discourse, Postcolonial Theory''. Manchester: Manchester University Press. 151-171. |
| − | Pelser, Andries Jacobus 1983. Evangelistiese drama met die klem op verhoogstukke en rolprente. Pretoria: | + | [[Andries Jacobus Pelser|Pelser, Andries Jacobus]] 1983. Evangelistiese drama met die klem op verhoogstukke en rolprente. Unpublished master’s thesis. Pretoria: University of Pretoria. |
| − | + | [[Ernest Pereira|Pereira, Ernest]] 1977. ''Contemporary South African Plays''. Johannesburg: Ravan. | |
| − | + | Performing arts councils: the first four years. 1967. ''South African Panorama'', 12(3):24-31. March. | |
| − | + | Performing Arts, ''Brochure'', Pretoria: [[Human Sciences Research Council]], 1972 | |
| − | Performing | + | ''Performing Arts in South Africa: Cultural Aspirations of a Young Country''. 1969. Pretoria: Dept. of Information. |
| − | + | Performing Arts Network of South Africa ([[PANSA]]) Document, 2002. ''Towards a Vision for the Performing Arts in South Africa''. http://www.at.artslink.co.za/~pansa. | |
| − | Performing Arts Network of South Africa. 2002. Keeping the dream alive. www.artslink.co.za/pansa | + | [[PANSA|Performing Arts Network of South Africa]]. 2002. ''Keeping the dream alive''. www.artslink.co.za/pansa |
| − | Performing Arts Network of South Africa. 2005. Towards an understanding of the South African Theatre Industry. www.artslink.co.za/pansa | + | [[PANSA|Performing Arts Network of South Africa]]. 2005. ''Towards an understanding of the South African Theatre Industry''. www.artslink.co.za/pansa |
| − | Performing xenophobia: a conversation with Jonathan Nkala and Bo Petersen conducted by Miki Flockemann, Wahseema Roberts, Andrea Castle, Antjie | + | Performing xenophobia: a conversation with [[Jonathan Khumbulani Nkala|Jonathan Nkala]] and [[Bo Petersen]] conducted by [[Miki Flockemann]], [[Wahseema Roberts]], [[Andrea Castle]], [[Antjie Krog]], and [[Kudzayi Ngara]]. ''[[South African Theatre Journal]]'', 23:207- 220. |
| − | + | [[Kathy A. Perkins|Perkins, Kathy A.]] 1999. ''Black South African Women. An Anthology of Plays''. Cape Town: Cape Town University Press. | |
| + | |||
| + | [[Jessica Perritt|Perritt, Jessica]] 1986. The [[South African Guild of Speech and Drama Teachers]]. ''NEON'', 50:125-126. | ||
| − | + | Perspectives on transforming education through drama and theatre : papers presented at the 1991 [[SAADYT|Southern African Association of [i.e. for] Drama and Youth Theatre]] Conference. 1992. Pretoria: SAADYT. | |
| − | + | [[Peter Ngwenya]]: drama 1991. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 64-65. | |
| − | + | Petersen, Kirsten Holst 1983. [[Athol Fugard|Fugard, Athol]], in ''Twentieth-century Drama''. London, Macmillan. 110-112. | |
| − | Bhekizizwe Peterson | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1990. Apartheid and the political imagination in Black South African theatre. ''Journal of Southern African Studies'', 16(2):229-246. |
| + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1991. Performing history off the stage: notes on working-class theater, in Brown, Joshua (ed.). ''History from South Africa : alternative visions and practices''. Philadelphia : Temple University Press. 319-327. | ||
| − | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1993. Introduction to ''And The Girls and Their Sunday Dresses''. Johannesburg: Witwatersrand University Press. | |
| − | Peterson, Bhekizizwe 1994. Apartheid and the political imagination in Black South African theatre | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1994. Apartheid and the political imagination in Black South African theatre, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. 35-54. |
| − | Peterson, Bhekizizwe 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. Theatre | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. ''Theatre Journal'', 46(3):349-362. |
| − | Peterson, Bhekizizwe 1995. ‘All work and no | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1995. ‘All work and no play makes civilisation unattractive to the masses.’: theatre and mission education at Mariannhill, 1900-1925. ''African Studies'', 54(2):32-51. |
| − | Peterson, Bhekizizwe | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1995b. 'A Rain a Fall but the Dirt It Tough': Scholarship on African Theatre in South Africa. ''Journal of Southern African Studies'', 21(4):573-584. |
| − | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 2000a. ''Monarchs, Missionaries & African Intellectuals : African Theatre and the Unmaking of Colonial Marginality''. Johannesburg : Witwatersrand University Press. | |
| − | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 2000b. [[Zakes Mda]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 257-269. | |
| − | + | [[J.M. Phelps|Phelps, J.M.]] 1979. 12 angry men: a co-operative play production. ''Education Journal'', 89(1):31-36. April. | |
| − | + | [[Johannes Rakgomo Pheto|Pheto, Johannes Rakgomo]] 2002. Perspectives of tragedy in black South African drama : an analysis of selected plays by [[Zakes Mda]], [[Mbongeni Ngema]] and [[Isaiah Maishe Maponya|Maishe Maponya]]. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | |
| + | [[Fransi Phillips|Phillips, Fransi]] 1982. Hoofkarakter sensor die drama. ''Graffier'', 2(1):15. | ||
| − | Phipson, Leigh 1989. Patterns of dominance, masculinity and politics in South Africa : a study of Athol Fugard, John Kani and Winston | + | [[Neville Phillips|Phillips, Neville]]. 2008. ''The Stage Struck Me!'' Leicester: Troubador Publishing Ltd. |
| + | |||
| + | [[Rodney Phillips|Phillips, Rodney]] 1979. The science of selling, in Hay-Whitton, Don (ed.). ''International Symposium of the [[South African Institute of Theatre Technology]] (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979''. South African Institute of Theatre Technology. Section 4, 1-11. | ||
| + | |||
| + | Philoctetes, pseud. 1985. But what do you do for a living? 3. Actor. ''[[Scenaria]]'', (48) :14-16. | ||
| + | |||
| + | [[Leigh Phipson|Phipson, Leigh]] 1989. Patterns of dominance, masculinity and politics in South Africa : a study of [[Athol Fugard]], [[John Kani]] and [[Winston Ntshona]]'s ''[[The Island]]'', and Fugard's ''[[Dimetos]]'', and ''[[Master Harold... and the boys]]''. Unpublished master’s thesis. Durban: University of Natal. | ||
| + | |||
| + | [[Leigh Phipson|Phipson, Leigh]] 1991. ''[[Athol Fugard]]'', by [[Dennis Walder]]. Reviewed in: C''ritical Arts'', 5(3):104-106. | ||
| Line 69: | Line 81: | ||
Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography | + | [[ESAT Bibliography P-Pea|P-Pea]] [[ESAT Bibliography Peb-Ph|Peb-Ph]] [[ESAT Bibliography Pia-Pie|Pia-Pie]] [[ESAT Bibliography Pif-Po|Pif-Po]] [[ESAT Bibliography Pra-Pz|Pra-Pz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
| + | |||
| + | |||
[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | ||
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
Revision as of 10:31, 10 September 2019
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pra-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Pechey, Graham 1996. Post-apartheid narratives, in Barker, Frances, Hulme, Peter & Iversen, Maragaret (eds.). Colonial Discourse, Postcolonial Theory. Manchester: Manchester University Press. 151-171.
Pelser, Andries Jacobus 1983. Evangelistiese drama met die klem op verhoogstukke en rolprente. Unpublished master’s thesis. Pretoria: University of Pretoria.
Pereira, Ernest 1977. Contemporary South African Plays. Johannesburg: Ravan.
Performing arts councils: the first four years. 1967. South African Panorama, 12(3):24-31. March.
Performing Arts, Brochure, Pretoria: Human Sciences Research Council, 1972
Performing Arts in South Africa: Cultural Aspirations of a Young Country. 1969. Pretoria: Dept. of Information.
Performing Arts Network of South Africa (PANSA) Document, 2002. Towards a Vision for the Performing Arts in South Africa. http://www.at.artslink.co.za/~pansa.
Performing Arts Network of South Africa. 2002. Keeping the dream alive. www.artslink.co.za/pansa
Performing Arts Network of South Africa. 2005. Towards an understanding of the South African Theatre Industry. www.artslink.co.za/pansa
Performing xenophobia: a conversation with Jonathan Nkala and Bo Petersen conducted by Miki Flockemann, Wahseema Roberts, Andrea Castle, Antjie Krog, and Kudzayi Ngara. South African Theatre Journal, 23:207- 220.
Perkins, Kathy A. 1999. Black South African Women. An Anthology of Plays. Cape Town: Cape Town University Press.
Perritt, Jessica 1986. The South African Guild of Speech and Drama Teachers. NEON, 50:125-126.
Perspectives on transforming education through drama and theatre : papers presented at the 1991 Southern African Association of [i.e. for] Drama and Youth Theatre Conference. 1992. Pretoria: SAADYT.
Peter Ngwenya: drama 1991. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 64-65.
Petersen, Kirsten Holst 1983. Fugard, Athol, in Twentieth-century Drama. London, Macmillan. 110-112.
Peterson, Bhekizizwe 1990. Apartheid and the political imagination in Black South African theatre. Journal of Southern African Studies, 16(2):229-246.
Peterson, Bhekizizwe 1991. Performing history off the stage: notes on working-class theater, in Brown, Joshua (ed.). History from South Africa : alternative visions and practices. Philadelphia : Temple University Press. 319-327.
Peterson, Bhekizizwe 1993. Introduction to And The Girls and Their Sunday Dresses. Johannesburg: Witwatersrand University Press.
Peterson, Bhekizizwe 1994. Apartheid and the political imagination in Black South African theatre, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 35-54.
Peterson, Bhekizizwe 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. Theatre Journal, 46(3):349-362.
Peterson, Bhekizizwe 1995. ‘All work and no play makes civilisation unattractive to the masses.’: theatre and mission education at Mariannhill, 1900-1925. African Studies, 54(2):32-51.
Peterson, Bhekizizwe 1995b. 'A Rain a Fall but the Dirt It Tough': Scholarship on African Theatre in South Africa. Journal of Southern African Studies, 21(4):573-584.
Peterson, Bhekizizwe 2000a. Monarchs, Missionaries & African Intellectuals : African Theatre and the Unmaking of Colonial Marginality. Johannesburg : Witwatersrand University Press.
Peterson, Bhekizizwe 2000b. Zakes Mda, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 257-269.
Phelps, J.M. 1979. 12 angry men: a co-operative play production. Education Journal, 89(1):31-36. April.
Pheto, Johannes Rakgomo 2002. Perspectives of tragedy in black South African drama : an analysis of selected plays by Zakes Mda, Mbongeni Ngema and Maishe Maponya. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Phillips, Fransi 1982. Hoofkarakter sensor die drama. Graffier, 2(1):15.
Phillips, Neville. 2008. The Stage Struck Me! Leicester: Troubador Publishing Ltd.
Phillips, Rodney 1979. The science of selling, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 4, 1-11.
Philoctetes, pseud. 1985. But what do you do for a living? 3. Actor. Scenaria, (48) :14-16.
Phipson, Leigh 1989. Patterns of dominance, masculinity and politics in South Africa : a study of Athol Fugard, John Kani and Winston Ntshona's The Island, and Fugard's Dimetos, and Master Harold... and the boys. Unpublished master’s thesis. Durban: University of Natal.
Phipson, Leigh 1991. Athol Fugard, by Dennis Walder. Reviewed in: Critical Arts, 5(3):104-106.
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pra-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
