Difference between revisions of "ESAT Bibliography Peb-Ph"
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| − | Pechey, G. | + | [[G. Pechey|Pechey, G.]] 1996. Post-apartheid narratives, in Barker, Frances, Hulme, Peter & Iversen, Maragaret (eds.). ''Colonial Discourse, Postcolonial Theory''. Manchester: Manchester University Press. |
| − | Pelser, Andries Jacobus 1983. Evangelistiese drama met die klem op verhoogstukke en rolprente. Pretoria: | + | [[Andries Jacobus Pelser|Pelser, Andries Jacobus]] 1983. Evangelistiese drama met die klem op verhoogstukke en rolprente. Unpublished master’s thesis. Pretoria: University of Pretoria. |
| − | + | [[Ernest Pereira|Pereira, Ernest]] 1977. ''Contemporary South African Plays''. Johannesburg: Ravan. | |
| − | + | Performaing arts councils: the first four years. 1967. ''South African Panorama'', 12(3):24-31. March. | |
| − | + | ''Performing Arts in South Africa: Cultural Aspirations of a Young Country''. 1969. Pretoria: Dept. of Information. | |
| − | Performing | + | Performing Arts Network of South Africa ([[PANSA]]) Document, 2002. ''Towards a Vision for the Performing Arts in South Africa''. http://www.at.artslink.co.za/~pansa. |
| − | + | [[PANSA|Performing Arts Network of South Africa]]. 2002. ''Keeping the dream alive''. www.artslink.co.za/pansa | |
| − | Performing Arts Network of South Africa. | + | [[PANSA|Performing Arts Network of South Africa]]. 2005. ''Towards an understanding of the South African Theatre Industry''. www.artslink.co.za/pansa |
| − | Performing | + | Performing xenophobia: a conversation with [[Nkala, Jonathan|Jonathan Nkala]] and [[Petersen, Bo|Bo Petersen]] conducted by [[Flockemann, Miki|Miki Flockemann]], [[Roberts, Wahseema|Wahseema Roberts]], [[Castle, Andrea|Andrea Castle]], [[Krog, Antjie|Antjie Krog]], and [[Ngara, Kudzayi|Kudzayi Ngara]]. ''South African Theatre Journal'', 23:207- 220. |
| − | + | [[Kathy A. Perkins|Perkins, Kathy A.]] 1999. ''Black South African Women. An Anthology of Plays''. Cape Town: Cape Town University Press. | |
| + | |||
| + | [[Jessica Perritt|Perritt, Jessica]] 1986. The [[South African Guild of Speech and Drama Teachers]]. ''NEON'', 50:125-126. | ||
| − | + | Perspectives on transforming education through drama and theatre : papers presented at the 1991 [[SAADYT|Southern African Association of [i.e. for] Drama and Youth Theatre]] Conference. 1992. Pretoria: SAADYT. | |
| − | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1990. Apartheid and the political imagination in Black South African theatre. ''Journal of Southern African Studies'', 16(2):229-246. | |
| − | |||
| − | Peterson, Bhekizizwe | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1993. Introduction to ''And The Girls and Their Sunday Dresses''. Johannesburg: Witwatersrand University Press. |
| − | Bhekizizwe Peterson | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1994. Apartheid and the political imagination in Black South African theatre, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. 35-54. |
| + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. ''Theatre Journal'', 46(3):349-362. | ||
| − | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 1995. ‘All work and no play makes civilisation unattractive to the masses.’: theatre and mission education at Mariannhill, 1900-1925. ''African Studies'', 54(2):32-51. | |
| − | Peterson, Bhekizizwe | + | [[Bhekizizwe Peterson|Peterson, Bhekizizwe]] 2000. ''Monarchs, Missionaries & African Intellectuals : African Theatre and the Unmaking of Colonial Marginality''. Johannesburg : Witwatersrand University Press. |
| − | + | [[J.M. Phelps|Phelps, J.M.]] 1979. 12 angry men: a co-operative play production. ''Education Journal'', 89(1):31-36. April. | |
| − | + | [[Johannes Rakgomo Pheto|Pheto, Johannes Rakgomo]] 2002. Perspectives of tragedy in black South African drama : an analysis of selected plays by [[Mda, Zakes|Zakes Mda]], [[Ngema, Mbongeni|Mbongeni Ngema]] and [[Maponya, Maishe|Maishe Maponya]]. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | |
| − | + | [[Fransi Phillips|Phillips, Fransi]] 1982. Hoofkarakter sensor die drama. ''Graffier'', 2(1):15. | |
| − | + | Philoctetes, pseud. 1985. But what do you do for a living? 3. Actor. ''Scenaria'', (48) :14-16. | |
| − | + | [[Leigh Phipson|Phipson, Leigh]] 1989. Patterns of dominance, masculinity and politics in South Africa : a study of [[Fugard, Athol|Athol Fugard]], [[Kani, John|John Kani]] and [[Nshona, Winston|Winston Nshona]]'s ''[[The Island]]'', and Fugard's ''[[Dimetos]]'', and ''[[Master Harold-- and the boys]]''. Unpublished master’s thesis. Durban: University of Natal. | |
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| − | Phipson, Leigh 1989. Patterns of dominance, masculinity and politics in South Africa : a study of Athol Fugard, John Kani and Winston Nshona's The | ||
Revision as of 16:37, 14 February 2011
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Pechey, G. 1996. Post-apartheid narratives, in Barker, Frances, Hulme, Peter & Iversen, Maragaret (eds.). Colonial Discourse, Postcolonial Theory. Manchester: Manchester University Press.
Pelser, Andries Jacobus 1983. Evangelistiese drama met die klem op verhoogstukke en rolprente. Unpublished master’s thesis. Pretoria: University of Pretoria.
Pereira, Ernest 1977. Contemporary South African Plays. Johannesburg: Ravan.
Performaing arts councils: the first four years. 1967. South African Panorama, 12(3):24-31. March.
Performing Arts in South Africa: Cultural Aspirations of a Young Country. 1969. Pretoria: Dept. of Information.
Performing Arts Network of South Africa (PANSA) Document, 2002. Towards a Vision for the Performing Arts in South Africa. http://www.at.artslink.co.za/~pansa.
Performing Arts Network of South Africa. 2002. Keeping the dream alive. www.artslink.co.za/pansa
Performing Arts Network of South Africa. 2005. Towards an understanding of the South African Theatre Industry. www.artslink.co.za/pansa
Performing xenophobia: a conversation with Jonathan Nkala and Bo Petersen conducted by Miki Flockemann, Wahseema Roberts, Andrea Castle, Antjie Krog, and Kudzayi Ngara. South African Theatre Journal, 23:207- 220.
Perkins, Kathy A. 1999. Black South African Women. An Anthology of Plays. Cape Town: Cape Town University Press.
Perritt, Jessica 1986. The South African Guild of Speech and Drama Teachers. NEON, 50:125-126.
Perspectives on transforming education through drama and theatre : papers presented at the 1991 Southern African Association of [i.e. for] Drama and Youth Theatre Conference. 1992. Pretoria: SAADYT.
Peterson, Bhekizizwe 1990. Apartheid and the political imagination in Black South African theatre. Journal of Southern African Studies, 16(2):229-246.
Peterson, Bhekizizwe 1993. Introduction to And The Girls and Their Sunday Dresses. Johannesburg: Witwatersrand University Press.
Peterson, Bhekizizwe 1994. Apartheid and the political imagination in Black South African theatre, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 35-54.
Peterson, Bhekizizwe 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. Theatre Journal, 46(3):349-362.
Peterson, Bhekizizwe 1995. ‘All work and no play makes civilisation unattractive to the masses.’: theatre and mission education at Mariannhill, 1900-1925. African Studies, 54(2):32-51.
Peterson, Bhekizizwe 2000. Monarchs, Missionaries & African Intellectuals : African Theatre and the Unmaking of Colonial Marginality. Johannesburg : Witwatersrand University Press.
Phelps, J.M. 1979. 12 angry men: a co-operative play production. Education Journal, 89(1):31-36. April.
Pheto, Johannes Rakgomo 2002. Perspectives of tragedy in black South African drama : an analysis of selected plays by Zakes Mda, Mbongeni Ngema and Maishe Maponya. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Phillips, Fransi 1982. Hoofkarakter sensor die drama. Graffier, 2(1):15.
Philoctetes, pseud. 1985. But what do you do for a living? 3. Actor. Scenaria, (48) :14-16.
Phipson, Leigh 1989. Patterns of dominance, masculinity and politics in South Africa : a study of Athol Fugard, John Kani and Winston Nshona's The Island, and Fugard's Dimetos, and Master Harold-- and the boys. Unpublished master’s thesis. Durban: University of Natal.
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
