Difference between revisions of "ESAT Bibliography Oe-Ol"

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[[H. Ohlhoff|Ohlhoff, H.]] 1978. En daar was lig – gedagtes oor ''[[Laat die Kerse Brand]]''. ''Klasgids'', 13(3-4):5-9. November.
 
[[H. Ohlhoff|Ohlhoff, H.]] 1978. En daar was lig – gedagtes oor ''[[Laat die Kerse Brand]]''. ''Klasgids'', 13(3-4):5-9. November.
  
[[C.H.F. Ohloff|Ohloff, C.H.F.]] 1983. ''[[Dias]]'' ([[Louw, N.P. Van Wyk|N.P. van Wyk Louw]]). ''Tydskrif vir Letterkunde'', 21(3):138-145.
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[[C.H.F. Ohloff|Ohloff, C.H.F.]] 1983. ''[[Dias]]'' ([[N.P. van Wyk Louw]]). ''Tydskrif vir Letterkunde'', 21(3):138-145.
  
 
[[Femi Ojo-Ade|Ojo-Ade, Femi]] 1996. Contemporary South African theatre and the complexities of commitment . ''African Literature Today'',  20:120-134.
 
[[Femi Ojo-Ade|Ojo-Ade, Femi]] 1996. Contemporary South African theatre and the complexities of commitment . ''African Literature Today'',  20:120-134.
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Okagbue, Osita 2009. ''Culture and Identity in African and Caribbean Theatre''. London: Adonis & Abbey.
 
Okagbue, Osita 2009. ''Culture and Identity in African and Caribbean Theatre''. London: Adonis & Abbey.
  
Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in [[Fugard, Athol|Fugard]]  et al.'s ''[[Sizwe Bansi Is Dead]]''. ''Global South'', 2(2):75-91.
+
Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in [[Athol Fugard|Fugard]]  et al.'s ''[[Sizwe Bansi Is Dead]]''. ''Global South'', 2(2):75-91.
  
 
Olaniyan, Tejumola 1995. ''Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama''. New York: Oxford University Press.
 
Olaniyan, Tejumola 1995. ''Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama''. New York: Oxford University Press.
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Old and new combine in modern theatre complex: bentonite plays major role in walling of the [[Natal Playhouse|Durban Playhouse]]. 1983. ''Civil Engineer and Contractor'', 17(5):34-41.
 
Old and new combine in modern theatre complex: bentonite plays major role in walling of the [[Natal Playhouse|Durban Playhouse]]. 1983. ''Civil Engineer and Contractor'', 17(5):34-41.
  
[[Andries Oliphant|Oliphant, Andries W.]] 1988. [[Kani, John|John Kani]]: combatant from the stage. ''Staffrider'', 7(1):54-61.
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[[Andries Oliphant|Oliphant, Andries W.]] 1988. [[John Kani]]: combatant from the stage. ''Staffrider'', 7(1):54-61.
  
[[Andries Oliphant|Oliphant, Andries W.]] 1989. [[Shingwenyana, Victor|Victor Shingwenyana]]: theatre and the struggle for unity. ''Staffrider'', 8(3/4):149-152.
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[[Andries Oliphant|Oliphant, Andries W.]] 1989. [[Victor Shingwenyana]]: theatre and the struggle for unity. ''Staffrider'', 8(3/4):149-152.
  
[[Andries Oliphant|Oliphant, Andries W.]] 1992. Isolate the enemy: community and conflict in popular theatre. ''South African Theatre Journal'', 6(2):18-29.
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[[Andries Oliphant|Oliphant, Andries W.]] 1992. Isolate the enemy: community and conflict in popular theatre. ''[[South African Theatre Journal]]'', 6(2):18-29.
  
 
[[Bert Olivier|Olivier, Bert]] 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? ''Tydskrif vir Literatuurwetenskap'', 5(3/4):237-252.
 
[[Bert Olivier|Olivier, Bert]] 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? ''Tydskrif vir Literatuurwetenskap'', 5(3/4):237-252.

Revision as of 11:16, 12 March 2011

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O-Od Oe-Ol Om-Oq Or-Oz

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Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4):251-256.

O’Hara, Glynis 1998. iMumbo Jumbo. Vuka SA, January 31:4.

Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die Kerse Brand. Klasgids, 13(3-4):5-9. November.

Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 21(3):138-145.

Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African Literature Today, 20:120-134.

Okagbue, Osita 2009. Culture and Identity in African and Caribbean Theatre. London: Adonis & Abbey.

Olaiya, Kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is Dead. Global South, 2(2):75-91.

Olaniyan, Tejumola 1995. Scars of Conquest/Masks of Resistance: The Invention of Cultural Identities in African, African-American and Caribbean Drama. New York: Oxford University Press.

Olaniyan, Tejumola & Quayson, A. (eds.). 2007. African Literature: An Anthology of Criticism and Theory. Malden, MA: Blackwell.

Olaniyan, Tejumola 2007. Festivals, ritual and drama in Africa, in Olaniyan, Tejumola & Quayson, A. (eds.). African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing. 353-363.

Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil Engineer and Contractor, 17(5):34-41.

Oliphant, Andries W. 1988. John Kani: combatant from the stage. Staffrider, 7(1):54-61.

Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4):149-152.

Oliphant, Andries W. 1992. Isolate the enemy: community and conflict in popular theatre. South African Theatre Journal, 6(2):18-29.

Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir Literatuurwetenskap, 5(3/4):237-252.

Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.



Click on the appropriate letters of the alphabet in the sub-list below.

O-Od Oe-Ol Om-Oq Or-Oz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance