Difference between revisions of "ESAT Bibliography Oe-Ok"
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography O-Od|O-Od]] [[ESAT Bibliography Oe- | + | [[ESAT Bibliography O-Od|O-Od]] [[ESAT Bibliography Oe-Ol|Oe-Ol]] [[ESAT Bibliography Ol-Op|Ol-Op]] [[ESAT Bibliography Oq-Oz|Oq-Oz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
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| + | Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4): 251-256. | ||
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| + | O’Hara, Glynis. 1998. iMumbo Jumbo. In: Vuka SA, January 31, 1998: 4. | ||
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| + | Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die kerse brand. Klasgids, 13(3-4): 5-9. November. | ||
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| + | Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir letterkunde, 21(3): 138-145 | ||
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| + | Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African literature today, 20: 120-134. | ||
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| + | OKAGBUE, OSITA. 1997. When the dead return: Play and seriousness in African masked performance. South African theatre journal, 11(1&2):89-107. | ||
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| + | Olaiya, kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is dead. Global South, 2 (2): 75-91. | ||
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| + | Olaniyan, T. (1995) Scars of conquest, masks of resistance: the invention of cultural identities in African, African-American and Carribean drama. New York: Oxford University Press. | ||
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| + | Olaniyan, T. and Quayson, A. (2007) African literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishings | ||
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| + | Olaniyan, Tejumola (ed.) African Drama and Performance. Bloomington, IN: | ||
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| + | OLANIYAN, TEJUMOLA. Scars of Conquest/Masks of Resistance: The invention of cultural identities in African, African-American and Caribbean Drama (Yvette Hutchison) South African theatre journal, 10(1):126-129. | ||
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| + | Olaniyan__________ (2007) ‘Festivals, Ritual and Drama in Africa’. In Olaniyan and Quayson (eds.) African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing. | ||
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| + | Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil engineer and contractor, 17(5): 34-41. | ||
| + | |||
| + | Oliphant, A.W.1988. John Kani:combatant from the stage. Staffrider, 7(1): 54-61. | ||
| + | |||
| + | Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4): 149-152. | ||
| + | |||
| + | Oliphant, Andries 1992. Isolate the enemy: community and conflict in popular theatre. South African theatre journal, 6(2): 18-29. | ||
| + | |||
| + | Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir literatuurwetenskap, 5(3/4): 237-252. | ||
| + | |||
| + | Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40. | ||
| + | |||
| + | Olivier, G. 1978. Vyf tekste vir beeldradio. [Literary criticism]. Standpunte, 31(2): 25-31. April. | ||
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography O-Od|O-Od]] [[ESAT Bibliography Oe- | + | [[ESAT Bibliography O-Od|O-Od]] [[ESAT Bibliography Oe-Ol|Oe-Ol]] [[ESAT Bibliography Ol-Op|Ol-Op]] [[ESAT Bibliography Oq-Oz|Oq-Oz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Latest revision as of 11:35, 6 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Ogude, N.A. & Rollnick, M. 1999. Addressing primary school science problems through materials developed by science educators and drama in education specialists. South African Journal of Education, 19(4): 251-256.
O’Hara, Glynis. 1998. iMumbo Jumbo. In: Vuka SA, January 31, 1998: 4.
Ohlhoff, H. 1978. En daar was lig – gedagtes oor Laat die kerse brand. Klasgids, 13(3-4): 5-9. November.
Ohloff, C.H.F. 1983. Dias (N.P. van Wyk Louw). Tydskrif vir letterkunde, 21(3): 138-145
Ojo-Ade, Femi 1996. Contemporary South African theatre and the complexities of commitment . African literature today, 20: 120-134.
OKAGBUE, OSITA. 1997. When the dead return: Play and seriousness in African masked performance. South African theatre journal, 11(1&2):89-107.
Olaiya, kolawole 2008. Deconstructing Apartheid's global gaze: death and resistance in Fugard et al.'s Sizwe Bansi Is dead. Global South, 2 (2): 75-91.
Olaniyan, T. (1995) Scars of conquest, masks of resistance: the invention of cultural identities in African, African-American and Carribean drama. New York: Oxford University Press.
Olaniyan, T. and Quayson, A. (2007) African literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishings
Olaniyan, Tejumola (ed.) African Drama and Performance. Bloomington, IN:
OLANIYAN, TEJUMOLA. Scars of Conquest/Masks of Resistance: The invention of cultural identities in African, African-American and Caribbean Drama (Yvette Hutchison) South African theatre journal, 10(1):126-129.
Olaniyan__________ (2007) ‘Festivals, Ritual and Drama in Africa’. In Olaniyan and Quayson (eds.) African Literature: an anthology of criticism and theory. Malden, MA: Blackwell Publishing.
Old and new combine in modern theatre complex: bentonite plays major role in walling of the Durban Playhouse. 1983. Civil engineer and contractor, 17(5): 34-41.
Oliphant, A.W.1988. John Kani:combatant from the stage. Staffrider, 7(1): 54-61.
Oliphant, Andries W. 1989. Victor Shingwenyana: theatre and the struggle for unity. Staffrider, 8(3/4): 149-152.
Oliphant, Andries 1992. Isolate the enemy: community and conflict in popular theatre. South African theatre journal, 6(2): 18-29.
Olivier, Bert 1989. Simbolisme as werklikheidsbenadering: watter werklikheid? Tydskrif vir literatuurwetenskap, 5(3/4): 237-252.
Olivier, Fanie 1996. ‘n Fees sonder vonk. Insig, 08/96: 40.
Olivier, G. 1978. Vyf tekste vir beeldradio. [Literary criticism]. Standpunte, 31(2): 25-31. April.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
