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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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==The list==
  
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[[Duma Ndlovu|Ndlovu, Duma]] (ed.). 1986. ''Woza Afrika: An Anthology of South African Plays''.  New York: George Braziller.
  
Ndlovu, Duma (ed.) 1986. Woza Afrika! An Anthology of South African Plays.  New York: George Braziller.
+
[[Mkhancane Daniel Ndove|Ndove, Mkhancane Daniel]]  2005. Semiotics as a medium to convey the philosophy and psychology of evil in the Xitsonga translation of Macbeth. Unpublished master’s thesis. Pretoria: University of South Africa.
  
Nebe, Warren 1991. A critical analysis of the teaching technique role play, with particular reference to educational drama. Cape Town: University of Cape Town. (MA thesis).
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[[Warren Nebe|Nebe, Warren]] 1991. A critical analysis of the teaching technique role play, with particular reference to educational drama. Unpublished master’s thesis. Cape Town: University of Cape Town.
  
Neethling, Miemie. 2000. To fund or not to fund Standard Bank National Arts Festival – Grahamstown, 30 June – 9 July 2000. SATJ 14: 202-217.
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[[Miemie Neethling|Neethling, Miemie]] 2000. To fund or not to fund: Standard Bank [[National Arts Festival]] 2000. ''[[South African Theatre Journal]]'', 14:202-217.
  
Neethling, Miemie 2002. Cape curtains: a study of selected Cape Town theatres, 1843-1916. Stellenbosch: Universiteit van Stellenbosch. (MA (Dram)-tesis.)
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[[Miemie Neethling|Neethling, Miemie]] 2002. Cape curtains: a study of selected Cape Town theatres, 1843-1916. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.  
  
Neethling, Miemie 2000. To fund or not to fund:  Standard Bank National Arts Festival 2000. South African theatre journal, 14:202-217.
+
[[Anna Neethling-Pohl|Neethling-Pohl, Anna]] 1940. Wenke by ‘n opvoering. ''Huisgenoot'', 24(938):35. Maart 15.
  
Neethling-Pohl, Anna 1940. Wenke by ‘n opvoering. Huisgenoot, 24(938): 35. Maart 15.
+
[[Anna Neethling-Pohl|Neethling-Pohl, Anna]] 1943. [[Mathilde Hanekom]]. ''Huisgenoot'', 28(1120):29. September 10.
  
Neethling-Pohl, Anna 1943. Mathilde Hanekom. Huisgenoot, 28(1120): 29. September 10.
+
[[Anna Neethling-Pohl|Neethling-Pohl, Anna]] 1945. 'n Lansie-breek vir die amateur! ''Filma'', 2(6):9,25-26.
  
Neethling-Pohl, Anna 1948. Dankwoord en ‘n belydenis uitgespreek by die ontvangs van die erepenning vir toneelspel van die Akademie op 3 Julie 1948. Tydskrif vir wetenskap en kuns, 8(2): 29-31.
+
[[Anna Neethling-Pohl|Neethling-Pohl, Anna]] 1948. Dankwoord en ‘n belydenis uitgespreek by die ontvangs van die erepenning vir toneelspel van die Akademie op 3 Julie 1948. ''Tydskrif vir Wetenskap en Kuns'', 8(2):29-31.
  
Neethling-Pohl, Anna 1974. Dankbaar die uwe (“Gratefully yours”). Kaapstad : Human & Rousseau.
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[[Anna Neethling-Pohl|Neethling-Pohl, Anna]]  1961. ’n Pelgrim, in Van Schoor, A.M. (red) ''Huguenet ‘n pionier!''.
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Johannesburg: Afrikaanse Pers-Boekhandel: 131-142.
  
Nel, Frederik Jacobus 1972. Die Kaapstadse Afrikaanse Toneelvereniging, 1934-1962. Stellenbosch: Universiteit van Stellenbosch. (M.Dram. thesis).
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[[Anna Neethling-Pohl|Neethling-Pohl, Anna]] 1974. ''Dankbaar Die Uwe''. Kaapstad: Human & Rousseau.
  
Nienaber, D. Breytenbach: Technikaon Pretoria se kultuurtrots. Opvoed kult, 7(3): 4-6.
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[[Dayne Elizabeth Nel|Nel, Dayne Elizabeth]] 2012. Order through improvisation : engaging the choreographic environment. Unpublished master's thesis. Stellenbosch : Stellenbosch University.
  
Nel, Frederik Jacobus 1972. Die Kaapstadse Afrikaanse toneelvereniging : (1934-1962). Stellenbosch: Universiteit van Stellenbosch. (MA-tesis.)
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[[Fred Nel|Nel, Fred]] 1970. Drama by die Drama-departement. ''Stellenbosse Student''. 157.
  
Nel, Jan H. 1993.  Safety in the theatre: a South African dilemma. South African theatre journal, 7(2): 41-53.
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[[Frederik Jacobus Nel|Nel, Frederik Jacobus]] 1972. ''Die [[Kaapstadse Afrikaanse Toneelvereniging]], 1934-1962''. Unpublished master’s thesis. Stellenbosch: [[University of Stellenbosch]].
Nel, R. 2007. “Die Here is my business partner”: praat met Alvin Bruinders. Sarie, 14(5): 70-72, 74.
 
  
Nelson, Amanda J. 2000. Performing for the empire :  
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[[Jan H. Nel|Nel, Jan H.]] 1993. Safety in the theatre: a South African dilemma. ''[[South African Theatre Journal]]'', 7(2):41-53.
Victorian women on stage for the South of Africa.  Tufts University. (Ph.D. thesis).
 
  
Nell, Johann 1944. Establishment of a really national theatre. Outspan. 35(892): 21.
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[[Maryke Nel|Nel, Maryke]] 2011. Die aard en funksie van Afrikaanse kabaret en enkele aanverwante vorme. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.
  
Nell, L. 1981. Performing arts. My career, 32: 67-72.
+
[[R. Nel|Nel, R.]] 2007. “Die Here is my business partner”: praat met [[Alvin Bruinders]]. ''Sarie'', 14(5):70-72, 74.
  
Neluvhalani, Matshikhiri Christopher 1992 The teaching of Luvenda drama in the senior secondary with special reference to Venda schools in the Northern Transvaal. Pietersburg: University of the North. (M.Ed. thesis).
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[[Johann Nell|Nell, Johann]] 1944. Establishment of a really national theatre. ''Outspan''. 35(892):21.
  
Nemukongwe, Mukondeleli Martha 1995. Naming practices in N.A. Milubi's drama: Mukosi wa lufu. Pretoria: Vista University. (M.A. thesis).
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[[L. Nell|Nell, L.]] 1981. Performing arts. ''My Career'', 32:67-72.
  
Nepgen, Rosa 1970. Oor boeke [‘n Skip is ons beloof deur George Louw en Nag van legio deur P.G. du Plessis]. Huisgenoot, 42(2523): 66-67. August 7.
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[[Amanda J. Nelson|Nelson, Amanda J.]] 2000. Performing for the Empire: Victorian women on stage for the South of Africa. Unpublished doctoral dissertation. Tufts University.
  
New and vital theatre. 1941. Forum. 4(18): 12.
+
[[Matshikhiri Christopher Neluvhalani|Neluvhalani, Matshikhiri Christopher]] 1992 The teaching of Luvenda drama in the senior secondary with special reference to Venda schools in the Northern Transvaal. Unpublished master’s thesis. Pietersburg: University of the North.  
  
New approach to cultural life. 1963. South African panorama, 8(4): 32-35.  
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[[Mukondeleli Martha Nemukongwe|Nemukongwe, Mukondeleli Martha]] 1995. Naming practices in [[N.A. Milubi]]'s drama: ''[[Mukosi wa lufu]]''. Unpublished master’s thesis. Pretoria: Vista University.
  
The new Secunda Theatre. 1986. Scenaria, (68) : 9-10.
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[[Rosa Nepgen|Nepgen, Rosa]] 1970. Oor boeke (''[['n Skip is Ons Beloof]]'' deur [[George Louw]] en ''[[Nag van Legio]]'' deur [[P.G. du Plessis]]. ''Huisgenoot'', 42(2523):66-67. August 7.
  
A new wave of cultural energy: Black theatre in South Africa. 1978. Theatre quarterly, 7(28): 57-63.
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Nevin, Thomas A. 1996. African Story Theatre: A Collection of Dramatised Folk-tales.Stories as told by Thomas A. Nevin ; adapted by Nerissa Phillips and [[Gcina Mhlope|Gcina Mhlophe]] ; with additional activities by [[André Lemmer]]. Johannesburg: Heinemann.  
  
NGEMA, M.: 1995. The Best of Mbongeni Ngema: The Man and his Music. Johannesburg: Skotaville.
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New and vital theatre. 1941. ''Forum'', 4(18):12.
  
Ngcobo, Nhlanhla 1983. Mduduzi Hlope – an analysis of theme in his plays. Reality, 15(6):10-12.
+
New approach to cultural life. 1963. ''South African Panorama'', 8(4) 32-35.  
  
Nichols, L. 1967. Rising star. [Janet Suzman]. Fair lady, 3(4): 16-19. April 19.
+
The new [[Secunda Theatre]]. 1986. ''[[Scenaria]]'', (68):9-10.
  
Nicholson, Helen 2007. Drama from Slough to Cape Town: creativity and the challenge of global citizenship: Helen Nicholson reflects on issues emerging from a drama partnership between primary schools in Slough and the Cape Flat townships in South Africa. English drama media, 8: 31.
+
A new wave of cultural energy: Black theatre in South Africa. 1978. ''Theatre Quarterly'', 7(28): 57-63.
  
Nico Malan opera house, Cape Town. 1971. Public works, roads and transport. 9-23. February.
+
Newstok, S.L. 2009. "Why Macbeth?": looking back on ''[[Umabatha]]'' after forty years: an Interview with [[Welcome Msomi]]. ''Shakespeare In Southern Africa'', 21(1):73-80.
  
Nico Malan theatre. 1978. Scenaria, December/January: 12-14.
+
Ngaboh-Smart, Francis 1999. The politics of Black identity: ''Slave Ship'' and ''[[Woza Albert!]]'', ''Journal of African Cultural Studies'', 12(2):167-185.
  
Nicolas-Fanourakis, D. 1977. Learning from the theatre: an account of interpersonal contact across the racial divide; with discussion. Speak, 1(1): 46-49. December.
+
[[Mbongeni Ngema|Ngema, M.]] 1995. ''The Best of Mbongeni Ngema: The Man and his Music''. Johannesburg: [[Skotaville Publishers]].
 +
 
 +
[[Kaiser Ngwenya|Ngwenya, K.]] 1992. An open house? ([[National Arts Festival|Grahamstown Arts Festival]]) ''[[Drum]]'', 4(162):52-53.
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 +
[[Kaiser Ngwenya|Ngwenya, K.]] 1993. [[John Matshikiza|John]] is a stage talent in his own right : Todd Matshikiza's playwright son comes home. ''[[Drum]]'', 26(169):66-67.
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 +
[[Peter Ngwenya|Ngwenya, Peter]]: drama 1991. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 64-65.
 +
 
 +
[[Nhlanhla Ngcobo|Ngcobo, Nhlanhla]] 1983. [[Mduduzi Hlope]]: an analysis of theme in his plays. ''Reality'', 15(6):10-12.
 +
 
 +
[[L. Nichols|Nichols, L.]] 1967. Rising star. ([[Janet Suzman]]). ''Fair Lady'', 3(4): 16-19. April 19.
 +
 
 +
[[Helen Nicholson|Nicholson, Helen]] 2007. Drama from Slough to Cape Town: creativity and the challenge of global citizenship: Helen Nicholson reflects on issues emerging from a drama partnership between primary schools in Slough and the Cape Flat townships in South Africa. ''English Drama Media'', 8:31.
 +
 
 +
[[Nico Malan Opera House]], Cape Town. 1971. ''Public Works, Roads and Transport'', 9-23. February.
 +
 
 +
[[Nico Malan Theatre]]. 1978. ''[[Scenaria]]'', December/January: 12-14.
 +
 
 +
[[Dimitri Nicolas-Fanourakis|Nicolas-Fanourakis, D.]] 1977. Learning from the theatre: an account of interpersonal contact across the racial divide; with discussion. ''[[Speak]]'', 1(1):46-49. December.
  
  

Latest revision as of 08:20, 23 June 2023

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The list

Ndlovu, Duma (ed.). 1986. Woza Afrika: An Anthology of South African Plays. New York: George Braziller.

Ndove, Mkhancane Daniel 2005. Semiotics as a medium to convey the philosophy and psychology of evil in the Xitsonga translation of Macbeth. Unpublished master’s thesis. Pretoria: University of South Africa.

Nebe, Warren 1991. A critical analysis of the teaching technique role play, with particular reference to educational drama. Unpublished master’s thesis. Cape Town: University of Cape Town.

Neethling, Miemie 2000. To fund or not to fund: Standard Bank National Arts Festival 2000. South African Theatre Journal, 14:202-217.

Neethling, Miemie 2002. Cape curtains: a study of selected Cape Town theatres, 1843-1916. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Neethling-Pohl, Anna 1940. Wenke by ‘n opvoering. Huisgenoot, 24(938):35. Maart 15.

Neethling-Pohl, Anna 1943. Mathilde Hanekom. Huisgenoot, 28(1120):29. September 10.

Neethling-Pohl, Anna 1945. 'n Lansie-breek vir die amateur! Filma, 2(6):9,25-26.

Neethling-Pohl, Anna 1948. Dankwoord en ‘n belydenis uitgespreek by die ontvangs van die erepenning vir toneelspel van die Akademie op 3 Julie 1948. Tydskrif vir Wetenskap en Kuns, 8(2):29-31.

Neethling-Pohl, Anna 1961. ’n Pelgrim, in Van Schoor, A.M. (red) Huguenet ‘n pionier!. Johannesburg: Afrikaanse Pers-Boekhandel: 131-142.

Neethling-Pohl, Anna 1974. Dankbaar Die Uwe. Kaapstad: Human & Rousseau.

Nel, Dayne Elizabeth 2012. Order through improvisation : engaging the choreographic environment. Unpublished master's thesis. Stellenbosch : Stellenbosch University.

Nel, Fred 1970. Drama by die Drama-departement. Stellenbosse Student. 157.

Nel, Frederik Jacobus 1972. Die Kaapstadse Afrikaanse Toneelvereniging, 1934-1962. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Nel, Jan H. 1993. Safety in the theatre: a South African dilemma. South African Theatre Journal, 7(2):41-53.

Nel, Maryke 2011. Die aard en funksie van Afrikaanse kabaret en enkele aanverwante vorme. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.

Nel, R. 2007. “Die Here is my business partner”: praat met Alvin Bruinders. Sarie, 14(5):70-72, 74.

Nell, Johann 1944. Establishment of a really national theatre. Outspan. 35(892):21.

Nell, L. 1981. Performing arts. My Career, 32:67-72.

Nelson, Amanda J. 2000. Performing for the Empire: Victorian women on stage for the South of Africa. Unpublished doctoral dissertation. Tufts University.

Neluvhalani, Matshikhiri Christopher 1992 The teaching of Luvenda drama in the senior secondary with special reference to Venda schools in the Northern Transvaal. Unpublished master’s thesis. Pietersburg: University of the North.

Nemukongwe, Mukondeleli Martha 1995. Naming practices in N.A. Milubi's drama: Mukosi wa lufu. Unpublished master’s thesis. Pretoria: Vista University.

Nepgen, Rosa 1970. Oor boeke ('n Skip is Ons Beloof deur George Louw en Nag van Legio deur P.G. du Plessis. Huisgenoot, 42(2523):66-67. August 7.

Nevin, Thomas A. 1996. African Story Theatre: A Collection of Dramatised Folk-tales.Stories as told by Thomas A. Nevin ; adapted by Nerissa Phillips and Gcina Mhlophe ; with additional activities by André Lemmer. Johannesburg: Heinemann.

New and vital theatre. 1941. Forum, 4(18):12.

New approach to cultural life. 1963. South African Panorama, 8(4) 32-35.

The new Secunda Theatre. 1986. Scenaria, (68):9-10.

A new wave of cultural energy: Black theatre in South Africa. 1978. Theatre Quarterly, 7(28): 57-63.

Newstok, S.L. 2009. "Why Macbeth?": looking back on Umabatha after forty years: an Interview with Welcome Msomi. Shakespeare In Southern Africa, 21(1):73-80.

Ngaboh-Smart, Francis 1999. The politics of Black identity: Slave Ship and Woza Albert!, Journal of African Cultural Studies, 12(2):167-185.

Ngema, M. 1995. The Best of Mbongeni Ngema: The Man and his Music. Johannesburg: Skotaville Publishers.

Ngwenya, K. 1992. An open house? (Grahamstown Arts Festival) Drum, 4(162):52-53.

Ngwenya, K. 1993. John is a stage talent in his own right : Todd Matshikiza's playwright son comes home. Drum, 26(169):66-67.

Ngwenya, Peter: drama 1991. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 64-65.

Ngcobo, Nhlanhla 1983. Mduduzi Hlope: an analysis of theme in his plays. Reality, 15(6):10-12.

Nichols, L. 1967. Rising star. (Janet Suzman). Fair Lady, 3(4): 16-19. April 19.

Nicholson, Helen 2007. Drama from Slough to Cape Town: creativity and the challenge of global citizenship: Helen Nicholson reflects on issues emerging from a drama partnership between primary schools in Slough and the Cape Flat townships in South Africa. English Drama Media, 8:31.

Nico Malan Opera House, Cape Town. 1971. Public Works, Roads and Transport, 9-23. February.

Nico Malan Theatre. 1978. Scenaria, December/January: 12-14.

Nicolas-Fanourakis, D. 1977. Learning from the theatre: an account of interpersonal contact across the racial divide; with discussion. Speak, 1(1):46-49. December.


Click on the appropriate letters of the alphabet in the sub-list below.

N-Nde Ndl-Nic Nid-Niz Nk-Nz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance