Difference between revisions of "ESAT Bibliography Ndl-Nic"

From ESAT
Jump to navigation Jump to search
(3 intermediate revisions by the same user not shown)
Line 72: Line 72:
 
Ngaboh-Smart, Francis 1999. The politics of Black identity: ''Slave Ship'' and ''[[Woza Albert!]]'', ''Journal of African Cultural Studies'', 12(2):167-185.
 
Ngaboh-Smart, Francis 1999. The politics of Black identity: ''Slave Ship'' and ''[[Woza Albert!]]'', ''Journal of African Cultural Studies'', 12(2):167-185.
  
[[Mbongeni Ngema|Ngema, M.]] 1995. ''The Best of Mbongeni Ngema: The Man and his Music''. Johannesburg: Skotaville.
+
[[Mbongeni Ngema|Ngema, M.]] 1995. ''The Best of Mbongeni Ngema: The Man and his Music''. Johannesburg: [[Skotaville Publishers]].
  
[[K. Ngwenya|Ngwenya, K.]] 1992. An open house? ([[National Arts Festival|Grahamstown Arts Festival]]) ''Drum'', 4(162):52-53.
+
[[Kaiser Ngwenya|Ngwenya, K.]] 1992. An open house? ([[National Arts Festival|Grahamstown Arts Festival]]) ''[[Drum]]'', 4(162):52-53.
  
[[K. Ngwenya|Ngwenya, K.]] 1993. [[John Matshikiza|John]] is a stage talent in his own right : Todd Matshikiza's playwright son comes home. ''Drum'', 26(169):66-67.
+
[[Kaiser Ngwenya|Ngwenya, K.]] 1993. [[John Matshikiza|John]] is a stage talent in his own right : Todd Matshikiza's playwright son comes home. ''[[Drum]]'', 26(169):66-67.
  
 
[[Nhlanhla Ngcobo|Ngcobo, Nhlanhla]] 1983. [[Mduduzi Hlope]]: an analysis of theme in his plays. ''Reality'', 15(6):10-12.
 
[[Nhlanhla Ngcobo|Ngcobo, Nhlanhla]] 1983. [[Mduduzi Hlope]]: an analysis of theme in his plays. ''Reality'', 15(6):10-12.
Line 88: Line 88:
 
[[Nico Malan Theatre]]. 1978. ''[[Scenaria]]'', December/January: 12-14.
 
[[Nico Malan Theatre]]. 1978. ''[[Scenaria]]'', December/January: 12-14.
  
[[D. Nicolas-Fanourakis|Nicolas-Fanourakis, D.]] 1977. Learning from the theatre: an account of interpersonal contact across the racial divide; with discussion. ''Speak'', 1(1):46-49. December.
+
[[Dimitri Nicolas-Fanourakis|Nicolas-Fanourakis, D.]] 1977. Learning from the theatre: an account of interpersonal contact across the racial divide; with discussion. ''[[Speak]]'', 1(1):46-49. December.
  
  

Revision as of 11:23, 10 January 2019

Click on the appropriate letters of the alphabet in the sub-list below.

N-Nde Ndl-Nic Nid-Niz Nk-Nz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Ndlovu, Duma (ed.). 1986. Woza Afrika: An Anthology of South African Plays. New York: George Braziller.

Ndove, Mkhancane Daniel 2005. Semiotics as a medium to convey the philosophy and psychology of evil in the Xitsonga translation of Macbeth. Unpublished master’s thesis. Pretoria: University of South Africa.

Nebe, Warren 1991. A critical analysis of the teaching technique role play, with particular reference to educational drama. Unpublished master’s thesis. Cape Town: University of Cape Town.

Neethling, Miemie 2000. To fund or not to fund: Standard Bank National Arts Festival 2000. South African Theatre Journal, 14:202-217.

Neethling, Miemie 2002. Cape curtains: a study of selected Cape Town theatres, 1843-1916. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Neethling-Pohl, Anna 1940. Wenke by ‘n opvoering. Huisgenoot, 24(938):35. Maart 15.

Neethling-Pohl, Anna 1943. Mathilde Hanekom. Huisgenoot, 28(1120):29. September 10.

Neethling-Pohl, Anna 1945. 'n Lansie-breek vir die amateur! Filma, 2(6):9,25-26.

Neethling-Pohl, Anna 1948. Dankwoord en ‘n belydenis uitgespreek by die ontvangs van die erepenning vir toneelspel van die Akademie op 3 Julie 1948. Tydskrif vir Wetenskap en Kuns, 8(2):29-31.

Neethling-Pohl, Anna 1961. ’n Pelgrim, in Van Schoor, A.M. (red) Huguenet ‘n pionier!. Johannesburg: Afrikaanse Pers-Boekhandel: 131-142.

Neethling-Pohl, Anna 1974. Dankbaar Die Uwe. Kaapstad: Human & Rousseau.

Nel, Dayne Elizabeth 2012. Order through improvisation : engaging the choreographic environment. Unpublished master's thesis. Stellenbosch : Stellenbosch University.

Nel, Fred 1970. Drama by die Drama-departement. Stellenbosse Student. 157.

Nel, Frederik Jacobus 1972. Die Kaapstadse Afrikaanse Toneelvereniging, 1934-1962. Unpublished master’s thesis. Stellenbosch:University of Stellenbosch.

Nel, Jan H. 1993. Safety in the theatre: a South African dilemma. South African Theatre Journal, 7(2):41-53.

Nel, Maryke 2011. Die aard en funksie van Afrikaanse kabaret en enkele aanverwante vorme. Unpublished master's thesis. Stellenbosch : University of Stellenbosch.

Nel, R. 2007. “Die Here is my business partner”: praat met Alvin Bruinders. Sarie, 14(5):70-72, 74.

Nelson, Amanda J. 2000. Performing for the Empire: Victorian women on stage for the South of Africa. Unpublished doctoral dissertation. Tufts University.

Nell, Johann 1944. Establishment of a really national theatre. Outspan. 35(892):21.

Nell, L. 1981. Performing arts. My Career, 32:67-72.

Neluvhalani, Matshikhiri Christopher 1992 The teaching of Luvenda drama in the senior secondary with special reference to Venda schools in the Northern Transvaal. Unpublished master’s thesis. Pietersburg: University of the North.

Nemukongwe, Mukondeleli Martha 1995. Naming practices in N.A. Milubi's drama: Mukosi wa lufu. Unpublished master’s thesis. Pretoria: Vista University.

Nepgen, Rosa 1970. Oor boeke ('n Skip is Ons Beloof deur George Louw en Nag van Legio deur P.G. du Plessis. Huisgenoot, 42(2523):66-67. August 7.

Nevin, Thomas A. 1996. African Story Theatre: A Collection of Dramatised Folk-tales.Stories as told by Thomas A. Nevin ; adapted by Nerissa Phillips and Gcina Mhlophe ; with additional activities by André Lemmer. Johannesburg: Heinemann.

New and vital theatre. 1941. Forum, 4(18):12.

New approach to cultural life. 1963. South African Panorama, 8(4) 32-35.

The new Secunda Theatre. 1986. Scenaria, (68):9-10.

A new wave of cultural energy: Black theatre in South Africa. 1978. Theatre Quarterly, 7(28): 57-63.

Newstok, S.L. 2009. "Why Macbeth?": looking back on Umabatha after forty years: an Interview with Welcome Msomi. Shakespeare In Southern Africa, 21(1):73-80.

Ngaboh-Smart, Francis 1999. The politics of Black identity: Slave Ship and Woza Albert!, Journal of African Cultural Studies, 12(2):167-185.

Ngema, M. 1995. The Best of Mbongeni Ngema: The Man and his Music. Johannesburg: Skotaville Publishers.

Ngwenya, K. 1992. An open house? (Grahamstown Arts Festival) Drum, 4(162):52-53.

Ngwenya, K. 1993. John is a stage talent in his own right : Todd Matshikiza's playwright son comes home. Drum, 26(169):66-67.

Ngcobo, Nhlanhla 1983. Mduduzi Hlope: an analysis of theme in his plays. Reality, 15(6):10-12.

Nichols, L. 1967. Rising star. (Janet Suzman). Fair Lady, 3(4): 16-19. April 19.

Nicholson, Helen 2007. Drama from Slough to Cape Town: creativity and the challenge of global citizenship: Helen Nicholson reflects on issues emerging from a drama partnership between primary schools in Slough and the Cape Flat townships in South Africa. English Drama Media, 8:31.

Nico Malan Opera House, Cape Town. 1971. Public Works, Roads and Transport, 9-23. February.

Nico Malan Theatre. 1978. Scenaria, December/January: 12-14.

Nicolas-Fanourakis, D. 1977. Learning from the theatre: an account of interpersonal contact across the racial divide; with discussion. Speak, 1(1):46-49. December.


Click on the appropriate letters of the alphabet in the sub-list below.

N-Nde Ndl-Nic Nid-Niz Nk-Nz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance