Difference between revisions of "ESAT Bibliography Mpa-Mz"

From ESAT
Jump to navigation Jump to search
(Created page with "Click on the appropriate letters of the alphabet in the sub-list below. Ma-Mal Mam-Mar [[ESAT Bibliography Mas-Mcl|Ma...")
 
Line 9: Line 9:
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
 +
 +
 +
Mpe P. 1999. Sol Plaatje, Orality and the Politics of Cultural Representation. Current Writing: Text and Reception in Southern Africa [serial online]. October
 +
1999;11(2):75-91.
 +
 +
Mpofu, Bekizulu. 1996. Hams cooked our goose: Ngema picks up the Sarafina pieces. In: Saturday Independent, December 7, 1996: 6.
 +
 +
Mseleku, Sipho Goodenough 1996. Tragic insight in L L J Mncwango's plays.
 +
Vista University. (M.A. thesis).
 +
 +
Mtuze, P. 1990. Mdledle’s Xhosa translation of Julius Caesar. Shakespeare in Southern Africa, 4(1): 65-72.
 +
 +
MUDIMBE, V.  1988.  The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge.  Bloomington and Indianapolis: Indiana University Press.
 +
 +
Müller, Heiner 1987. The wounded Woyzeck. Performing arts journal, 10(3) : 73-75.
 +
 +
Muller, Braam. 1997.  Vrugte in die Vrystaat. Insig, 08/97: 17.
 +
 +
Muller, Carol 1994. Nazirite women, ritual performance, and the construction of cultural truth and power. Current wrting, 6(2): 127-138.
 +
 +
Muller, H. 2007. Daaling, my tee’s bitter: Huisgenoot-joernalis neem roerend afskeid van Taliep Petersen: huldeblyk. Huisgenoot, 33(499): 20-21. January 4.
 +
 +
Muller, H. 2009. Talent op ‘n kruispad. Huisgenoot, (654):  118-119. December 24.
 +
 +
Muller, M. 1987. Germanicus. Klasgids, 22(1): 43-57. February.
 +
 +
Muller, Martie 1990. Uys Krige se Ryk weduwee. Tydskrif vir letterkunde, 28(4): 118-137.
 +
 +
Muller, R.P. 1981. Improvisasie tot opvoering : 'n beskouing met spesiale verwysing na die kind. Pretoria: Universiteit van Pretoria. (MA thesis).
 +
 +
Muller, R.P. & De Kock, D.M. 1997. Moving forward looking back: discovering the hidden potential of drama in education. South African journal of higher education, 11(2): 28-34.
 +
Muller, R.P. & De Kock, D.M. 2001. Educating facilitators of an authentic learning approach. South African journal of higher education, 15(1): 205-216.
 +
 +
Munro, A. 1984. Semiotics : a methodology of drama and theatre analysis, or, The whole wolrd’s a semiotic stage. Teaterforum, 5(2) : 8-32.
 +
 +
Munro, Allan John 1998. Ambiguity and deception in the covert texts of South African theatre, 1976-1996. Ohio State University. (Ph.D. thesis).
 +
 +
Munro, M. 1982. Some aspects of visual codes in Fugard. English in Africa, 9(2): 13-25.
 +
.
 +
Munro, Marth 2001.  Towards demystifying voice-building in the next millennium. South African Theatre Journal, 15:107-118
 +
 +
Munro, Marth & Coetzee, Marié-Heleen 2007. Mind the gap: beyond whole-brain learning. South African theatre journal, 21:92-108. OBE, SA, Drama depts
 +
 +
Munro, Marth, Pretorius, Mariana & Munro, Allan 2008. Creativity, emotional intelligence and emotional creativity in student actors: a pilot study. South African theatre journal, 22: 44-61.
 +
 +
Munro, Martha Maria Susanna  1993. 'n Inleiding tot stemproduksie in die teater : die wetenskap van projeksie. Potchefstroom: Potchefstroomse Universiteit vir Christelike Ho?r Onderwys. (M.A. (Toneelpraktyk) thesis),
 +
 +
Munro, Nan 1946. Theatre and education for leisure. Tramsvaal education news. 42(4): 20-21.
 +
 +
Murray and Stewart’s brilliant management coup. 1971. Business South Africa, 6(3): 35-37. March.
 +
 +
Musiker, Reuben & Musiker, Naomi 2006. Percy Baneshik: doyen of theatre journalists and broadcasters. Jewish affairs, 61(4): 79-80.
 +
 +
MUTLAOTSE, MOTHOBI. 1981. Reconstruction: 90 Years of Black  Historical Literature. Johannesburg: Ravan Press.
 +
 +
MUTWA, CREDO.  1974/5.  Umlinganiso…the Living Imitation.  In: S’ketsh.  Johannesburg: 30 – 32.
 +
 +
Mutwa, Credo V. 1981. uNosilimela, in Kavanagh, Robert Mshengu (ed.) 1981. South African people's plays. London: Heinemann. 2-4.
 +
 +
My ‘miracle’ stage role [Fiona Fraser]. 1961. Personality, 37-41. May 4.
 +
 +
Mynhardt, S. 1951. Kontak met die gehoor. Huisgenoot, 36(1541): 19. October 5.
 +
 +
Mynhardt, S. 1958. Geloofsbelydenis van ‘n toneelspeler. Tydskrif vir wetenskap en kuns, 18(1): 14-16.
  
  

Revision as of 14:23, 3 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Mpe P. 1999. Sol Plaatje, Orality and the Politics of Cultural Representation. Current Writing: Text and Reception in Southern Africa [serial online]. October 1999;11(2):75-91.

Mpofu, Bekizulu. 1996. Hams cooked our goose: Ngema picks up the Sarafina pieces. In: Saturday Independent, December 7, 1996: 6.

Mseleku, Sipho Goodenough 1996. Tragic insight in L L J Mncwango's plays. Vista University. (M.A. thesis).

Mtuze, P. 1990. Mdledle’s Xhosa translation of Julius Caesar. Shakespeare in Southern Africa, 4(1): 65-72.

MUDIMBE, V. 1988. The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge. Bloomington and Indianapolis: Indiana University Press.

Müller, Heiner 1987. The wounded Woyzeck. Performing arts journal, 10(3) : 73-75.

Muller, Braam. 1997. Vrugte in die Vrystaat. Insig, 08/97: 17.

Muller, Carol 1994. Nazirite women, ritual performance, and the construction of cultural truth and power. Current wrting, 6(2): 127-138.

Muller, H. 2007. Daaling, my tee’s bitter: Huisgenoot-joernalis neem roerend afskeid van Taliep Petersen: huldeblyk. Huisgenoot, 33(499): 20-21. January 4.

Muller, H. 2009. Talent op ‘n kruispad. Huisgenoot, (654): 118-119. December 24.

Muller, M. 1987. Germanicus. Klasgids, 22(1): 43-57. February.

Muller, Martie 1990. Uys Krige se Ryk weduwee. Tydskrif vir letterkunde, 28(4): 118-137.

Muller, R.P. 1981. Improvisasie tot opvoering : 'n beskouing met spesiale verwysing na die kind. Pretoria: Universiteit van Pretoria. (MA thesis).

Muller, R.P. & De Kock, D.M. 1997. Moving forward looking back: discovering the hidden potential of drama in education. South African journal of higher education, 11(2): 28-34. Muller, R.P. & De Kock, D.M. 2001. Educating facilitators of an authentic learning approach. South African journal of higher education, 15(1): 205-216.

Munro, A. 1984. Semiotics : a methodology of drama and theatre analysis, or, The whole wolrd’s a semiotic stage. Teaterforum, 5(2) : 8-32.

Munro, Allan John 1998. Ambiguity and deception in the covert texts of South African theatre, 1976-1996. Ohio State University. (Ph.D. thesis).

Munro, M. 1982. Some aspects of visual codes in Fugard. English in Africa, 9(2): 13-25. . Munro, Marth 2001. Towards demystifying voice-building in the next millennium. South African Theatre Journal, 15:107-118

Munro, Marth & Coetzee, Marié-Heleen 2007. Mind the gap: beyond whole-brain learning. South African theatre journal, 21:92-108. OBE, SA, Drama depts

Munro, Marth, Pretorius, Mariana & Munro, Allan 2008. Creativity, emotional intelligence and emotional creativity in student actors: a pilot study. South African theatre journal, 22: 44-61.

Munro, Martha Maria Susanna 1993. 'n Inleiding tot stemproduksie in die teater : die wetenskap van projeksie. Potchefstroom: Potchefstroomse Universiteit vir Christelike Ho?r Onderwys. (M.A. (Toneelpraktyk) thesis),

Munro, Nan 1946. Theatre and education for leisure. Tramsvaal education news. 42(4): 20-21.

Murray and Stewart’s brilliant management coup. 1971. Business South Africa, 6(3): 35-37. March.

Musiker, Reuben & Musiker, Naomi 2006. Percy Baneshik: doyen of theatre journalists and broadcasters. Jewish affairs, 61(4): 79-80.

MUTLAOTSE, MOTHOBI. 1981. Reconstruction: 90 Years of Black Historical Literature. Johannesburg: Ravan Press.

MUTWA, CREDO. 1974/5. Umlinganiso…the Living Imitation. In: S’ketsh. Johannesburg: 30 – 32.

Mutwa, Credo V. 1981. uNosilimela, in Kavanagh, Robert Mshengu (ed.) 1981. South African people's plays. London: Heinemann. 2-4.

My ‘miracle’ stage role [Fiona Fraser]. 1961. Personality, 37-41. May 4.

Mynhardt, S. 1951. Kontak met die gehoor. Huisgenoot, 36(1541): 19. October 5.

Mynhardt, S. 1958. Geloofsbelydenis van ‘n toneelspeler. Tydskrif vir wetenskap en kuns, 18(1): 14-16.


Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance