Difference between revisions of "ESAT Bibliography Mou-Moz"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
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| + | Mouijk (Pseud.) 1945. Children’s theatre. Transvaal educational news. 41(5): 17. | ||
| + | Moulton, S. 1982. Durban’s passion play. South African panorama, 27(8): 18-19. | ||
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| + | Mouton, F.A. 2006. Voetligte & applous: die beginjare van die Afrikaanse beroepstoneel, D. Botha: boekresensie. Kleio, 38(2): 207-208. | ||
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| + | Mouton, K. 1982. Voorbereiding vir die vertolkingsaksie: herskep deur herskepping. Teaterforum, 3(1): 26-41. …Bespreking 3(1); 95-97. | ||
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| + | Mouton Marisa 1986. Fiksionaliteit in die dramawereld. Literator, 7(3) : 39-51. | ||
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| + | Mouton, Marisa. 1986. Gehoordeelname en die deurbreking van die teaterillusie. Acta academica, Nuwe reeks B (3) : 51-66. | ||
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| + | Mouton, Marisa 1987. Tyd in die dramateks en in die opvoering. Tydskrif vir literatuurwetenskap, 3(4): 14-22. | ||
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| + | Mouton, Marisa 1988a. ’n Bespreking van enkele aspekte in Pieter Fourie se Ek, Anna van Wyk. Literator, 9(1): 14-28. | ||
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| + | Mouton, Marisa 1988b. Dramateorie vandag: die bydrae van die drama- en teatersemiotiek. Potchefstroom: Potchefstroomse Universiteit vir C.H.O. (D.Phil. thesis). | ||
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| + | Mouton, Marisa 1988c. Die rol en funksie van die didaskalia in Reza de Wet se Diepe Grond. Literator, 9(2): 29-49. August. | ||
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| + | Mouton, Marisa 1989. Dramateorie vandag :die bydrae van die drama- en teatersemiotiek. Potchefstroom: Departement Sentrale Publikasies P.U . vir C.H.O. | ||
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| + | Moyo, Awelani Lena 2008. Negotiating migrant identities : foreign bodies, synbolic journeys and (sub)liminal landscapes in Composition Z – The House of Stone. South African theatre journal, 22: 84-101. | ||
Revision as of 14:22, 3 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Mouijk (Pseud.) 1945. Children’s theatre. Transvaal educational news. 41(5): 17. Moulton, S. 1982. Durban’s passion play. South African panorama, 27(8): 18-19.
Mouton, F.A. 2006. Voetligte & applous: die beginjare van die Afrikaanse beroepstoneel, D. Botha: boekresensie. Kleio, 38(2): 207-208.
Mouton, K. 1982. Voorbereiding vir die vertolkingsaksie: herskep deur herskepping. Teaterforum, 3(1): 26-41. …Bespreking 3(1); 95-97.
Mouton Marisa 1986. Fiksionaliteit in die dramawereld. Literator, 7(3) : 39-51.
Mouton, Marisa. 1986. Gehoordeelname en die deurbreking van die teaterillusie. Acta academica, Nuwe reeks B (3) : 51-66.
Mouton, Marisa 1987. Tyd in die dramateks en in die opvoering. Tydskrif vir literatuurwetenskap, 3(4): 14-22.
Mouton, Marisa 1988a. ’n Bespreking van enkele aspekte in Pieter Fourie se Ek, Anna van Wyk. Literator, 9(1): 14-28.
Mouton, Marisa 1988b. Dramateorie vandag: die bydrae van die drama- en teatersemiotiek. Potchefstroom: Potchefstroomse Universiteit vir C.H.O. (D.Phil. thesis).
Mouton, Marisa 1988c. Die rol en funksie van die didaskalia in Reza de Wet se Diepe Grond. Literator, 9(2): 29-49. August.
Mouton, Marisa 1989. Dramateorie vandag :die bydrae van die drama- en teatersemiotiek. Potchefstroom: Departement Sentrale Publikasies P.U . vir C.H.O.
Moyo, Awelani Lena 2008. Negotiating migrant identities : foreign bodies, synbolic journeys and (sub)liminal landscapes in Composition Z – The House of Stone. South African theatre journal, 22: 84-101.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
