Difference between revisions of "ESAT Bibliography Met-Miz"
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[[Petrovna Metelerkamp|Metelerkamp, Petrovna]] 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. ''Insig'', 06/94:29. | [[Petrovna Metelerkamp|Metelerkamp, Petrovna]] 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. ''Insig'', 06/94:29. | ||
| − | Mev D.F. Malan open die [[Nasionale Toneelorganisasie|N.T.O.]] se [[Van Riebeeck-toneelfees]]. 1952. ''Helikon'', 1(5):108-111. 30 June. | + | Mev D.F. Malan open die [[Nasionale Toneelorganisasie|N.T.O.]] se [[Van Riebeeck Fees|Van Riebeeck-toneelfees]]. 1952. ''Helikon'', 1(5):108-111. 30 June. |
[[J. Meyer|Meyer, J.]] 1975a. ''[[Germanicus]]'' daad en ondaad. [Literary criticism]. ''Klasgids'', 10(3):5-12. November. | [[J. Meyer|Meyer, J.]] 1975a. ''[[Germanicus]]'' daad en ondaad. [Literary criticism]. ''Klasgids'', 10(3):5-12. November. | ||
| − | [[J. Meyer|Meyer, J.]] 1975b. Terugkerende motiewe in ''[[Putsonderwater]]'' [deur] [[ | + | [[J. Meyer|Meyer, J.]] 1975b. Terugkerende motiewe in ''[[Putsonderwater]]'' [deur] [[Bartho Smit]]. [Literary criticism]. ''Klasgids'', 10(3):54-59. November. |
| − | [[J. Meyer|Meyer, J.]] 1984. Dwaaldrif: ontmoeting met drama in ''[[Ontmoeting by Dwaaldrif]]'' ([[ | + | [[J. Meyer|Meyer, J.]] 1984. Dwaaldrif: ontmoeting met drama in ''[[Ontmoeting by Dwaaldrif]]'' ([[Henriëtte Grové]]). ''Klasgids'', 19(1):29-36. |
[[Margit Meyer-Rödenbeck|Meyer-Rödenbeck, Margit]] 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | [[Margit Meyer-Rödenbeck|Meyer-Rödenbeck, Margit]] 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | ||
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[[Henry Miles|Miles, Henry]] 1947. Awakening of South African theatre. ''Outspan'', 41(1050):25. April 11. | [[Henry Miles|Miles, Henry]] 1947. Awakening of South African theatre. ''Outspan'', 41(1050):25. April 11. | ||
| − | [[G. Millar|Millar, G.]] 1976. At home in Rome. ([[ | + | [[G. Millar|Millar, G.]] 1976. At home in Rome. ([[Berdine Groenewald]]). ''Fair Lady'', 12(1):72-75. March 31. |
[[Mervyn Millar|Millar, Mervyn]] 2006. ''Journey of the Tall Horse: A Story of African Theatre''. London: Oberon Books. | [[Mervyn Millar|Millar, Mervyn]] 2006. ''Journey of the Tall Horse: A Story of African Theatre''. London: Oberon Books. | ||
| Line 38: | Line 38: | ||
[[Liz Mills|Mills, Elizabeth Catherine]] 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University. | [[Liz Mills|Mills, Elizabeth Catherine]] 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University. | ||
| − | [[Liz Mills|Mills, Liz]] 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. ''South African Theatre Journal'', 21:245-350. | + | [[Liz Mills|Mills, Liz]] 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. ''[[South African Theatre Journal]]'', 21:245-350. |
| − | [[Liz Mills|Mills, Liz]] 2009. Theatre voice: practice, performance and cultural identity. ''South African Theatre Journal'', 23:84-93. | + | [[Liz Mills|Mills, Liz]] 2009. Theatre voice: practice, performance and cultural identity. ''[[South African Theatre Journal]]'', 23:84-93. |
| − | [[L.C. Minnaar|Minnaar, L.C.]] 1956. [[ | + | [[L.C. Minnaar|Minnaar, L.C.]] 1956. [[J.F.W. Grosskopf]] as dramaturg. . Unpublished master’s thesis. Pretoria: University of South Africa. |
| − | [[Anna Minnaar-Vos|Minnaar-Vos, Anna]] 1969. ''Die Spel Gaan Voort: Die Verhaal van [[Hanekom | + | [[Anna Minnaar-Vos|Minnaar-Vos, Anna]] 1969. ''Die Spel Gaan Voort: Die Verhaal van [[Hendrik Hanekom|Hendrik]] en [[Mathilde Hanekom]]''. Kaapstad: Tafelberg. |
[[F. Mitchell|Mitchell, F.]] 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. ''Teaterforum'', 5(2):83-98. | [[F. Mitchell|Mitchell, F.]] 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. ''Teaterforum'', 5(2):83-98. | ||
| − | [[Julian Mitchell|Mitchell, Julian]] 1976. [[ | + | [[Julian Mitchell|Mitchell, Julian]] 1976. [[Athol Fugard]] in London, in Jones, Eldred Durosimi (ed.). ''African Literature Today: A Review''. London: Heinemann. 130-137. |
Revision as of 10:08, 14 March 2011
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Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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Metelerkamp, Petrovna 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. Insig, 06/94:29.
Mev D.F. Malan open die N.T.O. se Van Riebeeck-toneelfees. 1952. Helikon, 1(5):108-111. 30 June.
Meyer, J. 1975a. Germanicus daad en ondaad. [Literary criticism]. Klasgids, 10(3):5-12. November.
Meyer, J. 1975b. Terugkerende motiewe in Putsonderwater [deur] Bartho Smit. [Literary criticism]. Klasgids, 10(3):54-59. November.
Meyer, J. 1984. Dwaaldrif: ontmoeting met drama in Ontmoeting by Dwaaldrif (Henriëtte Grové). Klasgids, 19(1):29-36.
Meyer-Rödenbeck, Margit 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Mezzabotta, Margaret R. 1996. Greek tragedy for drama students: a practical approach. Akroterion, 31(1):22-25.
Mezzabotta, Margaret R. 1999. Ancient Greek drama in the new South Africa. [Online].Available: http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm
Miles, Henry 1947. Awakening of South African theatre. Outspan, 41(1050):25. April 11.
Millar, G. 1976. At home in Rome. (Berdine Groenewald). Fair Lady, 12(1):72-75. March 31.
Millar, Mervyn 2006. Journey of the Tall Horse: A Story of African Theatre. London: Oberon Books.
Mills, J. 1974. Taste of honey for Joe and Di. Personality, 80-83. March 8.
Mills, Elizabeth Catherine 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University.
Mills, Liz 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. South African Theatre Journal, 21:245-350.
Mills, Liz 2009. Theatre voice: practice, performance and cultural identity. South African Theatre Journal, 23:84-93.
Minnaar, L.C. 1956. J.F.W. Grosskopf as dramaturg. . Unpublished master’s thesis. Pretoria: University of South Africa.
Minnaar-Vos, Anna 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg.
Mitchell, F. 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. Teaterforum, 5(2):83-98.
Mitchell, Julian 1976. Athol Fugard in London, in Jones, Eldred Durosimi (ed.). African Literature Today: A Review. London: Heinemann. 130-137.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
