Difference between revisions of "ESAT Bibliography Met-Miz"
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| − | Click on the appropriate letters of the alphabet in the sub-list | + | Click on the appropriate letters of the alphabet in the sub-list below. |
[[ESAT Bibliography Maa-Mal|Maa-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]] | [[ESAT Bibliography Maa-Mal|Maa-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]] | ||
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[[J. Meyer|Meyer, J.]] 1975b. Terugkerende motiewe in ''[[Putsonderwater]]'' [deur] [[Bartho Smit]]. [Literary criticism]. ''Klasgids'', 10(3):54-59. November. | [[J. Meyer|Meyer, J.]] 1975b. Terugkerende motiewe in ''[[Putsonderwater]]'' [deur] [[Bartho Smit]]. [Literary criticism]. ''Klasgids'', 10(3):54-59. November. | ||
| − | [[J. Meyer|Meyer, J.]] 1984. Dwaaldrif: ontmoeting met drama in ''[[Ontmoeting by Dwaaldrif]]'' ([[Henriëtte Grové]]). ''Klasgids'', 19(1):29-36. | + | [[J. Meyer|Meyer, J.]] 1984. Dwaaldrif: ontmoeting met drama in ''[[Ontmoeting by Dwaaldrif]]'' ([[Henriette Grové|Henriëtte Grové]]). ''Klasgids'', 19(1):29-36. |
[[Margit Meyer-Rödenbeck|Meyer-Rödenbeck, Margit]] 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | [[Margit Meyer-Rödenbeck|Meyer-Rödenbeck, Margit]] 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | ||
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[[Margarter R. Mezzabotta|Mezzabotta, Margaret R.]] 1999. Ancient Greek drama in the new South Africa. [Online].Available: http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm | [[Margarter R. Mezzabotta|Mezzabotta, Margaret R.]] 1999. Ancient Greek drama in the new South Africa. [Online].Available: http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm | ||
| − | Midgley, Peter 2000. [[Sol T. Plaatje]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 346-357. | + | [[Martin Middeke|Middeke, Martin]], [[Peter Paul Schnierer|Schnierer, Peter Paul]] and [[Greg Homann|Homann, Greg]] (editors). 2015. ''[[The Methuen Drama Guide to Contemporary South African Theatre]]''. London: Bloomsbury Publishing. |
| + | |||
| + | [[Peter Midgley|Midgley, Peter]] 2000. [[Sol T. Plaatje]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 346-357. | ||
[[Henry Miles|Miles, Henry]] 1947. Awakening of South African theatre. ''Outspan'', 41(1050):25. April 11. | [[Henry Miles|Miles, Henry]] 1947. Awakening of South African theatre. ''Outspan'', 41(1050):25. April 11. | ||
| − | [[G. Millar|Millar, G.]] 1976. At home in Rome. ([[Berdine | + | [[G. Millar|Millar, G.]] 1976. At home in Rome. ([[Berdine Grünewald]]). ''Fair Lady'', 12(1):72-75. March 31. |
[[Mervyn Millar|Millar, Mervyn]] 2006. ''Journey of the Tall Horse: A Story of African Theatre''. London: Oberon Books. | [[Mervyn Millar|Millar, Mervyn]] 2006. ''Journey of the Tall Horse: A Story of African Theatre''. London: Oberon Books. | ||
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[[Liz Mills|Mills, Elizabeth Catherine]] 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University. | [[Liz Mills|Mills, Elizabeth Catherine]] 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University. | ||
| + | |||
| + | [[Liz Mills|Mills, Liz]] 2005. A conversation that is research. ''[[South African Theatre Journal]]'', 19:35-42. | ||
[[Liz Mills|Mills, Liz]] 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. ''[[South African Theatre Journal]]'', 21:245-350. | [[Liz Mills|Mills, Liz]] 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. ''[[South African Theatre Journal]]'', 21:245-350. | ||
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[[Anna Minnaar-Vos|Minnaar-Vos, Anna]] 1969. ''Die Spel Gaan Voort: Die Verhaal van [[Hendrik Hanekom|Hendrik]] en [[Mathilde Hanekom]]''. Kaapstad: Tafelberg. | [[Anna Minnaar-Vos|Minnaar-Vos, Anna]] 1969. ''Die Spel Gaan Voort: Die Verhaal van [[Hendrik Hanekom|Hendrik]] en [[Mathilde Hanekom]]''. Kaapstad: Tafelberg. | ||
| − | [[ | + | [[Marise Mishan|Mishan, Marise]] and [[Anthony Prangley|Prangley, Anthony]] 2014. Barriers to inter-organisational collaboration amongst performing arts organisations in South Africa. ''[[South African Theatre Journal]]'', 27(2):125-146. |
| + | |||
| + | [[Floss Mitchell|Mitchell, Floss]] 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. ''[[Teaterforum]]'', 5(2):83-98. | ||
[[Julian Mitchell|Mitchell, Julian]] 1976. [[Athol Fugard]] in London, in Jones, Eldred Durosimi (ed.). ''African Literature Today: A Review''. London: Heinemann. 130-137. | [[Julian Mitchell|Mitchell, Julian]] 1976. [[Athol Fugard]] in London, in Jones, Eldred Durosimi (ed.). ''African Literature Today: A Review''. London: Heinemann. 130-137. | ||
Latest revision as of 15:54, 22 May 2017
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Metelerkamp, Petrovna 1994. Afrikaner-goed nie goed genoeg vir Afrikaans nie. Insig, 06/94:29.
Mev D.F. Malan open die N.T.O. se Van Riebeeck-toneelfees. 1952. Helikon, 1(5):108-111. 30 June.
Meyer, J. 1975a. Germanicus daad en ondaad. [Literary criticism]. Klasgids, 10(3):5-12. November.
Meyer, J. 1975b. Terugkerende motiewe in Putsonderwater [deur] Bartho Smit. [Literary criticism]. Klasgids, 10(3):54-59. November.
Meyer, J. 1984. Dwaaldrif: ontmoeting met drama in Ontmoeting by Dwaaldrif (Henriëtte Grové). Klasgids, 19(1):29-36.
Meyer-Rödenbeck, Margit 1998. ‘n Onafhanklike teateronderneming: beginsels en toepassings. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Mezzabotta, Margaret R. 1996. Greek tragedy for drama students: a practical approach. Akroterion, 31(1):22-25.
Mezzabotta, Margaret R. 1999. Ancient Greek drama in the new South Africa. [Online].Available: http://www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/mezza.htm
Middeke, Martin, Schnierer, Peter Paul and Homann, Greg (editors). 2015. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.
Midgley, Peter 2000. Sol T. Plaatje, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 346-357.
Miles, Henry 1947. Awakening of South African theatre. Outspan, 41(1050):25. April 11.
Millar, G. 1976. At home in Rome. (Berdine Grünewald). Fair Lady, 12(1):72-75. March 31.
Millar, Mervyn 2006. Journey of the Tall Horse: A Story of African Theatre. London: Oberon Books.
Mills, J. 1974. Taste of honey for Joe and Di. Personality, 80-83. March 8.
Mills, Elizabeth Catherine 2000. Theatre voice as metaphor : the advocacy of a praxis based on the centrality of voice to performance. Unpublished master’s thesis. Grahamstown: Rhodes University.
Mills, Liz 2005. A conversation that is research. South African Theatre Journal, 19:35-42.
Mills, Liz 2007. Dramatic Learning Spaces Conference: African performance practice – research in action. 22-25 September 2006. South African Theatre Journal, 21:245-350.
Mills, Liz 2009. Theatre voice: practice, performance and cultural identity. South African Theatre Journal, 23:84-93.
Minnaar, L.C. 1956. J.F.W. Grosskopf as dramaturg. . Unpublished master’s thesis. Pretoria: University of South Africa.
Minnaar-Vos, Anna 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg.
Mishan, Marise and Prangley, Anthony 2014. Barriers to inter-organisational collaboration amongst performing arts organisations in South Africa. South African Theatre Journal, 27(2):125-146.
Mitchell, Floss 1984. Play’s the thing: thoughts on the methodology of educational drama and its place in South Africa today. Teaterforum, 5(2):83-98.
Mitchell, Julian 1976. Athol Fugard in London, in Jones, Eldred Durosimi (ed.). African Literature Today: A Review. London: Heinemann. 130-137.
Mitchell, M. 2002. Tales of dragons: a re-evaluation of Athol Fugard’s Dimetos. Journal of Commonwealth Literature, 37(1):57-75.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
