Difference between revisions of "ESAT Bibliography Mam-Mar"
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography | + | [[ESAT Bibliography Maa-Mal|Maa-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
Revision as of 14:45, 20 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Mamana, June 1991. Puppets take up arms against AIDS. American Theatre, 8(4): 44-45.
Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider 3(3): 28-30..
Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37.
Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African theatre journal, 3(1):69-80.
Mann, Bruce & Wright L. 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99.
Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11.
Mannering, Desiree 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Pretoria: University of Pretoria. (MA thesis).
Maphiri, Albina Morakane Bathsheba 1994. Naming plots in drama with reference to the works of R.J.R. Masiea. Pretoria: Vista University. (M.A. thesis).
Maponya, Maishe 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. English Academy Review. 2: 19-32.
Maponya, Maishe 1995. Doing plays for a change. Johannesburg, Witwatersrand University Press.
Maponya, Maishe 1998. Challenges facing theatre practitioners in the new South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 249-256.
Maponya, Maishe 2001. The anatomy of resistance in South African theater. In Enwezor, Okwui (ed.) The short century: independence and liberation movements in Africa, 1945-1994. Munich: Prestel. p. 308-313.
Marais, G.F. 1983. Pluimsaad waai ver (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 21(1): 134-139.
Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African theatre journal, 12(1&2): 11-33.
Maree, G. 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. Anthropology Southern Africa, 26(3/4): 150-158.
[Marié du Toit]. 1968. Personality, 14-18. July 4.
Marius Weyers and South African theatre. 1980. Scenaria, (18): 9-10.
Marks, Jonathan. 1973. Interview with Athol Fugard. Yale / Theatre 4 (1): 64 – 72.
Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A story I am about to tell. South African Theatre Journal, 15:77-106.
Marlin-Curiel, Stephanie 2001. Rave new world: trance-mission, trance-nationalism, and trans-scendence in the ‘new’ South Africa. The Drama Review, 45(3): 149-168.
Marlin-Curiel, Stephanie 2002. The long road to healing: from the TRC to TfD. Theatre Research International, 27: 275-288.
Marneweck, Aja 2004. Maladamatjuate and the theatre of difference: staging the female body in South Africa. Cape Town: University of Cape Town. (M.A. thesis).
Marneweck, Aja 2006. Visual theatre moves out the box: developing puppetry in South Africa. South African Theatre Journal,20: 290-295.
Marquard, Davis 1949. Amateur actors can now go to school in South Africa. Outspan. 45(1171): 29. August 5.
Martin, Bob 2008. Highlights & footlights : a tribute to South African stage and screen / by photographer Bob Martin. Cape Town : Double Storey Books.
Martin, C. (2006) ‘Bodies of Evidence’. TDR: The Drama Review 50:3, pp. 7-15
MARTIN, DENIS-CONSTANT. 1999. Coon Carnival: New Year in Cape Town, Past and Present. Cape Town: David Philip Publishers.
MARTIN, Marilyn. 1995. “The Architecture of William Mitcheson Timlin”. Catalogue: William Mitcheson Timlin (1892-1943). Johannes Stegmann Gallery, University of the Free State.
Marx, L. 1990. Aspects of film and television communication, by Pieter J. Fourie. Reviewed in: South African theatre journal, 4(1):159-167.
Marx, L. 1991. Timeshift: on video culture, by Sean Cubitt. Reviewed in: South African theatre journal, 5(1):117-123.
Marx, L. 1996. Underworld RSA. SATJ 10(2).
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
