Difference between revisions of "ESAT Bibliography Ja-Ji"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
Jack, Mawande. 2003a. Xhosa monarchy up in arms over play: Drama of forbidden love by white producers is ‘disrespectful’. In: City Press, June 8, 2003: 8.
 
  
Jack, Mawande. 2003b. Play that ‘shamed’ Xhosas to be staged. In: City Press, June 22, 2003: 3.
 
  
Jackman, Tony. 1997. Theatre community must use its wit and wile to avoid an unhappy end. In: The Sunday Independent, May 18, 1997: 14.
+
[[JAATS]] het tien suksesvolle jare agter die rug; 1942-1952. ''Helikon'', 1(6):30-34.
  
Jackson, Caroline 1985. South African Zakes Mokae: an actor against all odds. Black masks, 2(2): 2-3. October.  
+
[[Caroline Jackson|Jackson, Caroline]] 1985. South African [[Zakes Mokae]]: an actor against all odds. ''Black Masks'', 2(2):2-3. October.  
  
Jackson, George 1984a. Children’s theatre has come home to Johannesburg again. Scenaria. Johannesburg: 8(46): 17-20.
+
[[George Jackson|Jackson, George]] 1984a. Children’s theatre has come home to Johannesburg again. ''[[Scenaria]]'', 8(46):17-20.
  
Jackson, George 1984b. I overstayed my welcome. Scenaria interviews Maureen MacAllister. Scenaria, (43): 13-15.
+
[[George Jackson|Jackson, George]] 1984b. I overstayed my welcome. Scenaria interviews [[Maureen McAllister]]. ''[[Scenaria]]'', (43):13-15.
  
Jackson, G. 1984. Actors must be exciting. Scenaria, (46) : 29-32.
+
[[George Jackson|Jackson, George]] 1984. Actors must be exciting. ''[[Scenaria]]'', (46):29-32.
  
Jackson, G. 1984. Children’s theatre has come home to Johannesburg again. Scenaria, (4) : 17-20.
+
[[George Jackson|Jackson, George]] 1984. Children’s theatre has come home to Johannesburg again. ''[[Scenaria]]'', (4):17-20.
  
Jackson, G. 1985. Bill Flynn. Scenaria, (50) : 17-20.
+
[[George Jackson|Jackson, George]] 1985. [[Dorothy-Ann Gould]]. ''[[Scenaria]]'', (53):17-21
  
Jackson, G. 1985. Dorothy-Ann Gould. Scenaria, (53) : 17-21
+
[[George Jackson|Jackson, George]] 1985. [[Ian von Memerty]]. ''[[Scenaria]]'', (49):44-45.
  
Jackson, G. 1985. Ian von Memerty. Scenaria, (49): 44-45.
+
[[George Jackson|Jackson, George]] 1985. [[Port Elizabeth Shakespearean Festival]] : 25th anniversary. ''[[Scenaria]]'', (50):28-33.
  
Jackson, G. 1985. Port Elizabeth Shakespearean festival : 25th anniversary. Scenaria, (50): 28-33.
+
[[George Jackson|Jackson, George]] 1985. [[Frantz Dobrowsky]]. ''[[Scenaria]]'', (56):19-23.
  
Jackson, George 1985. Franz Dobrowsky. Scenaria, (56):19-23.
+
[[George Jackson|Jackson, George]] 1985b. Scenaria interviews [[Bill Flynn]]. ''[[Scenaria]]'', (50):17-20.
  
Jackson, George 1985a. The Port Elizabeth Shakespeare festival – 25th anniversary. Scenaria, (50):28-33.
+
[[George Jackson|Jackson, George]] 1985c. Scenaria interviews [[Terence Shank]]. ''[[Scenaria]]'', (57):40-44.
  
Jackson, George 1985b. Scenaria interviews Bill Flynn. Scenaria, (50):17-20.
+
[[George Jackson|Jackson, George]] 1986. [[Ronald Wallace]]. ''[[Scenaria]]'', (69):21-25.
  
Jackson, George 1985c. Scenaria interviews Terence Shank. Scenaria, (57):40-44.
+
[[George Jackson|Jackson, George]] 1987. [[Angus Neill]]. ''[[Scenaria]]'', (81):33-36.
  
Jackson, George 1987. Angus Neill. Scenaria, (81):33-36.
+
[[Jaco Bouwer]]: drama 2008. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 192-193.
  
Jacobs, A. 1977. Theatre technicial. My career, 28:65-66. May.
+
[[A. Jacobs|Jacobs, A.]] 1977. Theatre technicial. ''My Career'', 28:65-66. May.
  
Jacobs, Martha Christina 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa.
+
[[Martha Christina|Jacobs, Martha Christina]] 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa.
  
Jaffer, Kay 1998. Notions of coloured identities in Cape Flats theatre: a look at Taliep Petersen’s District Six – the musical. South African theatre journal,12: 91-107.
+
[[Kay Jaffer|Jaffer, Kay]] 1998. Notions of coloured identities in Cape Flats theatre: a look at [[Taliep Petersen]]’s ''[[District Six – The Musical]]''. ''[[South African Theatre Journal]]'', 12:91-107.
  
Jafta, Dorcas Nompumelelo 1978. A survey of Xhosa drama. Empangeni: University of Zululand. (M.A. thesis).
+
[[Dorcas Nompumelelo Jafta|Jafta, Dorcas Nompumelelo]] 1978. A survey of Xhosa drama. Unpublished master’s thesis. Empangeni: University of Zululand.  
  
Jamal, Ashraf. 2003. Faith in a practical epistemology: on collective creativity in theatre. South African theatre journal, 17: 37-64.
+
[[Ashraf Jamal|Jamal, Ashraf]] 2003. Faith in a practical epistemology: on collective creativity in theatre. ''[[South African Theatre Journal]]'', 17: 37-64.
  
James, Deborah 1994.. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 81-109.
+
[[Ashraf Jamal|Jamal, Ashraf]] 2004. ...nothing is / But what it is not: Macbeth in Africa. ''[[South African Theatre Journal]]'', 18:31-38.
  
James, G. 1987. Othello revisited. Scenaria, (82): 9-10.
+
[[Deborah James|James, Deborah]] 1994. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press''. 81-109.
  
James, Monwabisi Enock 2005. The elements of drama in the traditional practices of ama-Xhosa culture Stellenbosch: University of Stellenbosch. (Long essay for M (Dram))
+
[[G. James|James, G.]] 1987. ''Othello'' revisited. ''[[Scenaria]]'', (82):9-10.
  
Janse van Vuuren, Petro 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. South African theatre journal, 21: 221-240.
+
[[Monwabisi Enock James|James, Monwabisi Enock]] 2005. The elements of drama in the traditional practices of ama-Xhosa culture. Unpublished master’s essay. Stellenbosch: University of Stellenbosch.
  
Janse van Vuuren, Petro 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Durban: University of KwaZulu-Natal. (PhD (Dram) dissertation.)
+
[[Janice Honeyman]]: drama 1982. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 226.
  
Janse van Vuuren, Petro 2009. Between Bluebeard and my brothers report on the African Research Conference in Applied Drama and Theatre, 2008. South African theatre journal, 23: 222-234.
+
[[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2007a. The hero’s thesis, the researcher’s quest exploring the kinds of knowledge gained from process drama workshops. ''[[South African Theatre Journal]]'', 21:221-240.
  
January, C. 1976. Recent courses in drama. [Make-up]. Alpha, 14(7): 8-9.
+
[[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal.
  
January, Cornelius 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. Unpublished master’s thesis. Bellville: University of the Western Cape.
+
[[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. ''[[South African Theatre Journal]]'', 23:222-234.
  
Jamieson, W. 1951. No we do not need national theatre. Outspan, 49(1262): 41. May 4.
+
[[E. Jansen|Jansen, E.]] 1996. ''Open space : six contemporary plays from Africa'', [[Reza de Wet]], [[Zakes Mda]], K. Saro-Wiwa, Rugyendo, Oyono, Al-Hakim. Reviewed in: ''De Kat'', 12(5):93.
  
Jardine, Neil 1979. Drama in education. Scenaria, (11) : 37-38.
+
[[C. January|January, C.]] 1976. Recent courses in drama. [Make-up]. ''Alpha'', 14(7):8-9.
  
Jason, F. 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. Rootz Africa, 20(10): 92-95.
+
[[Cornelius January|January, Cornelius]] 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. Unpublished master’s thesis. Bellville: University of the Western Cape.
  
Jeffery, Robert 2008. New music for Twelfth Night: reconstructing musical associations for the 50th anniversary performance of Shakespeare at Maynardville, Jan  2006. Shakespeare in Southern Africa, 20: 13-23.
+
[[W. Jamieson|Jamieson, W.]] 1951. No we do not need national theatre. ''Outspan'', 49(1262):41. May 4.
  
Jeffrey, Chris 2001. The merchant of Venice at the Tivoli Amphiheatre. Shakespeare in Southern Africa, 13: 104-106.
+
[[Neil Jardine|Jardine, Neil]] 1979. Drama in education. ''[[Scenaria]]'', (11):37-38.
  
Jeffrey, Robert 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to Geoffrey Hyland's production of Twelfth Night, or What You Will, staged at Maynardville Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town.
+
[[F. Jason|Jason, F.]] 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. ''Rootz Africa'', 20(10):92-95.
  
Jenkins, M. 1970. What’s all the drama about? [University of the Witwatersrand, University players]. Personality supplement, 16-17. October 16.
+
[[Chris Jeffrey|Jeffrey, Chris]] 2001. ''The Merchant of Venice'' at the Tivoli Amphiheatre. ''Shakespeare in Southern Africa'', 13:104-106.
  
Jenkins, Marilyn 1979. Dr. P.G. du Plessis. Scenaria, (11): 40-41.
+
[[Robert Jeffrey|Jeffery, Robert]] 2008. New music for ''Twelfth Night'': reconstructing musical associations for the 50th anniversary performance of Shakespeare at [[Maynardville]], January 2006. ''Shakespeare in Southern Africa'', 20:13-23.
  
Jenkins, Marilyn 1981. Robinson Crusoe ‘pantomime pleasures’. Scenaria, (28): 26-27.
+
[[Robert Jeffrey|Jeffery, Robert]] 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to [[Geoffrey Hyland]]'s production of ''Twelfth Night'', or ''What You Will'', staged at [[Maynardville]] Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town.
  
Jenkins, Ron 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. Teatro e storia, 11(18): 335-358.
+
[[M. Jenkins|Jenkins, M.]] 1970. What’s all the drama about? [University of the Witwatersrand, University players]. ''Personality supplement'', 16-17. October 16.
  
Jenkins, Ron 1997. Stand back, Johannesburg (fictional character Evita Bezuidenhout). American theatre, 14(9): 18-20.
+
[[Marilyn Jenkins|Jenkins, Marilyn]] 1979. Dr. [[P.G. du Plessis]]. ''[[Scenaria]]'', (11):40-41. 
 +
 
 +
[[Marilyn Jenkins|Jenkins, Marilyn]] 1981. Robinson Crusoe ‘pantomime pleasures’. ''[[Scenaria]]'', (28):26-27.
 +
 
 +
[[Ron Jenkins|Jenkins, Ron]] 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. ''Teatro e storia'', 11(18):335-358.
 +
 
 +
[[Ron Jenkins|Jenkins, Ron]] 1997. Stand back, Johannesburg (fictional character [[Evita Bezuidenhout]]). ''American Theatre'', 14(9):18-20.
 +
 
 +
[[Jerry Mofokeng]]: drama 1994. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 84-85.
 +
 
 +
[[Biodun Jeyifo|Jeyifo, Biodun]] 2004. ''History & Theatre in Africa'', edited by [[Eckhard Breitinger]] & [[Yvette Hutchison]]. Reviewed in: [[Martin Banham|Banham Martin]], [[James Gibbs|Gibbs, James]], & [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford :James Currey. 145-148.
 +
 
 +
[[Roychand Jithoo|Jithoo, Roychand]] 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Unpublished master’s thesis. Durban: University of Natal.  
  
Jeyifo, Biodun. 2004. History & theatre in Africa edited by Eckhard Breitinger & Yvette Hutchison. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.). African theatre: Southern Africa. Oxford :James Currey. p. 145-148.
 
  
Jithoo, Roychand 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Durban: University of Natal. (M.A., thesis).
 
  
  

Revision as of 08:54, 6 July 2018

Click on the appropriate letters of the alphabet in the sub-list below.

Ja-Ji Jo-Jz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


JAATS het tien suksesvolle jare agter die rug; 1942-1952. Helikon, 1(6):30-34.

Jackson, Caroline 1985. South African Zakes Mokae: an actor against all odds. Black Masks, 2(2):2-3. October.

Jackson, George 1984a. Children’s theatre has come home to Johannesburg again. Scenaria, 8(46):17-20.

Jackson, George 1984b. I overstayed my welcome. Scenaria interviews Maureen McAllister. Scenaria, (43):13-15.

Jackson, George 1984. Actors must be exciting. Scenaria, (46):29-32.

Jackson, George 1984. Children’s theatre has come home to Johannesburg again. Scenaria, (4):17-20.

Jackson, George 1985. Dorothy-Ann Gould. Scenaria, (53):17-21

Jackson, George 1985. Ian von Memerty. Scenaria, (49):44-45.

Jackson, George 1985. Port Elizabeth Shakespearean Festival : 25th anniversary. Scenaria, (50):28-33.

Jackson, George 1985. Frantz Dobrowsky. Scenaria, (56):19-23.

Jackson, George 1985b. Scenaria interviews Bill Flynn. Scenaria, (50):17-20.

Jackson, George 1985c. Scenaria interviews Terence Shank. Scenaria, (57):40-44.

Jackson, George 1986. Ronald Wallace. Scenaria, (69):21-25.

Jackson, George 1987. Angus Neill. Scenaria, (81):33-36.

Jaco Bouwer: drama 2008. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 192-193.

Jacobs, A. 1977. Theatre technicial. My Career, 28:65-66. May.

Jacobs, Martha Christina 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa.

Jaffer, Kay 1998. Notions of coloured identities in Cape Flats theatre: a look at Taliep Petersen’s District Six – The Musical. South African Theatre Journal, 12:91-107.

Jafta, Dorcas Nompumelelo 1978. A survey of Xhosa drama. Unpublished master’s thesis. Empangeni: University of Zululand.

Jamal, Ashraf 2003. Faith in a practical epistemology: on collective creativity in theatre. South African Theatre Journal, 17: 37-64.

Jamal, Ashraf 2004. ...nothing is / But what it is not: Macbeth in Africa. South African Theatre Journal, 18:31-38.

James, Deborah 1994. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 81-109.

James, G. 1987. Othello revisited. Scenaria, (82):9-10.

James, Monwabisi Enock 2005. The elements of drama in the traditional practices of ama-Xhosa culture. Unpublished master’s essay. Stellenbosch: University of Stellenbosch.

Janice Honeyman: drama 1982. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 226.

Janse van Vuuren, Petro 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. South African Theatre Journal, 21:221-240.

Janse van Vuuren, Petro 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal.

Janse van Vuuren, Petro 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. South African Theatre Journal, 23:222-234.

Jansen, E. 1996. Open space : six contemporary plays from Africa, Reza de Wet, Zakes Mda, K. Saro-Wiwa, Rugyendo, Oyono, Al-Hakim. Reviewed in: De Kat, 12(5):93.

January, C. 1976. Recent courses in drama. [Make-up]. Alpha, 14(7):8-9.

January, Cornelius 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. Unpublished master’s thesis. Bellville: University of the Western Cape.

Jamieson, W. 1951. No we do not need national theatre. Outspan, 49(1262):41. May 4.

Jardine, Neil 1979. Drama in education. Scenaria, (11):37-38.

Jason, F. 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. Rootz Africa, 20(10):92-95.

Jeffrey, Chris 2001. The Merchant of Venice at the Tivoli Amphiheatre. Shakespeare in Southern Africa, 13:104-106.

Jeffery, Robert 2008. New music for Twelfth Night: reconstructing musical associations for the 50th anniversary performance of Shakespeare at Maynardville, January 2006. Shakespeare in Southern Africa, 20:13-23.

Jeffery, Robert 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to Geoffrey Hyland's production of Twelfth Night, or What You Will, staged at Maynardville Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town.

Jenkins, M. 1970. What’s all the drama about? [University of the Witwatersrand, University players]. Personality supplement, 16-17. October 16.

Jenkins, Marilyn 1979. Dr. P.G. du Plessis. Scenaria, (11):40-41.

Jenkins, Marilyn 1981. Robinson Crusoe ‘pantomime pleasures’. Scenaria, (28):26-27.

Jenkins, Ron 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. Teatro e storia, 11(18):335-358.

Jenkins, Ron 1997. Stand back, Johannesburg (fictional character Evita Bezuidenhout). American Theatre, 14(9):18-20.

Jerry Mofokeng: drama 1994. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 84-85.

Jeyifo, Biodun 2004. History & Theatre in Africa, edited by Eckhard Breitinger & Yvette Hutchison. Reviewed in: Banham Martin, Gibbs, James, & Osofisan, Femi (eds.). African Theatre: Southern Africa. Oxford :James Currey. 145-148.

Jithoo, Roychand 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Unpublished master’s thesis. Durban: University of Natal.



Click on the appropriate letters of the alphabet in the sub-list below.

Ja-Ji Jo-Jz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance