Difference between revisions of "ESAT Bibliography Ja-Ji"
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| − | [[ | + | [[JAATS]] het tien suksesvolle jare agter die rug; 1942-1952. ''Helikon'', 1(6):30-34. |
| − | [[ | + | [[Caroline Jackson|Jackson, Caroline]] 1985. South African [[Zakes Mokae]]: an actor against all odds. ''Black Masks'', 2(2):2-3. October. |
| − | [[George Jackson|Jackson, George]] | + | [[George Jackson|Jackson, George]] 1984a. Children’s theatre has come home to Johannesburg again. ''[[Scenaria]]'', 8(46):17-20. |
| − | [[George Jackson|Jackson, George]] | + | [[George Jackson|Jackson, George]] 1984b. I overstayed my welcome. Scenaria interviews [[Maureen McAllister]]. ''[[Scenaria]]'', (43):13-15. |
| − | [[George Jackson|Jackson, George]] 1984. | + | [[George Jackson|Jackson, George]] 1984. Actors must be exciting. ''[[Scenaria]]'', (46):29-32. |
| − | [[George Jackson|Jackson, George]] | + | [[George Jackson|Jackson, George]] 1984. Children’s theatre has come home to Johannesburg again. ''[[Scenaria]]'', (4):17-20. |
| − | [[George Jackson|Jackson, George]] 1985. [[ | + | [[George Jackson|Jackson, George]] 1985. [[Dorothy-Ann Gould]]. ''[[Scenaria]]'', (53):17-21 |
| − | [[George Jackson|Jackson, George]] 1985. | + | [[George Jackson|Jackson, George]] 1985. [[Ian von Memerty]]. ''[[Scenaria]]'', (49):44-45. |
| − | [[George Jackson|Jackson, George]] 1985. [[ | + | [[George Jackson|Jackson, George]] 1985. [[Port Elizabeth Shakespearean Festival]] : 25th anniversary. ''[[Scenaria]]'', (50):28-33. |
| − | [[George Jackson|Jackson, George]] | + | [[George Jackson|Jackson, George]] 1985. [[Frantz Dobrowsky]]. ''[[Scenaria]]'', (56):19-23. |
| − | [[George Jackson|Jackson, George]] | + | [[George Jackson|Jackson, George]] 1985b. Scenaria interviews [[Bill Flynn]]. ''[[Scenaria]]'', (50):17-20. |
| − | [[George Jackson|Jackson, George]] | + | [[George Jackson|Jackson, George]] 1985c. Scenaria interviews [[Terence Shank]]. ''[[Scenaria]]'', (57):40-44. |
| + | |||
| + | [[George Jackson|Jackson, George]] 1986. [[Ronald Wallace]]. ''[[Scenaria]]'', (69):21-25. | ||
| + | |||
| + | [[George Jackson|Jackson, George]] 1987. [[Angus Neill]]. ''[[Scenaria]]'', (81):33-36. | ||
| + | |||
| + | [[Jaco Bouwer]]: drama 2008. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 192-193. | ||
[[A. Jacobs|Jacobs, A.]] 1977. Theatre technicial. ''My Career'', 28:65-66. May. | [[A. Jacobs|Jacobs, A.]] 1977. Theatre technicial. ''My Career'', 28:65-66. May. | ||
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[[Martha Christina|Jacobs, Martha Christina]] 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa. | [[Martha Christina|Jacobs, Martha Christina]] 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa. | ||
| − | [[Kay Jaffer|Jaffer, Kay]] 1998. Notions of coloured identities in Cape Flats theatre: a look at [[ | + | [[Kay Jaffer|Jaffer, Kay]] 1998. Notions of coloured identities in Cape Flats theatre: a look at [[Taliep Petersen]]’s ''[[District Six – The Musical]]''. ''[[South African Theatre Journal]]'', 12:91-107. |
[[Dorcas Nompumelelo Jafta|Jafta, Dorcas Nompumelelo]] 1978. A survey of Xhosa drama. Unpublished master’s thesis. Empangeni: University of Zululand. | [[Dorcas Nompumelelo Jafta|Jafta, Dorcas Nompumelelo]] 1978. A survey of Xhosa drama. Unpublished master’s thesis. Empangeni: University of Zululand. | ||
| − | [[Ashraf Jamal|Jamal, Ashraf]] 2003. Faith in a practical epistemology: on collective creativity in theatre. ''South African Theatre Journal'', 17: 37-64. | + | [[Ashraf Jamal|Jamal, Ashraf]] 2003. Faith in a practical epistemology: on collective creativity in theatre. ''[[South African Theatre Journal]]'', 17: 37-64. |
| + | |||
| + | [[Ashraf Jamal|Jamal, Ashraf]] 2004. ...nothing is / But what it is not: Macbeth in Africa. ''[[South African Theatre Journal]]'', 18:31-38. | ||
[[Deborah James|James, Deborah]] 1994. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press''. 81-109. | [[Deborah James|James, Deborah]] 1994. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal, in [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press''. 81-109. | ||
| − | [[G. James|James, G.]] 1987. Othello revisited. ''Scenaria'', (82):9-10. | + | [[G. James|James, G.]] 1987. ''Othello'' revisited. ''[[Scenaria]]'', (82):9-10. |
[[Monwabisi Enock James|James, Monwabisi Enock]] 2005. The elements of drama in the traditional practices of ama-Xhosa culture. Unpublished master’s essay. Stellenbosch: University of Stellenbosch. | [[Monwabisi Enock James|James, Monwabisi Enock]] 2005. The elements of drama in the traditional practices of ama-Xhosa culture. Unpublished master’s essay. Stellenbosch: University of Stellenbosch. | ||
| − | [[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. ''South African Theatre Journal'', 21:221-240. | + | [[Janice Honeyman]]: drama 1982. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 226. |
| + | |||
| + | [[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. ''[[South African Theatre Journal]]'', 21:221-240. | ||
[[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal. | [[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal. | ||
| − | [[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. ''South African Theatre Journal'', 23:222-234. | + | [[Petro Janse van Vuuren|Janse van Vuuren, Petro]] 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. ''[[South African Theatre Journal]]'', 23:222-234. |
| + | |||
| + | [[E. Jansen|Jansen, E.]] 1996. ''Open space : six contemporary plays from Africa'', [[Reza de Wet]], [[Zakes Mda]], K. Saro-Wiwa, Rugyendo, Oyono, Al-Hakim. Reviewed in: ''De Kat'', 12(5):93. | ||
[[C. January|January, C.]] 1976. Recent courses in drama. [Make-up]. ''Alpha'', 14(7):8-9. | [[C. January|January, C.]] 1976. Recent courses in drama. [Make-up]. ''Alpha'', 14(7):8-9. | ||
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[[W. Jamieson|Jamieson, W.]] 1951. No we do not need national theatre. ''Outspan'', 49(1262):41. May 4. | [[W. Jamieson|Jamieson, W.]] 1951. No we do not need national theatre. ''Outspan'', 49(1262):41. May 4. | ||
| − | [[Neil Jardine|Jardine, Neil]] 1979. Drama in education. ''Scenaria'', (11):37-38. | + | [[Neil Jardine|Jardine, Neil]] 1979. Drama in education. ''[[Scenaria]]'', (11):37-38. |
[[F. Jason|Jason, F.]] 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. ''Rootz Africa'', 20(10):92-95. | [[F. Jason|Jason, F.]] 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. ''Rootz Africa'', 20(10):92-95. | ||
| Line 71: | Line 83: | ||
[[Robert Jeffrey|Jeffery, Robert]] 2008. New music for ''Twelfth Night'': reconstructing musical associations for the 50th anniversary performance of Shakespeare at [[Maynardville]], January 2006. ''Shakespeare in Southern Africa'', 20:13-23. | [[Robert Jeffrey|Jeffery, Robert]] 2008. New music for ''Twelfth Night'': reconstructing musical associations for the 50th anniversary performance of Shakespeare at [[Maynardville]], January 2006. ''Shakespeare in Southern Africa'', 20:13-23. | ||
| − | [[Robert Jeffrey|Jeffery, Robert]] 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to [[ | + | [[Robert Jeffrey|Jeffery, Robert]] 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to [[Geoffrey Hyland]]'s production of ''Twelfth Night'', or ''What You Will'', staged at [[Maynardville]] Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town. |
[[M. Jenkins|Jenkins, M.]] 1970. What’s all the drama about? [University of the Witwatersrand, University players]. ''Personality supplement'', 16-17. October 16. | [[M. Jenkins|Jenkins, M.]] 1970. What’s all the drama about? [University of the Witwatersrand, University players]. ''Personality supplement'', 16-17. October 16. | ||
| − | [[Marilyn Jenkins|Jenkins, Marilyn]] 1979. Dr. [[ | + | [[Marilyn Jenkins|Jenkins, Marilyn]] 1979. Dr. [[P.G. du Plessis]]. ''[[Scenaria]]'', (11):40-41. |
| − | [[Marilyn Jenkins|Jenkins, Marilyn]] 1981. Robinson Crusoe ‘pantomime pleasures’. ''Scenaria | + | [[Marilyn Jenkins|Jenkins, Marilyn]] 1981. Robinson Crusoe ‘pantomime pleasures’. ''[[Scenaria]]'', (28):26-27. |
[[Ron Jenkins|Jenkins, Ron]] 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. ''Teatro e storia'', 11(18):335-358. | [[Ron Jenkins|Jenkins, Ron]] 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. ''Teatro e storia'', 11(18):335-358. | ||
| Line 83: | Line 95: | ||
[[Ron Jenkins|Jenkins, Ron]] 1997. Stand back, Johannesburg (fictional character [[Evita Bezuidenhout]]). ''American Theatre'', 14(9):18-20. | [[Ron Jenkins|Jenkins, Ron]] 1997. Stand back, Johannesburg (fictional character [[Evita Bezuidenhout]]). ''American Theatre'', 14(9):18-20. | ||
| − | [[Biodun Jeyifo|Jeyifo, Biodun]] 2004. ''History & Theatre in Africa'', edited by [[ | + | [[Jerry Mofokeng]]: drama 1994. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 84-85. |
| + | |||
| + | [[Biodun Jeyifo|Jeyifo, Biodun]] 2004. ''History & Theatre in Africa'', edited by [[Eckhard Breitinger]] & [[Yvette Hutchison]]. Reviewed in: [[Martin Banham|Banham Martin]], [[James Gibbs|Gibbs, James]], & [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford :James Currey. 145-148. | ||
[[Roychand Jithoo|Jithoo, Roychand]] 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Unpublished master’s thesis. Durban: University of Natal. | [[Roychand Jithoo|Jithoo, Roychand]] 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Unpublished master’s thesis. Durban: University of Natal. | ||
Revision as of 08:54, 6 July 2018
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
JAATS het tien suksesvolle jare agter die rug; 1942-1952. Helikon, 1(6):30-34.
Jackson, Caroline 1985. South African Zakes Mokae: an actor against all odds. Black Masks, 2(2):2-3. October.
Jackson, George 1984a. Children’s theatre has come home to Johannesburg again. Scenaria, 8(46):17-20.
Jackson, George 1984b. I overstayed my welcome. Scenaria interviews Maureen McAllister. Scenaria, (43):13-15.
Jackson, George 1984. Actors must be exciting. Scenaria, (46):29-32.
Jackson, George 1984. Children’s theatre has come home to Johannesburg again. Scenaria, (4):17-20.
Jackson, George 1985. Dorothy-Ann Gould. Scenaria, (53):17-21
Jackson, George 1985. Ian von Memerty. Scenaria, (49):44-45.
Jackson, George 1985. Port Elizabeth Shakespearean Festival : 25th anniversary. Scenaria, (50):28-33.
Jackson, George 1985. Frantz Dobrowsky. Scenaria, (56):19-23.
Jackson, George 1985b. Scenaria interviews Bill Flynn. Scenaria, (50):17-20.
Jackson, George 1985c. Scenaria interviews Terence Shank. Scenaria, (57):40-44.
Jackson, George 1986. Ronald Wallace. Scenaria, (69):21-25.
Jackson, George 1987. Angus Neill. Scenaria, (81):33-36.
Jaco Bouwer: drama 2008. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 192-193.
Jacobs, A. 1977. Theatre technicial. My Career, 28:65-66. May.
Jacobs, Martha Christina 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa.
Jaffer, Kay 1998. Notions of coloured identities in Cape Flats theatre: a look at Taliep Petersen’s District Six – The Musical. South African Theatre Journal, 12:91-107.
Jafta, Dorcas Nompumelelo 1978. A survey of Xhosa drama. Unpublished master’s thesis. Empangeni: University of Zululand.
Jamal, Ashraf 2003. Faith in a practical epistemology: on collective creativity in theatre. South African Theatre Journal, 17: 37-64.
Jamal, Ashraf 2004. ...nothing is / But what it is not: Macbeth in Africa. South African Theatre Journal, 18:31-38.
James, Deborah 1994. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 81-109.
James, G. 1987. Othello revisited. Scenaria, (82):9-10.
James, Monwabisi Enock 2005. The elements of drama in the traditional practices of ama-Xhosa culture. Unpublished master’s essay. Stellenbosch: University of Stellenbosch.
Janice Honeyman: drama 1982. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 226.
Janse van Vuuren, Petro 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. South African Theatre Journal, 21:221-240.
Janse van Vuuren, Petro 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal.
Janse van Vuuren, Petro 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. South African Theatre Journal, 23:222-234.
Jansen, E. 1996. Open space : six contemporary plays from Africa, Reza de Wet, Zakes Mda, K. Saro-Wiwa, Rugyendo, Oyono, Al-Hakim. Reviewed in: De Kat, 12(5):93.
January, C. 1976. Recent courses in drama. [Make-up]. Alpha, 14(7):8-9.
January, Cornelius 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. Unpublished master’s thesis. Bellville: University of the Western Cape.
Jamieson, W. 1951. No we do not need national theatre. Outspan, 49(1262):41. May 4.
Jardine, Neil 1979. Drama in education. Scenaria, (11):37-38.
Jason, F. 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. Rootz Africa, 20(10):92-95.
Jeffrey, Chris 2001. The Merchant of Venice at the Tivoli Amphiheatre. Shakespeare in Southern Africa, 13:104-106.
Jeffery, Robert 2008. New music for Twelfth Night: reconstructing musical associations for the 50th anniversary performance of Shakespeare at Maynardville, January 2006. Shakespeare in Southern Africa, 20:13-23.
Jeffery, Robert 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to Geoffrey Hyland's production of Twelfth Night, or What You Will, staged at Maynardville Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town.
Jenkins, M. 1970. What’s all the drama about? [University of the Witwatersrand, University players]. Personality supplement, 16-17. October 16.
Jenkins, Marilyn 1979. Dr. P.G. du Plessis. Scenaria, (11):40-41.
Jenkins, Marilyn 1981. Robinson Crusoe ‘pantomime pleasures’. Scenaria, (28):26-27.
Jenkins, Ron 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. Teatro e storia, 11(18):335-358.
Jenkins, Ron 1997. Stand back, Johannesburg (fictional character Evita Bezuidenhout). American Theatre, 14(9):18-20.
Jerry Mofokeng: drama 1994. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 84-85.
Jeyifo, Biodun 2004. History & Theatre in Africa, edited by Eckhard Breitinger & Yvette Hutchison. Reviewed in: Banham Martin, Gibbs, James, & Osofisan, Femi (eds.). African Theatre: Southern Africa. Oxford :James Currey. 145-148.
Jithoo, Roychand 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Unpublished master’s thesis. Durban: University of Natal.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
