Difference between revisions of "ESAT Bibliography I"
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| − | Importance of being Earnest. [dramatic criticism]. 1983. ''Scenaria'', 35:29-30. | + | Importance of being Earnest. [dramatic criticism]. 1983. ''[[Scenaria]]'', 35:29-30. |
[[Margaret Inglis|Inglis, Margaret]] 1946. Future of professional theatre in South Africa. ''Outspan'', 38(988):23-25. February 1. | [[Margaret Inglis|Inglis, Margaret]] 1946. Future of professional theatre in South Africa. ''Outspan'', 38(988):23-25. February 1. | ||
| Line 21: | Line 21: | ||
[[Donald P. Inskip|Inskip, Donald P.]] 1976. The [[Maynardville]] Chronicle, 1956-1976. Eppng: Printpak. | [[Donald P. Inskip|Inskip, Donald P.]] 1976. The [[Maynardville]] Chronicle, 1956-1976. Eppng: Printpak. | ||
| − | [[Donald P. Inskip|Inskip, Donald P.]] 1977. Stage by Stage: The [[ | + | [[Donald P. Inskip|Inskip, Donald P.]] 1977. Stage by Stage: The [[Leonard Schach]] Story. Cape Town: Howard Timmins. |
| − | International Labour Organisation: Tripartite meeting on conditions of employment and the work of performers. 1993. ''South African Theatre Journal'', 7(2): 77-84. | + | International Labour Organisation: Tripartite meeting on conditions of employment and the work of performers. 1993. ''[[South African Theatre Journal]]'', 7(2): 77-84. |
| − | Interview with [[ | + | Interview with [[Athol Fugard]], Port Elizabeth, 30 November 1977. 1980. ''Theoria'', 55: 37-48. |
[[C.C. Irvine-Smith|Irvine-Smith, C.C.]] architects. Witwatersrand university theatre. ''Architect and Builder'', 34(11): 14-19. | [[C.C. Irvine-Smith|Irvine-Smith, C.C.]] architects. Witwatersrand university theatre. ''Architect and Builder'', 34(11): 14-19. | ||
| − | [[Connie Israel|Israel, Connie]] 2007. Performance as an alternate literacy in South Africa. ''South African Theatre Journal'', 21: 275-291. | + | [[Connie Israel|Israel, Connie]] 2007. Performance as an alternate literacy in South Africa. ''[[South African Theatre Journal]]'', 21: 275-291. |
| − | [[Yedidya Itzhaki|Itzhaki, Yedidya]] 1993. [[ | + | [[Yedidya Itzhaki|Itzhaki, Yedidya]] 1993. [[Athol Fugard]] on the Israeli stage. ''[[South African Theatre Journal]]'', 7(1): 62-78. |
Revision as of 12:52, 11 March 2011
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Importance of being Earnest. [dramatic criticism]. 1983. Scenaria, 35:29-30.
Inglis, Margaret 1946. Future of professional theatre in South Africa. Outspan, 38(988):23-25. February 1.
Inglis, Margaret 1955. South African theatre: past, present and future. Forum, 3(10):27-30.
Inskip, Donald P. 1947. Amateur-toneelspelers vier fees: ‘n beskouing oor die betekenis van die Federasie van Amateur-Toneelverenigings van Suid-Afrika. Huisgenoot. 32 (1336):20-22. Oktober 31.
Inskip, Donald P. 1958. Drama in the university. English Studies in Africa, 1:55-58.
Inskip, Donald P. 1972. Forty Little Years: The Story of a Theatre. Cape Town: Howard Timmins.
Inskip, Donald P. 1976. The Maynardville Chronicle, 1956-1976. Eppng: Printpak.
Inskip, Donald P. 1977. Stage by Stage: The Leonard Schach Story. Cape Town: Howard Timmins.
International Labour Organisation: Tripartite meeting on conditions of employment and the work of performers. 1993. South African Theatre Journal, 7(2): 77-84.
Interview with Athol Fugard, Port Elizabeth, 30 November 1977. 1980. Theoria, 55: 37-48.
Irvine-Smith, C.C. architects. Witwatersrand university theatre. Architect and Builder, 34(11): 14-19.
Israel, Connie 2007. Performance as an alternate literacy in South Africa. South African Theatre Journal, 21: 275-291.
Itzhaki, Yedidya 1993. Athol Fugard on the Israeli stage. South African Theatre Journal, 7(1): 62-78.
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H-Hay He-Hu I J K L M N O P Q R S-Sh Si-Sz T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
