ESAT Bibliography H-Hat
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H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch.
Haak, A-H. 1971. Stage lighting at the Nico Malan theatre. South African engineer, 62(638): 5-11. July.
Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum. 3(53): 14. March 29.
Haffter, P. 1987. Bartho Smit se ‘Don Juan onder die Boere’ binne die raamwerk van die Don Juan’-makroteks. Journal of literary studies, 3(4): 1-2.
Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1): 7-16.
Halligey A. 2005. Re-Inventing Mythologies: Arguments towards Cultural Identity in Medea and Rain in a Dead Man's Footprints. South African Theatre Journal [serial online]. 2005;19:208-222.
Hamber, John 1982. The Port Elizabeth Shakespearean Festival. an appreciation. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)
Hamilton, Nan 1999. Performance as living heritage : reconstructing identity. Johannesburg: University of the Witwatersrand. (MA (School of Dramatic Art) thesis)
Hamlet. 1947. Libertas. 7(6): 56-57. June.
Hammond, Jonathan 1972. World theatre season : South Africa. Plays and players, 19 : 7. Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and players, 21 : 40-43. March.
Handley, Patricia 1995. The First Physical Theatre Co. ADA, (13):54-55.
Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201): 9. March 30.
Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48): 28-30. December 28.
Hansen, John 1998. Culture in a state of siege. In Gunnarsen, Gorm (ed.) South African Resistance Culture. Copenhagen: Department of English, University of Copenhagen. P.102-115.
Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African studies, 26(2): 255-269.
Hansen, Thomas Blom2005. Melancholia of freedom: humour and nostalgia among Indians in South Africa. Modern drama, 48(2): 297-315.
Hanson-Moore, Thurlow 1990. The satirist in South African theatre. Cape Town: University of Cape Town. (B.A. Hons thesis).
Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Pretoria : Technikon Pretoria. (MDip Tech thesis).
Harley, M. 1968a. Adam’s apple [Adam Leslie theatre]. Femina, 76-77. October 3.
Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15.
Harris, M.B. 1979. Bafokeng civic centre, Phokeng. Planning & building developments, 36: 33-45. January-February.
Hart, Sheena 1988. Standard Bank festival of the Arts. Scenaria, (93): 16-23.
Hartshorne, Claire Jeanine 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Pietermaritzburg: University of Natal. (MA (Speech and Drama) thesis).
Harward, Belinda Lesley Nova 1996. NAPAC : a conflict in the performing arts. Durban: University of Natal. (MA (Cultural and Media Studies) thesis).
Hatfield, Denis 1945. Marriage of two minds: The merry wives of Windsor by William Shakespeare. Trek, 1 June:18,22.
Hatfield, Denis 1967. Cape theatre in the 1940’s: reviews of ballet and drama. Cape Town: Purnell.
Hattingh, Jana 2010. Bemarking van die Afrikaanse teater : vraag en aanbod ten opsigte van toneel as produk. Stellenbosch: University of Stellenbosch. (M.(Dram) thesis).
Hattingh, Mareli 2005. Kontemporêre woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars. Stellenbosch: Universiteit van Stellenbosch. (M. Dram thesis).
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
