Difference between revisions of "ESAT Bibliography H-Hat"
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H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch. | H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch. | ||
| − | Haak, A-H. 1971. Stage lighting at the Nico Malan theatre. South African | + | Haak, A-H. 1971. Stage lighting at the Nico Malan theatre. South African Engineer, 62(638):5-11. July. |
| − | Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum | + | Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum, 3(53):14. March 29. |
| − | Haffter, P. 1987. Bartho Smit se ‘Don Juan | + | Haffter, P. 1987. Bartho Smit se ‘Don Juan Onder Die Boere’ binne die raamwerk van die Don Juan’-makroteks. Journal of Literary Studies, 3(4):1-2. |
| − | Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1): 7-16. | + | Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1):7-16. |
| − | Halligey A. 2005. Re- | + | Halligey A. 2005. Re-inventing mythologies: arguments towards cultural identity in Medea and Rain in a Dead Man's Footprints. South African Theatre Journal, 19:208-222. |
| − | Medea and Rain in a Dead Man's Footprints. South African Theatre Journal | ||
| − | |||
Hamber, John 1982. The Port Elizabeth Shakespearean Festival. an appreciation. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch) | Hamber, John 1982. The Port Elizabeth Shakespearean Festival. an appreciation. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch) | ||
| − | Hamilton, Nan 1999. Performance as living heritage : reconstructing identity. Johannesburg: University of the Witwatersrand. | + | Hamilton, Nan 1999. Performance as living heritage : reconstructing identity. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand. |
| − | Hamlet. 1947. Libertas. 7(6): 56-57. June. | + | Hamlet. 1947. Libertas. 7(6):56-57. June. |
| − | Hammond, Jonathan 1972. World theatre season : South Africa. Plays and | + | Hammond, Jonathan 1972. World theatre season : South Africa. Plays and Players, 19:7. |
| − | Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and | + | |
| + | Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and Players, 21:40-43. March. | ||
Handley, Patricia 1995. The First Physical Theatre Co. ADA, (13):54-55. | Handley, Patricia 1995. The First Physical Theatre Co. ADA, (13):54-55. | ||
| − | Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201): 9. March 30. | + | Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201):9. March 30. |
| − | Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48): 28-30. December 28. | + | Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48):28-30. December 28. |
| − | Hansen, John 1998. Culture in a state of siege | + | Hansen, John 1998. Culture in a state of siege, in Gunnarsen, Gorm (ed.). South African Resistance Culture. Copenhagen: Department of English, University of Copenhagen. 102-115. |
| − | Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African | + | Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African Studies, 26(2):255-269. |
| − | Hansen, Thomas Blom2005. Melancholia of freedom: humour and nostalgia among Indians in South Africa. Modern | + | Hansen, Thomas Blom2005. Melancholia of freedom: humour and nostalgia among Indians in South Africa. Modern Drama, 48(2):297-315. |
| − | Hanson-Moore, Thurlow 1990. The satirist in South African theatre. Cape Town: University of Cape Town | + | Hanson-Moore, Thurlow 1990. The satirist in South African theatre. Unpublished honours’s thesis. Cape Town: University of Cape Town. |
| − | Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Pretoria : Technikon Pretoria | + | Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Unpublished master’s thesis. Pretoria : Technikon Pretoria. |
| − | Harley, M. 1968a. Adam’s apple | + | Harley, M. 1968a. Adam’s apple (Adam Leslie Theatre). Femina, 76-77. October 3. |
Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15. | Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15. | ||
| − | Harris, M.B. 1979. Bafokeng | + | Harris, M.B. 1979. Bafokeng Civic Centre, Phokeng. Planning & Building Developments, 36:33-45. January-February. |
| − | |||
| − | |||
| − | + | Hart, Sheena 1988. Standard Bank Festival of the Arts. Scenaria, (93):16-23. | |
| − | Harward, Belinda Lesley Nova 1996. NAPAC : a conflict in the performing arts. Durban: University of Natal | + | Hartshorne, Claire Jeanine 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Unpublished master’s thesis. Pietermaritzburg: University of Natal. |
| + | |||
| + | Harward, Belinda Lesley Nova 1996. NAPAC : a conflict in the performing arts. Unpublished master’s thesis. Durban: University of Natal. | ||
| − | Hatfield, Denis 1945. Marriage of two minds: The | + | Hatfield, Denis 1945. Marriage of two minds: The Merry Wives of Windsor by William Shakespeare. Trek, 1 June:18, 22. |
| − | Hatfield, Denis 1967. Cape | + | Hatfield, Denis 1967. Cape Theatre in the 1940’s: Reviews of Ballet and Drama. Cape Town: Purnell. |
| − | Hattingh, Jana 2010. Bemarking van die Afrikaanse teater : vraag en aanbod ten opsigte van toneel as produk. Stellenbosch: University of Stellenbosch | + | Hattingh, Jana 2010. Bemarking van die Afrikaanse teater: vraag en aanbod ten opsigte van toneel as produk. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| − | Hattingh, Mareli 2005. Kontemporêre woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars. Stellenbosch: | + | Hattingh, Mareli 2005. Kontemporêre woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
Revision as of 15:50, 13 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
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Return to A Bibliography of South African South African Theatre and Performance
H.B. Thom-teater 25 jaar. 1991. Stellenbosch: Universiteit van Stellenbosch.
Haak, A-H. 1971. Stage lighting at the Nico Malan theatre. South African Engineer, 62(638):5-11. July.
Haarhoff, T.J. 1941. Afrikaans theatre in the making. Forum, 3(53):14. March 29.
Haffter, P. 1987. Bartho Smit se ‘Don Juan Onder Die Boere’ binne die raamwerk van die Don Juan’-makroteks. Journal of Literary Studies, 3(4):1-2.
Hagemann, Fred 1984. Concepts, images and expression in the movement learning process. Teaterforum, 5(1):7-16.
Halligey A. 2005. Re-inventing mythologies: arguments towards cultural identity in Medea and Rain in a Dead Man's Footprints. South African Theatre Journal, 19:208-222.
Hamber, John 1982. The Port Elizabeth Shakespearean Festival. an appreciation. (Privately published: Copy in Centre for Theatre and Performance Studies, Stellenbosch)
Hamilton, Nan 1999. Performance as living heritage : reconstructing identity. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Hamlet. 1947. Libertas. 7(6):56-57. June.
Hammond, Jonathan 1972. World theatre season : South Africa. Plays and Players, 19:7.
Hammond, Jonathan 1974. A South African season: Sizwe Bansi, The Island and Statements. Plays and Players, 21:40-43. March.
Handley, Patricia 1995. The First Physical Theatre Co. ADA, (13):54-55.
Hanekom, Hendrik 1945. Twintig jaar op ons beroepstoneel. Huisgenoot, 29(1201):9. March 30.
Hanekom, Mathilde 1951. Want ons werk mos nie! [Toneelspelers]. Brandwag, 15(48):28-30. December 28.
Hansen, John 1998. Culture in a state of siege, in Gunnarsen, Gorm (ed.). South African Resistance Culture. Copenhagen: Department of English, University of Copenhagen. 102-115.
Hansen, Thomas Blom 2000. Plays, politics and cultural identity among Indians in Durban. Journal of Southern African Studies, 26(2):255-269.
Hansen, Thomas Blom2005. Melancholia of freedom: humour and nostalgia among Indians in South Africa. Modern Drama, 48(2):297-315.
Hanson-Moore, Thurlow 1990. The satirist in South African theatre. Unpublished honours’s thesis. Cape Town: University of Cape Town.
Hardie, Y.E. 1999. The emerging voice and outcomes-based education : voice building within speech and drama training in the further education and training band [grades 10-12]. Unpublished master’s thesis. Pretoria : Technikon Pretoria.
Harley, M. 1968a. Adam’s apple (Adam Leslie Theatre). Femina, 76-77. October 3.
Harley, M. 1968b. Charles Vernon – actor. Personality, 123-130. August 15.
Harris, M.B. 1979. Bafokeng Civic Centre, Phokeng. Planning & Building Developments, 36:33-45. January-February.
Hart, Sheena 1988. Standard Bank Festival of the Arts. Scenaria, (93):16-23.
Hartshorne, Claire Jeanine 1988. An exploration of the use of specific drama therapy techniques as an aid in the process of creating character for stage. Unpublished master’s thesis. Pietermaritzburg: University of Natal.
Harward, Belinda Lesley Nova 1996. NAPAC : a conflict in the performing arts. Unpublished master’s thesis. Durban: University of Natal.
Hatfield, Denis 1945. Marriage of two minds: The Merry Wives of Windsor by William Shakespeare. Trek, 1 June:18, 22.
Hatfield, Denis 1967. Cape Theatre in the 1940’s: Reviews of Ballet and Drama. Cape Town: Purnell.
Hattingh, Jana 2010. Bemarking van die Afrikaanse teater: vraag en aanbod ten opsigte van toneel as produk. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Hattingh, Mareli 2005. Kontemporêre woordkuns as teatergenre : 'n ondersoek na die aard van die vorm van die werke van enkele Stellenbosche woordkunstenaars. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
