Difference between revisions of "ESAT Bibliography Gre-Gri"

From ESAT
Jump to navigation Jump to search
Line 12: Line 12:
  
  
Gready, Paul 1994. Political autobiography in search of liberation: working class theatre, collaboration and the construction of identity. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 163-198.
+
Gready, Paul 1994. Political autobiography in search of liberation: working class theatre, collaboration and the construction of identity, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 163-198.
  
Great prestige project for the province [Transvaal]. 1966. Construction in Southern Africa, 11(2): 27-35.
+
Great prestige project for the province [Transvaal]. 1966. Construction in Southern Africa, 11(2):27-35.
  
Greeff, M. 2008. John Vorster se meisiekinders: profiel van twee vroue. Lig, 73(7): 18-21.
+
Greeff, M. 2008. John Vorster se meisiekinders: profiel van twee vroue (Martelize Kolver). Lig, 73(7):18-21.
  
Green, Garth V. 1987. Characterization in Pieter-Dirk Uys’ Appassionata. UNISA English studies, 25(2): 18-22.
+
Green, Garth V. 1987. Characterization in Pieter-Dirk Uys’ Appassionata. UNISA English Studies, 25(2):18-22.
  
Green, Michael 1984. The politics of loving: Fugard and the metropolis. English Academy review, 2: 41-54.
+
Green, Michael 1984. The politics of loving: Fugard and the metropolis. English Academy Review, 2:41-54.
  
Green, Robert J. 1976. The drama of Athol Fugard. In Heywood, C. (ed.) Aspects of South African literature. London, Heinemann, p.163-173.
+
Green, Robert J. 1976. The drama of Athol Fugard, in Heywood, C. (ed.)Aspects of South African Literature. London, Heinemann. 163-173.
  
 
Greer, Graham. 2001. The role of the professional theatre critic in a post-apartheid South Africa. South African Theatre Journal, 15:56-64.
 
Greer, Graham. 2001. The role of the professional theatre critic in a post-apartheid South Africa. South African Theatre Journal, 15:56-64.
  
Greig, Robert J. 1980. To subsidise or not to subsidise? New nation, 9(2): 10-11.
+
Greig, Robert J. 1980. To subsidise or not to subsidise? New Nation, 9(2):10-11.
  
Greig Robert 1989. Zap-Pow-Whammee-Glop: Muller's Macbeth. Shakespeare in Southern Africa, 3: 92-94.  
+
Greig, Robert 1989. Zap-Pow-Whammee-Glop: Muller's Macbeth. Shakespeare in Southern Africa, 3:92-94.  
  
Greyvenstein, Walter 1988a. The history and development of children's theatre in English in South Africa. Johannesburg: Rand Afrikaans University. (D. Litt. et Phil. thesis).
+
Greyvenstein, Walter 1988a. The history and development of children's theatre in English in South Africa. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.
 +
 +
Greyvenstein, Walter 1988b. Why not play in the classroom? Lyra Academica, 3(2):50-62.
  
Greyvenstein, Walter 1988b. Why not play in the classroom? Lyra academica, 3(2): 50-62.
+
Greyvenstein, Walter 1989a. Children's theatre in South Africa. Part I. Lantern, 38(2):17-24.
  
Greyvenstein, Walter 1989a. Children's theatre in South Africa. Part I. Lantern, 38(2): 17-24.
+
Greyvenstein, Walter 1989b Children's theatre in South Africa. Part II. Lantern, 38(3):28-35.
  
Greyvenstein, Walter 1989b Children's theatre in South Africa. Part II. Lantern, 38(3): 28-35.
+
Greyvenstein, Walter 1989c. Let us entertain you! children’s theatre and popular entertainment. South African Theatre Journal, 3(2):51-68.
  
Greyvenstein, Walter 1989c. Let us entertain you! children’s theatre and popular entertainment. South African theatre journal, 3(2): 51-68.
+
Greyvenstein, Walter 1989d. Players, a collection of one-act plays, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African Theatre Journal, 3(1):103-104.
  
Greyvenstein, Walter 1989d. Players, a collection of one-act plays, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African theatre journal, 3(1): 103-104.
+
Greyvenstein, Walter 1990. Drama as a method for teahers of English. Crux, 24(4):24-51.
  
Greyvenstein, Walter 1990. Drama as a method for teahers of English. Crux, 24(4): 24-51.
+
Greyvenstein, Walter 1994. Playwrights and human rights by Paddy Terry & Herman Kotze. Reviewed in: South African Theatre Journal, 8(1):93-96.
  
Greyvenstein, Walter 1994. Playwrights and human rights by Paddy Terry & Herman Kotze. Reviewed in: South African theatre journal, 8(1): 93-96.
+
Greyvensteyn, Z. 1980a. Dawie Malan – a profile. Scenaria, (18):26-27.
  
Greyvensteyn, Z. 1980a. Dawie Malan – a profile. Scenaria, (18): 26-27.
+
Greyvensteyn, Z. 1980b. Siegfried Mynhardt: a profile. Scenaria, (17):17-18.
  
Greyvensteyn, Z. 1980b. Siegfried Mynhardt: a profile. Scenaria, (17): 17-18.
+
Griffin, Jennifer 1992. John Kani: reading the troubled landscape of South Africa. AmericanTtheatre, 9(8):26-27.
  
Griffin, Jennifer 1992. John Kani: reading the troubled landscape of South Africa. American theatre, 9(8): 26-27.
+
Griffin, Jennifer 1993. Paul Slabolepszy: coming of age in the cradle of apartheid. American Theatre, 10(9):47-48.
  
Griffin, Jennifer 1993. Paul Slabolepszy: coming of age in the cradle of apartheid. American theatre, 10(9): 47-48.
+
Grimbeek, D. 1977. Opvoedkundige waarde van toneelspel. Rehabilitation in South Africa, 21:59-60. October.
 
 
Grimbeek, D. 1977. Opvoedkundige waarde van toneelspel. Rehabilitation in South Africa, 21: 59060. October.
 
  
  

Revision as of 10:50, 13 January 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Gready, Paul 1994. Political autobiography in search of liberation: working class theatre, collaboration and the construction of identity, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 163-198.

Great prestige project for the province [Transvaal]. 1966. Construction in Southern Africa, 11(2):27-35.

Greeff, M. 2008. John Vorster se meisiekinders: profiel van twee vroue (Martelize Kolver). Lig, 73(7):18-21.

Green, Garth V. 1987. Characterization in Pieter-Dirk Uys’ Appassionata. UNISA English Studies, 25(2):18-22.

Green, Michael 1984. The politics of loving: Fugard and the metropolis. English Academy Review, 2:41-54.

Green, Robert J. 1976. The drama of Athol Fugard, in Heywood, C. (ed.). Aspects of South African Literature. London, Heinemann. 163-173.

Greer, Graham. 2001. The role of the professional theatre critic in a post-apartheid South Africa. South African Theatre Journal, 15:56-64.

Greig, Robert J. 1980. To subsidise or not to subsidise? New Nation, 9(2):10-11.

Greig, Robert 1989. Zap-Pow-Whammee-Glop: Muller's Macbeth. Shakespeare in Southern Africa, 3:92-94.

Greyvenstein, Walter 1988a. The history and development of children's theatre in English in South Africa. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.

Greyvenstein, Walter 1988b. Why not play in the classroom? Lyra Academica, 3(2):50-62.

Greyvenstein, Walter 1989a. Children's theatre in South Africa. Part I. Lantern, 38(2):17-24.

Greyvenstein, Walter 1989b Children's theatre in South Africa. Part II. Lantern, 38(3):28-35.

Greyvenstein, Walter 1989c. Let us entertain you! children’s theatre and popular entertainment. South African Theatre Journal, 3(2):51-68.

Greyvenstein, Walter 1989d. Players, a collection of one-act plays, edited by Temple Hauptfleisch & Ted Townsend. Reviewed in: South African Theatre Journal, 3(1):103-104.

Greyvenstein, Walter 1990. Drama as a method for teahers of English. Crux, 24(4):24-51.

Greyvenstein, Walter 1994. Playwrights and human rights by Paddy Terry & Herman Kotze. Reviewed in: South African Theatre Journal, 8(1):93-96.

Greyvensteyn, Z. 1980a. Dawie Malan – a profile. Scenaria, (18):26-27.

Greyvensteyn, Z. 1980b. Siegfried Mynhardt: a profile. Scenaria, (17):17-18.

Griffin, Jennifer 1992. John Kani: reading the troubled landscape of South Africa. AmericanTtheatre, 9(8):26-27.

Griffin, Jennifer 1993. Paul Slabolepszy: coming of age in the cradle of apartheid. American Theatre, 10(9):47-48.

Grimbeek, D. 1977. Opvoedkundige waarde van toneelspel. Rehabilitation in South Africa, 21:59-60. October.



Click on the appropriate letters of the alphabet in the sub-list below.

Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance