ESAT Bibliography Ga-Gi

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Gabashane, Anthony Daniel 1996. The performance orientation of dramatic texts with specific reference to dialogue and didascalies in Athol Fugard's Playland and My children! My Africa!. Unpublished master’s thesis. Pretoria : University of South Africa.

Gaffney, Floyd 1992. Athol Fugard: regionalism, cultural diversity, and other matters. TheatreForum, 1(1):53-56.

Gagiano, Annie 2009. Thuthula: Heart of the Labyrinth, by Chris Zithulele Mann. Reviewed in: Shakespeare in Southern Africa, 21:95

Gardner, C.O. 1970. Manson’s casserole. Theoria, 35:35-49.

Gardner, C.O. 1985. A talk to Natal Education Department English teachers. Crux, 19(1):27-38.

Gardner, Colin 1988. Teaching Shakespeare in Southern African universities: a response to Martin Orkin’s Shakespeare Against Apartheid. Shakespeare in Southern Africa, 2:78-82.

Gardner, Colin 1994. Transition and transformation: Shakespeare, Dickens, Serote. English Studies in Africa, 37(2):1-10.

Garuba, H. 2001. The Island writes back: Discourse/ power and marginality in Wole Soyinka’s The Swamp Dwellers, Derek Walcott’s The Sea at Dauphin, and Athol Fugard’s The Island. Research in African Literatures, 32,(4):61-76.

Gaum, Fritz 1964. Onhistorisiteit in Bybeldramas en –romans. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Gaylard, Rob 2000. Oswald Mbuyiseni Mtshali, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 298-304.

Gaylard, Rob 2011. David Kramer: a biography. by Dawid de Villiers and Mathilda Slabbert. Reviewed in: South African Theatre Journal, 25(3):252-254.

Gaylard, Rob 2011. Bra Gib: Father of South Africa's township theatre, by Rolf Solberg. Reviewed in: South African Theatre Journal, 25(2):177-179.

Gaylard, Rob 2012. Bra Gib: father of South Africa's township theatre, by Rolf Solberg. Reviewed in: South African Theatre Journal, 26(2):229-231.

Gaylard, Rob 2012. Brothers in Blood by Mike van Graan. Reviewed in: South African Theatre Journal, 26(1):93-97.

The Gaynor Young inquiry. 1990. South African Theatre Journal, 4(2):12-29.

Geertsema, Gerrit 1985. ‘n Binneblik op TRUK. Die Suid-Afrikaan, (5):40-41.

Gelb, Hal 1990. Theater. Nation, 251(12):427-429.

Gelukkige Dae, by John Dighton, vertaal deur A.J.B. de Klerk. (criticism) 1953. Helikon 2(11)-2(12).

Gener, Randy 1996. A song for a new world. (Athol Fugard’s play Valley Song). American Theatre, 13(1):10.

Gener, Randy 2005. Cultures in peril: theatrical adventures in South Africa and Mali, Uganda, Mexico, India, the Philippines and Sri Lanka. American Theatre, 22(5):23.

Gener, Randy 2008. Africa writes back. American Theatre, 25(9):27.

Gener, Randy 2009. A dark night of the soul (Athol Fugard’s Have You Seen Us?) American Theatre, 26(10):23.

Geoffrey Hyland: drama 1997. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 106-107.

Gérard, Albert S. 1971. Four African Literatures: Xhosa, Sotho, Zulu, Amharic. Berkeley: University of California Press.

Gérard, Albert S. 1983. Comparative Literature and African Literatures: A series of lectures read at the University of South Africa in July 1981 edited from the tape-recordings by the author. Goodwood: Via Afrika.

Gérard, Albert S. 1993. Comparative Literature and African Literatures. 2nd ed. edited by C.F. Swanepoel. Pretoria : Via Afrika.

Gerber, C.J. 1988. Drama-based didactic strategies in the secondary school. Unpublished master’s thesis. Pretoria: University of Pretoria.

Gerber, J. 1988. Drama and aid to understanding. Education and Culture, 11(3):28-29.

Gericke, Aletta 2003. Herinneringe. Cape Town: Uitgewery Oranje.

Germanicus by N.P. van Wyk Louw. (criticism) 1958. Taal, 27(12):26-27.

Gevers, Johannes Jozef Camilla Gregorius 1964. De verhouding van spel en literatuur in de dramatische kunst. Unpublished master’s thesis. Stellenbosch: Univerity of Stellenbosch.

Gevisser, Mark 1994. Truth and consequences in post-apartheid theater. Theater Magazine, 25(3):8-18.

Gevisser, Mark 1994. Writing for the man in the street.: an interview with John Ledwaba. Theater Magazine, 25(3):19-23.

Gevisser, Mark 1995. Truth and consequences in Post-Apartheid theater. Theater, 25(3):9-18.

Gibbs, James 2013. The Grahamstown Festival and the Making of a Dramatist. An Interview with Andrew Buckland. African Theatre 11: Festivals:89-99.

Gibson, N. Jade 2012. Skeletal (in-)visibilities in the city – Rootless: a video sculptural response to the disconnected in Cape Town. South African Theatre Journal, 26(2):151-171.

Gilbert, H. & Tompkins, J. 1996. Post-colonial Drama. London: Routledge.

Gilbert, Shirli 2007. Singing against Apartheid: ANC cultural groups and the international anti-Apartheid struggle. Journal of Southern African Studies, 33(2):421-441.

Gillman, H.A. 1947. School drama in the brave new world. Journal of Secondary Education, 25(3):23-25.

Gilmore, Wendy 1980. Modern Medici: a look at corporate sponsorship of the arts. Scenaria, (16):3.

Gilmore, Wendy 1980. Directors at work, no. 2: Leonard Schach. Scenaria, (16):21-23, 42.

The Gin game. 1978. Scenaria, (10):19.

Ginsberg, Myril. nd. The Klein Libertas story until 1981. Newsletter in the archives of the Klein Libertas-teater, Stellenbosch.

Gittel, Manya, Mazaza, Kholisile & Stephanou, Irene. Entitled: Some Background to Forum Theatre. Saxonwold: Tsogang Theatre Education Development Association.

Click on the appropriate letters of the alphabet in the sub-list below.

Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz

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