Difference between revisions of "ESAT Bibliography Fla-Fly"

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Fleishman, Mark. 1990. Workshop theatre as oppositional form. South African theatre journal, 4(1): 88-118.
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Fleishman, Mark. 1990. Workshop theatre as oppositional form. South African Theatre Journal, 4(1):88-118.
  
Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Cape Town: University of Cape Town, (MA thesis).
+
Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: University of Cape Town.
  
Fleishman, Mark 1996. Physical images in the South African theatre. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 173-182.
+
Fleishman, Mark 1996. Physical images in the South African theatre, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 173-182.
 
   
 
   
Fleishman, Mark 1997 Physical images in the South African theatre. South African theatre journal, 11(1&2): 199-214.
+
Fleishman, Mark 1997 Physical images in the South African theatre. South African Theatre Journal, 11(1&2):199-214.
  
Fleishman, Mark. 1998. Making people’s theatre, by Robert Mshengu Kavanagh. Reviewed in: South African theatre journal, 12(1&2):253-256.
+
Fleishman, Mark. 1998. Making People’s Theatre, by Robert Mshengu Kavanagh. Reviewed in: South African Theatre Journal, 12(1&2):253-256.
  
Fleishman, Mark 2001. Unspeaking the centre. In Kriger, Robert & Zegeye, Abebe (eds) Culture in the new South Africa: after apartheid. Vol.2. Cape Town: Kwela Books. p. 91-115.
+
Fleishman, Mark 2001. Unspeaking the centre, in Kriger, Robert & Zegeye, Abebe (eds.). Culture in The New South Africa: After Apartheid. Vol.2. Cape Town: Kwela Books. 91-115.
  
Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African theatre journal, 21: 149-165.
+
Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African Theatre Journal, 21:149-165.
  
Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African theatre journal, 23: 116-136.
+
Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African Theatre Journal, 23:116-136.
  
Fletcher, D. 1976. Etienne Rousseau theatre. South African builder. 55(1): 14-15. January.
+
Fletcher, D. 1976. Etienne Rousseau theatre. South African Builder. 55(1):14-15. January.
  
Fletcher, Jill 1990. Puppetry, a guide for beginners, by Marie Kruger. Reviewed in: South African theatre journal, 4(2):114.
+
Fletcher, Jill 1990. Puppetry, a Guide for Beginners, by Marie Kruger. Reviewed in: South African Theatre Journal, 4(2):114.
  
Fletcher, Jill 1994.  The story of theatre in South Africa: a guide to its history from 1780-1930. Cape Town: Vlaeberg.
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Fletcher, Jill 1994.  The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.
  
Flockemann, Miki 1991 Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African theatre journal, 5(2): 40-54.
+
Flockemann, Miki 1991. Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African Theatre Journal, 5(2):40-54.
  
Flockemann, Miki 1994a. Imagining womencultural representation and gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African theatre journal, 8(1): 81-83.
+
Flockemann, Miki 1994a. Imagining WomenCultural Representation and Gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African Theatre Journal, 8(1):81-83.
  
Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in theatre production, 10: 31-38.
+
Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in Theatre Production, 10:31-38.
  
 
Flockemann, Miki 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142.
 
Flockemann, Miki 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142.
  
Flockemann, Miki 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1): 82-93.
+
Flockemann, Miki 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1):82-93.
  
Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts.  Journal for language teaching, 31(3): 276-283.
+
Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts.  Journal for Llanguage Teaching, 31(3):276-283.
  
Flockemann, M. 1998a. Categories and cultural continuums: a response to ‘Theatre and society in South Africa’, by Temple Hauptfleisch. Reviewed in: South African theatre journal, 12(1&2): 244-252
+
Flockemann, M. 1998a. Categories and cultural continuums: a response to ‘Theatre and Society in South Africa’, by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 12(1&2):244-252
  
Flockemann M. 1998b. White Men With Weapons, Black Women With Dresses: The TRC and Refashioning Myths of Identity. JTD: Journal of Theatre and Drama [serial
+
Flockemann M. 1998b. White men with weapons, Black women with dresses: The TRC and refashioning myths of identity. JTD: Journal of Theatre and Drama, 4:7-22.  
online]. 1998;4:7-22.  
 
  
Flockemann Miki & Mazibuko T. 1999a. Between women -- an interview with Gcina Mhlophe. Contemporary theatre review, 9(1): 41.  
+
Flockemann Miki & Mazibuko T. 1999a. Between women -- an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1):41.  
  
Flockemann Miki 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary theatre review, 9(3): 37.  
+
Flockemann Miki 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary Theatre Review, 9(3):37.  
  
Flockemann Miki 1999c. On not giving up -- an interview with Fatima Dike. Contemporary theatre review, 9(1): 17.
+
Flockemann Miki 1999c. On not giving up -- an interview with Fatima Dike. Contemporary Theatre Review, 9(1):17.
 +
 
 +
Flockemann, Miki 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African Theatre Journal, 15:25-39.
 +
 
 +
Flockemann, Miki 2002. Translations, affirmations, inventions and subversions:  Grahamstown 2002.  South African Theatre Journal, 16:198-207.
  
Flockemann, Miki 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African theatre journal, 15:25-39
 
  
Flockemann, Miki 2002. Translations, affirmations, inventions and subversions:  Grahamstown 2002.  South African theatre journal, 16: 198 – 207.
 
  
  

Revision as of 14:22, 10 January 2011

Click on the appropriate letters of the alphabet in the sub-list below.

Fa-Fi Fla-Fly Foa-Foz Fr-Fz

To return to any other letter, click on the list below

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Fleishman, Mark. 1990. Workshop theatre as oppositional form. South African Theatre Journal, 4(1):88-118.

Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: University of Cape Town.

Fleishman, Mark 1996. Physical images in the South African theatre, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 173-182.

Fleishman, Mark 1997 Physical images in the South African theatre. South African Theatre Journal, 11(1&2):199-214.

Fleishman, Mark. 1998. Making People’s Theatre, by Robert Mshengu Kavanagh. Reviewed in: South African Theatre Journal, 12(1&2):253-256.

Fleishman, Mark 2001. Unspeaking the centre, in Kriger, Robert & Zegeye, Abebe (eds.). Culture in The New South Africa: After Apartheid. Vol.2. Cape Town: Kwela Books. 91-115.

Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African Theatre Journal, 21:149-165.

Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African Theatre Journal, 23:116-136.

Fletcher, D. 1976. Etienne Rousseau theatre. South African Builder. 55(1):14-15. January.

Fletcher, Jill 1990. Puppetry, a Guide for Beginners, by Marie Kruger. Reviewed in: South African Theatre Journal, 4(2):114.

Fletcher, Jill 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.

Flockemann, Miki 1991. Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African Theatre Journal, 5(2):40-54.

Flockemann, Miki 1994a. Imagining Women: Cultural Representation and Gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African Theatre Journal, 8(1):81-83.

Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in Theatre Production, 10:31-38.

Flockemann, Miki 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142.

Flockemann, Miki 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1):82-93.

Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for Llanguage Teaching, 31(3):276-283.

Flockemann, M. 1998a. Categories and cultural continuums: a response to ‘Theatre and Society in South Africa’, by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 12(1&2):244-252

Flockemann M. 1998b. White men with weapons, Black women with dresses: The TRC and refashioning myths of identity. JTD: Journal of Theatre and Drama, 4:7-22.

Flockemann Miki & Mazibuko T. 1999a. Between women -- an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1):41.

Flockemann Miki 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary Theatre Review, 9(3):37.

Flockemann Miki 1999c. On not giving up -- an interview with Fatima Dike. Contemporary Theatre Review, 9(1):17.

Flockemann, Miki 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African Theatre Journal, 15:25-39.

Flockemann, Miki 2002. Translations, affirmations, inventions and subversions: Grahamstown 2002. South African Theatre Journal, 16:198-207.



Click on the appropriate letters of the alphabet in the sub-list below.

Fa-Fi Fla-Fly Foa-Foz Fr-Fz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance