Difference between revisions of "ESAT Bibliography Dev-Dir"

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De Villiers, A. 1976. Toneeljaar 1975 in Transvaal. Standpunte, 29(1): 55-62. February.
+
Devarenne, N. 2010. The language of Ham and the language of Cain: "dialect" and linguistic hybridity in the work of [[Adam Small]]. ''Journal of Commonwealth Literature'', 45(3):389-408.
  
De Villiers, A. 1980. Amateurtoneel in ere herstel. Taalgenoot, 49(9): 20-21.
+
[[A. de Villiers|De Villiers, A.]] 1976. Toneeljaar 1975 in Transvaal. ''[[Standpunte]]'', 29(1):55-62.  
  
De Villiers, Aart 1971. Regieboek vir Germanicus van N.P. van Wyk Louw. Pretoria: Universiteit van Pretoria. (D.Phil. thesis).
+
[[A. de Villiers|De Villiers, A.]] 1980. Amateurtoneel in ere herstel. ''[[Die Taalgenoot]]'', 49(9):20-21.
  
De Villiers, Aart 1984. Die dialoog van die versdrama. In: Malan, Charles (ed.) Spel en spieël :  besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 115-124.
+
[[Aart de Villiers|De Villiers, Aart]] 1971. Regieboek vir ''[[Germanicus]]'' van [[N.P. van Wyk Louw]]. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
  
De Villiers, Aart 1986. Die kritikus in die toneelwêreld. Opvoeding en kultuur, 9(2) : 32.
+
[[Aart de Villiers|De Villiers, Aart]] 1976. ''Dirigent Van Die Woord''. Johannesburg: [[Perskor]].  
  
De Villiers, Aart 1987. Bartho Smit-vertalings. Reviewed in: South African theatre journal, 1(2):90-93.
+
[[Aart de Villiers|De Villiers, Aart]] 1984. Die dialoog van die versdrama, in [[Charles Malan|Malan, Charles]] (ed.). ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''.  Johannesburg: Perskor. 115-124.
  
De Villiers, Coenie. 1994.  Cabaret as new journalism: A proposed model for inter¬textual analysis. South African theatre journal, 8(2): 127-149.
+
[[Aart de Villiers|De Villiers, Aart]] 1986. Die kritikus in die toneelwêreld. ''[[Opvoeding en Kultuur]]'', 9(2):32.
  
De Villiers, D. 1967. Janet Suzman: our girl in Stratford. Personality, 121-127. December 7.
+
[[Aart de Villiers|De Villiers, Aart]] 1987. [[Bartho Smit]]-vertalings. Reviewed in: ''[[South African Theatre Journal]]'', 1(2):90-93.
  
De Villiers, D. 1968. Vroue Landbou-unie sit handjie by. Naweekpos, 15(169): 22-24. May.
+
[[Coenie de Villiers|De Villiers, Coenie]] 1994. Cabaret as new journalism: A proposed model for inter¬textual analysis. ''[[South African Theatre Journal]]'', 8(2):127-149.
  
De Villiers, D.P. 1952. Hendrik Hanekom as mens. Huisgenoot, 36(1560): 11. February 15.
+
[[D. de Villiers|De Villiers, D.]] 1967. [[Janet Suzman]]: our girl in Stratford. ''Personality'', 121-127. December 7.
  
De Villiers, Dirk 1986. Dit was die jaar van Sher [Antony Sher]. De kat, 1(7) : 16-18.
+
[[D. de Villiers|De Villiers, D.]] 1968. Vroue Landbou-unie sit handjie by. ''Naweekpos'', 15(169):22-24. May.
  
De Villiers, I. 1968. Artistry in make-up. South African panorama, 13(8): 22-25.  
+
[[David de Villiers|De Villiers, David]]. 2010. 'Van Daai Plek': [[David Kramer]], ''[[Die Ballade van Koos Sas]]'', and the Ground of Being. ''Journal of Literary Studies'' 26.2 (2010): 58-68.
  
De Villiers, Linda 1993. Evita Bezuidenhout : die Koning se nar? Potchefstroom: Potchefstroomse Universiteit vir Christelike Hoër Onderwys.: (MA (Toneelwetenskap) thesis).
+
[[David de Villiers|De Villiers, David]] and  [[Mathilda Slabbert|Slabbert, Mathilda]]. 2011. ''[[David Kramer]]: A biography''. Cape Town: Tafelberg.
  
De Villiers, Steve 1948a. Eerste toneel kragte van die staat. Brandwag. 11(538): 12-13. Januarie 23.
+
[[D.P. de Villiers|De Villiers, D.P.]] 1952. [[Hendrik Hanekom]] as mens. ''Huisgenoot'', 36(1560): 11. February 15.
  
De Villiers, Steve 1948b. Energieke toewyding. [André Huguenet en die toneel]. Brandwag, 11(541): 7. February 13.
+
[[Dirk de Villiers|De Villiers, Dirk]] 1986. Dit was die jaar van [[Antony Sher|Sher]]. ''De Kat'', 1(7) : 16-18.
  
De Villiers, Steve 1948c. Nuwe hoofstuk [in Suid-Afrikaanse toneel]. Brandwag, 11(566): 17-19. August 6.
+
[[I. de Villiers|De Villiers, I.]] 1968. Artistry in make-up. ''South African Panorama'', 13(8): 22-25.  
  
De Vos, L. 1982. Backstage: Een europese lektuur van Afrikaans teater. AVRUGB, 9 (2-3): 3-7.
+
[[Linda de Villiers|De Villiers, Linda]] 1993. [[Evita Bezuidenhout]] : die Koning se nar? Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.  
  
De Vos, W. 2007. Die lewe loop sy eie draaie: profiel [Trix Pienaar]. Lig, 72(3): 26-28.
+
[[Steve de Villiers|De Villiers, Steve]] 1948a. Eerste toneel kragte van die staat. ''Brandwag''. 11(538):12-13. Januarie 23.
  
De Waal, J.H.H. 1932. My herinnerings van ons taalstryd. Kaapstad: Nasionale Pers.  
+
[[Steve de Villiers|De Villiers, Steve]] 1948b. Energieke toewyding. ([[André Huguenet]] en die toneel). ''Brandwag'', 11(541):7. February 13.
  
 +
[[Steve de Villiers|De Villiers, Steve]] 1948c. Nuwe hoofstuk [in Suid-Afrikaanse toneel]. ''Brandwag'', 11(566):17-19. August 6.
  
De Wet, Elizabeth May 1997. Subversive acts : the politics of the female subject in performance. Cape Town: University of Cape Town. M.A. (Drama) thesis).
+
[[L. de Vos|De Vos, L.]] 1982. Backstage: Een europese lektuur van Afrikaans teater. ''AVRUGB'', 9 (2-3):3-7.
  
Dhlomo, H.I.E. 1939.  Nature and variety of tribal drama. Bantu studies 13.
+
[[W. de Vos|De Vos, W.]] 2007. Die lewe loop sy eie draaie: profiel ([[Trix Pienaar]]). ''Lig'', 72(3):26-28.
  
Dhlomo, H.L.E. 1977. Literary theory and criticism of H L E Dhlomo; [collected essays] ed by N W Visser. English in Africa,4(2): 1-76. September.
+
[[J.H.H. de Waal|De Waal, J.H.H.]] 1932. ''My Herinnerings Van Ons Taalstryd''. Kaapstad: Nasionale Pers.  
  
Dhlomo, H.I.E. 1985. Collected works Edited by Nick Visser and Tim Couzens.   Johannesburg: Ravan.
+
[[Elizabeth May de Wet|De Wet, Elizabeth May]] 1997. Subversive acts : the politics of the female subject in performance. Unpublished master’s thesis. Cape Town: University of Cape Town.
  
Dhlomo, H.I.E. (nd) The Evolution of Bantu Entertainments. Unpublished manuscript in Killie Campbell Museum, University of Natal (KCM 8290/2)
+
[[H.I.E. Dhlomo|Dhlomo, H.I.E.]] 1939.  Nature and variety of tribal drama. ''Bantu Studies'', 13.
  
Dickerson, Mary Elizabeth Henderson 1980. Some aspects of play production in the English and parallel medium secondary schools of the Eastern Cape 1822-1977. Grahamstown: Rhodes University. (MA thesis).
+
[[H.I.E. Dhlomo|Dhlomo, H.I.E.]] 1977. Literary theory and criticism of [[H.I.E. Dhlomo]]; [collected essays] ed. by [[N.W. Visser]]. ''English in Africa'', 4(2):1-76. September.
  
Dickey, Jerry Richard 1987. The artist as rebel: the development of Athol Fugard’s dramaturgy and the influence of Albert Camus. Bloomington, IN: Indiana University. (Ph.D. thesis).
+
[[H.I.E. Dhlomo|Dhlomo, H.I.E.]] 1977. Drama and the African. Literary Criticism and Theory of [[H.I.E. Dhlomo]]. Special issue of ''English in Africa'' 4(2):3-11.
  
Dike, Fatima 1996. So what’s new? The story behind the play. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 242-245.
+
[[H.I.E. Dhlomo|Dhlomo, H.I.E.]] 1985. ''Collected Works'', edited by [[Nick Visser]] and [[Tim Couzens]].   Johannesburg: Ravan.
  
Dike, Fatima 2006. Beyond the USA, beyond the UK: a view from South Africa. In Greene, Alexis (ed.) Women writing plays: three decades of the Susan Smith Blackburn Prize. Austin: University of Texas Press. p. 199.
+
[[H.I.E. Dhlomo|Dhlomo, H.I.E.]] 1993. Nature and variety of tribal drama, in [[R.H. Kashula|Kashula, R.H.]] (ed.). ''Foundations in Southern African Oral Poetry''. Witwatersrand: Witwatersrand University Press.  
  
Dikeni, Sandile. 2000. The Albino terrorist inside Johnny Cockroach. In: The Cape Times, January 24, 2000: 8.
+
[[H.I.E. Dhlomo|Dhlomo, H.I.E.]] (no date) The Evolution of Bantu Entertainments. Unpublished manuscript in Killie Campbell Museum, University of Natal (KCM 8290/2)
  
Directors at work, no.1: John Hussey. 1979. Scenaria, (15): 5-7.
+
Diana 1945. ''[[Nag het die Wind Gebring]]'' by [[W.A. de Klerk]]. Reviewed in ''Trek'', 10(1):15.
  
Dirmeik, Rosemary Ursula 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana. Johannesburg: Public Library.
+
[[Beth Dickerson|Dickerson, Mary Elizabeth Henderson]] 1980. Some aspects of play production in the English and parallel medium secondary schools of the Eastern Cape 1822-1977. Unpublished master’s thesis. Grahamstown: Rhodes University.
 +
 
 +
[[Jerry Richard Dickey|Dickey, Jerry Richard]] 1987. The artist as rebel: the development of [[Athol Fugard]]’s dramaturgy and the influence of Albert Camus. Unpublished doctoral dissertation. Bloomington, IN: Indiana University.
 +
 
 +
[[Die Bywoners]] [theatrical company]: another milestone in Afrikaans theatre. 1981.  ''[[Scenaria]]'', (24):9-10.
 +
 
 +
[[Die Maskerspelers]]: beroepsgroep van [[Die Masker]]. 1945. ''[[Filma]]'', 2(4):10-11.
 +
 
 +
''[[Die Van Aardes van Grootoor]]'' [dramatic criticism]. ''English in Africa'', 6(2):78-84.
 +
 
 +
[[Fatima Dike|Dike, Fatima]] 1996. So what’s new? The story behind the play, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 242-245.
 +
 
 +
[[Fatima Dike|Dike, Fatima]] 2006. Beyond the USA, beyond the UK: a view from South Africa, in Greene, Alexis (ed.). ''Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize''. Austin: University of Texas Press. 199.
 +
 
 +
[[Dimpho Di Kopane]]. 2004 ''A Short History of Dimpho Di Kopane: A South African Lyric Theatre Company''. Cape Town: Spier and Nando's. 
 +
 
 +
Dinesh, Nandita 2012. It's not that simple … doubts, responsibility, theatre and war. ''[[South African Theatre Journal]]'', 26(3):292-302.
 +
 
 +
Directors at work, no.1: [[John Hussey]]. 1979. ''[[Scenaria]]'', (15):5-7.
 +
 
 +
[[Rosemary Ursula Dirmeik|Dirmeik, Rosemary Ursula]] 1964. ''A List of Theatre Performances in Johannesburg, 1887-1897, Based on the Programme Collection in the Strange Library of Africana''. Johannesburg: Public Library.
  
  

Latest revision as of 06:47, 6 December 2019

Click on the appropriate letters of the alphabet in the sub-list below.

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Return to A Bibliography of South African South African Theatre and Performance


Devarenne, N. 2010. The language of Ham and the language of Cain: "dialect" and linguistic hybridity in the work of Adam Small. Journal of Commonwealth Literature, 45(3):389-408.

De Villiers, A. 1976. Toneeljaar 1975 in Transvaal. Standpunte, 29(1):55-62.

De Villiers, A. 1980. Amateurtoneel in ere herstel. Die Taalgenoot, 49(9):20-21.

De Villiers, Aart 1971. Regieboek vir Germanicus van N.P. van Wyk Louw. Unpublished doctoral dissertation. Pretoria: University of Pretoria.

De Villiers, Aart 1976. Dirigent Van Die Woord. Johannesburg: Perskor.

De Villiers, Aart 1984. Die dialoog van die versdrama, in Malan, Charles (ed.). Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 115-124.

De Villiers, Aart 1986. Die kritikus in die toneelwêreld. Opvoeding en Kultuur, 9(2):32.

De Villiers, Aart 1987. Bartho Smit-vertalings. Reviewed in: South African Theatre Journal, 1(2):90-93.

De Villiers, Coenie 1994. Cabaret as new journalism: A proposed model for inter¬textual analysis. South African Theatre Journal, 8(2):127-149.

De Villiers, D. 1967. Janet Suzman: our girl in Stratford. Personality, 121-127. December 7.

De Villiers, D. 1968. Vroue Landbou-unie sit handjie by. Naweekpos, 15(169):22-24. May.

De Villiers, David. 2010. 'Van Daai Plek': David Kramer, Die Ballade van Koos Sas, and the Ground of Being. Journal of Literary Studies 26.2 (2010): 58-68.

De Villiers, David and Slabbert, Mathilda. 2011. David Kramer: A biography. Cape Town: Tafelberg.

De Villiers, D.P. 1952. Hendrik Hanekom as mens. Huisgenoot, 36(1560): 11. February 15.

De Villiers, Dirk 1986. Dit was die jaar van Sher. De Kat, 1(7) : 16-18.

De Villiers, I. 1968. Artistry in make-up. South African Panorama, 13(8): 22-25.

De Villiers, Linda 1993. Evita Bezuidenhout : die Koning se nar? Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

De Villiers, Steve 1948a. Eerste toneel kragte van die staat. Brandwag. 11(538):12-13. Januarie 23.

De Villiers, Steve 1948b. Energieke toewyding. (André Huguenet en die toneel). Brandwag, 11(541):7. February 13.

De Villiers, Steve 1948c. Nuwe hoofstuk [in Suid-Afrikaanse toneel]. Brandwag, 11(566):17-19. August 6.

De Vos, L. 1982. Backstage: Een europese lektuur van Afrikaans teater. AVRUGB, 9 (2-3):3-7.

De Vos, W. 2007. Die lewe loop sy eie draaie: profiel (Trix Pienaar). Lig, 72(3):26-28.

De Waal, J.H.H. 1932. My Herinnerings Van Ons Taalstryd. Kaapstad: Nasionale Pers.

De Wet, Elizabeth May 1997. Subversive acts : the politics of the female subject in performance. Unpublished master’s thesis. Cape Town: University of Cape Town.

Dhlomo, H.I.E. 1939. Nature and variety of tribal drama. Bantu Studies, 13.

Dhlomo, H.I.E. 1977. Literary theory and criticism of H.I.E. Dhlomo; [collected essays] ed. by N.W. Visser. English in Africa, 4(2):1-76. September.

Dhlomo, H.I.E. 1977. Drama and the African. Literary Criticism and Theory of H.I.E. Dhlomo. Special issue of English in Africa 4(2):3-11.

Dhlomo, H.I.E. 1985. Collected Works, edited by Nick Visser and Tim Couzens. Johannesburg: Ravan.

Dhlomo, H.I.E. 1993. Nature and variety of tribal drama, in Kashula, R.H. (ed.). Foundations in Southern African Oral Poetry. Witwatersrand: Witwatersrand University Press.

Dhlomo, H.I.E. (no date) The Evolution of Bantu Entertainments. Unpublished manuscript in Killie Campbell Museum, University of Natal (KCM 8290/2)

Diana 1945. Nag het die Wind Gebring by W.A. de Klerk. Reviewed in Trek, 10(1):15.

Dickerson, Mary Elizabeth Henderson 1980. Some aspects of play production in the English and parallel medium secondary schools of the Eastern Cape 1822-1977. Unpublished master’s thesis. Grahamstown: Rhodes University.

Dickey, Jerry Richard 1987. The artist as rebel: the development of Athol Fugard’s dramaturgy and the influence of Albert Camus. Unpublished doctoral dissertation. Bloomington, IN: Indiana University.

Die Bywoners [theatrical company]: another milestone in Afrikaans theatre. 1981. Scenaria, (24):9-10.

Die Maskerspelers: beroepsgroep van Die Masker. 1945. Filma, 2(4):10-11.

Die Van Aardes van Grootoor [dramatic criticism]. English in Africa, 6(2):78-84.

Dike, Fatima 1996. So what’s new? The story behind the play, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 242-245.

Dike, Fatima 2006. Beyond the USA, beyond the UK: a view from South Africa, in Greene, Alexis (ed.). Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize. Austin: University of Texas Press. 199.

Dimpho Di Kopane. 2004 A Short History of Dimpho Di Kopane: A South African Lyric Theatre Company. Cape Town: Spier and Nando's.

Dinesh, Nandita 2012. It's not that simple … doubts, responsibility, theatre and war. South African Theatre Journal, 26(3):292-302.

Directors at work, no.1: John Hussey. 1979. Scenaria, (15):5-7.

Dirmeik, Rosemary Ursula 1964. A List of Theatre Performances in Johannesburg, 1887-1897, Based on the Programme Collection in the Strange Library of Africana. Johannesburg: Public Library.


Click on the appropriate letters of the alphabet in the sub-list below.

Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance