Difference between revisions of "ESAT Bibliography Com-Cop"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3) : 233-247.
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Combrink, Annette L.1986 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, Vol 7, Issue 1: 58-68.
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Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African theatre journal, 1(1):125-129.
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Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference.
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Combrink, Annette L. 1987. Seven plays and four monologues, by Geraldine Aron. Reviewed in: South African theatre journal, 1(1):130-132.
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Combrink, Annette L. 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 195-205.
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Combrink, Salomé 1978. Verskillende fasette van hoop in enkele moderne dramas. Potchefstroom: Potchefstroomse Universiteit vir C.H.O. (M.A. thesis).
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Combrink, Salomé 1986.  Drama : registreerder van laat twintigste-eeuse stadsproblematiek. Potchefstroom: Potchefstroom University for Christian Higher Education. (D.Litt. thesis).
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Combrink, Salomé 1988. Drama as registreerder van laat twintigste-eeuse stadsproblematiek. Fasette, 7(2): 42-45. December.
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Computer controls live theatre lighting. 1970. South African electrical review, 61(629): 32. October.
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Conradie, P.J. 1962. Noodlot in die dramas van Leipoldt – ’n verdere poging. Tydskrif vir letterkunde, 12(1): 20-25.
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Conradie, P.J. 1969. Afrikaanse dramaturge. Teater S.A., 1(3): 2-3.
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Conradie, P.J. 1974.  Hoe om ‘n drama te ontleed. Pretoria: Academica.
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Conradie, P.J. 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. Standpunte, 31(2): 32-39. April.
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Conradie, P.J. 1980. Betrokkenheid in ‘n paar onlangse dramas. Standpunte, 33(2): 57-64.
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Conradie, P.J. 1982. Op die grense van die drama. Standpunte, 35(2): 67-75.
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Conradie, P.J. 1982. Mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir letterkunde, 20(4) : 44-52.
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Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings. In: Malan, Charles (ed.) Spel en spieël :  besprekings van die moderne Afrikaanse drama en teater.  Johannesburg: Perskor. p.  7-22.
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Conradie, P.J. 1984b. Literêre kritikus en die drama. Standpunte, 37(3) : 22-27.
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Conradie, P.J. 1985. Die literere kritikus en die drama. Teaterforum, 6(1) :73-90.
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Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African theatre journal, 4(1): 61-74.
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Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir letterkunde, 29(1): 76-83.
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Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African theatre journal, 10(1): 25-34.
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Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43): 15-22.
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Conradie, P.J. 2000 Tragic conflicts in three African plays. South African theatre journal, 14: 129- 45.
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Conradie, Piet & Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1): 82.
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Constantly filled Space. 1972. Artlook, 5(12): 22-24. December.
 +
 +
Conversations with Breytenbach. 1978. Scenaria, April/May:40-41.
 +
 +
Conversations with giants: Athol Fugard. Dramatists Guild quarterly, 27(4): 6, 15-24.
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 +
Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035): 49. December 27.
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Coplan, David 1987. Dialectics of tradition in Southern African Black popular theatre. Critical arts, 4(3): 5-27.
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Coplan, David 1987  Retying The Bloodknot:  Fugard on Broadway, South African Theatre Journal, 1(1):114-7.
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Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social dynamics, 20(1): 150-151.
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Coplan, David B. 2008. In township tonight! :South Africa's black city music and theatre. 2nd ed. Chicago, IL :University of Chicago Press.
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Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Grahamstown: Rhodes University. (M.A. (Drama) thesis).
  
  

Revision as of 13:10, 2 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3) : 233-247.

Combrink, Annette L.1986 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, Vol 7, Issue 1: 58-68.

Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African theatre journal, 1(1):125-129.

Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference.

Combrink, Annette L. 1987. Seven plays and four monologues, by Geraldine Aron. Reviewed in: South African theatre journal, 1(1):130-132.

Combrink, Annette L. 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 195-205.

Combrink, Salomé 1978. Verskillende fasette van hoop in enkele moderne dramas. Potchefstroom: Potchefstroomse Universiteit vir C.H.O. (M.A. thesis).

Combrink, Salomé 1986. Drama : registreerder van laat twintigste-eeuse stadsproblematiek. Potchefstroom: Potchefstroom University for Christian Higher Education. (D.Litt. thesis).

Combrink, Salomé 1988. Drama as registreerder van laat twintigste-eeuse stadsproblematiek. Fasette, 7(2): 42-45. December.

Computer controls live theatre lighting. 1970. South African electrical review, 61(629): 32. October.

Conradie, P.J. 1962. Noodlot in die dramas van Leipoldt – ’n verdere poging. Tydskrif vir letterkunde, 12(1): 20-25.

Conradie, P.J. 1969. Afrikaanse dramaturge. Teater S.A., 1(3): 2-3.

Conradie, P.J. 1974. Hoe om ‘n drama te ontleed. Pretoria: Academica.

Conradie, P.J. 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. Standpunte, 31(2): 32-39. April.

Conradie, P.J. 1980. Betrokkenheid in ‘n paar onlangse dramas. Standpunte, 33(2): 57-64.

Conradie, P.J. 1982. Op die grense van die drama. Standpunte, 35(2): 67-75.

Conradie, P.J. 1982. Mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir letterkunde, 20(4) : 44-52.

Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings. In: Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 7-22.

Conradie, P.J. 1984b. Literêre kritikus en die drama. Standpunte, 37(3) : 22-27.

Conradie, P.J. 1985. Die literere kritikus en die drama. Teaterforum, 6(1) :73-90.

Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African theatre journal, 4(1): 61-74.

Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir letterkunde, 29(1): 76-83.

Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African theatre journal, 10(1): 25-34.

Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43): 15-22.

Conradie, P.J. 2000 Tragic conflicts in three African plays. South African theatre journal, 14: 129- 45.

Conradie, Piet & Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1): 82.

Constantly filled Space. 1972. Artlook, 5(12): 22-24. December.

Conversations with Breytenbach. 1978. Scenaria, April/May:40-41.

Conversations with giants: Athol Fugard. Dramatists Guild quarterly, 27(4): 6, 15-24.

Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035): 49. December 27.

Coplan, David 1987. Dialectics of tradition in Southern African Black popular theatre. Critical arts, 4(3): 5-27.

Coplan, David 1987 Retying The Bloodknot: Fugard on Broadway, South African Theatre Journal, 1(1):114-7.

Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social dynamics, 20(1): 150-151.

Coplan, David B. 2008. In township tonight! :South Africa's black city music and theatre. 2nd ed. Chicago, IL :University of Chicago Press.

Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Grahamstown: Rhodes University. (M.A. (Drama) thesis).


Click on the appropriate letters of the alphabet in the sub-list below.

Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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