Difference between revisions of "ESAT Bibliography Bry-By"
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[[Nefertiti Burton|Burton, Nefertiti]] 2001. Coastal reflections (social commentary in South African theater). ''American Theatre'', 18(6):78-81. | [[Nefertiti Burton|Burton, Nefertiti]] 2001. Coastal reflections (social commentary in South African theater). ''American Theatre'', 18(6):78-81. | ||
| − | [[Neil Butcher|Butcher, Neil]] 1992. [[Herbert Dhlomo]] in perspective. ''[[South African Theatre Journal]]'', 6(2):49-63. | + | [[Neil Butcher|Butcher, Neil]] 1992. [[Herbert Dhlomo|H.I.E. Dhlomo]] in perspective. ''[[South African Theatre Journal]]'', 6(2):49-63. |
[[Mbongiseni Buthelezi|Buthelezi, Mbongiseni]] & [[Christopher Hurst|Hurst, Christopher]] 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. ''Current Writing'',15(1):123-134. | [[Mbongiseni Buthelezi|Buthelezi, Mbongiseni]] & [[Christopher Hurst|Hurst, Christopher]] 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. ''Current Writing'',15(1):123-134. | ||
Revision as of 14:37, 4 August 2011
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Bryant, Margot 1978. South Africa’s greatest theatrical partnership. (Leonard Rayne & Freda Godfrey). Mafeking Mail, 1(5):6-8. May.
Bryant, Margot 1979. Born To Act: The Story of Freda Godfrey. Johannesburg: Donker.
Bryceland, Yvonne 1977. [Acting]. Speak, 1(1):26-27. December.
Bughwan, Devi 1984. The designing of undergraduate courses in drama. Teaterforum, 5(1):37-55. May.
Buitendag, André 1992. Educational direction: pedagogic considerations in youth theatre. Unpublished master’s thesis. Pretoria: University of Pretoria.
Bunguzana, W.M. 1990. Space in Xhosa drama : a study of 2 texts. Unpublished honour’s thesis. Bloemfontein : University of the Orange Free State.
Burden, Mathilda 1986. Tradisionele danse van die Afrikaner wat tot in die twintigste eeu bly voortbestaan het. Tydskrif vir Volkskunde en Volkstaal, 42(1):32-40.
Burger, Kobus 1999. Feestyd! Insig, 10/99:58.
Burgers, R. 1975. En toe wen Trix Pienaar die Oscar. Sarie Marais, 27(10):24-27. November 5.
Burke, Michael 1984. Baxter’s first pantomine Alladin. Scenaria, (41):7.
Burke, Michael 1987a. PACOFS’s Hello Dolly. Scenaria, (75):39-41.
Burke, Michael 1987b. Pact’s Pirates and Student prince. Scenaria, (72):27-31.
Burke, Michael 1988. Pointers for pantomime. Scenaria, (95):33-35.
Burnett, Mary 1984. Ten years of cultural growth; the 1820 Foundation. Lantern, 33(2):68-77.
Burnett, S. 2007. Betting on bums on seats – the business of theatres. Financial Mail, 190(11):72-73. Mar 23.
Burns, Hilary 2002a. The long road home: Athol Fugard and his collaborators. New Theatre Quarterly, 18(3):234-242.
Burns, Hilary 2002b. The Market Theatre of Johannesburg in the New South Africa. New Theatre Quarterly, 18(4):359-374.
Burton, Nefertiti 2001. Coastal reflections (social commentary in South African theater). American Theatre, 18(6):78-81.
Butcher, Neil 1992. H.I.E. Dhlomo in perspective. South African Theatre Journal, 6(2):49-63.
Buthelezi, Mbongiseni & Hurst, Christopher 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. Current Writing,15(1):123-134.
Butler, Brendan 1984. Drama in education vs the theatricality of schooling. SAADYT Journal, 5(2):4-15.
Butler, Guy 1984. A search for synthesis,in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 6-10.
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