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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
 +
Return to [[The ESAT Entries]]
  
 +
==The list==
  
Rawlinson, Brian|Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.
+
[[Brian Rawlinson]]: twentieth century buccaneer. 1979. ''[[Scenaria]]'', (15):21-22.
  
Tania Bridges|Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.  
+
[[Tania Bridges|Bridges, Tania]] 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.  
  
A. Brimer|Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6:29-44.
+
[[A. Brimer|Brimer, A.]] 1993. Shakespeare and South African politics. ''[[Shakespeare in Southern Africa]]'', 6:29-44.
  
[[André P. Brink|Brink, André P.]] 1970. Gordyn:  oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2):38-41.
+
[[André P. Brink|Brink, André P.]] 1961a. ''[[Germanicus]]'' en Shakespeare. ''[[Tydskrif vir Letterkunde]]'', 11(2):106-118.
  
[[André P. Brink|Brink, André P.]] 1971. Censorship – Climate of Fear. Contrast, 7(2).
+
[[André P. Brink|Brink, André P.]] 1961b. [[N.P. van Wyk Louw|Van Wyk Louw]] - en Robert Graves? ''[[Tydskrif vir Letterkunde]]'', 11(3):108-114. (''[[Germanicus]]'')
  
[[André P. Brink|Brink, André P.]] 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5):35-36.
+
[[André P. Brink|Brink, André P.]] 1970. Gordyn:  oop; gedagtes oor die Afrikaanse toneel. ''[[Buurman]]'', 1(2):38-41.
  
[[André P. Brink|Brink, André P.]] 1978. Afrikaans theatre: the contemporary scene. Theatre Quarterly, 7(28):71-76.
+
[[André P. Brink|Brink, André P.]] 1971. Censorship – Climate of Fear. ''[[Contrast]]'', 7(2).
  
[[André P. Brink|Brink, André P.]] 1986. Aspekte van die Nuwe Drama. Pretoria: Academica.
+
[[André P. Brink|Brink, André P.]] 1974. ''Aspekte van die Nuwe Drama''. Pretoria: [[Academica]]. (Tweede uitgawe, 1986)
  
[[André P. Brink|Brink, André P.]] 1989. Hink die kruppel toneel nog? De Kat, 5(4):104-105.
+
[[André P. Brink|Brink, André P.]] 1976. ''Voorlopige Rapport'' (A collection of his reviews). Cape Town: [[Human & Rousseau]].
  
[[André P. Brink|Brink, André P.]] 1993. ‘No way out’ : Sizwe Banzi is Dead and the dilemma of political drama in South Africa. Twentieth Century Literature, 39(4) :438-454.
+
[[André P. Brink|Brink, André P.]] 1978. Afrikaans theatre: the contemporary scene. ''Theatre Quarterly'', 7(28):71-76.
  
[[André P. Brink|Brink, André P.]] 1996. Ou wynsakke of nuwe leeftog?  Insig, 11/96:45.
+
[[André P. Brink|Brink, André P.]] 1980. ''Tweede Voorlopige Rapport'' (2nd collection of his reviews). Cape Town: [[Human & Rousseau]].
  
Britz, Martha H.S. 1984.  Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.  
+
[[André P. Brink|Brink, André P.]] 1985. Krisis in die uitvoerende kunste. ''[[Die Suid-Afrikaan]]'', (5):35-36.
  
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481.  
+
[[André P. Brink|Brink, André P.]] 1989. Hink die kruppel toneel nog? ''[[De Kat]]'', 5(4):104-105.
  
Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.
+
[[André P. Brink|Brink, André P.]] 1990. [[Athol Fugard]]’s South Africa. ''World Press Review'', 37:36+ July.
  
Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.  
+
[[André P. Brink|Brink, André P.]] 1993. ‘No way out’ : ''[[Sizwe Banzi is Dead]]'' and the dilemma of political drama in South Africa. ''Twentieth Century Literature'', 39(4) :438-454.
  
Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.
+
[[André P. Brink|Brink, André P.]] 1996. Ou wynsakke of nuwe leeftog?  ''[[Insig]]'', 11/96:45.
  
Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.
+
[[André P. Brink|Brink, André P.]] 1997. Challenge and response: the changing face of theater in South Africa. ''Twentieth-Century Literature'', 43(2):162-176.
  
Brooke, Michael 1985. The Limelight and Contacts, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.
+
[[André P. Brink|Brink, André P.]] 1998. Die Afrikaanse drama, 1967-1977, in ''Perspektief en Profiel : 'n Afrikaanse Literatuurgeskiedenis'', edited by [[H.P. van Coller]]. Hatfield, Pretoria: [[Van Schaik]]. 1:140-150.
  
The Brooke Theatre. 1978. Scenaria, June/July:6-7.
+
[[Elsabe Brink|Brink, Elsabe]] 1989. Purposeful plays, prose and poems: the writings of the garment workers, 1929-1945, in ''Women and Writing in South Africa: A Critical Anthology'', edited by Cherry Clayton. Johannesburg: Heinemann. 107-127.
  
Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New Statesman, 135(4784):28-29. March 20.
+
[[Martha H.S. Britz|Britz, Martha H.S.]] 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.  
  
Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.
+
[[P. Brockbank|Brockbank P.]] 1987. Shakespeare's Stratford and South Africa. ''Shakespeare Quarterly'', 38(4):479-481.  
  
Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.
+
[[Peter Brook|Brook, Peter]] 1978. ''The Empty Space''. Harmondsworth, Penguin.
  
Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.
+
[[Brian Brooke|Brooke, Brian]] 1948. South Africa’s first professional repertory company. ''Outspan''. 42(1090):26-27. January 16.  
  
Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.
+
[[Brian Brooke|Brooke, Brian]] 1958. The South African theatre industry. ''International Theatre Annual'', 3:121-127.
  
Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.  
+
[[Brian Brooke|Brooke, Brian]] 1978. ''My Own Personal Star: An Autobiography. Johannesburg'': [[The Limelight Press]].
  
Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82.
+
[[Michael Brooke|Brooke, Michael]] 1985. ''[[The Limelight]]'' and ''[[Contacts]]'', in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press, 129-130.
  
Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist 132(1797):13.
+
The [[Brooke Theatre]]. 1978. ''[[Scenaria]]'', June/July:6-7.  
  
Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.
+
[[Richard Brooks|Brooks, Richard]] 2006. Not redundant after all (interview with [[Athol Fugard]]). ''New Statesman'', 135(4784):28-29. March 20.
  
Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.
+
[[Diane Brophy|Brophy, Diane]] 1980. Industrial revolution. ''[[Teaterforum]]'', 1(1):7-10.
  
Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.
+
[[Diane Brophy|Brophy, Diane]] 1983. A playwright emerges. ([[Allan Munro]]) ''[[Teaterforum]]'', 4(1):12-18.
  
Brustein, Robert 2002. The Good Hope of the Cape (Pieter-Dirk Uys). New Republic, 226(5):27-28.
+
[[Duncan Brown|Brown, Duncan]] & [[Bruno van Dyk|Van Dyk, Bruno]] (eds.). 1991. ''Exchanges :South African Writing in Transition''. Pietrmaritzburg, University of Natal.
  
Brustein, Robert 2003. Fronting (Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring).  New Republic, 228(6):25-27.
+
[[Duncan Brown|Brown, Duncan]] 1994. Oral poetry and literary history in South Africa. ''Current Writing'', 6(2):165-180.
 +
 
 +
[[Duncan Brown|Brown, Duncan]] 1998. ''Voicing the Text : South African Oral Poetry and Performance''. Cape Town: Oxford University Press.
 +
 
 +
[[Duncan Brown|Brown, Duncan]] 1999. ''Oral Literature and Performance in Southern Africa''. Cape Town: David Philip.
 +
 
 +
[[Lenora Inez Brown|Brown, Lenora Inez]] 2000. ''The Dramatic Art of [[Athol Fugard]]: From South Africa to the World'', by [[Albert Wertheim]]. Reviewed in:  ''American Theatre'', 17(10):79-82.
 +
 
 +
[[Phyllida Brown|Brown, Phyllida]] 1991. Meet the puppets that care about condoms. ''New Scientist'', 132(1797):13.
 +
 
 +
[[Joseph Bruchac|Bruchac, Joseph]] 1988. [[Lewis Nkosi]], in [[D.L. Kirkpatrick|Kirkpatrick, D.L.]] (ed.) ''Contemporary Dramatists'', 4th ed. Chicago, Ill.: St James Press, 400-401.
 +
 
 +
[[Willemien Brummer|Brummer, Willemien]] 2007. Agter die fluweelgordyn: voorblad. ''Insig'', 6(224):49-53.
 +
 
 +
[[Robert Brustein|Brustein, Robert]] 2001. On the Cape Town. ''New Republic'', 224(7):31-32.
 +
 
 +
[[Robert Brustein|Brustein, Robert]] 2002. The Good Hope of the Cape ([[Pieter-Dirk Uys]]). ''New Republic'', 226(5):27-28.
 +
 
 +
[[Robert Brustein|Brustein, Robert]] 2003. Fronting ([[Salaam Stories]], by [[Ashraf Johaardien]]; [[District Six]], by [[David Kramer]]; [[African Footprints]]; [[Richard Loring]]).  ''New Republic'', 228(6):25-27.
 +
 
 +
[[Robert Brustein|Brustein, Robert]] 2005. Robert Brustein on theatre: the saved and the drowned ([[Antony Sher]]).'' New Republic'', 232(7):25-26.
 +
 
 +
[[Sheila Bruton|Bruton, Sheila]] 1976. ''Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: [[Athol Fugard|Fugard]], Bassingthwaighte, Hooper and La Bash''. New York: Friendship.
 +
 
 +
[[Jan Bruyns|Bruyns, Jan]] 1954. Toneelkroniek. ''Helikon'', 4(18):59-63.
 +
 
 +
[[Jan Bruyns|Bruyns, Jan]] 1955. Toneelkroniek. ''Helikon'', 4(19):89-91.
  
Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned (Anthony Sher). New Republic, 232(7):25-26.
 
  
Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
 
  
  
Line 90: Line 116:
  
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 +
 +
Return to [[The ESAT Entries]]

Latest revision as of 06:35, 18 April 2024

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

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The list

Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.

Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.

Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6:29-44.

Brink, André P. 1961a. Germanicus en Shakespeare. Tydskrif vir Letterkunde, 11(2):106-118.

Brink, André P. 1961b. Van Wyk Louw - en Robert Graves? Tydskrif vir Letterkunde, 11(3):108-114. (Germanicus)

Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2):38-41.

Brink, André P. 1971. Censorship – Climate of Fear. Contrast, 7(2).

Brink, André P. 1974. Aspekte van die Nuwe Drama. Pretoria: Academica. (Tweede uitgawe, 1986)

Brink, André P. 1976. Voorlopige Rapport (A collection of his reviews). Cape Town: Human & Rousseau.

Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre Quarterly, 7(28):71-76.

Brink, André P. 1980. Tweede Voorlopige Rapport (2nd collection of his reviews). Cape Town: Human & Rousseau.

Brink, André P. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5):35-36.

Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4):104-105.

Brink, André P. 1990. Athol Fugard’s South Africa. World Press Review, 37:36+ July.

Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is Dead and the dilemma of political drama in South Africa. Twentieth Century Literature, 39(4) :438-454.

Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96:45.

Brink, André P. 1997. Challenge and response: the changing face of theater in South Africa. Twentieth-Century Literature, 43(2):162-176.

Brink, André P. 1998. Die Afrikaanse drama, 1967-1977, in Perspektief en Profiel : 'n Afrikaanse Literatuurgeskiedenis, edited by H.P. van Coller. Hatfield, Pretoria: Van Schaik. 1:140-150.

Brink, Elsabe 1989. Purposeful plays, prose and poems: the writings of the garment workers, 1929-1945, in Women and Writing in South Africa: A Critical Anthology, edited by Cherry Clayton. Johannesburg: Heinemann. 107-127.

Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481.

Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.

Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.

Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.

Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.

Brooke, Michael 1985. The Limelight and Contacts, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.

The Brooke Theatre. 1978. Scenaria, June/July:6-7.

Brooks, Richard 2006. Not redundant after all (interview with Athol Fugard). New Statesman, 135(4784):28-29. March 20.

Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.

Brophy, Diane 1983. A playwright emerges. (Allan Munro) Teaterforum, 4(1):12-18.

Brown, Duncan & Van Dyk, Bruno (eds.). 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.

Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.

Brown, Duncan 1998. Voicing the Text : South African Oral Poetry and Performance. Cape Town: Oxford University Press.

Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.

Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82.

Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist, 132(1797):13.

Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.

Brummer, Willemien 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.

Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.

Brustein, Robert 2002. The Good Hope of the Cape (Pieter-Dirk Uys). New Republic, 226(5):27-28.

Brustein, Robert 2003. Fronting (Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring). New Republic, 228(6):25-27.

Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned (Antony Sher). New Republic, 232(7):25-26.

Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.

Bruyns, Jan 1954. Toneelkroniek. Helikon, 4(18):59-63.

Bruyns, Jan 1955. Toneelkroniek. Helikon, 4(19):89-91.



Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries