Difference between revisions of "ESAT Bibliography Bri-Bru"

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Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15): 21-22.
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Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.
  
Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. London: University of London. (MA-thesis).
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Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.  
  
 
Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44.
 
Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44.
Line 33: Line 33:
 
Brink, André P. 1996. Ou wynsakke of nuwe leeftog?  Insig, 11/96: 45.
 
Brink, André P. 1996. Ou wynsakke of nuwe leeftog?  Insig, 11/96: 45.
  
Britz, Martha H.S. 1984.  Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Potchefstroom: Potchefstroom University for Christian Higher education. (D.Litt. thesis).
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 +
 
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Britz, Martha H.S. 1984.  Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher education.  
  
 
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare quarterly,  
 
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare quarterly,  
 
38(4): 479-481.  
 
38(4): 479-481.  
  
Brook, Peter 1978. The empty space. Harmondsworth, Penguin.
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Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.
  
Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090): 26-27. January 16.  
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Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.  
  
Brooke, Brian 1958. The South African theatre industry. International theatre annual, 3: 121-127.
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Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.
  
Brooke, Brian 1978. My own personal star: an autobiography. Johannesburg: The Limelight Press.
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Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.
  
Brooke, Michael 1985. The Limelight and Contacts. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 129-130.
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Brooke, Michael 1985. The Limelight and Contacts. In Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.
  
 
The Brooke Theatre. 1978. Scenaria, June/July: 6-7.
 
The Brooke Theatre. 1978. Scenaria, June/July: 6-7.
  
Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New statesman, 135(4784): 28-29. March 20.
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Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New Statesman, 135(4784): 28-29. March 20.
  
Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1): 7-10.
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Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.
  
Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1): 12-18.
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Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.
  
Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African writing in transition. Pietrmaritzburg, University of Natal.
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Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.
  
Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current writing, 6(2): 165-180.
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Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.
  
Brown, Duncan 1999. Oral literature and performance in Southern Africa. Cape Town: David Philip.  
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Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.  
  
Brown, Lenora Inez 2000. The dramatic art of Athol Fugard: from South Africa to the world, by Albert Wertheim. Reviewed in:  American theatre, 17(10): 79-82.
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Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in:  American Theatre, 17(10):79-82.
  
 
Brown, Phyllida 1991. Meet the puppets that care about condoms." New Scientist 132(1797):13.
 
Brown, Phyllida 1991. Meet the puppets that care about condoms." New Scientist 132(1797):13.
  
Bruchac, Joseph 1988. Lewis Nkosi. In Kirkpatrick, D.L. (ed.) Contemporary dramatists, 4th ed. Chicago, Ill.: St James Press. p. 400-401.
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Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.
  
Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224): 49-53.
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Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.
  
Brustein, Robert 2001. On the Cape Town. New republic, 224(7): 31-32.
+
Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.
  
Brustein, Robert 2002. The Good Hope of the Cape [Pieter-Dirk Uys]. New republic, 226(5): 27-28.
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Brustein, Robert 2002. The Good Hope of the Cape [Pieter-Dirk Uys]. New Republic, 226(5):27-28.
  
Brustein, Robert 2003. Fronting [Salaam stories, by Ashraf Johaardien; District Six, by David Kramer; African footprints; Richard Loring].  New republic, 228(6): 25-27.
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Brustein, Robert 2003. Fronting [Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring].  New Republic, 228(6):25-27.
  
Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned [Anthony Sher]. New Republic, 232(7): 25-26.  
+
Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned [Anthony Sher]. New Republic, 232(7):25-26.  
  
Bruton, Sheila 1976. Indaba: let’s talk: short dramas to stimulate discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
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Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
  
  

Revision as of 20:42, 4 January 2011

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

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Return to A Bibliography of South African South African Theatre and Performance


Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.

Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.

Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44.

Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2): 38-41.

Brink, André P. 1971. Censorship – Climate of Fear. Contrast. VII, No.2, (June 1971)

Brink, André P. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5): 35-36.

Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre quarterly, 7(28): 71-76.

Brink, André P. 1986. Aspekte van die nuwe drama. Pretoria: Academica.

Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4): 104-105.

Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is dead and the dilemma of political drama in South Africa. Twentieth century literature, 39(4) : 438-454.

Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96: 45.


Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher education.

Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare quarterly, 38(4): 479-481.

Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.

Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.

Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.

Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.

Brooke, Michael 1985. The Limelight and Contacts. In Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.

The Brooke Theatre. 1978. Scenaria, June/July: 6-7.

Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New Statesman, 135(4784): 28-29. March 20.

Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.

Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.

Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.

Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.

Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.

Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82.

Brown, Phyllida 1991. Meet the puppets that care about condoms." New Scientist 132(1797):13.

Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.

Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.

Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.

Brustein, Robert 2002. The Good Hope of the Cape [Pieter-Dirk Uys]. New Republic, 226(5):27-28.

Brustein, Robert 2003. Fronting [Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring]. New Republic, 228(6):25-27.

Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned [Anthony Sher]. New Republic, 232(7):25-26.

Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.


Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance