Difference between revisions of "ESAT Bibliography Bot-Bre"
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[[Danie Botha|Botha, Danie]] 2006. ''Voetligte & Applous!: Die Beginjare van die Afrikaanse Beroepstoneel''. Pretoria: Protea Boekhuis. | [[Danie Botha|Botha, Danie]] 2006. ''Voetligte & Applous!: Die Beginjare van die Afrikaanse Beroepstoneel''. Pretoria: Protea Boekhuis. | ||
| − | [[E. Botha|Botha, E.]] 1961, Twee opvoerings van [[N.T.O.]] ''Standpunte'', 17:66-67. | + | [[E. Botha|Botha, E.]] 1961, Twee opvoerings van [[National Theatre Organisation|N.T.O.]] ''Standpunte'', 17:66-67. |
[[Elizabeth Maria Botha|Botha, Elizabeth Maria]] 1973. Vertolking van die woordkunswerk in die twintigste eeu. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education. | [[Elizabeth Maria Botha|Botha, Elizabeth Maria]] 1973. Vertolking van die woordkunswerk in die twintigste eeu. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education. | ||
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[[Estelle Botha|Botha Estelle]] 1989. Anton Chekhov: reception of a Russian dramatist in South Africa, in [[Henrietta Mondry|Mondry, Henrietta]] (ed.). ''The Waking Sphinx: South African Essays on Russian Culture''. Johannesburg: University of the Witwatersrand Library, 168-178. | [[Estelle Botha|Botha Estelle]] 1989. Anton Chekhov: reception of a Russian dramatist in South Africa, in [[Henrietta Mondry|Mondry, Henrietta]] (ed.). ''The Waking Sphinx: South African Essays on Russian Culture''. Johannesburg: University of the Witwatersrand Library, 168-178. | ||
| − | [[E.M. Botha|Botha, E.M.]] 1980. Plea for poverty. ''Scenaria'', (18):3. | + | [[E.M. Botha|Botha, E.M.]] 1980. Plea for poverty. ''[[Scenaria]]'', (18):3. |
| − | …Discussion and reply. ''Scenaria'', (20):2 | + | …Discussion and reply. ''[[Scenaria]]'', (20):2 |
| − | …Discussion ''Scenaria'', (21):29. | + | …Discussion ''[[Scenaria]]'', (21):29. |
[[E.M. Botha|Botha, E.M.]] 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. ''Teaterforum'', 3(1):1-10. | [[E.M. Botha|Botha, E.M.]] 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. ''Teaterforum'', 3(1):1-10. | ||
| Line 40: | Line 40: | ||
[[Louise M. Bourgault|Bourgault, Louise M.]] 2003. ''Playing for Life: Performance in Africa in the Age of AIDS''. Durham, NC: Carolina Academic. | [[Louise M. Bourgault|Bourgault, Louise M.]] 2003. ''Playing for Life: Performance in Africa in the Age of AIDS''. Durham, NC: Carolina Academic. | ||
| − | [[Stephan Bouwer|Bouwer, Stephan]] 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur [[Mouton | + | [[Stephan Bouwer|Bouwer, Stephan]] 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur [[Marisa Mouton|M. Mouton]]. Reviewed in: ''Communicare'', 8(2):60-61. |
| − | [[Stephan Bouwer|Bouwer, Stephan]] 1997. Ons treur oor 'n 'trouper'. Grafskrif: [[ | + | [[Stephan Bouwer|Bouwer, Stephan]] 1997. Ons treur oor 'n 'trouper'. Grafskrif: [[Dulsie van den Bergh]]. ''Insig'',December:37. |
| − | [[Jan Bouws|Bouws, Jan]] 1977. Bedrywige Kaapse burger in die 19de eeu: [[ | + | [[Jan Bouws|Bouws, Jan]] 1977. Bedrywige Kaapse burger in die 19de eeu: [[J.J. de Kock]]. ''Kwartaalblad van die Suid-Afrikaanse Biblioteek'', 32:34-35. |
[[B. Bowen|Bowen, B.]] 1993. Writing Caliban: anitcolonial appropriations of ''The Tempest''. ''Current Writing'', 5(2):80-99. | [[B. Bowen|Bowen, B.]] 1993. Writing Caliban: anitcolonial appropriations of ''The Tempest''. ''Current Writing'', 5(2):80-99. | ||
| − | [[Veronica Bowker|Bowker, Veronica]] 1985. Fugard: deconstructing the text. ''Journal of Literary Studies'', 1(3):78-89. | + | [[Veronica Bowker|Bowker, Veronica]] 1985. [[Athol Fugard|Fugard]]: deconstructing the text. ''Journal of Literary Studies'', 1(3):78-89. |
| − | [[Veronica Bowker|Bowker, Veronica]] 1990. The evolution of critical responses to | + | [[Veronica Bowker|Bowker, Veronica]] 1990. The evolution of critical responses to [[Athol Fugard|Fugard]]’s work, culminating in a feminist reading of ''[[The Road to Mecca]].'' ''Literator'', 11(2):1-16. |
Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works. | Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works. | ||
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[[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) 1994. ''Theatre and Performance in Africa: Intercultural Perspectives''. Bayreuth: Breitinger. | [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) 1994. ''Theatre and Performance in Africa: Intercultural Perspectives''. Bayreuth: Breitinger. | ||
| − | [[Eckhard Breitinger|Breitinger, Eckhard]] 1999. Heroes of South African history as operatic heroes: [[ | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 1999. Heroes of South African history as operatic heroes: [[Akin Eub]]’s ''Chaka'' and [[Nbongemi Ngema]]’s ''The Zulu''. ''[[South African Theatre Journal]]'', 13(1&2):104-108. |
[[Eckhard Breitinger|Breitinger, Eckhard]] 1999. The German presence in new South African theatre, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds). ''South African Theatre As/And Intervention''. Amsterdam: Rodopi, 207-216. | [[Eckhard Breitinger|Breitinger, Eckhard]] 1999. The German presence in new South African theatre, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds). ''South African Theatre As/And Intervention''. Amsterdam: Rodopi, 207-216. | ||
| − | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. ''Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s'' by [[ | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. ''Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s'' by [[Rolf Solberg]]. ''The Dramatic Art of [[Athol Fugard]]: From South Africa to the World'' by [[Albert Wertheim]]. Reviewed in: ''African Studies Review''. 44(3):79-82. |
| − | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. Standard Bank [[National Arts Festival]], 2001. ''South African Theatre Journal'', 15:178-191. | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. Standard Bank [[National Arts Festival]], 2001. ''[[South African Theatre Journal]]'', 15:178-191. |
[[Eckhard Breitinger|Breitinger, Eckhard]] 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships, in [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) ''Theatre and Performance in Africa''. Bayreuth: Breitinger, 135-158. | [[Eckhard Breitinger|Breitinger, Eckhard]] 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships, in [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) ''Theatre and Performance in Africa''. Bayreuth: Breitinger, 135-158. | ||
| Line 92: | Line 92: | ||
[[T.M. Breytenbach|Breytenbach, T.M.]] 1986. Actor. ''My Career'', 37(3):313-316. | [[T.M. Breytenbach|Breytenbach, T.M.]] 1986. Actor. ''My Career'', 37(3):313-316. | ||
| − | [[Breytenbach Theatre]], Pretoria. 1978. ''Scenaria'', February/March: 18-19. | + | [[Breytenbach Theatre]], Pretoria. 1978. ''[[Scenaria]]'', February/March: 18-19. |
Revision as of 11:27, 9 March 2011
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Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1):28-45.
Botha, Danie 2006. Voetligte & Applous!: Die Beginjare van die Afrikaanse Beroepstoneel. Pretoria: Protea Boekhuis.
Botha, E. 1961, Twee opvoerings van N.T.O. Standpunte, 17:66-67.
Botha, Elizabeth Maria 1973. Vertolking van die woordkunswerk in die twintigste eeu. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Botha Estelle 1989. Anton Chekhov: reception of a Russian dramatist in South Africa, in Mondry, Henrietta (ed.). The Waking Sphinx: South African Essays on Russian Culture. Johannesburg: University of the Witwatersrand Library, 168-178.
Botha, E.M. 1980. Plea for poverty. Scenaria, (18):3. …Discussion and reply. Scenaria, (20):2 …Discussion Scenaria, (21):29.
Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1):1-10.
Botha, Estelle (Esther Elsa) 2006. Where dance and drama meet again : aspects of the expressive body in the 20th century. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and Builder, 31(12):2-9.
Botha, Johann 1998. Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.
Botha Theunis 1985. Opvoekundige teater: ‘n herwaardering. Teaterforum, 6(1):1-19.
Botha, Theunis 1986. Die dramadepartement. Opvoeding en Kultuur, 9(3):32-33.
Bothma, Stephanus Johannes 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Bourgault, Louise M. 2003. Playing for Life: Performance in Africa in the Age of AIDS. Durham, NC: Carolina Academic.
Bouwer, Stephan 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur M. Mouton. Reviewed in: Communicare, 8(2):60-61.
Bouwer, Stephan 1997. Ons treur oor 'n 'trouper'. Grafskrif: Dulsie van den Bergh. Insig,December:37.
Bouws, Jan 1977. Bedrywige Kaapse burger in die 19de eeu: J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse Biblioteek, 32:34-35.
Bowen, B. 1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current Writing, 5(2):80-99.
Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of Literary Studies, 1(3):78-89.
Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The Road to Mecca. Literator, 11(2):1-16.
Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works.
Boxall, Dorothy 1945. Children’s theatre: The Children’s Overture by Roger Quilter. Transvaal Educational News. 41(10):11.
Bozzoli, Belinda 2004. Theatres of Struggle and the End of Apartheid. Edinburgh: Edinburgh University Press for the International African Institute, London.
Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Breitinger, Eckhard (ed.) 1994. Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger.
Breitinger, Eckhard 1999. Heroes of South African history as operatic heroes: Akin Eub’s Chaka and Nbongemi Ngema’s The Zulu. South African Theatre Journal, 13(1&2):104-108.
Breitinger, Eckhard 1999. The German presence in new South African theatre, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi, 207-216.
Breitinger, Eckhard 2001. Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s by Rolf Solberg. The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim. Reviewed in: African Studies Review. 44(3):79-82.
Breitinger, Eckhard 2001. Standard Bank National Arts Festival, 2001. South African Theatre Journal, 15:178-191.
Breitinger, Eckhard 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships, in Breitinger, Eckhard (ed.) Theatre and Performance in Africa. Bayreuth: Breitinger, 135-158.
Breytenbach, Doris & Hauptfleisch, Temple 1985. P.P.B. Breytenbach - a chronology, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 49-51.
Breytenbach, Doris, Taylor, Norah & P.P.B. Breytenbach 1987. A tribute to Breytie from the Market Theatre Foundation. [Johannesburg] : [The Market Theatre Foundation].
P.P.B. Breytenbach 1949a. Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 9(2):120-128.
P.P.B. Breytenbach 1949b. Two languages to interpret one common South African culture. Outspan, 45(1164):26-27. June 17.
P.P.B. Breytenbach 1950. Ons toneel – ’n oorsig. Afrikaanse Skrywer, 15:49-52.
P.P.B. Breytenbach 1951. Referaat voor die S.A. Akademie: die Nasionale Toneelorganisasie (N.T.O.). Helikon, 1(2):18-28. December.
P.P.B. Breytenbach 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 12: 108-114.
P.P.B. Breytenbach 1971. Opening. Lantern, 21(1):64-69. September.
P.P.B. Breytenbach 1985. The Theatre Benevolent Fund and The Theatre Residential Clubs, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 117-118.
Breytenbach, T.M. 1986. Actor. My Career, 37(3):313-316.
Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
