Difference between revisions of "ESAT Bibliography Bot-Bre"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | Return to [[The ESAT Entries]] | ||
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| − | |||
| − | + | [[Bet Botha|Botha, Bet]] 1982. Enkele gedagtes oor 'n blitskursus in toneelskryf. ''[[Teaterforum]]'', 3(1):1-10. | |
| − | + | [[Bet Botha|Botha, Bet]] 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. ''[[Teaterforum]]'', 6(1):28-45. | |
| − | + | [[Danie Botha|Botha, Danie]] 2006. ''Voetligte & Applous!: Die Beginjare van die Afrikaanse Beroepstoneel''. Pretoria: Protea Boekhuis. | |
| − | E | + | [[E. Botha|Botha, E.]] 1961, Twee opvoerings van [[National Theatre Organisation|N.T.O.]] ''Standpunte'', 17:66-67. |
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| − | |||
| − | |||
| − | [[ | + | [[Elizabeth Maria Botha|Botha, Elizabeth Maria]] 1973. Vertolking van die woordkunswerk in die twintigste eeu. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education. |
| − | [[ | + | [[Elize Botha|Botha, Elize]] 1975. [[P.G. du Plessis]] oor ''[[Plaston: DNS-Kind|Plaston : DNS-kind]]'' in gesprek met Elize Botha. ''[[Tydskrif vir Letterkunde]]'', 13(1):38. |
| + | |||
| + | [[Estelle Botha|Botha Estelle]] 1989. Anton Chekhov: reception of a Russian dramatist in South Africa, in [[Henrietta Mondry|Mondry, Henrietta]] (ed.). ''The Waking Sphinx: South African Essays on Russian Culture''. Johannesburg: University of the Witwatersrand Library, 168-178. | ||
| − | [[ | + | [[E.M. Botha|Botha, E.M.]] 1980. Plea for poverty. ''[[Scenaria]]'', (18):3. |
| + | …Discussion and reply. ''[[Scenaria]]'', (20):2 | ||
| + | …Discussion ''[[Scenaria]]'', (21):29. | ||
| − | + | [[E.M. Botha|Botha, E.M.]] 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. ''[[Teaterforum]]'', 3(1):1-10. | |
| − | [[ | + | [[Estelle Botha|Botha, Estelle]] (Esther Elsa) 2006. Where dance and drama meet again : aspects of the expressive body in the 20th century. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| − | [[ | + | [[H. Botha|Botha, H.]] & [[W. Smit|Smit, W.]] 1981. [[State Theatre]] Pretoria. ''Architect and Builder'', 31(12):2-9. |
| − | [[ | + | [[Johann Botha|Botha, Johann]] 1998. Vasbyt, daar’s geen beloftes! ''Insig'', 04/98: 28. |
| − | [[ | + | Botha, Karin, Slabbert, Elmarie, Rossouw, Riaan & Viviers, Pierre-Andrè 2011. Expenditure-based segmentation of visitors to [[Aardklop festival|Aardklop National Arts Festival]]. ''[[South African Theatre Journal]]'', 25(2):142-166. |
| − | [[ | + | Botha, Karin, Viviers, Pierre-Andrè & Slabbert, Elmarie 2012. What really matters to the audience: Analysing the key factors contributing to arts festival ticket purchases. ''[[South African Theatre Journal]]'', 26(1):22-44. |
| − | [[ | + | [[Teunis Botha|Botha Teunis]] 1985. Opvoekundige teater: ‘n herwaardering. ''[[Teaterforum]]'', 6(1):1-19. |
| − | |||
| − | [[Veronica Bowker|Bowker, Veronica]] 1990. The evolution of critical responses to | + | [[Teunis Botha|Botha, Teunis]] 1986. Die dramadepartement. ''Opvoeding en Kultuur'', 9(3):32-33. |
| + | |||
| + | Botha, W. 2006. Die aard van die daad: wat doen ''[[Germanicus]]'' [nie] ... en waarom [nie]. ''Journal for Language Teaching'', 40(1): | ||
| + | |||
| + | [[Stephanus Johannes Bothma|Bothma, Stephanus Johannes]] 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Unpublished doctoral dissertation. Pretoria: University of Pretoria. | ||
| + | |||
| + | [[S.J. Bothma|Bothma,S.J.]] 1991. [[ATKV Kampustoneel|Kampustoneel]] van tagtig (''[[Aku vang ‘n Ster]]'', [[Nico Luwes]]). ''Stilet'', 3(1):123-138. | ||
| + | |||
| + | [[Gabriël Botma|Botma, Gabriël J.]] 2014. ''Brothers in Armchairs. Post-apartheid cultural struggles at [[Die Burger]]''. Stellenbosch: Sun Press | ||
| + | |||
| + | [[Louise M. Bourgault|Bourgault, Louise M.]] 2003. ''Playing for Life: Performance in Africa in the Age of AIDS''. Durham, NC: Carolina Academic. | ||
| + | |||
| + | [[Myles Bourke|Bourke, Myles]] 1940. National theatre. '' [[The South African Theatre, Music and Dance]]'', 1(2):44. | ||
| + | |||
| + | [[Stephan Bouwer|Bouwer, Stephan]] 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur [[Marisa Mouton|M. Mouton]]. Reviewed in: ''Communicare'', 8(2):60-61. | ||
| + | |||
| + | [[Stephan Bouwer|Bouwer, Stephan]] 1997. Ons treur oor 'n 'trouper'. Grafskrif: [[Dulsie van den Bergh]]. ''Insig'',December:37. | ||
| + | |||
| + | [[Jan Bouws|Bouws, Jan]] 1977. Bedrywige Kaapse burger in die 19de eeu: [[J.J. de Kock]]. ''Kwartaalblad van die Suid-Afrikaanse Biblioteek'', 32:34-35. | ||
| + | |||
| + | [[B. Bowen|Bowen, B.]] 1993. Writing Caliban: anitcolonial appropriations of ''The Tempest''. ''Current Writing'', 5(2):80-99. | ||
| + | |||
| + | [[Veronica Bowker|Bowker, Veronica]] 1985. [[Athol Fugard|Fugard]]: deconstructing the text. ''Journal of Literary Studies'', 1(3):78-89. | ||
| + | |||
| + | [[Veronica Bowker|Bowker, Veronica]] 1990. The evolution of critical responses to [[Athol Fugard|Fugard]]’s work, culminating in a feminist reading of ''[[The Road to Mecca]].'' ''Literator'', 11(2):1-16. | ||
| + | |||
| + | [[Veronica Bowker|Bowker, Veronica]] 1995. [[Athol Fugard|Fugard]]'s experimentation in ''[[My Life]]'': the practice of representation and representation of practice under scrutiny. ''Current Writing'', 7(1):51. | ||
| + | |||
| + | [[Dorothy Boxall|Boxall, Dorothy]] 1945. Children’s theatre: ''The Children’s Overture'' by [[Roger Quilter]]. ''Transvaal Educational News''. 41(10):11. | ||
Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works. | Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works. | ||
| − | [[ | + | [[Amelda Brand|Brand, Amelda]] 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| + | |||
| + | [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) 1994. ''Theatre and Performance in Africa: Intercultural Perspectives''. Bayreuth: Breitinger. | ||
| − | [[ | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 1999. The German presence in new South African theatre, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds). ''South African Theatre As/And Intervention''. Amsterdam: Rodopi, 207-216. |
| − | [[ | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2000. Heroes of South African history as operatic heroes: [[Akin Eub]]’s ''Chaka'' and [[Nbongemi Ngema]]’s ''The Zulu''. ''[[South African Theatre Journal]]'', 13(1&2):104-108. |
| − | Breitinger, Eckhard | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. ''Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s'' by [[Rolf Solberg]]. ''The Dramatic Art of [[Athol Fugard]]: From South Africa to the World'' by [[Albert Wertheim]]. Reviewed in: ''African Studies Review''. 44(3):79-82. |
| − | Breitinger, Eckhard. | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. Farewell to the old Standard Bank [[National Arts Festival]] in Grahamstown?. ''[[South African Theatre Journal]]'', 15:178-191. |
| − | Breitinger, Eckhard | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships, in [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) ''Theatre and Performance in Africa''. Bayreuth: Breitinger, 135-158. |
| − | + | Breuer, Rosemarie 2005. ''Stellenbosch Writers'', Stellenbosch: SSI Stellenbosch Writers Publishers. | |
| − | + | [[Doris Breytenbech|Breytenbach, Doris]] & [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985. [[P.P.B. Breytenbach]] - a chronology, in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press, 49-51. | |
| − | + | [[Doris Breytenbech|Breytenbach, Doris]], [[Norah Taylor|Taylor, Norah]] & [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1987. ''A tribute to Breytie'' from the [[Market Theatre Foundation]]. [Johannesburg] : [The Market Theatre Foundation]. | |
| − | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1940. [[FATSSA]] Presidential address, 1939. ''[[The South African Theatre, Music and Dance]]'', 1(2):20-22. | |
| − | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1949a. [[Nasionale Toneelorganisasie]] (N.T.O.). ''Tydskrif vir Wetenskap en Kuns'', 9(2):120-128. | |
| − | Breytenbach, P.P.B. | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1949b. Two languages to interpret one common South African culture ([[Federation of Amateur Theatrical Societies of South Africa]]). ''Outspan'', 45(1164):26-27. June 17. |
| − | Breytenbach, P.P.B. | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1950. Ons toneel – ’n oorsig. ''Afrikaanse Skrywer'', 15:49-52. |
| − | Breytenbach, P.P.B. | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1951. Referaat voor die S.A. Akademie: die [[Nasionale Toneelorganisasie]] (N.T.O.). ''Helikon'', 1(2):18-28. December. |
| − | Breytenbach, P.P.B. | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1952. Gedagtes oor die moontlike ontwikkelingsrigting van [[Nasionale Toneelorganisasie]] (N.T.O.). ''Tydskrif vir Wetenskap en Kuns'', 12: 108-114. |
| − | Breytenbach, P.P.B. | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1971. Opening. ''Lantern'', 21(1):64-69. September. |
| − | Breytenbach, P.P.B. | + | [[P.P.B. Breytenbach|Breytenbach, P.P.B.]] 1985. The [[Theatre Benevolent Fund]] and The [[Theatre Residential Clubs]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). ''The Breytie Book: A Collection of Articles on South African Theatre Dedicated to [[P.P.B. Breytenbach]]''. Johannesburg: The Limelight press, 117-118. |
| − | Breytenbach, | + | [[T.M. Breytenbach|Breytenbach, T.M.]] 1986. Actor. ''My Career'', 37(3):313-316. |
| − | Breytenbach, | + | [[Breytenbach Theatre]], Pretoria. 1978. ''[[Scenaria]]'', February/March: 18-19. |
| − | |||
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Revision as of 07:11, 12 July 2016
Click on the appropriate letters of the alphabet in the sub-list below.
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Return to A Bibliography of South African South African Theatre and Performance
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Botha, Bet 1982. Enkele gedagtes oor 'n blitskursus in toneelskryf. Teaterforum, 3(1):1-10.
Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1):28-45.
Botha, Danie 2006. Voetligte & Applous!: Die Beginjare van die Afrikaanse Beroepstoneel. Pretoria: Protea Boekhuis.
Botha, E. 1961, Twee opvoerings van N.T.O. Standpunte, 17:66-67.
Botha, Elizabeth Maria 1973. Vertolking van die woordkunswerk in die twintigste eeu. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Botha, Elize 1975. P.G. du Plessis oor Plaston : DNS-kind in gesprek met Elize Botha. Tydskrif vir Letterkunde, 13(1):38.
Botha Estelle 1989. Anton Chekhov: reception of a Russian dramatist in South Africa, in Mondry, Henrietta (ed.). The Waking Sphinx: South African Essays on Russian Culture. Johannesburg: University of the Witwatersrand Library, 168-178.
Botha, E.M. 1980. Plea for poverty. Scenaria, (18):3. …Discussion and reply. Scenaria, (20):2 …Discussion Scenaria, (21):29.
Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1):1-10.
Botha, Estelle (Esther Elsa) 2006. Where dance and drama meet again : aspects of the expressive body in the 20th century. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and Builder, 31(12):2-9.
Botha, Johann 1998. Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.
Botha, Karin, Slabbert, Elmarie, Rossouw, Riaan & Viviers, Pierre-Andrè 2011. Expenditure-based segmentation of visitors to Aardklop National Arts Festival. South African Theatre Journal, 25(2):142-166.
Botha, Karin, Viviers, Pierre-Andrè & Slabbert, Elmarie 2012. What really matters to the audience: Analysing the key factors contributing to arts festival ticket purchases. South African Theatre Journal, 26(1):22-44.
Botha Teunis 1985. Opvoekundige teater: ‘n herwaardering. Teaterforum, 6(1):1-19.
Botha, Teunis 1986. Die dramadepartement. Opvoeding en Kultuur, 9(3):32-33.
Botha, W. 2006. Die aard van die daad: wat doen Germanicus [nie] ... en waarom [nie]. Journal for Language Teaching, 40(1):
Bothma, Stephanus Johannes 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Bothma,S.J. 1991. Kampustoneel van tagtig (Aku vang ‘n Ster, Nico Luwes). Stilet, 3(1):123-138.
Botma, Gabriël J. 2014. Brothers in Armchairs. Post-apartheid cultural struggles at Die Burger. Stellenbosch: Sun Press
Bourgault, Louise M. 2003. Playing for Life: Performance in Africa in the Age of AIDS. Durham, NC: Carolina Academic.
Bourke, Myles 1940. National theatre. The South African Theatre, Music and Dance, 1(2):44.
Bouwer, Stephan 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur M. Mouton. Reviewed in: Communicare, 8(2):60-61.
Bouwer, Stephan 1997. Ons treur oor 'n 'trouper'. Grafskrif: Dulsie van den Bergh. Insig,December:37.
Bouws, Jan 1977. Bedrywige Kaapse burger in die 19de eeu: J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse Biblioteek, 32:34-35.
Bowen, B. 1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current Writing, 5(2):80-99.
Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of Literary Studies, 1(3):78-89.
Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The Road to Mecca. Literator, 11(2):1-16.
Bowker, Veronica 1995. Fugard's experimentation in My Life: the practice of representation and representation of practice under scrutiny. Current Writing, 7(1):51.
Boxall, Dorothy 1945. Children’s theatre: The Children’s Overture by Roger Quilter. Transvaal Educational News. 41(10):11.
Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works.
Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Breitinger, Eckhard (ed.) 1994. Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger.
Breitinger, Eckhard 1999. The German presence in new South African theatre, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi, 207-216.
Breitinger, Eckhard 2000. Heroes of South African history as operatic heroes: Akin Eub’s Chaka and Nbongemi Ngema’s The Zulu. South African Theatre Journal, 13(1&2):104-108.
Breitinger, Eckhard 2001. Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s by Rolf Solberg. The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim. Reviewed in: African Studies Review. 44(3):79-82.
Breitinger, Eckhard 2001. Farewell to the old Standard Bank National Arts Festival in Grahamstown?. South African Theatre Journal, 15:178-191.
Breitinger, Eckhard 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships, in Breitinger, Eckhard (ed.) Theatre and Performance in Africa. Bayreuth: Breitinger, 135-158.
Breuer, Rosemarie 2005. Stellenbosch Writers, Stellenbosch: SSI Stellenbosch Writers Publishers.
Breytenbach, Doris & Hauptfleisch, Temple 1985. P.P.B. Breytenbach - a chronology, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 49-51.
Breytenbach, Doris, Taylor, Norah & Breytenbach, P.P.B. 1987. A tribute to Breytie from the Market Theatre Foundation. [Johannesburg] : [The Market Theatre Foundation].
Breytenbach, P.P.B. 1940. FATSSA Presidential address, 1939. The South African Theatre, Music and Dance, 1(2):20-22.
Breytenbach, P.P.B. 1949a. Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 9(2):120-128.
Breytenbach, P.P.B. 1949b. Two languages to interpret one common South African culture (Federation of Amateur Theatrical Societies of South Africa). Outspan, 45(1164):26-27. June 17.
Breytenbach, P.P.B. 1950. Ons toneel – ’n oorsig. Afrikaanse Skrywer, 15:49-52.
Breytenbach, P.P.B. 1951. Referaat voor die S.A. Akademie: die Nasionale Toneelorganisasie (N.T.O.). Helikon, 1(2):18-28. December.
Breytenbach, P.P.B. 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 12: 108-114.
Breytenbach, P.P.B. 1971. Opening. Lantern, 21(1):64-69. September.
Breytenbach, P.P.B. 1985. The Theatre Benevolent Fund and The Theatre Residential Clubs, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 117-118.
Breytenbach, T.M. 1986. Actor. My Career, 37(3):313-316.
Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
