Difference between revisions of "ESAT Bibliography B-Ban"

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Baanbrekers. 1963. Vita musica, 1(2): 18-19.
+
Baanbrekers. 1963. ''Vita musica'', 1(2):18-19.
  
Bacqua, S. 1997. Investigation of the play Sarafina II: Public Protector’s report. Pretoria: Office of the Public Protector.
+
Bacqua, S. 1997. ''Investigation of the play Sarafina II: Public Protector’s report''. Pretoria: Office of the Public Protector.
  
Badenhorst, Frik 1978. Die mense van Soetwater.  Scenaria, December/January: 39-40.
+
Badenhorst, Frik 1978. Die mense van Soetwater.  ''Scenaria'', December/January: 39-40.
  
Bagasie sonder bestemming. [Literary criticism, Jac J. Brits]. 1974. Tydskrif vir geesteswetenskappe, 14: 218-221. September.
+
Bagasie sonder bestemming. [Literary criticism, Jac J. Brits]. 1974. ''Tydskrif vir Geesteswetenskappe'', 14:218-221. September.
  
Bailes, A. 1984. Puppetry : an art form. Scenaria, (42) : 8-9.
+
Bailes, A. 1984. Puppetry : an art form. ''Scenaria'', (42):8-9.
  
Bailey, Brett 1998. Performing so the spirit may speak. South African theatre journal, 12(1&2): 191-202.
+
Bailey, Brett 1998. Performing so the spirit may speak. ''South African Theatre Journal'', 12(1&2):191-202.
  
Bain, Keith 1996. The 1996 Standard Bank National Arts Festival, Grahamstown South African theatre journal, 10(2): 135-147.
+
Bain, Keith 1996. The 1996 Standard Bank National Arts Festival, Grahamstown. ''South African Theatre Journal'', 10(2):135-147.
  
Bain, Keith 1997. Berkoff, boerewors and box-office betrayal:  Standard Bank National Arts Festival 1997. South African theatre journal, 11(1&2): 239-257.
+
Bain, Keith 1997. Berkoff, boerewors and box-office betrayal:  Standard Bank National Arts Festival 1997. ''South African Theatre Journal'', 11(1&2):239-257.
  
Bain, Keith & Hauptfleisch, Gaerin 1998. Brecht 2001: a photo essay. South African theatre journal, 12(1&2): 212-227.
+
Bain, Keith & Hauptfleisch, Gaerin 1998. Brecht 2001: a photo essay. ''South African Theatre Journal'', 12(1&2):212-227.
  
Bain, Keith 1998. Make believe: Standard Bank National Arts Festival 1998. South African theatre journal, 12(1&2): 139-164.
+
Bain, Keith 1998. Make believe: Standard Bank National Arts Festival 1998. ''South African Theatre Journal'', 12(1&2):139-164.
  
Bain, Keith 1999. Magical millennium dress rehearsal:  25th anniversary of the Standard Bank National Arts Festival, Grahamstown, 1999. South African theatre journal, 13(1&2): 179-195.
+
Bain, Keith 1999. Magical millennium dress rehearsal:  25th anniversary of the Standard Bank National Arts Festival, Grahamstown, 1999. ''South African Theatre Journal'', 13(1&2):179-195.
  
Bain, Keith & Hauptfleisch, Temple 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. South African theatre journal, 15: 8-24.
+
Bain, Keith & Hauptfleisch, Temple 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. ''South African Theatre Journal'', 15:8-24.
  
Bain, Keith Norman Hyperartificial cinema and the art of cool D Phil, US 2002
+
Bain, Keith 2003. Hypertheatrical performance on the post-apartheid stage, in  Wasserman, Herman & Jacobs Sean (eds.). ''Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity''. Cape Town: Kwela Books. 145-165.
  
Bain, Keith 2003. Hypertheatrical performance on the post-apartheid stage. In Wasserman, Herman & Jacobs Sean (eds). Shifting selves: post-apartheid essays on mass media, culture and identity. Cape Town: Kwela Books. p. 145-165.
+
Baker, A.C. 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College.
  
Baker, A.C. 1988. Popular theatre and politics in South Africa 1976-1987. Northampton, Mass.: Smith College. (M.A. thesis).
+
Baker, Gavin Roy 1995. Towards a Dynamic Voice Approach Evolving from Leading Voice and Movement Theorists. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
 +
 +
Baker, Gavin Roy 2001. Negotiated Dramaturgy – Industrial Theatre as Communication in the Organization. Unpublished doctoral dissertation. Empangeni: University of Zululand.
 +
 +
Baker, S. 1969. O come all ye faithful [passion plays]. ''Fair Lady'', 5(5): 80-92. April 30.
  
Baker, Gavin Roy 1995. Towards a dynamic voice approach evolving from leading voice and movement theorists. Stellenbosch: University of Stellenbosch. (M.Dram. thesis).
+
Baleka, Justus 2009. The tempest, Janice Honeyman: theatre review. ''Shakespeare in Southern Africa'', 21(1):88-89.
  
Baker, Gavin Roy 2001. Negotiated dramaturgy – industrial theatre as communication in the organization. Empangeni: University of Zululand. (D Phil-thesis.) (D Phil dissertation)
+
Ball, John Agee 2003. The dramatic art of Athol Fugard: from South Africa to the world by Albert Wertheim. Reviewed in ''Theatre Journal'', 55(1):188-190.  
  
Baker, S. 1969. O come all ye faithful [passion plays]. Fair lady, 5(5): 80-92. April 30.
+
Ballantine, C. 1993. ''Marabi Nights: Early South African Jazz and Vaudeville''. Johannesburg: Ravan Press.
  
Baleka, Justus 2009. The tempest, Janice Honeyman: theatre review. Shakespeare in Southern Africa, 21(1): 88-89.
+
Balme, Christopher 1996. The performance aesthetics of township theatre: frames and codes, in Davis, Geoffrey V. & Fuchs, Anne (eds.) ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 65-84.
  
Ball, John Agee 2003. The dramatic art of Athol Fugard: from South Africa to the world by Albert Wertheim. Reviewed in Theatre journal, 55(1): 188-190.  
+
Balseiro, Isabel 2003. Between Alexandra and Jurassic Park: interview with Professor Es’kia Mphahlele. ''South African Theatre Journal'', 17:212-232.
  
Ballantine, C. 1993. Marabi nights: early South African jazz and vaudeville.  
+
Balt, Christine 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen. Unpublished master’s thesis. Grahamstown: Rhodes University.  
Johannesburg: Ravan Press.
 
  
Balme, Christopher 1996. The performance aesthetics of township theatre: frames and codes. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 65-84.
+
Baneshik, Percy 2006. Taubie Kuschlik – woman of the theatre. ''Jewish Affairs'', 61(4):62-66.
  
Balseiro, Isabel 2003. Between Alexandra and Jurassic Park: interview with Professor Es’kia Mphahlele. South African theatre journal, 17: 212-232.
+
Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University.
 +
 +
Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. ''English Academy Review'', 6:19-27.
  
Balt, Christine 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen. Grahamstown: Rhodes University. (M.A. (Drama) thesis). (A half-thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Drama.)
+
Banning, Yvonne 1989c. Sophiatown, by The Junction Avenue Theatre Company. Reviewed in: ''South African Theatre Journal'', 3(1):95-102.
  
Baneshik, Percy 2006. Taubie Kuschlik – woman of the theatre. Jewish affairs, 61(4): 62-66.
+
Banning, Yvonne 1990  Language in the theatre: Mediating realities in an audience. ''South African Theatre Journal'', 4(1):12-37.
  
Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Johannesburg: Witwatersrand University. (MA-thesis.).
+
Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. ''South African Theatre Journal'', 11(1&2):55-87.
  
Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. English Academy review, 6: 19-27.
+
Banning Yvonne 1998. Oral English in South African theater of the 1980s. ''Oral Tradition'', 13(2):398-421.
  
Banning, Yvonne 1989c. Sophiatown, by The Junction Avenue Theatre Company. Reviewed in: South African theatre journal, 3(1): 95-102.
+
Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea, in Blumberg, Marcia & Walder, Dennis (eds). ''South African Theatre As/And Intervention''. Amsterdam: Rodopi. 41-47.
  
Banning, Yvonne 1990 Language in the theatremediating realities in an audience. South African theatre journal, 4(1): 12-37.
+
Banning, Yvonne 2002. Footprints on the shoredocumenting site-specific community performance.  The Freedom Project, Robben Island, April 27th, 2001. ''South African Theatre Journal'', 16:137 – 156.
  
Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. South African theatre journal, 11(1&2): 55-87.
+
Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. ''Research in Drama Education''. 8(2):183-201.
  
Banning Yvonne 1998. Oral English in South African theater of the 1980s. Oral tradition, 13(2): 398-421.
+
Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. ''South African Theatre Journal'', 20:252-254.  
  
Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 41-47.
+
Banning, Yvonne, Calburn, Caroline & Richardson, Lucy 2006. Project Phakama: stories of South Africa, London and Lesotho: landscapes of the heart, in Etherton, Michael & Plastow, Jane (eds.). ''African theatre. Youth''. Oxford: James Curry. 151-165.
  
Banning, Yvonne 2002. Footprints on the shore: documenting site-specific community performance.  The Freedom Project, Robben Island, April 27th, 2001. South African theatre journal, 16: 137 – 156.
+
Banning, Yvonne 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. ''South African Theatre Journal'', 21:180-202.
  
Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. Research in drama education. 8(2): 183-201.
 
 
Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. South African theatre journal, 20: 252-254.
 
 
Banning, Yvonne, Calburn, Caroline & Richardson, Lucy 2006. Project Phakama: stories of South Africa, London and Lesotho: landscapes of the heart. In Etherton, Michael & Plastow, Jane (eds). African theatre. Youth. Oxford: James Curry. p. 151-165.
 
 
Banning, Yvonne 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. South African theatre journal, 21: 180-202.
 
  
  

Revision as of 16:12, 16 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

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Return to A Bibliography of South African South African Theatre and Performance


Baanbrekers. 1963. Vita musica, 1(2):18-19.

Bacqua, S. 1997. Investigation of the play Sarafina II: Public Protector’s report. Pretoria: Office of the Public Protector.

Badenhorst, Frik 1978. Die mense van Soetwater. Scenaria, December/January: 39-40.

Bagasie sonder bestemming. [Literary criticism, Jac J. Brits]. 1974. Tydskrif vir Geesteswetenskappe, 14:218-221. September.

Bailes, A. 1984. Puppetry : an art form. Scenaria, (42):8-9.

Bailey, Brett 1998. Performing so the spirit may speak. South African Theatre Journal, 12(1&2):191-202.

Bain, Keith 1996. The 1996 Standard Bank National Arts Festival, Grahamstown. South African Theatre Journal, 10(2):135-147.

Bain, Keith 1997. Berkoff, boerewors and box-office betrayal: Standard Bank National Arts Festival 1997. South African Theatre Journal, 11(1&2):239-257.

Bain, Keith & Hauptfleisch, Gaerin 1998. Brecht 2001: a photo essay. South African Theatre Journal, 12(1&2):212-227.

Bain, Keith 1998. Make believe: Standard Bank National Arts Festival 1998. South African Theatre Journal, 12(1&2):139-164.

Bain, Keith 1999. Magical millennium dress rehearsal: 25th anniversary of the Standard Bank National Arts Festival, Grahamstown, 1999. South African Theatre Journal, 13(1&2):179-195.

Bain, Keith & Hauptfleisch, Temple 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. South African Theatre Journal, 15:8-24.

Bain, Keith 2003. Hypertheatrical performance on the post-apartheid stage, in Wasserman, Herman & Jacobs Sean (eds.). Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity. Cape Town: Kwela Books. 145-165.

Baker, A.C. 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College.

Baker, Gavin Roy 1995. Towards a Dynamic Voice Approach Evolving from Leading Voice and Movement Theorists. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Baker, Gavin Roy 2001. Negotiated Dramaturgy – Industrial Theatre as Communication in the Organization. Unpublished doctoral dissertation. Empangeni: University of Zululand.

Baker, S. 1969. O come all ye faithful [passion plays]. Fair Lady, 5(5): 80-92. April 30.

Baleka, Justus 2009. The tempest, Janice Honeyman: theatre review. Shakespeare in Southern Africa, 21(1):88-89.

Ball, John Agee 2003. The dramatic art of Athol Fugard: from South Africa to the world by Albert Wertheim. Reviewed in Theatre Journal, 55(1):188-190.

Ballantine, C. 1993. Marabi Nights: Early South African Jazz and Vaudeville. Johannesburg: Ravan Press.

Balme, Christopher 1996. The performance aesthetics of township theatre: frames and codes, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 65-84.

Balseiro, Isabel 2003. Between Alexandra and Jurassic Park: interview with Professor Es’kia Mphahlele. South African Theatre Journal, 17:212-232.

Balt, Christine 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen. Unpublished master’s thesis. Grahamstown: Rhodes University.

Baneshik, Percy 2006. Taubie Kuschlik – woman of the theatre. Jewish Affairs, 61(4):62-66.

Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University.

Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. English Academy Review, 6:19-27.

Banning, Yvonne 1989c. Sophiatown, by The Junction Avenue Theatre Company. Reviewed in: South African Theatre Journal, 3(1):95-102.

Banning, Yvonne 1990 Language in the theatre: Mediating realities in an audience. South African Theatre Journal, 4(1):12-37.

Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. South African Theatre Journal, 11(1&2):55-87.

Banning Yvonne 1998. Oral English in South African theater of the 1980s. Oral Tradition, 13(2):398-421.

Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 41-47.

Banning, Yvonne 2002. Footprints on the shore: documenting site-specific community performance. The Freedom Project, Robben Island, April 27th, 2001. South African Theatre Journal, 16:137 – 156.

Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. Research in Drama Education. 8(2):183-201.

Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. South African Theatre Journal, 20:252-254.

Banning, Yvonne, Calburn, Caroline & Richardson, Lucy 2006. Project Phakama: stories of South Africa, London and Lesotho: landscapes of the heart, in Etherton, Michael & Plastow, Jane (eds.). African theatre. Youth. Oxford: James Curry. 151-165.

Banning, Yvonne 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. South African Theatre Journal, 21:180-202.


Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance