Difference between revisions of "ESAT Bibliography B-Ban"
| (18 intermediate revisions by 2 users not shown) | |||
| Line 9: | Line 9: | ||
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | Return to [[The ESAT Entries]] | ||
| − | |||
| − | + | Baanbrekers. 1963. ''Vita Musica'', 1(2):18-19. | |
| − | [[ | + | [[S. Bacqua|Bacqua, S.]] 1997. ''Investigation of the play [[Sarafina II]]: Public Protector’s Report''. Pretoria: Office of the Public Protector. |
| − | + | [[Frik Badenhorst|Badenhorst, Frik]] 1978. Die mense van Soetwater. ''[[Scenaria]]'', December/January: 39-40. | |
| − | [[ | + | [[Zuanda Badenhorst|Badenhorst, Zuanda]] 2005. South African puppetry for the theatre since 1975. Pretoria: Tshwane University of Technology. Unpublished master's degree. |
| − | [[ | + | Bagasie sonder bestemming. (Literary criticism, [[Jac J. Brits]]). 1974. ''[[Tydskrif vir Geesteswetenskappe]]'', 14:218-221. September. |
| − | [[ | + | [[A. Bailes|Bailes, A.]] 1984. Puppetry : an art form. ''[[Scenaria]]'', (42):8-9. |
| − | [[ | + | [[Brett Bailey|Bailey, Brett]] 1998. Performing so the spirit may speak. ''[[South African Theatre Journal]]'', 12(1&2):191-202. |
| − | [[ | + | [[Brett Bailey]]: drama 2001. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 132-133. |
| − | [[Keith Bain|Bain, Keith]] | + | [[Keith Bain|Bain, Keith]] 1996. The 1996 Standard Bank [[National Arts Festival]], Grahamstown. ''[[South African Theatre Journal]]'', 10(2):135-147. |
| − | [[Keith Bain|Bain, Keith]] | + | [[Keith Bain|Bain, Keith]] 1997. Berkoff, boerewors and box-office betrayal: Standard Bank [[National Arts Festival]] 1997. ''[[South African Theatre Journal]]'', 11(1&2):239-257. |
| − | [[Keith Bain|Bain, Keith]] & [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. ''South African Theatre Journal'', 15:8-24. | + | [[Keith Bain|Bain, Keith]] & [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] 1998. Brecht 2001: a photo essay. [[Chris Vorster]] directs Bertolt Brecht's first play, ''[[Baal]]''. ''[[South African Theatre Journal]]'', 12(1&2):212-227. |
| + | |||
| + | [[Keith Bain|Bain, Keith]] 1998. Make believe: Standard Bank [[National Arts Festival]] 1998. ''[[South African Theatre Journal]]'', 12(1&2):139-164. | ||
| + | |||
| + | [[Keith Bain|Bain, Keith]] 1999. Magical millennium dress rehearsal: 25th anniversary of the Standard Bank [[National Arts Festival]], Grahamstown, 1999. ''[[South African Theatre Journal]]'', 13(1&2):179-195. | ||
| + | |||
| + | [[Keith Bain|Bain, Keith]] & [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. ''[[South African Theatre Journal]]'', 15:8-24. | ||
[[Keith Bain|Bain, Keith]] 2003. Hypertheatrical performance on the post-apartheid stage, in [[Herman Wasserman|Wasserman, Herman]] & [[Sean Jacobs|Jacobs Sean]] (eds.). ''Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity''. Cape Town: Kwela Books. 145-165. | [[Keith Bain|Bain, Keith]] 2003. Hypertheatrical performance on the post-apartheid stage, in [[Herman Wasserman|Wasserman, Herman]] & [[Sean Jacobs|Jacobs Sean]] (eds.). ''Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity''. Cape Town: Kwela Books. 145-165. | ||
| + | |||
| + | Bain, Roxanne 2012. ''Vagina Dentata – a kabarett'': re-imagining ''[[The Vagina Monologues]]''. ''[[South African Theatre Journal]]'', 261(1):45-60. | ||
[[A.C. Baker|Baker, A.C.]] 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College. | [[A.C. Baker|Baker, A.C.]] 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College. | ||
| − | [[Gavin | + | [[Gavin R. Baker|Baker, Gavin Roy]] 1995. Towards a Dynamic Voice Approach Evolving from Leading Voice and Movement Theorists. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| − | [[Gavin | + | [[Gavin R. Baker|Baker, Gavin Roy]] 2001. Negotiated Dramaturgy – Industrial Theatre as Communication in the Organization. Unpublished doctoral dissertation. Empangeni: University of Zululand. |
[[S. Baker|Baker, S.]] 1969. O come all ye faithful [passion plays]. ''Fair Lady'', 5(5): 80-92. April 30. | [[S. Baker|Baker, S.]] 1969. O come all ye faithful [passion plays]. ''Fair Lady'', 5(5): 80-92. April 30. | ||
| − | [[Justus Baleka|Baleka, Justus]] 2009. ''[[The Tempest]]'', [[ | + | [[Justus Baleka|Baleka, Justus]] 2009. ''[[The Tempest]]'', [[Janice Honeyman]]: theatre review. ''Shakespeare in Southern Africa'', 21(1):88-89. |
| − | [[John Agee Ball|Ball, John Agee]] 2003. The dramatic art of [[ | + | [[John Agee Ball|Ball, John Agee]] 2003. The dramatic art of [[Athol Fugard]]: from South Africa to the world by [[Albert Wertheim]]. Reviewed in ''Theatre Journal'', 55(1):188-190. |
[[C. Ballantine|Ballantine, C.]] 1993. ''Marabi Nights: Early South African Jazz and Vaudeville''. Johannesburg: Ravan Press. | [[C. Ballantine|Ballantine, C.]] 1993. ''Marabi Nights: Early South African Jazz and Vaudeville''. Johannesburg: Ravan Press. | ||
| Line 53: | Line 61: | ||
[[Christopher Balme|Balme, Christopher]] 1996. The performance aesthetics of township theatre: frames and codes, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.) ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 65-84. | [[Christopher Balme|Balme, Christopher]] 1996. The performance aesthetics of township theatre: frames and codes, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.) ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 65-84. | ||
| − | [[Isabel Balseiro|Balseiro, Isabel]] 2003. Between Alexandra and Jurassic Park: interview with Professor [[ | + | [[Isabel Balseiro|Balseiro, Isabel]] 2003. Between Alexandra and Jurassic Park: interview with Professor [[Es’kia Mphahlele]]. ''[[South African Theatre Journal]]'', 17:212-232. |
| − | Balt, Christine 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen. Unpublished master’s thesis. Grahamstown: Rhodes University. | + | [[Christine Balt|Balt, Christine]] 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of [[Peter van Heerden]] and [[Steven Cohen]]. Unpublished master’s thesis. Grahamstown: Rhodes University. |
| − | Baneshik, Percy | + | [[Percy Baneshik|Baneshik, Percy]] 1998. From Russia, with love. ''[[Scenaria]]'', 26 (209):30-32. (about [[Ossip Runitsch]]). |
| − | Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University. | + | [[Percy Baneshik|Baneshik, Percy]] 2006. [[Taubie Kushlick]] – woman of the theatre. ''Jewish Affairs'', 61(4):62-66. |
| + | |||
| + | [[Martin Banham|Banham, Martin]] 1985. ''South African Theatre : Four Plays and an Introduction'', edited by [[Temple Hauptfleisch]] and [[Ian Steadman]]. Reviewed in: ''Theatre Research International'', 10(3):261-262. | ||
| + | |||
| + | [[Yvonne Banning|Banning, Yvonne]] 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University. | ||
| − | Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. ''English Academy Review'', 6:19-27. | + | [[Yvonne Banning|Banning, Yvonne]] 1989b. Ghosts with ears: the WESSA in contemporary drama. ''English Academy Review'', 6:19-27. |
| − | Banning, Yvonne 1989c. Sophiatown, by | + | [[Yvonne Banning|Banning, Yvonne]] 1989c. ''[[Sophiatown]]'', by [[Junction Avenue Theatre Company]]. Reviewed in: ''[[South African Theatre Journal]]'', 3(1):95-102. |
| − | Banning, Yvonne 1990 Language in the theatre: Mediating realities in an audience. ''South African Theatre Journal'', 4(1):12-37. | + | [[Yvonne Banning|Banning, Yvonne]] 1990. Language in the theatre: Mediating realities in an audience. ''[[South African Theatre Journal]]'', 4(1):12-37. |
| − | Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. ''South African Theatre Journal'', 11(1&2):55-87. | + | [[Yvonne Banning|Banning, Yvonne]] 1997. (Re)viewing ''Medea'': cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. ''[[South African Theatre Journal]]'', 11(1&2):55-87. |
| − | Banning Yvonne 1998. Oral English in South African theater of the 1980s. ''Oral Tradition'', 13(2):398-421. | + | [[Yvonne Banning|Banning, Yvonne]] 1998. Oral English in South African theater of the 1980s. ''Oral Tradition'', 13(2):398-421. |
| − | Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea, in Blumberg, Marcia & Walder, Dennis (eds). ''South African Theatre As/And Intervention''. Amsterdam: Rodopi. 41-47. | + | [[Yvonne Banning|Banning, Yvonne]] 1999. Speaking silences: images of cultural difference and gender in [[Mark Fleishman|Fleishman]] and Reznek’s ''Medea'', in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds). ''South African Theatre As/And Intervention''. Amsterdam: Rodopi. 41-47. |
| − | Banning, Yvonne 2002. Footprints on the shore: documenting site-specific community performance. The Freedom Project, Robben Island, April 27th, 2001. ''South African Theatre Journal'', 16:137 – 156. | + | [[Yvonne Banning|Banning, Yvonne]] 2002. Footprints on the shore: documenting site-specific community performance. [[The Freedom Project]], Robben Island, April 27th, 2001. ''[[South African Theatre Journal]]'', 16:137 – 156. |
| − | Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. ''Research in Drama Education''. 8(2):183-201. | + | [[Yvonne Banning|Banning, Yvonne]] 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. ''Research in Drama Education''. 8(2):183-201. |
| − | Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. ''South African Theatre Journal'', 20:252-254. | + | [[Yvonne Banning|Banning, Yvonne]] 2005. Embodied selves: ritual, relationships and identity in theatre production: an ethnographic case study of ''[[Dance in the Shadow of Pain]]'' ''[[South African Theatre Journal]]'', 19:72-92. |
| + | |||
| + | [[Yvonne Banning|Banning, Yvonne]] 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. ''[[South African Theatre Journal]]'', 20:252-254. | ||
| + | |||
| + | [[Yvonne Banning|Banning, Yvonne]], [[Caroline Calburn|Calburn, Caroline]] & [[Lucy Richardson|Richardson, Lucy]] 2006. Project Phakama: stories of South Africa, London and Lesotho: landscapes of the heart, in [[Michael Etherton|Etherton, Michael]] & [[Jane Plastow|Plastow, Jane]] (eds.). ''African theatre. Youth''. Oxford: James Curry. 151-165. | ||
| + | |||
| + | [[Yvonne Banning|Banning, Yvonne]] 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. ''[[South African Theatre Journal]]'', 21:180-202. | ||
| + | |||
| + | Bantu theatre company impresses. 1956. ''South Africana'', (4). | ||
| − | |||
| − | |||
| Line 95: | Line 113: | ||
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Latest revision as of 19:31, 6 November 2019
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Baanbrekers. 1963. Vita Musica, 1(2):18-19.
Bacqua, S. 1997. Investigation of the play Sarafina II: Public Protector’s Report. Pretoria: Office of the Public Protector.
Badenhorst, Frik 1978. Die mense van Soetwater. Scenaria, December/January: 39-40.
Badenhorst, Zuanda 2005. South African puppetry for the theatre since 1975. Pretoria: Tshwane University of Technology. Unpublished master's degree.
Bagasie sonder bestemming. (Literary criticism, Jac J. Brits). 1974. Tydskrif vir Geesteswetenskappe, 14:218-221. September.
Bailes, A. 1984. Puppetry : an art form. Scenaria, (42):8-9.
Bailey, Brett 1998. Performing so the spirit may speak. South African Theatre Journal, 12(1&2):191-202.
Brett Bailey: drama 2001. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 132-133.
Bain, Keith 1996. The 1996 Standard Bank National Arts Festival, Grahamstown. South African Theatre Journal, 10(2):135-147.
Bain, Keith 1997. Berkoff, boerewors and box-office betrayal: Standard Bank National Arts Festival 1997. South African Theatre Journal, 11(1&2):239-257.
Bain, Keith & Hauptfleisch, Gaerin 1998. Brecht 2001: a photo essay. Chris Vorster directs Bertolt Brecht's first play, Baal. South African Theatre Journal, 12(1&2):212-227.
Bain, Keith 1998. Make believe: Standard Bank National Arts Festival 1998. South African Theatre Journal, 12(1&2):139-164.
Bain, Keith 1999. Magical millennium dress rehearsal: 25th anniversary of the Standard Bank National Arts Festival, Grahamstown, 1999. South African Theatre Journal, 13(1&2):179-195.
Bain, Keith & Hauptfleisch, Temple 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. South African Theatre Journal, 15:8-24.
Bain, Keith 2003. Hypertheatrical performance on the post-apartheid stage, in Wasserman, Herman & Jacobs Sean (eds.). Shifting Selves: Post-apartheid Essays on Mass Media, Culture and Identity. Cape Town: Kwela Books. 145-165.
Bain, Roxanne 2012. Vagina Dentata – a kabarett: re-imagining The Vagina Monologues. South African Theatre Journal, 261(1):45-60.
Baker, A.C. 1988. Popular Theatre and Politics in South Africa 1976-1987. Unpublished master’s thesis. Northampton, Mass.: Smith College.
Baker, Gavin Roy 1995. Towards a Dynamic Voice Approach Evolving from Leading Voice and Movement Theorists. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Baker, Gavin Roy 2001. Negotiated Dramaturgy – Industrial Theatre as Communication in the Organization. Unpublished doctoral dissertation. Empangeni: University of Zululand.
Baker, S. 1969. O come all ye faithful [passion plays]. Fair Lady, 5(5): 80-92. April 30.
Baleka, Justus 2009. The Tempest, Janice Honeyman: theatre review. Shakespeare in Southern Africa, 21(1):88-89.
Ball, John Agee 2003. The dramatic art of Athol Fugard: from South Africa to the world by Albert Wertheim. Reviewed in Theatre Journal, 55(1):188-190.
Ballantine, C. 1993. Marabi Nights: Early South African Jazz and Vaudeville. Johannesburg: Ravan Press.
Balme, Christopher 1996. The performance aesthetics of township theatre: frames and codes, in Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 65-84.
Balseiro, Isabel 2003. Between Alexandra and Jurassic Park: interview with Professor Es’kia Mphahlele. South African Theatre Journal, 17:212-232.
Balt, Christine 2009. "A dark revolt of being" : abjection, sacrifice and the real in performance art, with reference to the works of Peter van Heerden and Steven Cohen. Unpublished master’s thesis. Grahamstown: Rhodes University.
Baneshik, Percy 1998. From Russia, with love. Scenaria, 26 (209):30-32. (about Ossip Runitsch).
Baneshik, Percy 2006. Taubie Kushlick – woman of the theatre. Jewish Affairs, 61(4):62-66.
Banham, Martin 1985. South African Theatre : Four Plays and an Introduction, edited by Temple Hauptfleisch and Ian Steadman. Reviewed in: Theatre Research International, 10(3):261-262.
Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Unpublished master’s thesis. Johannesburg: Witwatersrand University.
Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. English Academy Review, 6:19-27.
Banning, Yvonne 1989c. Sophiatown, by Junction Avenue Theatre Company. Reviewed in: South African Theatre Journal, 3(1):95-102.
Banning, Yvonne 1990. Language in the theatre: Mediating realities in an audience. South African Theatre Journal, 4(1):12-37.
Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. South African Theatre Journal, 11(1&2):55-87.
Banning, Yvonne 1998. Oral English in South African theater of the 1980s. Oral Tradition, 13(2):398-421.
Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 41-47.
Banning, Yvonne 2002. Footprints on the shore: documenting site-specific community performance. The Freedom Project, Robben Island, April 27th, 2001. South African Theatre Journal, 16:137 – 156.
Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. Research in Drama Education. 8(2):183-201.
Banning, Yvonne 2005. Embodied selves: ritual, relationships and identity in theatre production: an ethnographic case study of Dance in the Shadow of Pain South African Theatre Journal, 19:72-92.
Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. South African Theatre Journal, 20:252-254.
Banning, Yvonne, Calburn, Caroline & Richardson, Lucy 2006. Project Phakama: stories of South Africa, London and Lesotho: landscapes of the heart, in Etherton, Michael & Plastow, Jane (eds.). African theatre. Youth. Oxford: James Curry. 151-165.
Banning, Yvonne 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. South African Theatre Journal, 21:180-202.
Bantu theatre company impresses. 1956. South Africana, (4).
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
