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• • Blumberg – moet nog kontroleer en korrigeer (Aug 2010)

Blumberg, Marcia 1991. Languages of violence: Fugard's Boesman and Lena. In Violence in drama. Cambridge: Cambridge University Press. p. 239-249.

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Blumberg, Marcia 1993. Fragmentation and psychosis: Fugard's My children! My Africa! In Madness in drama. Cambridge: Cambridge University Press. p. 241-253.

Blumberg, Marcia 1994. Women journeying at the South African margins: Athol Fugard's The road to Mecca. In Davis, Geoffrey V. (ed.), Southern African writing: voyages and explorations. Amsterdam: Rodopi. p. 39-50.

• • Blumberg, Marcia 1994 Performing Marginalities in the South African Interregnum: Fatima Dike's So What's New and Susan Pam-Grant's Curl Up and Dye.” AUETSA 1993 CONFERENCE PAPERS. Port Elizabeth/ Potchefstroom 1994. 61-71.

Blumberg, Marcia 1995. Re-evaluating otherness, building for difference: South African theatre after the interregnum. South African theatre journal, 9(2): 27-37.

Blumberg, Marcia 1996. Negotiating the in-between: Fugard's Valley song. Journal of literary studies, 12(4): 456-469.

• • Blumberg, Marcia 1997 "Contemporary 'Kitchen' Theatre in Transition: Cooking up Transgression." AUETSA ‘96 (Association of University English Teachers of Southern Africa) Conference Proceedings. Vol 1. Eds. Hermann Wittenberg and Loes Nas.. 122-130.

Blumberg, Marcia 1997. More Market plays, ed. by John Kani; Mooi Street and other moves, by Paul Slabolepsky. Reviewed in: Theatre journal, 49(1): 85-87.

Blumberg, Marcia 1997. Staging AIDS: activating theatres." South African theatre journal, 11(1&2): 155-181.

Blumberg, Marcia 1997. Two continents, no refuge: engendering the problematics of home. Performance research, 2(3): 30-44.

Blumberg, Marcia 1998. Domestic place as contestatory space: the kitchen as catalyst and crucible. New theatre quarterly, 14(3): 195-201.

Blumberg, Marcia 1998. Performing bulimia, engendering dis-ease in the South African body politic: Janine Denison's All the rage. Contemporary theatre review, 9(3): 19-35. Special Issue: Women, Politics and Performance in South African Theatre Today. 9:3 Ed. Lizbeth Goodman. 19-35. Nie in JSG

Blumberg, Marcia 1998. Re-staging resistance, re-viewing women: 1990s productions of Fugard's Hello and goodbye and Boesman and Lena. In: Colleran, Jeanne & Spencer, Jenny (eds.) Staging resistance: essays on political theatre. Ann Arbor, MI: University of Michigan Press. p. 123-145.

Blumberg, Marcia 1999. The AIDS memorial quilt as performance: creating healing narratives. In: Haldan, Duncan & Loppert, Susan (eds.) The arts in health care: learning from experience. London: King’s Fund. p. 58-68.

Blumberg, Marcia & Walder, Dennis. (eds) 1999. South African theatre as/and intervention. Amsterdam: Rodopi.

Blumberg, Marcia 2000. Re-membering history, staging hybridity: Ubu and the Truth Commission. In Wylie, Hal & Lindfors, Bernth (eds.), Multiculturalism and hybridity in African literatures. Trenton, N.J.: Africa World Press. p. 309-318.

Blumberg, Marcia 2001. Puppets doing time in the age of AIDS. In Haedicke, Susan & Nellhaus, Tobin (eds.), Performing democracy: international perspectives on urban community-based performance. Ann Arbor: University of Michigan Press. p. 254-268.

Blumberg, Marcia 2002 Introduction to Fatima Dike’s Glass House. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 132-133.

Blumberg, Marcia 2002. Mapping counter truths and reconciliations: staging testimony in contemporary South Africa. In Maufort, Marc & Bellarsi, Franca (eds.), Crucible of cultures: Anglophone drama at the dawn of a new Millennium. Brussels. P.I.E. Peter Lang. p. 271-284.

• • Blumberg, Marcia 2006. “Simon Nkoli (1957-1998) Anti-apartheid, Gay Rights and HIV/AIDS activist extra-ordinaire” for programme of Orange Clouds, a video cantata by Bongani Ndodana-Breen, John Greyson and Geoffrey Pugen (2006) (Invited).

Blumberg, Marcia 2009. South African theatre beyond 2000: theatricalising the unspeakable. Current writing: text and reception in Southern Africa. 21(1&2): 238-260.

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Blumer, Arnold 1989b States of emergency: Some thoughts on Brecht’s Fear and Misery in the Third Reich. South African theatre journal, 3(1):39-54.

Blumer, Arnold 1990. Organise and act by Astrid von Kotze. Reviewed in: South African theatre journal, 4(2):112-113.

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