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| − | Return to [[Main Page]]
| + | Click on the appropriate letters of the alphabet in the sub-list below. |
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| − | [[Aaron, G.]] 1984. [[Ken Leach]]. Fair lady, 19(5) : 12. February 22. | + | [[ESAT Bibliography A-Al|A-Al]] [[ESAT Bibliography Am-Ap|Am-Ap]] [[ESAT Bibliography Ar-Az|Ar-Az]] |
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| − | [[Abrahams, L]]. 1973. [[Athol Fugard]]. In [[Lennox-Short, Alan]]. English and South Africa. Cape Town: Nasou. p. 86-87.
| + | To return to any other letter, click on the list below |
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| − | [[Accone, Daryl]] 1991. The 1991 Grahamstown festival: an overview. South African theatre journal, 5(2): 92-103. | + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] |
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| − | [[Accone, Darryl]] 1994. The Fringe should be festival’s razor. In: The Star, July 7, 1994: 2.
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| − | [[Accone, Darryl]] 1996. A gentle broom to sweep [[Pact]] clean. In: Sunday Independent, January 7, 1996: 4. | + | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] |
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| − | [[Accone, Darryl]] 2002. Transformation of Civic proof of Jay’s success. In: Sunday Independent, February 3, 2002: 11. | + | Return to [[The ESAT Entries]] |
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| − | [[Accone, Darryl]] & [[MacLiam, Garalt]]. 2000. A true comedy of errors, ending in tragedy. In: The Star, June 21, 2000: 2.
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| − | Acoustic design for the [[Nico Malan theatre]]. 1972. Plan, 57(8): 34. August.
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| − | Acoustical design of the [[State Theatre Pretoria]]. 1981. Scenaria, Special issue: 53, 55.
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| − | Acoustical design of the [[Roodepoort civic theatre]]. 1981. Municipal engineer, 12(1): 99.
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| − | Acting is not all glamour. [[[Elizabeth Meyer]]]. 1964. Personality, 135-137. March 19.
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| − | Actors must be exciting. Scenaria interviews [[Louis van Niekerk]]. 1984. Scenaria, (46): 29-32.
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| − | [[Adams, Kendall A]]. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. TDR 43(2): 94-117.
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| − | [[Addison, C]]. 2002. Island encounters: intercultural communication in the Western literary tradition. Alternation: journal of the Centre for the Study of Southern African Literature and Languages, 9(1): 74-86.
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| − | [[Adler, Tony]] 1993. Return to Paton’s place.([[Alan Paton]]). American theatre, 10(7-8): 8-9.
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| − | [[Ahmed, J]]. 1990. Culture in South Africa: the challenge of transformation. In: de Kock, I & Press, K (eds.) Spring is Rebellious. Cape Town: Buchu Books. p. 121-125.
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| − | [[Adey, D]]., [[Beeton, R]]., [[Chapman, M]]. and [[Pereira, E]]. (eds) 1986. Companion to South African English literature. Johannesburg: Donker. | |
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| − | Afrikaans Equus 1978. Scenaria, February/March: 44.
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| − | Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
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| − | Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
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| − | Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4): 31-32. April 26.
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| − | Afrikaans urge towards local drama. 1942. Forum, 5(7): 19. March 16.
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| − | Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
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| − | Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6): 3.
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| − | Afrikaners is plesierig. [Literary criticism, [[André P. Brink]]]. 1974. Tydskrif vir geesteswetenskappe, 14: 217-218. September.
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| − | [[Ainslie, J]]. 1982. [[Fugard]] collection in the National English literary museum, Grahamstown. English in Africa, 9(2): 35-39.
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| − | [[Akerman, Anthony]] 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre quarterly, 7(28): 54-57.
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| − | [[Akerman, Anthony]] 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28), 67-70.
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| − | [[Akerman, Anthony]] 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African theatre journal, 7(2): 117-131.
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| − | [[Akerman, Anthony]] 1995 The [[Road to Mecca]] in Mexico. South African theatre journal, 9(2):117-136.
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| − | [[Akerman, Anthony]] 1996. Theatre in exile. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 89-100.
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| − | [[Akerman, Anthony]] 1999. [[Antjie Krog]]’s pen spikes the rawest of nerves without turning to lead. In: The Sunday Independent, October 10, 1999: 11.
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