Dramatic Club

From ESAT
Revision as of 18:01, 19 February 2018 by Satj (talk | contribs) (→‎Sources)
Jump to navigation Jump to search

The Dramatic Club, Grahamstown

Amateur dramatic society founded in 1864. (See Du Toit, 1988) [JH]


The Dramatic Club, King William’s Town

Founded in 1862, performed at the Prince Alfred Theatre. They resented the rival military performers (Garrison Players), accusing them of “puffing” (and being called “muffs” in retaliation). (Fletcher, 1994) [TH]

The Dramatic Club, Port Elizabeth?*

According to Jill Fletcher (1994, pp.93-4) some members of the re-constituted Dramatic Club, joined forces and raised enough money to build an own theatre in White’s Road, one she calls the White's Road Theatre. However according to Margaret Harradine (Port Elizabeth, a social chronicle until 1945) this is actually a reference to the New Theatre situated in Whites Road and opened in 1862 - a theatre apparently constructed by the Port Elizabeth Dramatic Company, not the Dramatic Club.

The theatre was initially leased to Sefton Parry for a period of three months and opened with a performance of Grist to the Mill (Planche) on 2 June 1862.

On September 23, 1867, the Dramatic Club, which was very active at this time, performed a play “at considerable expense in dresses and general mounting,” written by the local postmaster and playwright, Alexander Wilmot, called Treasure at the Woody Cape, The or Days of Ryk van Tulbach, The.

The story dates back to 1760 when a Governor’s authority was almost absolute. The first scene opened with the promulgation of the “Pracht and Praal” regulations which declared that “whoever of the female sex, beneath the rank of junior merchant’s wives, shall wear silk dresses and embroidery,” would be liable to a fine of 25 rixdollars.

As can be imagined, this declaration did not make Ryk van Tulbach very popular among the ladies. The pirate, Van der Decken, (captain of the legendary Flying Dutchman) also known as Sluyskens, captured the ship, Nederland, which was carrying the wealth belonging to the Governor’s niece, Aletta van Breda, to Cape Town. In a plot of deception and kidnapping, the pirate tricks the Governor into breaking up Aletta’s engagement. A bit of dancing and singing on the pirate’s ship livens up the presentation. A bit more drama and escapes see the kidnapped victim escape and after some more action, the boat tips the occupants into the sea. Luckily they survive and end up in a cave at Woody Cape. Some dreams and water sprite scenes follow and the long-lost treasure was found. Van der Decken stabs himself and dies at the feet of those he betrayed.

The band of the 86th, kindly lent by Col Lowe, CB, and officers, “played some capital selections during the intervals”.

Sources

Margaret Harradine. 1997. Port Elizabeth: A Social Chronicle to the End of 1945. Port Elizabeth: E. H. Walton.

Return to

Return to South African Theatre Venues, Companies, Societies, etc

Return to The ESAT Entries

Return to Main Page