Difference between revisions of "Dorkay House"

From ESAT
Jump to navigation Jump to search
 
(4 intermediate revisions by the same user not shown)
Line 1: Line 1:
[[Dorkay House]] was a commercial building in Johannesburg,  
+
[[Dorkay House]] was a commercial building in Johannesburg, originally built as factory for "cut-make-and-trim" men’s clothing. Situated on Portion 168 of Farm Turnfontein at 5-7 Eloff Street in 1952,  designed by architect Colman Segal (1923-1988) and named after the original owner, Dora Kotzen.
  
It housed a centre for a group of black artists in the 1950s, known as [[Union Artists]] [Founded by Ian Bernhardt**??,], fitting up the [[Rehearsal Room]], as a rehearsal and performance venue. [[Dorkay House]] was also the premises for the offices of the [[African Musical and Dramatic Association]] ([[AMDA]]). There they continued the work of promoting black theatrical development, as initiated by [[Herbert Dhlomo]] and the [[Bantu Dramatic Society]] in the 1930s. ** () [JH]*EXPAND!!*** Dorkay House: [[Gibson Kente]]’s ''[[The Train]]'' was staged here circa 1974. John Kani, Athol Fugard and Winston Ntshona’s The Island was staged here circa 1974. **** (Tucker, 1997)
+
When the clothing business closed down, Father Trevor Huddleston campaigned to have the building used to support local Black musicians, and with funds raised at a farewell concert held in his honour in 1954 at the [[Bantu Men’s Social Club]], [[Union Artists]] acquired a lease. The open-floor plan of the building enabled flexible use, so the building was organised to house shops at ground floor level, with a rehearsal stage on the first floor and practice rooms and workshops above. The building became the home of the [[African Music and Drama Association]] ([[AMDA]]) in 1957 and also housed [[Union Artists]], who fitting up a venue called the [[Rehearsal Room]] there (a venue at one time run by [[Athol Fugard]]).  
 +
 
 +
[[Dorkay House]] undertook the work of promoting black theatrical development, as initiated by [[Herbert Dhlomo]] and the [[Bantu Dramatic Society]] in the 1930s, and in the 1970s would see performances of ''[[The Train]]'' (Mofokeng and Mabaso) and  [[John Kani]], [[Athol Fugard]] and [[Winston Ntshona]]’s ''[[The Island]]'' (circa 1974).
  
 
== Sources==
 
== Sources==
Line 8: Line 10:
  
 
Gosher, 1988
 
Gosher, 1988
 +
 +
Tucker, 1997)
  
  

Latest revision as of 11:23, 29 December 2020

Dorkay House was a commercial building in Johannesburg, originally built as factory for "cut-make-and-trim" men’s clothing. Situated on Portion 168 of Farm Turnfontein at 5-7 Eloff Street in 1952, designed by architect Colman Segal (1923-1988) and named after the original owner, Dora Kotzen.

When the clothing business closed down, Father Trevor Huddleston campaigned to have the building used to support local Black musicians, and with funds raised at a farewell concert held in his honour in 1954 at the Bantu Men’s Social Club, Union Artists acquired a lease. The open-floor plan of the building enabled flexible use, so the building was organised to house shops at ground floor level, with a rehearsal stage on the first floor and practice rooms and workshops above. The building became the home of the African Music and Drama Association (AMDA) in 1957 and also housed Union Artists, who fitting up a venue called the Rehearsal Room there (a venue at one time run by Athol Fugard).

Dorkay House undertook the work of promoting black theatrical development, as initiated by Herbert Dhlomo and the Bantu Dramatic Society in the 1930s, and in the 1970s would see performances of The Train (Mofokeng and Mabaso) and John Kani, Athol Fugard and Winston Ntshona’s The Island (circa 1974).

Sources

https://en.wikipedia.org/wiki/Dorkay_House

Gosher, 1988

Tucker, 1997)


Return to

Return to South African Theatre Venues, Companies, Societies, etc

Return to The ESAT Entries

Return to Main Page