Difference between revisions of "Don Juan"

From ESAT
Jump to navigation Jump to search
Line 25: Line 25:
  
 
''[[Dom Juan, ou Le Festin de Pierre]]'' (Molière, 1665).  
 
''[[Dom Juan, ou Le Festin de Pierre]]'' (Molière, 1665).  
 +
 +
''[[Don Juan, ou Le Festin de Pierre]]'' (Ballet by Calzabigi and Gluck, 1761).
  
 
''[[Don Giovanni]]''[https://en.wikipedia.org/wiki/Don_Giovanni] (Mozart and Da Ponte, 1787)
 
''[[Don Giovanni]]''[https://en.wikipedia.org/wiki/Don_Giovanni] (Mozart and Da Ponte, 1787)
 
''[[Don Juan, ou Le Festin de Pierre]]'' (Molière, 1665).
 
  
 
''[[Don Juan, or The Libertine Destroyed]]'' (Delpini, 1790).  
 
''[[Don Juan, or The Libertine Destroyed]]'' (Delpini, 1790).  

Revision as of 06:10, 4 September 2019

Don Juan is the name of a fictional character about whom many literary and other works have been created.

The character

The original creation

The character Don Juan was created by Spanish playwright, Tirso de Molina[1], in his 1630 play El burlador de Sevilla y convidado de piedra ("The Trickster of Seville and the Stone Guest")[2], and the name of the character has since become common metaphor for concepts such as "libertine", "seducer" and "womaniser".

English titles for the De Molina play include The Trickster of Seville and the Stone Guest, The Seducer of Seville and the Stone Guest and The Playboy of Seville and the Stone Guest.

Various versions of the Don Juan myth

Besides Tirso de Molina's initial version, there have been numerous works written and produced about the character and tapping into the notion of the "Don Juan" in society.


Titles containing the name Don Juan

Below are some of the titles (with links) to a number of texts or adaptations bearing the title Don Juan, using Don Juan, or a person with Don Juan-like characteristics, as a character; which were produced in , or have links with, South Africa.

(For many other examples see for instance Armand E. Singer's excellent 1993 bibliography and Oscar Mandel's useful 1986 book, both listed under "Sources" below. See also the Wikipedia entry on Gluck's ballet[3]).

For more information on these plays, especially South African performances of the texts, go to the particular entry by clicking on the appropriate item.

Dom Juan, ou Le Festin de Pierre (Molière, 1665).

Don Juan, ou Le Festin de Pierre (Ballet by Calzabigi and Gluck, 1761).

Don Giovanni[4] (Mozart and Da Ponte, 1787)

Don Juan, or The Libertine Destroyed (Delpini, 1790).

Little Don Giovanni, or Leporello and the Stone Statue (J.H. Byron, 1865)

Don Juan in Hell (George Bernard Shaw, 1907)

Don Juan oder Die Liebe zur Geometrie (Max Frisch, 1953)

Don Juan onder die Boere (Bartho Smit, 1960)

Don Juan or 'The Nightmare of Venus' (Chris Pretorius)

Don Gxubane Onner die Boere (Charles Fourie)

Other titles, but also based on the Don Juan myth

The Libertine (Thomas Shadwell, 1676)

The Joker of Seville (Derek Walcott, 1974).

Sources

https://en.wikipedia.org/wiki/Adventures_of_Don_Juan

Armand E. Singer. 1993. The Don Juan Theme: An Annotated Bibliography of Versions, Analogues, Uses, and Adaptions. West Virginia University Press[5]

Oscar Mandel.1986.The Theatre of Don Juan: A Collection of Plays and Views, 1630-1963, published by the University of Nebraska Press[6]).


Go to the ESAT Bibliography

Plays entitled Don Juan

Don Juan the ballet

Dom Juan or The Feast with the Statue Dom Juan, ou Le Festin de Pierre (Dom Juan or The Feast with the Statue) is a French comedy in five acts by Molière,

Also known as simply Don Juan, ou Le Festin de Pierre, Le Festin de Pierre or Don Juan.

The original text

Based on Molière's play, it is a ballet by Ranieri de' Calzabigi (libretto) and Christoph Willibald von Gluck (music), originally choreographed by Gasparo Angiolini Don Juan, ou Le Festin de Pierre (Don Juan, or the Stone Guest's Banquet) is a ballet by Ranieri de' Calzabigi (libretto) and Christoph Willibald von Gluck (music), originally choreographed by Gasparo Angiolini and first performed in Vienna, Austria on Saturday, 17 October 1761, at the Theater am Kärntnertor. The work tells of Don Juan's descent into Hell after killing his lover's father in a duel.

Performances in South Africa

Don Juan by Lord Byron

This was a satiric poem[7] by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women.

Translations and adaptations

Adapted for the stage in South Africa by Roberta Durrant

Performances in South Africa

1980: Performed as a play at the Market Theatre Upstairs in June, directed by Roberta Durrant, with Vanessa Cooke, Nigel Daly, David Eppel, Janice Honeyman and Terry Norton. Lighting designs were by John White-Spunner, choreography by Dinah Eppel, and stage management by Margaret Ramsay.

Sources

https://en.wikipedia.org/wiki/Don_Juan_(Byron)

Pat Schwartz, 1988: p. 235

Don Juan by Max Frisch

This is the Afrikaans title used for Don Juan oder Die Liebe zur Geometrie, a German comedy in five acts by Max Frisch[8] (1911-1991).

Translated into Afrikaans as Don Juan by Nerina Ferreira in 1974 and performed in 1975 by CAPAB starring Jana Cilliers.

See Don Juan oder Die Liebe zur Geometrie for more details on the the original play, the translation and productions.

Return to

Return to The South African Context/General Terminology and Thematic Entries

Return to South African Theatre/Terminology and Thematic Entries

Return to South African Film /Terminology and Thematic Entries

Return to South African Media/Terminology and Thematic Entries

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page