Difference between revisions of "Der Freischütz"
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| − | A German opera, with spoken dialogue, in three acts by Carl Maria von Weber, with a libretto by Friedrich Kind. (Op. 77, J. 277). First performed on 18 June 1821 at the Schauspielhaus Berlin. | + | A German opera, with spoken dialogue, in three acts by Carl Maria von Weber (1786-1826), with a libretto by Friedrich Kind (1768-1843). (Op. 77, J. 277). First performed on 18 June 1821 at the Schauspielhaus Berlin. |
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==Translations and adaptations== | ==Translations and adaptations== | ||
| − | + | An English translation by tr. Logan (with Kerr?), entitled ''[[Der Freischütz, or The Seventh Bullet]]'' was first performed at the Theatre Royal English Opera House, London on 22 July 1824. | |
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| + | The main title is often translated as ''The Marksman'' or ''The Freeshooter''. | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| + | 1831: Performed in English under the title ''[[Der Freischütz, or The Seventh Bullet]]'' by [[All the World's a Stage]] under the management of Mr Booth in the [[African Theatre]] 29 October, 1831. As afterpiece they had ''[[Animal Magnetism, or A Cure for the Hydrophobia]]'' (Inchbald) | ||
| − | 1831: | + | 1831: Repeated on 17 December, 1831 with as afterpieces ''[[The Lawyer in the Sack]]'' and ''[[The Spectre Bridgroom]]'' (Moncrieff). |
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| − | Repeated on 17 December, 1831 with as afterpieces ''[[The Lawyer in the Sack]]'' and ''[[The Spectre Bridgroom]]'' (Moncrieff). | ||
According to [[Jill Fletcher]] (1991), this production marked the first indigenous production of an opera in the true sense. | According to [[Jill Fletcher]] (1991), this production marked the first indigenous production of an opera in the true sense. | ||
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http://en.wikipedia.org/wiki/Der_Freisch%C3%BCtz | http://en.wikipedia.org/wiki/Der_Freisch%C3%BCtz | ||
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| + | https://archive.org/details/derfreischtzorse00webe | ||
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| + | Opera in London: Views of the Press, 1785-1830 | ||
| + | By Theodore Fenner[http://books.google.co.za/books?id=hOMA5RMyI4IC&pg=PA628&lpg=PA628&dq=Der+Freisch%C3%BCtz,+or+The+Seventh+Bullet++Weber&source=bl&ots=JjRI_CrrM8&sig=4SGOsw6FEtcp49he5EsrsJ2zEY0&hl=en&sa=X&ei=KdR9U_GWAYyV7AaFvIGoDw&ved=0CC4Q6AEwAQ#v=onepage&q=Der%20Freisch%C3%BCtz%2C%20or%20The%20Seventh%20Bullet%20%20Weber&f=false] | ||
[[F.C.L. Bosman|Bosman]], 1928: pp 218, | [[F.C.L. Bosman|Bosman]], 1928: pp 218, | ||
Revision as of 12:54, 22 May 2014
A German opera, with spoken dialogue, in three acts by Carl Maria von Weber (1786-1826), with a libretto by Friedrich Kind (1768-1843). (Op. 77, J. 277). First performed on 18 June 1821 at the Schauspielhaus Berlin.
Translations and adaptations
An English translation by tr. Logan (with Kerr?), entitled Der Freischütz, or The Seventh Bullet was first performed at the Theatre Royal English Opera House, London on 22 July 1824.
The main title is often translated as The Marksman or The Freeshooter.
Performance history in South Africa
1831: Performed in English under the title Der Freischütz, or The Seventh Bullet by All the World's a Stage under the management of Mr Booth in the African Theatre 29 October, 1831. As afterpiece they had Animal Magnetism, or A Cure for the Hydrophobia (Inchbald)
1831: Repeated on 17 December, 1831 with as afterpieces The Lawyer in the Sack and The Spectre Bridgroom (Moncrieff).
According to Jill Fletcher (1991), this production marked the first indigenous production of an opera in the true sense.
Sources
http://en.wikipedia.org/wiki/Der_Freisch%C3%BCtz
https://archive.org/details/derfreischtzorse00webe
Opera in London: Views of the Press, 1785-1830
By Theodore Fenner[1]
Bosman, 1928: pp 218,
Go to ESAT Bibliography
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