Difference between revisions of "Deborah"

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Two other versions of the Mosenthal play opened in 1864: '''''[[Deborah, or The Jewish Outcast]]''''', written  by an unnamed author,  opened at the Grecian Theatre, Hoxton, in February while '''''[[Deborah, the Forsaken, or The Jewish Maiden's Wrong!]]''''' by Charles Smith Cheltnam ()[], opened at the Royal Victoria Theatre in Waterloo in July.   
 
Two other versions of the Mosenthal play opened in 1864: '''''[[Deborah, or The Jewish Outcast]]''''', written  by an unnamed author,  opened at the Grecian Theatre, Hoxton, in February while '''''[[Deborah, the Forsaken, or The Jewish Maiden's Wrong!]]''''' by Charles Smith Cheltnam ()[], opened at the Royal Victoria Theatre in Waterloo in July.   
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== Performance history in South Africa ==
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== Sources ==
  
 
Nadia Valman. 2007. ''The Jewess in Nineteenth-Century British Literary Culture'', Cambridge University Press: p.34-39[https://books.google.co.za/books?id=Qcm38iPJyMkC&pg=PA34&lpg=PA34&dq=Leah+the+Forsaken,+or+The+Jewish+Maiden%27s+Wrongs+is+a+play+by+Augustine+Daly&source=bl&ots=F6ke52AQRx&sig=ACfU3U2NlOZ_uCiCQdipR7MLI0xgRPOTew&hl=en&sa=X&ved=2ahUKEwjbsda7oK7nAhVJ1hoKHSoFBo4Q6AEwAXoECAoQAQ#v=onepage&q=Leah%20the%20Forsaken%2C%20or%20The%20Jewish%20Maiden's%20Wrongs%20is%20a%20play%20by%20Augustine%20Daly&f=false]
 
Nadia Valman. 2007. ''The Jewess in Nineteenth-Century British Literary Culture'', Cambridge University Press: p.34-39[https://books.google.co.za/books?id=Qcm38iPJyMkC&pg=PA34&lpg=PA34&dq=Leah+the+Forsaken,+or+The+Jewish+Maiden%27s+Wrongs+is+a+play+by+Augustine+Daly&source=bl&ots=F6ke52AQRx&sig=ACfU3U2NlOZ_uCiCQdipR7MLI0xgRPOTew&hl=en&sa=X&ved=2ahUKEwjbsda7oK7nAhVJ1hoKHSoFBo4Q6AEwAXoECAoQAQ#v=onepage&q=Leah%20the%20Forsaken%2C%20or%20The%20Jewish%20Maiden's%20Wrongs%20is%20a%20play%20by%20Augustine%20Daly&f=false]
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[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
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[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.203-205
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[PLAYS I: Original SA plays]]
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Return to [[PLAYS II: Foreign plays]]
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Return to [[PLAYS III: Collections]]
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Return to [[PLAYS IV: Pageants and public performances]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
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Return to [[The ESAT Entries]]
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Return to [[Main Page]]
 +

Revision as of 07:07, 1 February 2020

Deborah is a German play by Salomon Hermann Mosenthal ()[]

The original text

Based on the story of "Rebecca" in Sir Walter Scott's famous novel Ivanhoe, Mosenthal's version was first performed in Vienna in 1849.

Translations and adaptations

Besides many other theatrical works based on Ivanhoe, there were a number of English versions of Mosenthal's play.

Leah, the Forsaken by Augustin Daly ()[] was the first English version. Originally performed in New York in 1862, followed by a run in the Adelphi Theatre, London during 1863-4, it became immensely popular. (Also found as Leah the Forsaken, or The Jewish Maiden's Wrongs or simply Leah).

Two other versions of the Mosenthal play opened in 1864: Deborah, or The Jewish Outcast, written by an unnamed author, opened at the Grecian Theatre, Hoxton, in February while Deborah, the Forsaken, or The Jewish Maiden's Wrong! by Charles Smith Cheltnam ()[], opened at the Royal Victoria Theatre in Waterloo in July.

Performance history in South Africa

Sources

Nadia Valman. 2007. The Jewess in Nineteenth-Century British Literary Culture, Cambridge University Press: p.34-39[1]

D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page